This concert was produced by local guest artist Annamaura Silverblatt. The program included choreography by local guest choreographer Mary Paula Hunter and a guest appearance by local artist Mary Reavey Gendreau. Sophomore choreographers Ryan Smith, Courtney Rowe, and Jonathan Martin would later establish RCJ, a student run company, named for the initials of their first names, that they sustained throughout their years at Brown, developing new works and peforming in all concerts. The concert featured Dance Extension, directed by Julie Adams Strandberg in Strandberg's "Company" (1991), "Parsons Etude," (1999), "Ecce Etude" (1998 based on "Ecce Homo," 1975). Student choreographers and performers Ryan Smith, James Brown, Deborah Friedes, Lauren Hale, Jamal Jackson, and Alison Friedman went on to have distinguished careers in the dance field. The student choreographers for this show were: Jamal Jackson, Jessica Gaynor, Jonathan Martin, Courtney Rowe, Ryan Smith, Gower Champion, Sarah Coogan, Leigh Fitzgerald, Jessica Zenk. This concert was produced by local guest artist Annamaura Silverblatt. The program included choreography by local guest choreographer Mary Paula Hunter and a guest appearance by local artist Mary Reavey Gendreau. Sophomore choreographers Ryan Smith, Courtney Rowe, and Jonathan Martin would later establish RCJ, a student run company, named for the initials of their first names, that they sustained throughout their years at Brown, developing new works and peforming in all concerts. The concert featured Dance Extension, directed by Julie Adams Strandberg in Strandberg's "Company" (1991), "Parsons Etude," (1999), "Ecce Etude" (1998 based on "Ecce Homo," 1975). Student choreographers and performers Ryan Smith, James Brown, Deborah Friedes, Lauren Hale, Jamal Jackson, and Alison Friedman went on to have distinguished careers in the dance field. The student choreographers for this show were: Jamal Jackson, Jessica Gaynor, Jonathan Martin, Courtney Rowe, Ryan Smith, Gower Champion, Sarah Coogan, Leigh Fitzgerald, Jessica Zenk. Ashamu Dance Studio, Lyman Hall Dance Ensemble Fall Concert, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

The concert featured "But" by guest choreographer Annamaura Silverblatt, fragments from a full-evening work about the Holocaust to be presented in the Commencement Dance Concert in May 1999. Student choreographers Jessica Gaynor, Chris Elam, and Alison Friedman and performers Wendy Rein, Lauren Hale, and Andros Zins-Browne went on to have distinguished careers in the dance field. Friedman founded and directed Ping Pong Productions. Dance Extension, directed by Julie Adams Strandberg performed "Trails and Turns" (1998) by Laura Bennett '92, "Requiem" (1990) by Colin Connor, "Flow Form" (1989) by Ruth Andrien, and "Tenant of the Street" (1938) by Eve Gentry. Lighting was by guest designer Timothy Cryan. The student choreographers for this show were: Alison Friedman, Rajeev Goyal, Jennifer Livaudais, Emily Bartholomew, Leigh Fitzgerald, Miriam Friedel, Jessica Zenk, Nancy Rimmer, Jessica Gaynor, Chris Elam, Kate James, Cara Murray, Anita Gonzalez. The alumni choreographer and the dances in which they performed for this show were: Laura Bennett '92, "Trails and Turns" The concert featured "But" by guest choreographer Annamaura Silverblatt, fragments from a full-evening work about the Holocaust to be presented in the Commencement Dance Concert in May 1999. Student choreographers Jessica Gaynor, Chris Elam, and Alison Friedman and performers Wendy Rein, Lauren Hale, and Andros Zins-Browne went on to have distinguished careers in the dance field. Friedman founded and directed Ping Pong Productions. Dance Extension, directed by Julie Adams Strandberg performed "Trails and Turns" (1998) by Laura Bennett '92, "Requiem" (1990) by Colin Connor, "Flow Form" (1989) by Ruth Andrien, and "Tenant of the Street" (1938) by Eve Gentry. Lighting was by guest designer Timothy Cryan. The student choreographers for this show were: Alison Friedman, Rajeev Goyal, Jennifer Livaudais, Emily Bartholomew, Leigh Fitzgerald, Miriam Friedel, Jessica Zenk, Nancy Rimmer, Jessica Gaynor, Chris Elam, Kate James, Cara Murray, Anita Gonzalez. The alumni choreographer and the dances in which they performed for this show were: Laura Bennett '92, "Trails and Turns" Ashamu Dance Studio, Lyman Hall Dance Ensemble Fall Concert, Department of Theatre Arts records, OF.1Q.T1, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

For voice and piano. Caption title. "1839-1844, Prentiss, Henry, 33 Court St. [Boston]"--Early American sheet music / Dichter & Shapiro, p. 224. Attributed to Dan Emmett in: Series of old American songs / Brown University Library, No. 37. Additional verses printed on p. 3.

