10th in set of 100 numbered signed watercolors of uniform figures by Boisselier; standing figure of sharpshooter in dark green uniform, yellow trim, feathered cap, with shouldered rifle, facing left. 10th in set of 100 numbered signed watercolors of uniform figures by Boisselier; standing figure of sharpshooter in dark green uniform, yellow trim, feathered cap, with shouldered rifle, facing left. Unbound; in 1/4 blue leatherette and marble board portfolio lettered gold on back "Armée de Naples", and with original tempera painting of trophies on cover; clean. Paris, Cart, 1951.

Hand-colored engraved plate by Mme. Ve. Chereau (widow of Jacques Simon Chereau); with Napoleon and mounted officers in foreground, troops advancing in battle in landscape background. Hand-colored engraved plate by Mme. Ve. Chereau (widow of Jacques Simon Chereau); with Napoleon and mounted officers in foreground, troops advancing in battle in landscape background. Oblong folio, 1 of 2 prints (companion to Bataille de Lutzen), matted; margins trimmed close; clean. New York, H.P. Krauss, 1952. Title: Batailles de Wurtchen et Bautzen Caption: L'Armeé Française était commandée en personne par l'empereur Napoléon et l'armée ennemie par l'empereur Alexander et le Roi de Prusse. Caption: Le 19 mai au soir, l'ennemi etait à une lieue et demie de la ville de Bautzen, que avait été crénelée, retranchée et couver te par des redoutes; le 20, l'armée française pas sa sur tous les points la riviere de la Sprée et entra à 8 heures du soir à Bautzen. Le 21. à 5 heures du matin, l'Empreur Napoléon se porta sur les hauteur à trois quartes de lieue en avant de Bautzen; c'est la journèe que fut livrèe la bataille de Wurtchen, où ;es Francais entrerent le soir même. Le 22, a 4 heures du matin l'armée francaise se mit en mouvement et mit en déroute toute l'armée enemie jus qu'en de là de Weissenberg. Le 23, l'armèe française entra dans Goerlilz, Butzenberg et Hachkirch (Extrait du Moniteur, 30 mai.) Caption: à Paris chez Mme. Ve. Chereau rue St. Jacques No. 10. Caption: Dèposè a la Direction gènèrale de l'im.ie et de la lib.ie

Colored lithograph, numbered 175; battle scene, showing French charging up from right, British charging up from left. Colored lithograph, numbered 175; battle scene, showing French charging up from right, British charging up from left. Oblong medium folio, matted; margins intact; worn. Title also in German and English title: Bataille sur l'Alma dans la Crimée. title: Schlacht an der Alma in der Krimm. title: The Battle of Alma in the Crimea. caption: Les Troupes allies, consistant de 30,000 hommes (Français, Anglais & Turcs) attaquèrent près de la rivière d’Alma à midi du 20. Sept. 54. 50,000 Russes, qui avaient 100 Canons et une forte Cavallerie. L’aile droite fut formé par les Français sous le Command.t du maréchal S.t Arnaud, le Centre par les 3 Troupes alliées et l’aile gauche par les Anglais sous Lord Raglan. Les allies avancèrent ainsi d’une forçe irrésistible contre les fortes retranchements de l’ennemi, et après une attaque impétueuse des Français (Zuaves) aidé d’un feu très calculé des bords de la flotte rapprochée, et des Gardes anglaises de l’autre coté, supportées par les Dragons et de 2 Canons bien servis, les armées alliées prirent à l’assaut avec le bayonette les positions des Russes dans moins de 3 heures. Le Command.t des Russes, le prince Menzikoff avait cru invincible. Les Russes furent dissolu en fuit, laissant derrière eux 5000 hommes tués et blessés, pendant ceux des Alliées comptaient environ 3500. caption: The allied Armies consisting of 30,000 men (English, French et Turcs) attaked at noon on the 20. Sept. near de Rives Alma 50,000 Russians, having about 100 Cannons and a numerous cavalry. The right wing was formed by the French, under the command of marshal St. Arnaud, the center by the 3 allied troops, & the left by the English under Lord Raglan. The armies advanced with irresistible force against the strong fortifications of the ennemy after an impetuous attack of the French (Zuaves) as well as the English (Guards) supported by Dragoons & 2 Cannons, they took the positions of the Russians by storm with their bayonets-a less than three hours, which the Commander of the Russians, Prince Menzikoff had thought invincible. The Russians were dissolved by their flight-having behind above 5000 men dead & wounded the allied troops had also abore 3500. Die Aliirten, 30,000 Man stark (Franzosen, Engländer u. Türken) griffen am 20. Sept. 1854 Mittags b. Alma Fluss 50,000 Russ en an, welche ca 100 Kanonen u. zahlreiche Caval-lerie hatten. Den rechten Flügel hatten die Franzosen u. Anführung des Marsch. St. Arnaud, das Centrum die 3 aliirten Heere, den linken Flügel die Engländer unter Lord Raglan inne. Die Aliirten rückten mit unwiderstehl. Gewalt gegen die Verschanzungen des Feindes vor, u. nach-dem die Engl. von ihren Dragonern u. 2 Kan. Unterstützt wurden, nahmen sämtl. Aliirten die Positionen der Russ en im Sturm mit d. Bajonett ein. Diese v. d. Anführer der Russ en, Fürst Menzikoff für unüberwindlich gehaltnen Stellung wurde in 3 Stunden genom en u. d. Russ en l÷sten sich in wilde Flucht auf. Letztere hatten 5000 Todte u. Verw. die Aliirten 3500. caption: Verlag Eigerinum v. F .G. Schulz Stuttgart number: No. 175

