Page [4] blank. Cover title. At head of text: Fragment of works of which the author wishes the remainder. Poetry and prose. Suggested range of publication dates from internal evidence.
Printed in blue and red.
Broadsheet printed on glossy white card stock in postard format On recto reproducto reproduction of photograph in blue of carving of the damned being tortured, captioned in red: Conques if you love Jesus Title from verso
A satire in verse about a pro-temperance printer in Taunton, Mass., and his associates. Caption title. In two columns separated by vertical rule; double rule at top, also under caption title. At end of text: woodcut (sentry with drawn curved sword, and gateway, with words: Constitution, justice, wisdom, moderation) First line: Good neighbors, all attend to me.
sung by Dan Bryant, at Bryants' Minstrels. Without music. Within a decorative pictorial border.
Poetry and prose. Broadsheet; folded to create [6] pages. Playbill for performance of the Friday Knights of the Providence Art Club entitled: Halls of Friday. On page [1] mock seal of Burleigh College, four scenes in outline of goblet. Parody of commencement exercises of Brown University, called Burleigh College.
Printed in black and green on cream paper within double-line green border; initial block in green. Sentence at head of title in full: Daniel L. Cady, author of three books of "Rhymes of Vermont Rural Life," decides to erect a granite mausoleum on Hardback Hill, West Windsor, where to inurn his ashes. Poem in two eight-line stanzas. At end of text: Windsor House, Sept. 26, 1928. Of this broadside there are 30 copies of which this is Number [blank] Author's name from ms. signature, followed by printed word "Author," on Brown University copy. Place of publication and publisher from dealer when Brown University copy was acquired; Coates was editor and printer at Driftwind Press.
Title from first line.
Poetry in five four-line stanzas. Type-signed at end: M. McDonough.
This annual fall concert was devoted to student choreography and also provided faculty mentoring for student designers. The student choreographers for this show were: Nadia Hannan, Zoe Henry, Emma Russo, Rosemary Le, Aisha Cannon, Michelle Le, Rosemary Le, Jack Grabow, Anna Byon, Michael Kim, Cara Mund, Shiyu "Rhyme" Lu, Jessie LaFargue, Alison Murphy, Cameron Donald, Amanda Chew, Korama Danquah, Sara David, Polina Godz, Nancy Holt, Bella Okiddy, Katherine Xiong. This annual fall concert was devoted to student choreography and also provided faculty mentoring for student designers. The student choreographers for this show were: Nadia Hannan, Zoe Henry, Emma Russo, Rosemary Le, Aisha Cannon, Michelle Le, Rosemary Le, Jack Grabow, Anna Byon, Michael Kim, Cara Mund, Shiyu "Rhyme" Lu, Jessie LaFargue, Alison Murphy, Cameron Donald, Amanda Chew, Korama Danquah, Sara David, Polina Godz, Nancy Holt, Bella Okiddy, Katherine Xiong. Ashamu Dance Studio, Lyman Hall Brown University's Department of Theatre Arts and Performance Studies presents Fall Dance Concert, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
This concert was the first in which most of the choreographers also represented extra-curricular student groups, including Attitude Dance Company, Badmaash, What's On Tap?, Amira Bellydance Company, and Fusion Dance Company. Students from the faculty directed companies, Dance Extension (Julie Adams Strandberg) and New Works/World Tradition (Michelle Bach-Coulibaly) were also represented. The more than 14 student run companies on campus indicated the exciting growth of the dance program. A challenge of this shift--from individual choreographers to companies--was to continue to provide opportunities and venues for non-affiliated choreographers and performers. The student choreographers for this show were: Mark Brown II, Elena Albright, Rosalie Elkinton, Liviya Kraemer, Matt Bauman, Lauren Tucker, Talia Wong, Ananya Anand, Riana Dutt, Shweta Bhatt, Carol Siegel, Caroline Kleeman, Julie Siwicki, Elise Nuding, Bianca Neptune, Krystle Onibokun, Stephen Ursprung, Maire Siwicki. This concert was the first in which most of the choreographers also represented extra-curricular student groups, including Attitude Dance Company, Badmaash, What's On Tap?, Amira Bellydance Company, and Fusion Dance Company. Students from the faculty directed companies, Dance Extension (Julie Adams Strandberg) and New Works/World Tradition (Michelle Bach-Coulibaly) were also represented. The more than 14 student run companies on campus indicated the exciting growth of the dance