by Charlotte Perkins Stetson. Within ornamental borders at top and bottom on pages [3]-[4] and at bottom on page [2]; ribbon decoration on pages[1] and [2] Cover title. Poem in 17 four-line stanzas. Suggested range of publication dates from internal evidence.
Printed on pink silk.
Printed on speckled grey paper. Tune: Captain Jenks. At head of title: Written in honor of ex-Mayor Wightman of Boston, at the dinner given to the winner of the Centennial game.
1 broadsheet. Advertising card for Clark's Mile-End Spool Cotton. Colored illustration of birds and nest frames poem in three stanzas. On verso advertising printed in blue for Clark's thread. Date from internal evidence.
words and music by Florence Reed Howard. For voice and piano. Caption title. Pages 1-4 are unnumbered. Cover illustration: Statue of Liberty / V.R. Vance.
Melody: Tramp, tramp.
By E.R. Collins. Printed on pinkish paper within double-line border with ornamental corners. Poem in four four-line stanzas. At end of text: Respectfully inscribed to the Misses R.H. by the author. Published by George Meeker. Suggested place of publication from mention of Springfield in another poem by the same author and publisher. Suggested range of publication dates from internal evidence.
Poetry. Printed area measures 17.4 x 13.5 cm. John Anderson my jo, here in five stanzas of eight lines each, is attributed in part to Robert Burns; the basis is an old Scottish song. Text printed in two columns divided by line of advertising with type ornaments at each end: Sold Wholesale and Retail, on Cross-Street, near Mercantile Wharf. William Rutter's store was located on Cross Street from 1829 to 1834. Not in Checklist Amer. imprints or Ford.
At head of title hand-colored wood-engraving of boy drinking from bucket at well. Poem in two eight-line stanzas with two-line refrain beginning: The old oaken bucket, the iron-bound bucket. Author's name not on item. Suggested range of publication dates from internal evidence.
Julie Adams Strandberg's director's note celebrated three guest choreographers: Carolyn Dorfman, Lila York, and alumna Jodi Falk '86, and welcomed Michelle Bach to the dance faculty. Highlights of tje concert included "The Ring" by Lila York, "Plato's Cart" by Julie Adams Strandberg, "After The Fall" and "Swiatawid" by Michelle Bach with music performed live by local musician Ron Schmitt, and "Lifeline" by Carolyn Dorfman. Four pages of ads by local merchants, demonstrating community support for Brown theatre. The student choreographers for this show were: Sarah Lederberg. The alumni choreographer and the dances in which they performed for this show were: Jodi Falk '86, "Dropstitch" Julie Adams Strandberg's director's note celebrated three guest choreographers: Carolyn Dorfman, Lila York, and alumna Jodi Falk '86, and welcomed Michelle Bach to the dance faculty. Highlights of tje concert included "The Ring" by Lila York, "Plato's Cart" by Julie Adams Strandberg, "After The Fall" and "Swiatawid" by Michelle Bach with music performed live by local musician Ron Schmitt, and "Lifeline" by Carolyn Dorfman. Four pages of ads by local merchants, demonstrating community support for Brown theatre. The student choreographers for this show were: Sarah Lederberg. The alumni choreographer and the dances in which they performed for this show were: Jodi Falk '86, "Dropstitch" Faunce House Theatre The Brown University Department of Theatre, Speech and Dance presents The Brown Dance Ensemble in Concert, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
This concert featured two works by director Julie Adams Strandberg, "Dimensions," inspired by Edwin Abbott's novella "Flatland: A Romance of Many Dimensions"and "The Hypercube," a film by math professor Tom Banchoff and "Ice Images," a men's duet inspired by "Men in the Cities," photographs by Robert Longo. The program also included associate director Margaret Doner's solo, "Widow's Walk." and works by guest choreographers Marcus Shulkind and David Parsons. Julie Adams Strandberg's directors note was dedicated to the memory of Carl Andrew Hardy '75. Six pages of ads from the Brown Bookstore, Squires Salon, Squire Cleansers and Tailors, and Jo-Art copy| local eateries the Taco Maker| D'angelo's, Peaberry's, Meeting Street Cafe, Andreas, and off Thayer Street merchants, many appearing for multiple years, including Adler's, Chez Lenore New Interiors, Narragansett Lumber Company, Renaissance of Hair, and Creative Typsetting, Inc. The student choreographers for this show were: Leslie Findlen, Rebecca