Printed in two columns divided by ruled line of advertising, with type ornaments at each end. Sold, wholesale and retail, by L. Deming, No. 62, Hanover Street, 2d door from Friend Street, Boston

Within single line border. At end of text: The Fellowship of Saint Luke ..

Cover title. Publisher's flier for reprint of book by Philip Pain originally published in Cambridge, Mass. in 1668; includes list of library publications on page [4] Page [1] is facsimile of title page of original; p. [2] is facsimile of a page in the original containing Meditations 9 through 12, for July 21. Date from publication date of reprint.

words & music by J.O. Donovan. March for voice and piano. Cover title. Advertisement for other songs: p. [6] Cover illustration: drawing of a girl saying goodbye to her father / De Takacs.

words by Joseph F. Dunn ; music by Eddie Stembler ; arr. by Fredric Watson. For voice and piano. Caption title. As sung by: Grace La Rue and Sailor Reilly. "Dedicated to the naval militia of the state of New York"--p. [4] Cover illustration: photographs of Grace La Rue and Sailor Reilly; drawing of sailor and little boy / E.H. Pfeiffer.

words by Joseph F. Dunn ; music by Eddie Stembler ; arr. by Fredric Watson. For voice and piano. Caption title. As sung by: Grace La Rue. "Dedicated to the naval militia of the state of New York"--p. [4] Cover illustration: photographs of Grace La Rue and an unidentified sailor; drawing of sailor and little boy / E.H. Pfeiffer.

White paper printed in blue in postcard format. Type-signed at end of poem: By Jerry Madson.

by Quien Sabe? Poetry in six six-line stanzas within double-line border. Cut of Maryland flag between title and author's name. At end of text: Baltimore, Feb. 10, 1862. "Quien Sabe" is a pseudonym for N.G. Ridgely.

At head of title: Copyright 1917 by John F. O'Malley. December 1st, 1917. Title.

Author autograph.

Poem in three four-line stanzas and one two-line stanza. Type-signed at end of text: William Kimberley Palmer. Chicopee, Massachusetts U.S.A. Suggested publication date from author's inscription dated Jan. 4th, 1928 on Brown University copy.

Poetry. Printed on tan paper. Cover title: Stephen Spender. Photograph of Spender by Gerard Malanga on page [1] Colophon on page [4]: Issued in an edition of 300 copies on the occasion of a reading by the poet at The University of Connecticut Library on December 2, 1975.

Poetry. Printed on tan paper. Cover title: Stephen Spender. Photograph of Spender by Gerard Malanga on page [1] Colophon on page [4]: Issued in an edition of 300 copies on the occasion of a reading by the poet at The University of Connecticut Library on December 2, 1975.

Probably intended to be separated, because title and imprint printed on both printed pages; pages [1] and [4] blank. Printed in six columns. Five hundred seventy-six two-line rhymes on love and courtship, some humorous; on page [2] separate columns for gentlemen's and ladies' questions and answers; on page [3] groups of mottoes to be spoken by gentlemen and ladies.

Probably intended to be separated, because title and imprint printed on both printed pages; pages [1] and [4] blank. Printed in six columns. Five hundred seventy-six two-line rhymes on love and courtship, some humorous; on page [2] separate columns for gentlemen's and ladies' questions and answers; on page [3] groups of mottoes to be spoken by gentlemen and ladies.

Pages [2], [3], and [4] blank. Processed copy. Within ornamental border. At end of text: Early Valentine (Mid-nineteenth century) Whittemore's Authentic Reproductions. Valentine No. 1.

Within double line border. At head of text: Written and sold by Philander D. Altrop a survivor of the Cumberland crew. At end of text: The bearer, Philander D. Alrop was wounded on board the Cumberland at Newport News, Mar. 8th, 1862 .. Variant of Wolf 410.

Within double line border. At head of text: Written and sold by Philander D. Altrop a survivor of the Cumberland crew. At end of text: The bearer, Philander D. Alrop was wounded on board the Cumberland at Newport News, Mar. 8th, 1862 .. Variant of Wolf 410.

Cover title with illustration of African American man holding banner with the words: O General Grant's de man to day, de country has in view, He's whipped the rebels every time, and taken Vicksburg too. For voice (SATB)

Poems originally written in 1947 and 1948 that he reconfigured for a publication in 2002. Poems originally written in 1947 and 1948 that he reconfigured for a publication in 2002. Immediate Source of Acquisition note: E1.1 Digital object made available by : Brown University Library, John Hay Library, University Archives and Manuscripts , Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)