program. A challenge of this shift--from individual choreographers to companies--was to continue to provide opportunities and venues for non-affiliated choreographers and performers. The student choreographers for this show were: Mark Brown II, Elena Albright, Rosalie Elkinton, Liviya Kraemer, Matt Bauman, Lauren Tucker, Talia Wong, Ananya Anand, Riana Dutt, Shweta Bhatt, Carol Siegel, Caroline Kleeman, Julie Siwicki, Elise Nuding, Bianca Neptune, Krystle Onibokun, Stephen Ursprung, Maire Siwicki. Ashamu Dance Studio, Lyman Hall Brown University's Department of Theatre Arts and Performance Studies presents Body & Sole's Fall Dance Concert 2009, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
A highlight of this program was the premiere of 1992 alumna Laura Bennett's quartet, "Jehovah's Watch” with a 2012 score by Eric Sawyer composed to poetry by Emily Dickinson. Dance Extension, directed by Julie Adams Strandberg, performed the piece three of the four nights. Guest company Dancing Legacy performed at the fourth performance. Guest artists, Sarah Pelletier (soprano) and Lois Shapiro (piano) performed live, with Pelletier moving throughout the dance. Dance Extension was also seen in Strandberg's "Ice Images," Carla Maxwell's "Etude," Emily Beattie's "Shadowland," and Brandon Shaw's "The Best Advice My Grandma Ever Gave Me." The alumni choreographer and the dances in which they performed for this show were: Laura Bennett '92, "Jehovah's Watch" A highlight of this program was the premiere of 1992 alumna Laura Bennett's quartet, "Jehovah's Watch” with a 2012 score by Eric Sawyer composed to poetry by Emily Dickinson. Dance Extension, directed by Julie Adams Strandberg, performed the piece three of the four nights. Guest company Dancing Legacy performed at the fourth performance. Guest artists, Sarah Pelletier (soprano) and Lois Shapiro (piano) performed live, with Pelletier moving throughout the dance. Dance Extension was also seen in Strandberg's "Ice Images," Carla Maxwell's "Etude," Emily Beattie's "Shadowland," and Brandon Shaw's "The Best Advice My Grandma Ever Gave Me." The alumni choreographer and the dances in which they performed for this show were: Laura Bennett '92, "Jehovah's Watch" Stuart Theatre, Faunce House Brown University's Department of Theatre Arts and Performance Studies and Sock & Buskin present the 2013 Festival of Dance, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
A hightlight of the program was the number of alumni who choreographed for this concert: Carol Abizaid '84 ("Civil Liberties" and "Cedars Falling"), Laura Bennett '92 ("Reverie"), Chris Elam '98 ("Heavy Train"), and Lauren Hale '02 ("Swept"). In addition to appearing in "Reverie" and "Swept," Dance Extension, directed by Julie Adams Strandberg appeared in "Troika Ranch's "16 (R)evolutions." Troika Ranch, directed by choreographer Dawn Stoppiello and composer and video designer Mark Conilgio, was at the forefront of integrating technology with live performance. Annamaura Silverblatt's "His Mother" and Michelle Bach-Coulibaly's "Dreamscapes From The Famished Road" completed the program. In her producer's note, Bach-Coulibaly's spoke of her sense of urgency and the whittling away of our freedoms and the role of the artist to ask difficult and unspoken questions. The alumni choreographers and the dances in which they performed for this show were: Carol Abizaid '84, "Civil Liberties", "Cedars Falling"| Laura Bennett '92, "Reverie"| Chris Elam '98, "Heavy Train"| Lauren Hale '02, "Swept" A hightlight of the program was the number of alumni who choreographed for this concert: Carol Abizaid '84 ("Civil Liberties" and "Cedars Falling"), Laura Bennett '92 ("Reverie"), Chris Elam '98 ("Heavy Train"), and Lauren Hale '02 ("Swept"). In addition to appearing in "Reverie" and "Swept," Dance Extension, directed by Julie Adams Strandberg appeared in "Troika Ranch's "16 (R)evolutions." Troika Ranch, directed by choreographer Dawn Stoppiello and composer and video designer Mark Conilgio, was at the forefront of integrating technology with live performance. Annamaura Silverblatt's "His Mother" and Michelle Bach-Coulibaly's "Dreamscapes From The Famished Road" completed the program. In her producer's note, Bach-Coulibaly's spoke of her sense of urgency and the whittling away of our freedoms and the role of the artist to ask difficult and unspoken questions. The alumni choreographers and the dances in which they performed for this show were: Carol Abizaid '84, "Civil Liberties", "Cedars Falling"| Laura Bennett '92, "Reverie"| Chris Elam '98, "Heavy Train"| Lauren Hale '02, "Swept" Stuart Theatre, Faunce House Brown University Theatre presents: Dance Ensemble Spring Concert, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