Part of collection of colored and uncolored large aquatint plates of campaign, battle and other scenes by and after Rugendas; panoramic battle scene on plain in right distance, mounted general staff and wounded on rise in left foreground. Part of collection of colored and uncolored large aquatint plates of campaign, battle and other scenes by and after Rugendas; panoramic battle scene on plain in right distance, mounted general staff and wounded on rise in left foreground. Large oblong folio; margins; clean.

Hand-colored engraving (somewhat crude) published by Mondhare et Jean, numbered 89; large battle on plain between massed lines of infantry, cavalry; city in background; title below in French and Spanish. Hand-colored engraving (somewhat crude) published by Mondhare et Jean, numbered 89; large battle on plain between massed lines of infantry, cavalry; city in background; title below in French and Spanish. Oblong medium folio, matted; plate mark, margins trimmed; foxed. N.Y., Rockman Prints, 1952.

First of a pair of colored engravings by Le Beau after Naudet; 2 battle scenes near harbor fortresses, showing French and Turks in combat First of a pair of colored engravings by Le Beau after Naudet; 2 battle scenes near harbor fortresses, showing French and Turks in combat Oblong folio, matted; plate marks, margins intact; clean London, Parker Gallery, 1950

Original crude watercolor signed by Chevalier de la Garde Impériale; cavalry battle and combat in countryside, wounded in foreground, farm burning at right, large formations advancing in distance. Original crude watercolor signed by Chevalier de la Garde Impériale; cavalry battle and combat in countryside, wounded in foreground, farm burning at right, large formations advancing in distance. Large oblong folio, matted; soiled; from Bernard Franck collection. Paris, Delacre sale, 1961.

One of a collection of 5 original paintings; aftermath of battle with many soldiers around, wounded, prisoners, dead, Cossacks, overturned wagons, etc One of a collection of 5 original paintings; aftermath of battle with many soldiers around, wounded, prisoners, dead, Cossacks, overturned wagons, etc

From collection of 32 colored and 2 uncolored large aquatint plates of campaign, battle and other scenes by and after Rugendas, some engraved by Küpfer; panoramic battle scene on rolling, treeless plain, mounted officers, wounded in foreground. text below in French and German. From collection of 32 colored and 2 uncolored large aquatint plates of campaign, battle and other scenes by and after Rugendas, some engraved by Küpfer; panoramic battle scene on rolling, treeless plain, mounted officers, wounded in foreground. text below in French and German. Large oblong folio, matted giant folio; plates I-XX in orange marble board portfolio, plates XXI ff. in blue marble board portfolio, black cloth backs; clean. London, Redfern (Maggs), 1956.

