33 aspects of the animal world
Text in 33 numbered lines superimposed on drawing of animals in orange and magenta. Colophon at end: A Cranium Free Poem. Cranium Press, 642 Shrader, San Francisco.
Text in 33 numbered lines superimposed on drawing of animals in orange and magenta. Colophon at end: A Cranium Free Poem. Cranium Press, 642 Shrader, San Francisco.
Pages [2] and [4] blank. Cover title. Below title: Poem by Miss S.B. Ricord, of Newark, N.J.
Pages [2] and [4] blank. Cover title. Below title: Poem by Miss S.B. Ricord, of Newark, N.J.
words by William Cullen Bryant ; music by George R. Poulton. For voice and piano, with chorus (TASB) At head of title: To President Abraham. From poem originally published in the New York Evening Post, July 16, 1862: We are coming, Father Abraham / James Sloan Gibbons. Cf. BAL, v. 1, p. 346. The words sometimes erroneously attributed to Wm. Cullen Bryant, or J. [sic] Cullen Bryant. Verses 2-4 printed as text on p. 5. Advertisement for "Allie Gray" and other music: p. [6]
by Bert Stern. Printed on blue paper. Cover title.
Pages [2] and [4] blank. Printed in dark blue and black on white paper. On page [1] portrait of d.a. levy in blue; pasted onto page [3] card with illustration of cityscape in blue, captioned: 'A bridge to a new sun is rising and the grass at last is conquering the ashes of the necropolis'--d.a. levy--in Cleveland undercovers. "150 copies."
Pages [2] and [4] blank. Printed in dark blue and black on white paper. On page [1] portrait of d.a. levy in blue; pasted onto page [3] card with illustration of cityscape in blue, captioned: 'A bridge to a new sun is rising and the grass at last is conquering the ashes of the necropolis'--d.a. levy--in Cleveland undercovers. "150 copies."
Within double line border. At head of title: Written and delivered by comrade S.J. Axtell, of Co. E. 51st Regt., at G.A.R. reception, Oct. 21. 1885. Grafton, - Mass.
Within double line border. At head of title: Written and delivered by comrade S.J. Axtell, of Co. E. 51st Regt., at G.A.R. reception, Oct. 21. 1885. Grafton, - Mass.
Within double line border. At head of title: Written and delivered by comrade S.J. Axtell, of Co. E. 51st Regt., at G.A.R. reception, Oct. 21. 1885. Grafton, - Mass.
Parody of Psalm 23, attacking President Hoover and the Republican Party. Parody of Psalm 23, attacking President Hoover and the Republican Party. Printed on heavy blue paper. At end of text: The above was handed to me by a friend when in Akron, Ohio. In lower margin facsimile signature: David Farquhar. Suggested range of publication dates because of attacks on "this administration" of President Hoover.
Printed on blue paper. Contains program of ceremonies, text of poems and songs, and list of committee members for reunion Dec. 17, 1890.
Printed on blue paper. Contains program of ceremonies, text of poems and songs, and list of committee members for reunion Dec. 17, 1890.
by Paul Roche. Broadsheet printed in maroon on light gray paper folded to create [8] pages. On cover cut of Maltese cross. "Written in one draft on the night following the murder of the President"--p. 8.
