One of a series of 6 (of 20?) colored engraved plates copied with variations, apparently from "Abbildung der russisch Kaiserlichen Hilfstruppern welche im Monathe December 1798 in der Gegend von Brünn gelagert waren', published by Mollo, Vienna; each shows single figure in uniform or military costume, outdoors and has manuscript caption. [See also: A Grenadier, A Calmuck, An officer of Grenadiers, an officer of Cossacks, a private of Cossacks.] One of a series of 6 (of 20?) colored engraved plates copied with variations, apparently from "Abbildung der russisch Kaiserlichen Hilfstruppern welche im Monathe December 1798 in der Gegend von Brünn gelagert waren', published by Mollo, Vienna; each shows single figure in uniform or military costume, outdoors and has manuscript caption. [See also: A Grenadier, A Calmuck, An officer of Grenadiers, an officer of Cossacks, a private of Cossacks.] Upright, one of 3 matted together; margins severely trimmed; yellowed; creased. London, Spencer, 1953.

Lithograph by Giller; bust portrain in uniform. Lithograph by Giller; bust portrain in uniform. Upright, matted folio; margins entirely trimmed away; foxed.

Hand-colored aquatint (probably after Dighton); mounted figure in military costume with lance in hand, facing left, small mounted figures with lances in background. Hand-colored aquatint (probably after Dighton); mounted figure in military costume with lance in hand, facing left, small mounted figures with lances in background. Upright medium folio, matted; margins entirely trimmed away; soiled, stained, worn. London, Spencer, 1953.

Original wash drawing on paper mounted on board, initialed 'HMP'; King Edward VII shaking officer's hand outside barracks, surrounded by officers and soldiers on parade. Original wash drawing on paper mounted on board, initialed 'HMP'; King Edward VII shaking officer's hand outside barracks, surrounded by officers and soldiers on parade. For The Graphic, February 3, 1900. London, Maggs, 1998.

A Mark IV male tank of the 7th Battalion, Tank Corps has broken down. A corporal of the 7th Tanks converses with a "Don R" of the divisional signals company, Royal Engineers, 25th Division. A Mark IV male tank of the 7th Battalion, Tank Corps has broken down. A corporal of the 7th Tanks converses with a "Don R" of the divisional signals company, Royal Engineers, 25th Division. Watercolor mounted on board with blue paper covers bearing business card of artist pasted down.

Wash and watercolor drawing signed by Simpson; soldier about to be attacked, saved by colleague (Lieut. Ralph Fisher-Childe), battle in background From an album compiled by Simpson entitled 'Original sketches made in Afghanistan during the campaign of 1878-79 with the Peshawer Field Force'. Reproduced in the Illustrated london News, May 17, 1879. Wash and watercolor drawing signed by Simpson; soldier about to be attacked, saved by colleague (Lieut. Ralph Fisher-Childe), battle in background From an album compiled by Simpson entitled 'Original sketches made in Afghanistan during the campaign of 1878-79 with the Peshawer Field Force'. Reproduced in the Illustrated london News, May 17, 1879. Large upright folio. London, Walter Spencer, 1953 Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

Unsigned crude original watercolor; rifleman in undress uniform holding hand of woman in Maltese dress, harbor (Valetta?) in background. Unsigned crude original watercolor; rifleman in undress uniform holding hand of woman in Maltese dress, harbor (Valetta?) in background. Small upright, matted; no margins; creased. N.Y., Rockman Prints, 1949.

2 of a collection of 4 pencil and wash drawings, signed with monogram, by Schönberg; four mounted figures riding over rough terrain, wild dogs and birds in top left; (and) two shepherds seated by small hillock with sheep and a dog, two soldiers with rifles and bayonets in background 2 of a collection of 4 pencil and wash drawings, signed with monogram, by Schönberg; four mounted figures riding over rough terrain, wild dogs and birds in top left; (and) two shepherds seated by small hillock with sheep and a dog, two soldiers with rifles and bayonets in background Published in the Illustrated London News, November 10, 1877, page 448-449; (and) October 13, 1877, page 357. London, Charles J. Sawyer, 1969.