Concert features the Dance Extension premiere of David Parsons' "The Envelope." Choreographers Edisa Weeks and Cristina C. Fortenbaugh went on the have professional careers as performers and choreographers. A hightlight of the program was Julie Adams Strandberg's "Wandering Stars" with costumes and set designed by Jane Case, the composer, who played live. Julie Adams Strandberg's directors note recognized the important relationship between modern dance and the academy. Program includes six pages of ads from local merchants. The student choreographers for this show were: Emily Borman, A.R, Trotter, Julie Ikai, Cristina C. Fortenbaugh, Edisa Weeks, Jodi Falk, Paula Franklin. Concert features the Dance Extension premiere of David Parsons' "The Envelope." Choreographers Edisa Weeks and Cristina C. Fortenbaugh went on the have professional careers as performers and choreographers. A hightlight of the program was Julie Adams Strandberg's "Wandering Stars" with costumes and set designed by Jane Case, the composer, who played live. Julie Adams Strandberg's directors note recognized the important relationship between modern dance and the academy. Program includes six pages of ads from local merchants. The student choreographers for this show were: Emily Borman, A.R, Trotter, Julie Ikai, Cristina C. Fortenbaugh, Edisa Weeks, Jodi Falk, Paula Franklin. Faunce House Theatre Brown University Theatre presents The Brown Dance Ensemble in Concert, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
This concert was part of the 100th anniversary season of Sock and Buskin. New Works/World Traditions, directed by Michelle Bach-Coulibaly was featured in Bach-Coulibaly's "Tani" and "Flamma Flamma." Dance Extension, directed by Julie Adams Strandberg appeared in Strandberg's " "Dimensions," Danny Buraceski's "Buraceski Etude," Donna Jewell's "Madame Sand," Carla Maxwell's "Limon Etude," and Jack Cole's "Happy Endings Every Time." This latter piece was reconstructed by Danny Buraczeski on students from dance programs at four Rhode Island Colleges: Brown, Rhode Island College, Providence College, and Roger Williams University, and the dancers appeared on the concerts of each of the colleges. The 4-Colleges Dance Company appeared at the May 3rd matinee. The reconstruction was made possible through a program that gave a grant to each state to reconstruct a dance. Because of the small size of RI, instead of competing for the grant, the colleges came together with the knowledge that they would receive the grant. Guest artist Gleb Lyamenhoff, from Festival Ballet of Rhode Island, and alumna Laura Bennett '92 appeared in the "Dimension's" duet originally performed in 1983 by Julie Adams Strandberg and Winthrop Corey, founder and artistic director of Festival Ballet. The student choreographers for this show were: Jonathan Martin, Courtney Rowe, Ryan Smith, Kyle Shepard. The alumni choreographer and the dances in which they performed for this show were: Wendy Rein '99 (as part of RCJ Dance) This concert was part of the 100th anniversary season of Sock and Buskin. New Works/World Traditions, directed by Michelle Bach-Coulibaly was featured in Bach-Coulibaly's "Tani" and "Flamma Flamma." Dance Extension, directed by Julie Adams Strandberg appeared in Strandberg's " "Dimensions," Danny Buraceski's "Buraceski Etude," Donna Jewell's "Madame Sand," Carla Maxwell's "Limon Etude," and Jack Cole's "Happy Endings Every Time." This latter piece was reconstructed by Danny Buraczeski on students from dance programs at four Rhode Island Colleges: Brown, Rhode Island College, Providence College, and Roger Williams University, and the dancers appeared on the concerts of each of the colleges. The 4-Colleges Dance Company appeared at the May 3rd matinee. The reconstruction was made possible through a program that gave a grant to each state to reconstruct a dance. Because of the small size of RI, instead of competing for the grant, the colleges came together with the knowledge that they would receive the grant. Guest artist Gleb Lyamenhoff, from Festival Ballet of Rhode Island, and alumna Laura Bennett '92 appeared in the "Dimension's" duet originally performed in 1983 by Julie Adams Strandberg and Winthrop Corey, founder and artistic director of Festival Ballet. The student choreographers for this show were: Jonathan Martin, Courtney Rowe, Ryan Smith, Kyle Shepard. The alumni choreographer and the dances in which they performed for this show were: Wendy Rein '99 (as part of RCJ Dance) Stuart Theatre, Faunce House Brown University Theatre presents The Brown Dance Ensemble 2002 Spring Concert, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