Color lithograph by Turgis, printed by Casse frères; battle scene showing last stand of Garde Impériale at right, Napoleon, mounted, in background. Color lithograph by Turgis, printed by Casse frères; battle scene showing last stand of Garde Impériale at right, Napoleon, mounted, in background. Large oblong folio; margins intact; clean. New York, F. Thomas Heller, 1958.

1 of 3 colored aquatint plates by Charon after Martinet, showing Napoleon with staff, battles in background, 8 small medallion portraits of commanders in border. 1 of 3 colored aquatint plates by Charon after Martinet, showing Napoleon with staff, battles in background, 8 small medallion portraits of commanders in border. Oblong folio, plate mark, margins; clean. Paris, Bihn, 1953. Title: BATAILLE DE WAGRAM Gagnée sur l'Armée Autrichienne par les Française le 6 Julliet 1809. Caption: A la pointe du jour l'Armée française se rangea en bataille et au lever du soleil la canonnade était engagée sur les deux lignes; à 9 heures du matin l'aile gauche, commandée par le Maréchal Masséna, attaquée par 35 mille hommes était déja débordée de 3 mille toises, le Corps de Bernadotte culbuté et mis en déroute, 'épouvante se mettant sur les derrières de l'Armée la bataille paraissait perdue Aussitõt Napoléon, donne l'ordre au Maréchal Davoust de marcher sur Wagram et fait dire au Maréchal Masséna, que s'il tenait bon dans ses positions, La bataille était gagnée. il ordonna au Général Macdonald une attaque sur le centre ennemi à la Cavalerie de la Garde de s'ébranler pour charger en flanc les colonnes Autrichiennes que dirigeait l'Archiduc Charles et au Général Lauriston de s'avancer à la tête de 100 pièces de canon à demi portée ces mêmes Colonnes. Wagram fut enlevé à la baïonnette, l'ennemi battit en retraite et la victoire fut remportée. Les Autrichiens perdirent 4 mille hommes tués, 9 mille blessés, 18 mille prisonniers, 40 canons et 10 drapeaux. Chaque Corps de l'Armée Française se couvrit de glorie; le Maréchal Béssières fut blessé et eut son cheval tué sous lui; l'intrépide Masséna quoique malade et souffrant se faisait conduire en calèche par-tout óu le danger était le plus éminent, et le brave Général de division La Salle reçut la mort au moment de la grande charge de Cavalerie: toute l'Armée pleura sa perte. Après la bataille, Napoléon créa Macdonald, Maréchal d'Empire et lui dit en l'embrassant: C'est à vous et à l'Artillerie de ma Garde que je dois une partie de cette journée. Caption: Martinet del. Caption: Déposé Caption: Charon sculp. Caption: et chex Bulla rue St. Jacques, No. 38. Label(s): Major Gral. Berthier, Napoléon, Le Généal. Lauriston, Le Maréal. Béssieres, Le Mal. Bernadotte, Le Généal. Macdonald A Paris chez Charon rue St. Jean de Beauvais No. 26.

6th in collection of 32 colored and 2 uncolored large aquatint plates of campaign, battle and other scenes by and after Rugendas, one engraved by Küpfer; battle scene in valley, Austrian cavalry at left attacking French infantry at right; steep mountains in distance. 6th in collection of 32 colored and 2 uncolored large aquatint plates of campaign, battle and other scenes by and after Rugendas, one engraved by Küpfer; battle scene in valley, Austrian cavalry at left attacking French infantry at right; steep mountains in distance. Large oblong folio, matted giant folio; plates I-XX in orange marble board portfolio, plates XXI ff. in blue marble board portfolio, black cloth backs; clean. Paris, Paul Roulleau, 1951.

18th in collection of 32 colored and 2 uncolored large aquatint plates of campaign, battle and other scenes by and after Rugendas, some engraved by Küpfer; battle scene on ridge, Spanish troops and irregulars attacking French dragoon at center, mounted officers in right foreground. Descriptive note below. 18th in collection of 32 colored and 2 uncolored large aquatint plates of campaign, battle and other scenes by and after Rugendas, some engraved by Küpfer; battle scene on ridge, Spanish troops and irregulars attacking French dragoon at center, mounted officers in right foreground. Descriptive note below. Large oblong folio, matted giant folio; plates I-XX in orange marble board portfolio, plates XXI ff. in blue marble board portfolio, black cloth backs; clean. London, Redfern (Maggs), 1956.