Napoleon stands in the center of this image that represents the evil genii of war. He stands in a confident pose and with his gloved hand points at a pile of cannon balls in the right foreground, labeled, "Forse, meat Balls for the Lads of Paris." He is flanked by Plunder, a ragged Spanish don on his right, and by a savage figure who brandishes a large dripping knife and carries a noose. These two figures are identified in an inscription under the image as, "Capt. of Starved Banditty of the Alps, Ad Camp. The aghast Emperor immediately behind Napoleon, Death (r.) and the Devil (l.) stand to direct his actions. This figure group is presided over by a the demon of war appearing in a flash of smoke and light. French soldiers stand in the distance; those on the right side of the image carry mismatched weapons and shout "Vive L'Empereur!" Napoleon stands in the center of this image that represents the evil genii of war. He stands in a confident pose and with his gloved hand points at a pile of cannon balls in the right foreground, labeled, "Forse, meat Balls for the Lads of Paris." He is flanked by Plunder, a ragged Spanish don on his right, and by a savage figure who brandishes a large dripping knife and carries a noose. These two figures are identified in an inscription under the image as, "Capt. of Starved Banditty of the Alps, Ad Camp. The aghast Emperor immediately behind Napoleon, Death (r.) and the Devil (l.) stand to direct his actions. This figure group is presided over by a the demon of war appearing in a flash of smoke and light. French soldiers stand in the distance; those on the right side of the image carry mismatched weapons and shout "Vive L'Empereur!" Although this print is not signed or dated, George and Broadley both suggest it was printed in May of 1815. While Broadley does not attribute a publisher or author to the image, George attributes it to W. Heath. Caption: Capt. of Starved Banditty from the Alps, Ad Camp,, The Aghast Emperor & his two Friends & Pillars of the State,, Butcher from Elba. Generalissimo

Engraving, 'Peint a Vienne par J: Chr: Brand 1779'. 'Portrait of eight men on horseback including Joseph II, Holy Roman Emperor, his brother Maximilian and his military advisers, all wearing uniform, in front of an overgrown construction, pointing towards the right background where there is group of foot soldiers' -- British Museum. An accompanying key (lacking) identifies the sitters with etchings of their faces taken from the main print: 1. L'Empereur Joseph II; 2. L'Archduc Maximilien; 3. Le Prince Albert de Saxe-Teschen; 4. Le Feld-Maréchal Comte de Lacy; 5. Le Feld-Maréchal Baron de Laudon; 6. Le Feld-Maréchel Comte de Haddick; 7. Le Prince Charles de Liechtenstein, Général de la Cavallerie; 8. Le Feld-Maréchal - Lieutenant Comte de Wurmser. Engraving, 'Peint a Vienne par J: Chr: Brand 1779'. 'Portrait of eight men on horseback including Joseph II, Holy Roman Emperor, his brother Maximilian and his military advisers, all wearing uniform, in front of an overgrown construction, pointing towards the right background where there is group of foot soldiers' -- British Museum. An accompanying key (lacking) identifies the sitters with etchings of their faces taken from the main print: 1. L'Empereur Joseph II; 2. L'Archduc Maximilien; 3. Le Prince Albert de Saxe-Teschen; 4. Le Feld-Maréchal Comte de Lacy; 5. Le Feld-Maréchal Baron de Laudon; 6. Le Feld-Maréchel Comte de Haddick; 7. Le Prince Charles de Liechtenstein, Général de la Cavallerie; 8. Le Feld-Maréchal - Lieutenant Comte de Wurmser. Oblong medium folio; margins. Paris, Robert Prouté, 1973.

Steel-engraving by J.B. Allen after Lami; view in Cour du Caroussel, showing military review in progress. Steel-engraving by J.B. Allen after Lami; view in Cour du Caroussel, showing military review in progress. Small oblong; margins trimmed; clean. N.Y., Rockman Prints, 1960.

Hand-colored etched caricature by Cruikshank after Woodward, published Feb. 24, 1799; 2 rows of comic militia and other figures. Hand-colored etched caricature by Cruikshank after Woodward, published Feb. 24, 1799; 2 rows of comic militia and other figures. Oblong folio, matted; margins trimmed; clean. N.Y., Rockman Prints, 1949.

composed by George William Warren. For piano. "Hodik Eg."--p. 3. Cover lith. illustration by Sarony, Major & Knapp: full-length figure of Elmer Ephraim Ellsworth surrounded by scrolls of 8 vignettes of various Civil War scenes.