Crowley Parkhill, Maria St. John, Cristina C. Fortenbaugh, Aleta Margolis, Jennifer Perlman, Almon Grimstead, Sarah Boyd-Blair The student choreographers for this show were: Leslie Findlen, Rebecca Crowley Parkhill, Maria St. John, Cristina C. Fortenbaugh, Aleta Margolis, Jennifer Perlman, Almon Grimstead, Sarah Boyd-Blair. This concert featured two works by director Julie Adams Strandberg, "Dimensions," inspired by Edwin Abbott's novella "Flatland: A Romance of Many Dimensions"and "The Hypercube," a film by math professor Tom Banchoff and "Ice Images," a men's duet inspired by "Men in the Cities," photographs by Robert Longo. The program also included associate director Margaret Doner's solo, "Widow's Walk." and works by guest choreographers Marcus Shulkind and David Parsons. Julie Adams Strandberg's directors note was dedicated to the memory of Carl Andrew Hardy '75. Six pages of ads from the Brown Bookstore, Squires Salon, Squire Cleansers and Tailors, and Jo-Art copy| local eateries the Taco Maker| D'angelo's, Peaberry's, Meeting Street Cafe, Andreas, and off Thayer Street merchants, many appearing for multiple years, including Adler's, Chez Lenore New Interiors, Narragansett Lumber Company, Renaissance of Hair, and Creative Typsetting, Inc. The student choreographers for this show were: Leslie Findlen, Rebecca Crowley Parkhill, Maria St. John, Cristina C. Fortenbaugh, Aleta Margolis, Jennifer Perlman, Almon Grimstead, Sarah Boyd-Blair The student choreographers for this show were: Leslie Findlen, Rebecca Crowley Parkhill, Maria St. John, Cristina C. Fortenbaugh, Aleta Margolis, Jennifer Perlman, Almon Grimstead, Sarah Boyd-Blair. Faunce House Theatre The Brown Dance Ensemble in Concert, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
1 broadsheet.
Thomas Fitzsimmons. Olive green paper printed in black in two columns. Poem in four stanzas of varying length. "A free poem."
At end of text: M.M.T.
Maurice. Pages [1] and [4] blank. Caption title. At head of text: The bronze statue of Dr. N. Bowditch, translator of the Mécanique céleste, etc., modelled by Ball Hughes, Esquire (and cast by Messrs. Hooper & Co.), was, on its way to Mount Auburn, placed for a while, at the hour of high 'Change, in State Street, Boston, where the living subject was, when amongst us, so well known. Poem is signed: Maurice. Boston, June 16, '47. Imprint information from notes following poem.
Printed on yellow paper. Within double line border.
Printed on yellow paper. Within double line border.
Without music. Caption title: The British. On p. 3: Composed in May and copyrighted in Canada July 1914, by Caleb Kinnee. Page [4] blank. Printed in blue within single line border. Includes quotations from Goldsmith and from Rev. H.F. Lyte, "Anglician [sic]".
Poetry. Printed in two columns divided by line of type ornaments; line of type ornaments between poems. Printed area measures: 22.2 x 16.9 cm. At end of text below line of type ornaments: Printed and sold at the Book-Store and Printing-Office, Middle-street, Newburyport. Where may be had books, stationary [sic], verses, &c. This edition not in Evans or Shaw/Shoemaker. Internal evidence suggests approximate date. Middle Street was the address of printer Angier March to 1799 and printer John Gilman between 1805 and 1810.
Poetry. Type-signed at end: Sidney Wallach. Initial letters spell out "David B. Steinman." Suggested range of publication dates from internal evidence; Brown University copy acquired in 1955.
At head of text: By Miss Sarah Radcliff a graduate of the Perkins Institute, Boston. Dedicated to her friend Miss A.P. Terry.
At head of text: By Miss Sarah Radcliff a graduate of the Perkins Institute, Boston. Dedicated to her friend Miss A.P. Terry.
Pages [3] and [4] blank. Within double line border. At end of text: May 4th, 1854.
Pages [3] and [4] blank. Within double line border. At end of text: May 4th, 1854.
Pages [3] and [4] blank. Within double line border. At end of text: May 4th, 1854.
Within single line border.
Portrait of "Whistler's Mother" tipped in at head of title.
lyric by Raymond Egan ; music by Richard A. Whiting. For voice and piano. Caption title. Advertisement for "Don't try to steal the sweetheart of a soldier": p. [4] Cover illustration: drawing of mother and child with image of battleship.
lyric by Raymond Egan ; music by Richard A. Whiting. For voice and piano. Caption title. Advertisement for "Don't try to steal the sweetheart of a soldier": p. [4] Cover illustration: drawing of mother and child with image of battleship.