A highlight of this concert was the number of guest artists: choreographers Robert Battle, Carolyn Dorfman, Eve Gentry, Danny Grossman, Yin Mei, and Brian Reeder| digital designer Tennesse Dixon| composer and live musician Tom Farrell, live musician Ralph Samuelson, and lighting designer Lea Xiao. The concert also featured visiting company Dancing Legacy in Danny Grossman's "Ecce Etude" performed by alumni Laura Bennett '92, Jude Sandy BA '05, MFA '09 and Kyle Shepard '04.. A highlight of this concert was the number of guest artists: choreographers Robert Battle, Carolyn Dorfman, Eve Gentry, Danny Grossman, Yin Mei, and Brian Reeder| digital designer Tennesse Dixon| composer and live musician Tom Farrell, live musician Ralph Samuelson, and lighting designer Lea Xiao. The concert also featured visiting company Dancing Legacy in Danny Grossman's "Ecce Etude" performed by alumni Laura Bennett '92, Jude Sandy BA '05, MFA '09 and Kyle Shepard '04.. Stuart Theatre, Faunce House Brown University Theatre presents Dance Ensemble Spring Concert, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
A highlight of this program was Kyle Shepard's '04 full-act work, "Dissolution" to Beethoven's Piano Sonata no. 23 in F Minor, that he had worked on over his final two years at Brown. The piece featured alumni who returned to campus to perform. Shepard's program note acknowledged the dancers who had been in the original cast and had played a role in shaping the dance. The student choreographers for this show were: Kyle Shepard, Aimee Palladino and Claudine Lott. The student choreographers for this show were: Kyle Shepard, Aimee Palladino, Claudine Lott. The alumni choreographer and the dances in which they performed for this show were: Chad Ebesutani '03, "Insomnia" A highlight of this program was Kyle Shepard's '04 full-act work, "Dissolution" to Beethoven's Piano Sonata no. 23 in F Minor, that he had worked on over his final two years at Brown. The piece featured alumni who returned to campus to perform. Shepard's program note acknowledged the dancers who had been in the original cast and had played a role in shaping the dance. The student choreographers for this show were: Kyle Shepard, Aimee Palladino and Claudine Lott. The student choreographers for this show were: Kyle Shepard, Aimee Palladino, Claudine Lott. The alumni choreographer and the dances in which they performed for this show were: Chad Ebesutani '03, "Insomnia" Stuart Theatre, Faunce House Brown University Theatre and Body & Sole present Commencement Dance Concert, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
This concert featured New Works, World Traditions, directed by Michelle Bach-Coulibaly, in "Flamma, Flamma," choreographed by Bach-Coulibaly, and in "Sewadon" choreographed by Bach-Coulibaly in collaboration with tradtional Malian artisans, M'Ba Traore, Seydou Coulibaly, Salimata Soumanou, Ibrahima Doumbia. Bach-Coulibaly’s Mande Dance program is a model of dance in the academy in which learning Mande dance is inseparable from learning about Mande culture.The program also sponsors student travel to Mali and engages with members of the broader Rhode Island community. Dance Extension, directed by Julie Adams Strandberg, were seen in Robert Battle's "Rush Hour," Anne-Alex Packard's "Angels in the Attic," and local artisit, Annamaura Silverblatt's "Song Of Miriam." Silverblatt was assisted by Ryan Smith '02. Student choreographers Kyle Shepard '04, Hentyle Yapp ' '03, and Chad Ebustani '03 also presented pieces. Guest choreographer, Yin Mei performed "Asunder" on two of the nights with student Kyle Shepard. The student choreographers for this show were: Chad Ebesutati, Kyle Shepard, Hentyle Yapp. This concert featured New Works, World Traditions, directed by Michelle Bach-Coulibaly, in "Flamma, Flamma," choreographed by Bach-Coulibaly, and in "Sewadon" choreographed by Bach-Coulibaly in collaboration with tradtional Malian artisans, M'Ba Traore, Seydou Coulibaly, Salimata Soumanou, Ibrahima Doumbia. Bach-Coulibaly’s Mande Dance program is a model of dance in the academy in which learning Mande dance is inseparable from learning about Mande culture.The program also sponsors student travel to Mali and