Engraved caricature (published April 3rd, 1791 by Fores after Landeman); French officers trying with difficulty to teach infantry and musket evolutions to rows of Turkish soldiers, sultan (Selim III) looking on in foreground; accompanied by original wash drawing for the engraved caricature. Landmann (Landeman?) was professor of artillery and fortification at the Royal Military Academy at Woolwich from 1777 to 1815; he also held an appointment at the Royal Military School in Paris. Engraved caricature (published April 3rd, 1791 by Fores after Landeman); French officers trying with difficulty to teach infantry and musket evolutions to rows of Turkish soldiers, sultan (Selim III) looking on in foreground; accompanied by original wash drawing for the engraved caricature. Landmann (Landeman?) was professor of artillery and fortification at the Royal Military Academy at Woolwich from 1777 to 1815; he also held an appointment at the Royal Military School in Paris. Oblong folio, matted, margins trimmed; yellowed and slightly soiled. London, Redfern, 1956.

Original wash drawing (by Landeman?) for the engraved caricature; French officers trying with difficulty to teach infantry and musket evolutions to rows of Turkish soldiers, sultan (Selim III) looking on in foreground. Original wash drawing (by Landeman?) for the engraved caricature; French officers trying with difficulty to teach infantry and musket evolutions to rows of Turkish soldiers, sultan (Selim III) looking on in foreground. Oblong folio, matted, margins; soiled; pieces of take at top corners. London, Redfern, 1956.

Copper-engraving by Sullivan after Hogarth, published Decr. 31st 1750. '"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a chimney boy, a gin-seller whose emaciated baby reaches for a drink; in the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve), a wagon loaded with equipment follows the marching soldiers and, to right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill'. -- British Museum Copper-engraving by Sullivan after Hogarth, published Decr. 31st 1750. '"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a chimney boy, a gin-seller whose emaciated baby reaches for a drink; in the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve), a wagon loaded with equipment follows the marching soldiers and, to right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill'. -- British Museum

Hand-colored engraving, printed by Ryland; battle scene with mounted officer (Wellington) and trumpeter at center, wounded officer being carried off at right, battle-smoke, mountains in background. Hand-colored engraving, printed by Ryland; battle scene with mounted officer (Wellington) and trumpeter at center, wounded officer being carried off at right, battle-smoke, mountains in background. Large oblong folio, matted; margins. From 'The Stationer's Almanack', 1811.

Original unsigned ink drawing; soldiers of Highland regiment, some kilted, working and resting outside tents, 2 pipers at left playing, while boy dances reel. Original unsigned ink drawing; soldiers of Highland regiment, some kilted, working and resting outside tents, 2 pipers at left playing, while boy dances reel. Small oblong folio; no margins; slightly soiled and creased. N.Y., Rockman Prints, 1959.

Printed postcard; photograph of various bandsmen; letter on verso from Rudolph Sablo at the Air Corps Advance Flying School, Recruit Detackment, Tuskegee, Alabama Printed postcard; photograph of various bandsmen; letter on verso from Rudolph Sablo at the Air Corps Advance Flying School, Recruit Detackment, Tuskegee, Alabama Winchester, VA, Lorne Bair Rare Books, 2017 Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

2nd of set of watercolor drawings of caricature uniform figures, signed Charlie Payne or C.P.; uniform figure of lancer, facing forward, wearing sword and sleeved riding gloves. 2nd of set of watercolor drawings of caricature uniform figures, signed Charlie Payne or C.P.; uniform figure of lancer, facing forward, wearing sword and sleeved riding gloves. Small narrow upright folio, matted; margins; soiled. London, Parker Gallery, 1960.

Hand-colored etched caricature by Cruikshank after Woodward, numbered plate 64, page 14, published Feby. 18, 1797; recruiting officer with drummer and fifer at left talking to bumpkins at right. Hand-colored etched caricature by Cruikshank after Woodward, numbered plate 64, page 14, published Feby. 18, 1797; recruiting officer with drummer and fifer at left talking to bumpkins at right. Small upright folio, matted; margins trimmed; yellowed, lower left corner torn. N.Y., Rockman Prints, 1949.