Tinted lithograph from series 'Affaires d'Orient'; battle scene showing bersaglieri in action. Tinted lithograph from series 'Affaires d'Orient'; battle scene showing bersaglieri in action. Oblong medium folio, matted; margins intact; light surface dirt.

Color engraving by H(einrich) Mansfeld after Klein; battle scene with mounted officers in foreground, troop formation and artillery fire on surrounding hills in background, large clouds of smoke rising from center. Color engraving by H(einrich) Mansfeld after Klein; battle scene with mounted officers in foreground, troop formation and artillery fire on surrounding hills in background, large clouds of smoke rising from center. Large oblong folio, matted; margins trimmed; slightly worn, torn in several places and mended.

3rd in collection of 38 colored and 2 uncolored large aquatint plates by and after Rugendas, this one engraved by Steinlen; panoramic battle scene on rolling plain, town in distant background. 3rd in collection of 38 colored and 2 uncolored large aquatint plates by and after Rugendas, this one engraved by Steinlen; panoramic battle scene on rolling plain, town in distant background. Large oblong folio, matted giant folio; plates I-XX in orange marble board portfolio, plates XXI ff. in blue marble board portfolio, black cloth backs; clean. Paris, Paul Roulleau, 1951.

One of a collection of 22 double-page engraved plates by and after de Hooghe with collaboration of Capt. Juan de Ledesma, showing battle scenes in France and Flanders, 1567-1580, with manuscript notes in ink in bottom margins. View of the Battle at Steenbergen in 1583. One of a collection of 22 double-page engraved plates by and after de Hooghe with collaboration of Capt. Juan de Ledesma, showing battle scenes in France and Flanders, 1567-1580, with manuscript notes in ink in bottom margins. View of the Battle at Steenbergen in 1583. Small folio; calf back and decorated boards, no title; cover worn, rubbed; some worm-holes, yellowed.

3rd of (3?) colored lithographed plates of war scenes; mounted Napoleon III directing infantry, wounded standard-bearer and fallen horse in foreground, hillside battle in background. 3rd of (3?) colored lithographed plates of war scenes; mounted Napoleon III directing infantry, wounded standard-bearer and fallen horse in foreground, hillside battle in background. Small oblong folio, margins intact; soiled. Paris, Cart, 1951. Title: BATAILLE DE SOLFÉRINO L' Empereur faisant attaquer Solférino par la garde impérial au moment où son escorte est atteinte par l'artillerie ennemie qui tue plusieurs chevaux de ses gardes et blesse un aide de camp. Caption: Gadola à Lyon. Caption: chez GOSSELIN. Impr. Editr. r. St. Jacques, 71 à PARIS. Caption: GUERRE D'ITALIE

Color lithograph by and after Doré, printed by Lemercier; battle scene, troops advancing towards tower on hill in right background, Napoleon III on horseback atop hill. Color lithograph by and after Doré, printed by Lemercier; battle scene, troops advancing towards tower on hill in right background, Napoleon III on horseback atop hill. Large oblong folio, matted; margins; clean. Paris, 1955.

22nd in collection of 32 colored and 2 uncolored large aquatint plates of campaign, battle and other scenes by and after Rugendas, some engraved by Küpfer; uncolored, untitled battle scene in rolling farmland; officers, wounded in foreground, smoke and burning buildings in distance. 22nd in collection of 32 colored and 2 uncolored large aquatint plates of campaign, battle and other scenes by and after Rugendas, some engraved by Küpfer; uncolored, untitled battle scene in rolling farmland; officers, wounded in foreground, smoke and burning buildings in distance. Large oblong folio, matted giant folio; plates I-XX in orange marble board portfolio, plates XXI ff. in blue marble board portfolio, black cloth backs; clean. London, Redfern (Maggs), 1956.