A highlight of this program was the return of Troika Ranch, directed by choreographer Dawn Stoppiello and composer and video designer Mark Conilgio, to set a second piece on Dance Extension. Troika Ranch was at the forefront of integrating technology with live performance. Extension was also featured in Meg Weeks '11 "Overlay" and in "Rooms Etude," arranged by Lorry May inspired by Anna Sokolow's 1955 "Rooms." New Works/World Traditions Movement Theatre, under the direction of Michelle Bach-Coulibaly, created and performed "Luna Rise" which included text, aerialists, live music, projected images, masks, and puppets. Producer Julie Adams Strandberg's note pondered the difference between the record of an experience and the experience itself and the importance of experiencing the moment -- both in life and in the theatre. The alumni choreographer and the dances in which they performed for this show were: Grisselle Escotto '10 (with faculty Michelle Bach-Coulibaly) A highlight of this program was the return of Troika Ranch, directed by choreographer Dawn Stoppiello and composer and video designer Mark Conilgio, to set a second piece on Dance Extension. Troika Ranch was at the forefront of integrating technology with live performance. Extension was also featured in Meg Weeks '11 "Overlay" and in "Rooms Etude," arranged by Lorry May inspired by Anna Sokolow's 1955 "Rooms." New Works/World Traditions Movement Theatre, under the direction of Michelle Bach-Coulibaly, created and performed "Luna Rise" which included text, aerialists, live music, projected images, masks, and puppets. Producer Julie Adams Strandberg's note pondered the difference between the record of an experience and the experience itself and the importance of experiencing the moment -- both in life and in the theatre. The alumni choreographer and the dances in which they performed for this show were: Grisselle Escotto '10 (with faculty Michelle Bach-Coulibaly) Stuart Theatre, Faunce House 2011 Festival of Dance, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
This annual Commmencement Dance Concert expanded on the tradition of providing a homecoming for dance alumni while showcasing hghlights from the previous dance season. Jamal Jackson '00 and his company perfromed three pieces in the concert. The student choreographer for this show was: Meg Weeks. The alumni choreographers and the dances in which they performed for this show were: Jamal Jackson '00, "Space Coding", "Mile 21", "SUPPLANT"| Grisselle Escotto '10 (with faculty Michelle Bach-Coulibaly) This annual Commmencement Dance Concert expanded on the tradition of providing a homecoming for dance alumni while showcasing hghlights from the previous dance season. Jamal Jackson '00 and his company perfromed three pieces in the concert. The student choreographer for this show was: Meg Weeks. The alumni choreographers and the dances in which they performed for this show were: Jamal Jackson '00, "Space Coding", "Mile 21", "SUPPLANT"| Grisselle Escotto '10 (with faculty Michelle Bach-Coulibaly) Stuart Theatre, Faunce House 2011 Commencement Dance Concert, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
The highlight of this program was Dance Extension in Paul Taylor's iconic work, "Esplanade." Producer Julie Adams Strandberg remarked in her program note that Taylor repertory is rarely set outside of the professional and conservatory worlds and that members of Extension join a small group of performers who will embody forever the language of one of the icons of American dance. "Esplanade" was staged by Ruth Andrien, dancer in the original cast. The dancers were also coached by Carolyn Adams, an original cast member, and Taylor dancer Robert Kahn. Extension also performed Danny Grossman's "Ecce Etude," and 2005 alumnus Jude Sandy's "A Day Before the Unbecoming" with guest performers Laura Bennett '92 and Shura Baryshnikov. The program also included "Road Home Zydeco," a full-act work by Michelle Bach-Coulibaly, Giselle Escotto, and New Works/World Traditions, and "Displaced Dreams" by guest choreographer, Alli Ross. The student choreographer for this show was: Grisselle Escotto. The alumni choreographer and the dances in which they performed for this show were: Jude Sandy '05, "A Day Before the Unbecoming" The highlight of this program was Dance Extension in Paul Taylor's iconic work, "Esplanade." Producer Julie Adams Strandberg remarked in her program note that Taylor repertory is rarely set outside of the professional and conservatory worlds and that members of Extension join a small group of performers who will embody forever the language of one of the icons of American dance. "Esplanade" was staged by Ruth Andrien, dancer in the original cast. The dancers were also coached by Carolyn Adams, an original cast member, and Taylor dancer Robert Kahn. Extension also performed Danny Grossman's "Ecce Etude," and 2005 alumnus Jude Sandy's "A Day Before the Unbecoming" with guest performers Laura Bennett '92 and Shura Baryshnikov. The program also included "Road Home Zydeco," a full-act work by Michelle Bach-Coulibaly, Giselle Escotto, and New Works/World Traditions, and "Displaced Dreams" by guest choreographer, Alli Ross. The student choreographer for this show was: Grisselle Escotto. The alumni choreographer and the dances in which they performed for this show were: Jude Sandy '05, "A Day Before the Unbecoming" Stuart Theatre, Faunce House 2010 Brown Festival of Dance, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
Robert Frost. At end of text: Decoration by Thoreau MacDonald.
Printed in red and black on buff paper. Red headband at head and tailpiece at end.
Printed in black and tan on white paper. Headband at head and tailpiece at end; quadruple lines at head and end of text.
Poetry. Printed in red on blue paper. At head of title cut of ram's head on envelope captioned: Sheppard Envelope Co. In lower margin below double rule: Compliments of Sheppard Envelope Co., Worcester, Mass. At end of poem: Ed Gruen. First line: The world has gone loco, the devil's to pay.
At end of text: Greetings from Mr. and Mrs. Richard Rogers Bowker---
With cloth American flag attached.
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