engages with members of the broader Rhode Island community. Dance Extension, directed by Julie Adams Strandberg, were seen in Robert Battle's "Rush Hour," Anne-Alex Packard's "Angels in the Attic," and local artisit, Annamaura Silverblatt's "Song Of Miriam." Silverblatt was assisted by Ryan Smith '02. Student choreographers Kyle Shepard '04, Hentyle Yapp ' '03, and Chad Ebustani '03 also presented pieces. Guest choreographer, Yin Mei performed "Asunder" on two of the nights with student Kyle Shepard. The student choreographers for this show were: Chad Ebesutati, Kyle Shepard, Hentyle Yapp. Stuart Theatre, Faunce House Brown University Theatre & The Department of Theatre, Speech and Dance present Brown Dance Ensemble Spring Concert 2003, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
This concert highlighted the diversity of the dance program and included classical ballet, tap, movement theatre, lyrical modern dance, a stilt walker, The Dogon Dama, and a historical work by Eve Gentry. Undergraduate choreographers Jessica Gaynor and Chris Elam would go on to have distinguished careers in the dance field. Kate Solmsenn, choreographer of "Myth of the Pleides," was a Resumed Undergraduate Education (RUE) student. Many RUE students have been dancers who, like Kate, enriched the dance program by sharing their experiences as professional dancers with their younger undergraduate classmates. Dance Extension, directed by Julie Adams Strandberg, was featured in Anne-Alex Packard's "Angels in the Attic," Eve Gentry's 1938 "Tenant of the Street," and David Parsons', "The Envelope." This concert was followed by Act III in the Ashamu Dance Studio on Friday and Saturday nights to highlight experimental student works and included Peter Glantz, Jason Yost, Vanessa Jacobson, Kate James, Sarah Leddy, Nick Yagoda, and others. Julie Adams Strandberg's director's note encouraged audiences to trust themselves to understand dance. The program also included a note about the mission of The American Dance Legacy Institute (ADLI), co-founded by Carolyn Adams and Julie Adams Strandberg. ADLI lives on through dance-based programming at the Brown University Library and off-campus through Dancing Legacy, an organization that invites anyone to engage with American dance as a cultural asset relevant to all. The student choreographers for this show were: Leigh Fitzgerald, Mirian Freidel, Jessica Gaynor, Chris Elam, Alison Williams, Kate Solmssen, Cara Murray, Miriam Ryvicker The student choreographers for this show were: Leigh Fitzgerald, Mirian Freidel, Jessica Gaynor, Chris Elam, Alison Williams, Kate Solmssen, Cara Murray, Miriam Ryvicker. This concert highlighted the diversity of the dance program and included classical ballet, tap, movement theatre, lyrical modern dance, a stilt walker, The Dogon Dama, and a historical work by Eve Gentry. Undergraduate choreographers Jessica Gaynor and Chris Elam would go on to have distinguished careers in the dance field. Kate Solmsenn, choreographer of "Myth of the Pleides," was a Resumed Undergraduate Education (RUE) student. Many RUE students have been dancers who, like Kate, enriched the dance program by sharing their experiences as professional dancers with their younger undergraduate classmates. Dance Extension, directed by Julie Adams Strandberg, was featured in Anne-Alex Packard's "Angels in the Attic," Eve Gentry's 1938 "Tenant of the Street," and David Parsons', "The Envelope." This concert was followed by Act III in the Ashamu Dance Studio on Friday and Saturday nights to highlight experimental student works and included Peter Glantz, Jason Yost, Vanessa Jacobson, Kate James, Sarah Leddy, Nick Yagoda, and others. Julie Adams Strandberg's director's note encouraged audiences to trust themselves to understand dance. The program also included a note about the mission of The American Dance Legacy Institute (ADLI), co-founded by Carolyn Adams and Julie Adams Strandberg. ADLI lives on through dance-based programming at the Brown University Library and off-campus through Dancing Legacy, an organization that invites anyone to engage with American dance as a cultural asset relevant to all. The student choreographers for this show were: Leigh Fitzgerald, Mirian Freidel, Jessica Gaynor, Chris Elam, Alison Williams, Kate Solmssen, Cara Murray, Miriam Ryvicker The student choreographers for this show were: Leigh Fitzgerald, Mirian Freidel, Jessica Gaynor, Chris Elam, Alison Williams, Kate Solmssen, Cara Murray, Miriam Ryvicker. Stuart Theatre, Faunce House Brown University Theatre / Sock And Buskin present the Dance Ensemble Spring Concert, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