Lithograph by Villain after Grenier; Napoleon with officers on cliff, pointing off to left, infantrymen standing by at right. From 'Victoires et Conquetes'. Lithograph by Villain after Grenier; Napoleon with officers on cliff, pointing off to left, infantrymen standing by at right. From 'Victoires et Conquetes'. Oblong folio; margins; somewhat soiled. Presented, 1984, by Mrs. Frederick Stevens.

Engraving by Le Beau after Nodet [sic], numbered 12; battle scene showing French infantry advancing from left, Austrian about to hand over flag in center foreground Engraving by Le Beau after Nodet [sic], numbered 12; battle scene showing French infantry advancing from left, Austrian about to hand over flag in center foreground Oblong folio; margins trimmed; slightly soiled Paris, Grangié sale, 1965

4th in collection of 32 colored and 2 uncolored large aquatint pl. of campaign, battle and other scenes by and after Rugendas, one engraved by Küpfer; battle scene in rolling field, mounted officers in right foreground, large explosion in background. 4th in collection of 32 colored and 2 uncolored large aquatint pl. of campaign, battle and other scenes by and after Rugendas, one engraved by Küpfer; battle scene in rolling field, mounted officers in right foreground, large explosion in background. Large oblong folio, matted giant folio; plates I-XX in orange marble board portfolio, plates XXI ff. in blue marble board portfolio, black cloth backs; clean. Paris, Paul Roulleau, 1951.

Hand-colored (imagerie-type) engraving; French infantry and cavalry at right overcoming enemy at left, unhorsed and wounded soldiers in foreground. Hand-colored (imagerie-type) engraving; French infantry and cavalry at right overcoming enemy at left, unhorsed and wounded soldiers in foreground. Oblong medium folio; margins trimmed close; worn. N. Y., Rockman, 1960. Title: BATAILLE DE LUTZEN. Remportée par l'Armée Française sous les Ordres de Napoleon le Grand, le 2. Mai 1813, Sur les Armées de Russie et Prusse. Combinées Commandées, par le Roi de Prusse et Alexandre. 1er... Caption: A Paris Chez Jean Rue St. Jean de Beauvais, No. 10. Caption: Déposée a la dion. impal. de la Librairie et de L imprimerie. Caption: Campagne de Russie 1813

Hand-colored engraved plate; with Napoleon and mounted officers in foreground, troops advancing in battle in landscape background. Hand-colored engraved plate; with Napoleon and mounted officers in foreground, troops advancing in battle in landscape background. Oblong folio, 1 of 2 prints (companion to Batailles de Wurtchen et Bautzen), matted; margins trimmed close; clean. N. Y., Krauss, 1952. Title: Bataille de Lutzen Caption: Cette bataille, gagnée par l'armée française le 3 mai, fut le prélude de la campagne de 1913 et l'une des plus fameuses du théâtre de la guerre; l'armée francaise était commandée en personne par l'Empereur Napoléon, et les armées alliées par l'Empereur Alexandre et le Roi de Prusse. (voir le Moniteur du 9. mai, d'après les nouvelles reçues par S.M. l'Impératrice et Reine.)

17th in collection of 32 colored and 2 uncolored large aquatint pl. of campaign, battle and other scenes by and after Rugendas, one engraved by Küpfer; battle on square or esplanade, cannon and infantry firing across trench; fortress on heights in left background. Descriptive note in French below. 17th in collection of 32 colored and 2 uncolored large aquatint pl. of campaign, battle and other scenes by and after Rugendas, one engraved by Küpfer; battle on square or esplanade, cannon and infantry firing across trench; fortress on heights in left background. Descriptive note in French below. Large oblong folio, matted giant folio; plates I-XX in orange marble board portfolio, plates XXI ff. in blue marble board portfolio, black cloth backs; clean. Paris, Paul Roulleau, 1951.

Hand-colored engraving; Napoleon and 2 officers in foreground, troops advancing in background, fort on hill in left distance. Hand-colored engraving; Napoleon and 2 officers in foreground, troops advancing in background, fort on hill in left distance. Small oblong folio, mounted on white paper; margins intact; clean. Paris, Paul Roulleau, 1963. Caption: Batille de la Moskowa. Le 7 Septembre 1812 Napoleon se mit à la tête de ses troupes, cette bataille commança ainssi sous ses ordres. l'attaque fut très et bien suivie la perte de l'ennemi fut énorme il y cut cinquante mille Russes restés sur le champ de batille quarante Généraux ont été tués ou faits prisionniers le général en chef Bagration a été grievement blessé. Caption: A Lyon, chez Bernasconi, Grande rue de la Guillotiére No. 67. Caption: Déposé.