Photogravure by Goupil & Co. after painting signed and dated 1888 by Shelton; upset of horse artillery team in battle. Photogravure by Goupil & Co. after painting signed and dated 1888 by Shelton; upset of horse artillery team in battle. Small oblong folio; plate mark, margins; slightly soiled. N.Y., Argosy, 1962.

Copper-engraved plate from magazine; full-length figure in uniform with gun, facing left. This engraving also appeared in 'An Impartial History of the War in America' by Edmund Burke (?) (London: printed for R. Faulder, 1780). [See also: Portrait & uniform of an American General; A real representation of the dress of an American Rifle-man] Copper-engraved plate from magazine; full-length figure in uniform with gun, facing left. This engraving also appeared in 'An Impartial History of the War in America' by Edmund Burke (?) (London: printed for R. Faulder, 1780). [See also: Portrait & uniform of an American General; A real representation of the dress of an American Rifle-man] Margins; slightly yellowed. New York, Argosy, 1950.

An angry mob crowds around a large birdcage in which Napoleon is perched. A limp eagle lies dead on the top of the cage over Napoleon's head. Heralded by a newsboy blowing a horn, the large cage is pulled through the street by two donkeys. No longer "boney," in this representation Napoleon is a short, pudgy man who wears a fool's cap and donkey ears in place of his hallmark cocked hat. In this satire he has been turned into the focus of the popular spectacle and is here a curiosity put on display for an audience made up of common English citizens. As the newsboy declares, one can have a peep at this oddity for a mere "Two Pence a Piece." (Strikingly, colored caricatures by artists such as Rowlandson sold for one shilling or more.) Alarmed by the violent behavior of the crowd, Napoleon raises his hands in protest and expresses concern that he will be skinned and boned like a fowl. Of the figures in the grotesqued crowd, a sailor and a woman brandishing shears take prominence. Both are concerned with meting out an appropriate punishment for Napoleon. While the Sailor suggests that he be brought to Dock Head, the woman offers, "I'll cut off his ears and I'll cut off his ___. I'll make a singing bird of him." On the left of the image, a menacing figure, identified through an inscription in his cap as "Doctor Leake," directs a large cylster pipe towards Napoleon's backside. His wide grin and bony face are mirrored in the appearance of a skeleton who leers at Napoleon from the opposite side of the cage. Young children also participate in the celebration. Echoing the behavior of the adults, the children jeer and throw objects at Napoleon. A bull dog has even joined to bark and bare its teeth. An angry mob crowds around a large birdcage in which Napoleon is perched. A limp eagle lies dead on the top of the cage over Napoleon's head. Heralded by a newsboy blowing a horn, the large cage is pulled through the street by two donkeys. No longer "boney," in this representation Napoleon is a short, pudgy man who wears a fool's cap and donkey ears in place of his hallmark cocked hat. In this satire he has been turned into the focus of the popular spectacle and is here a curiosity put on display for an audience made up of common English citizens. As the newsboy declares, one can have a peep at this oddity for a mere "Two Pence a Piece." (Strikingly, colored caricatures by artists such as Rowlandson sold for one shilling or more.) Alarmed by the violent behavior of the crowd, Napoleon raises his hands in protest and expresses concern that he will be skinned and boned like a fowl. Of the figures in the grotesqued crowd, a sailor and a woman brandishing shears take prominence. Both are concerned with meting out an appropriate punishment for Napoleon. While the Sailor suggests that he be brought to Dock Head, the woman offers, "I'll cut off his ears and I'll cut off his ___. I'll make a singing bird of him." On the left of the image, a menacing figure, identified through an inscription in his cap as "Doctor Leake," directs a large cylster pipe towards Napoleon's backside. His wide grin and bony face are mirrored in the appearance of a skeleton who leers at Napoleon from the opposite side of the cage. Young children also participate in the celebration. Echoing the behavior of the adults, the children jeer and throw objects at Napoleon. A bull dog has even joined to bark and bare its teeth. Published by R. Ackermann The sheet has been trimmed around the title. 1815-07-28 Caption: Pubd July 28th 1815 by R. Ackermann No 101 Strand Dialogue: Newsboy: "Just Caught a Ferocious Animal never Exhibited before in this Country commonly called the Corsican tyger or man destroyer to be seen for a short time for Two Pence a Piece." Dialogue: Napoleon: "Mort de ma vie-Dat be one Cossack in Petticoats she will soon skin and bone me." Dialogue: Sailor: "Once more my Dear Megg of Wapping We have got him under the Hatches and shiver my Timbers the only way to secure him is to send him to Dock Head." Dialogue: Magg: "I'll Dock Head and Dock Tail him. I'll cutt of his Ears I'll cut off his ___. I'll make a Singing Bird of him." Annotation: 251 [?] Annotation: 230 [struck through and circled] Annotation: NS/4 [?], TH264 [upside down] Annotation: 1409 [circled] , 30 [circled and struck through], 750 Collector's Mark: A Collector's Mark: [a triangle]