This 30th anniversary concert was dedicated to James O. Barnhill, founding artistic director, and John R. Lucas, founding technical director of Brown Theatre. Highlights of the program included New Works/World Traditions in Michelle Bach-Coulibaly's "Domba|" the debut of a new student run company, What's On Tap| student run RCJ in "post/you," and student run Fusion Dance Company in "My Name is Prince." This program marks the first time choreographers Ryan Smith, Courtney Rowe, and Jonathan Martin are credited as RCJ, a student run company, named for the initials of their first names, who had been choreographing together since their first year. Dance Extension, directed by Julie Adams Strandberg performed Strandberg's "Ice Images" (1986), Andonis Foniadakis' "Aurore Boreale," Carolyn Dorfman's "Portrait" (1996), Annamaura Silverblatt's "Narcissus," and Amy Heerema's "Ode To American Legion Post #13 (1991). Strandberg's director's note provided a brief retrospective of the dance program. The student choreographers for this show were: Lauren Hale, Jonathan Martin, Courtney Rowe, Ryan Smith, Catherine Wong, Leigh Fitzgerald, Miriam Friedel, Alison Friedman, Monica Herrara, Jonah Rosen, Kate Solmssen, Jessica Gaynor. The alumni choreographer and the dances in which they performed for this show were: Amy Heerema '93, "Ode to American Legion Post #13" This 30th anniversary concert was dedicated to James O. Barnhill, founding artistic director, and John R. Lucas, founding technical director of Brown Theatre. Highlights of the program included New Works/World Traditions in Michelle Bach-Coulibaly's "Domba|" the debut of a new student run company, What's On Tap| student run RCJ in "post/you," and student run Fusion Dance Company in "My Name is Prince." This program marks the first time choreographers Ryan Smith, Courtney Rowe, and Jonathan Martin are credited as RCJ, a student run company, named for the initials of their first names, who had been choreographing together since their first year. Dance Extension, directed by Julie Adams Strandberg performed Strandberg's "Ice Images" (1986), Andonis Foniadakis' "Aurore Boreale," Carolyn Dorfman's "Portrait" (1996), Annamaura Silverblatt's "Narcissus," and Amy Heerema's "Ode To American Legion Post #13 (1991). Strandberg's director's note provided a brief retrospective of the dance program. The student choreographers for this show were: Lauren Hale, Jonathan Martin, Courtney Rowe, Ryan Smith, Catherine Wong, Leigh Fitzgerald, Miriam Friedel, Alison Friedman, Monica Herrara, Jonah Rosen, Kate Solmssen, Jessica Gaynor. The alumni choreographer and the dances in which they performed for this show were: Amy Heerema '93, "Ode to American Legion Post #13" Stuart Theatre, Faunce House Brown University Theatre / Sock & Buskin present Spring Dance Concert 2000 Thirty Years of Dance: 1970-2000, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
Within heavy single line border Program with text of Beethoven's "Adelaide" translated by John S. Dwight
Within heavy single line border Program with text of Beethoven's "Adelaide" translated by John S. Dwight
This program featured the first group of students who inspired the establishment of dance as an academic subject at Brown University. Julie Strandberg is listed as advisor. Kathy Eberstadt| Billy Siegenfeld, and Ruby Shang continued to have distnguished careers as professional dancer/choreographer/educators. Patricia Schwadron remained in the arts field. John Lee Beatty, a Tony Award winner for set desgin, designed the poster for the concert. The student choreographers for this show were: Patricia Schwadron, Kathy Eberstadt, Joy Javits, Karen Raagland, Billy Siegenfeld, Ruby Shang. This program featured the first group of students who inspired the establishment of dance as an academic subject at Brown University. Julie Strandberg is listed as advisor. Kathy Eberstadt| Billy Siegenfeld, and Ruby Shang continued to have distnguished careers as professional dancer/choreographer/educators. Patricia Schwadron remained in the arts field. John Lee Beatty, a Tony Award winner for set desgin, designed the poster for the concert. The student choreographers for this show were: Patricia Schwadron, Kathy Eberstadt, Joy Javits, Karen Raagland, Billy Siegenfeld, Ruby Shang. Faunce House Theatre Brown University presents The Modern Dance Group in Concert, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