1 of 3 colored aquatint plates by Charon after Martinet, showing Napoleon with staff, battles in background, 8 small medallion portraits of commanders in border. 1 of 3 colored aquatint plates by Charon after Martinet, showing Napoleon with staff, battles in background, 8 small medallion portraits of commanders in border. Oblong folio, plate mark, margins; clean. title: BATAILLE DE LA MOSKOWA. caption: Gagnée par L’armée française sur les russes le 7. S.bre 1812. caption: A 5 heures et demie, le soleil se leva sans nuages; Napoléon dit: c’est le soleil d’Austerlitz, à 6 heures, 120 bouches a feu des français commencèrent l’action. A 7 heures et demie, après le combat le plus meutrier, nous étions déja maîtres de trios redoutes, quand Napoléon donna l’ordre de les dépasser. Pendant ce temps le 8.me corps commandé par le M.al Ney. couronnait les hauters de Chemarino. tandis que ces evenemens avaient lieu à la droite et au Centre des français, le Prince Eugène s’avançait sur la gauche, après avoir ordonné à la division. Morand de marcher sur la grand batterie sous le feu de 80 canons, alors le combat recommança avec un nouvel acharnement, mille pièces de canon vomissaient la mort de part et d’autre. Nous nous rendimes maîtres de cette batterie qu’on [illegible] nous forca d’évacuer après; Le Prce Eugène se décida alors à tenter un dernier effort, il anima les troupes, marcha sur la redoute et dit au g.me de ligne "Soldats, rappelez vous que vous m’aviez à votre tête quand à Wagram vous enfonciez le center de l’ennemi" Le Gle. Auguste Caulincourt à la tête du 5me. de Cuirassiers entra par la gorge, en fut aussi repoussé et fut tué par un boulet, mais l’infanterie française y pénétra et massacre les russes sur leurs pieces. 300 canons places sur les hauters foudroyoient l’armée russe qui Commança à se retirer. A 2 heures le Prince Poniatowski s’empara d’un mamelon occupé par la reserve russe et par ce mouvement decisive fixa la victoire. A la nuit l’armée russe etoit en pleine déroute. On tira 60 mille coups de canon de chaque cõté. Lennemi eut 30 mille homes tués ou blesses, perdit 5 mille prisionniers et 60 pieces d’artillerie. caption: Martinet del. caption: Déposé. caption: Charon sculp label: LeM.al Ney, Napoléon, Lieut. Gal. Bertrand, Le Prce. Eugène,Lieut. Gal. Grouchy., Gal. Augte. Caulincourt , Lieut. Gal. Corbineau. caption: A Paris chez Charon rue St. Jean de Beauvais N. 26. caption: et chez Bulla rue St. Jacques N. 38.

Aquatint by L. J. Allais after Chasselat; battle scene showing King of Prussia, mounted, in center attempting to rally troops against French attack. Aquatint by L. J. Allais after Chasselat; battle scene showing King of Prussia, mounted, in center attempting to rally troops against French attack. Oblong folio, matted; margins trimmed; soiled. Title: BATAILLE DE JENA. Caption: La Cavalerie, l'Infanterie Prussiene ne purent soutenir le choc. Envain cell-ci se forma en bataillons quarrés, cinq de ces bataillons furent enfoncés, Artillerie, Cavalerie, Infanterie tout fut culbuté et pris. Le Roi de Prusse lui même eut un cheval tué sous lui, tandis qu'il faisoit ses efforts pour rallier ses troupes. (Ve. Bulletin). Caption: D'après un Croquis lavé de Chasselet. Caption: L J. Allais Sculp. Annotation: Oct. 14 1806

A scene from the Battle of Jemappes during the War of the First Coalition A scene from the Battle of Jemappes during the War of the First Coalition Large oblong folio; margins clear; clean