Watercolor signed by Simpson; column of troopers crossing a river at moonlight. From an album compiled by Simpson entitled 'Original sketches made in Afghanistan during the campaign of 1878-79 with the Peshawer Field Force'. Published in the Illustrated London News, 29 March, 1879, page 296. Watercolor signed by Simpson; column of troopers crossing a river at moonlight. From an album compiled by Simpson entitled 'Original sketches made in Afghanistan during the campaign of 1878-79 with the Peshawer Field Force'. Published in the Illustrated London News, 29 March, 1879, page 296. Large upright folio. London, Walter Spencer, 1953. Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

A Marine stands next to a tree and drinks from his canteen. Around him is debris from battle. A Marine stands next to a tree and drinks from his canteen. Around him is debris from battle. Title from ink inscription on verso. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.

1st of 2 hand-colored etched caricatures numbered 1 and 2 by and after Cruikshank, published Septr. 15, 1817; Caroline and Bergami arriving in landau with outriders including three black servants, etc. at British embassy, woman and child watching. Personages include William Austin, Caroline Amelia Elizabeth of Brunswick, Angelica Contessa Oldi, and Bartolomeo Pergami [See also: R-y-l condescension -- or a Foreign Minister astonished! -- April 1817]. 1st of 2 hand-colored etched caricatures numbered 1 and 2 by and after Cruikshank, published Septr. 15, 1817; Caroline and Bergami arriving in landau with outriders including three black servants, etc. at British embassy, woman and child watching. Personages include William Austin, Caroline Amelia Elizabeth of Brunswick, Angelica Contessa Oldi, and Bartolomeo Pergami [See also: R-y-l condescension -- or a Foreign Minister astonished! -- April 1817]. Oblong folio; margins trimmed close. N.Y., Walter Schatzki, 1958.

Original ink drawing, signed and dated by Stevenson; soldier standing beside large transport truck, shaving in rear-view mirror; other trucks and equipment in right background, dirigible in sky overhead; military censor stamp and typed description, along with artist's handwritten note and signature, on verso. Original ink drawing, signed and dated by Stevenson; soldier standing beside large transport truck, shaving in rear-view mirror; other trucks and equipment in right background, dirigible in sky overhead; military censor stamp and typed description, along with artist's handwritten note and signature, on verso. Stevenson enlisted in the U.S. Army Corps of Engineers in July 1941. He was one of the original soldier-artists at Fort Belvoir, VA. before accepting a position as a war artist in May 1943. In 1944 he was in southern England covering the preparations for the Normandy invasion and later depicted war damage in France and Germany. Gift of the artist 1994.

Hand-colored engraving by T. Jefferys after Blodget published February the 2d, 1756; illustration of map of river at left and 2 plans of forts, 2 panoramic bird's-eye views of first and second engagements of battle fought near British encampment. Appears in Jefferys' 'General topography of North America and the West Indies'. London: Printed for Robert Sayer, ... and Thomas Jefferys, 1768. With 6 page photocopy of Prospective View... Hand-colored engraving by T. Jefferys after Blodget published February the 2d, 1756; illustration of map of river at left and 2 plans of forts, 2 panoramic bird's-eye views of first and second engagements of battle fought near British encampment. Appears in Jefferys' 'General topography of North America and the West Indies'. London: Printed for Robert Sayer, ... and Thomas Jefferys, 1768. With 6 page photocopy of Prospective View... Large oblong folio, matted; plate mark, margins slightly soiled. New York, Old Print Shop, 1954.

Original watercolor signed by H.J.W.; standing uniform figure with grounded musket. Original watercolor signed by H.J.W.; standing uniform figure with grounded musket. Upright, matted; margins; clear. London, Parker Gallery, 1964.