29th in series of 115 colored prints of oil paintings, signed by Legras, of uniform figures from various military units; standing officer in black uniform, red trim, holding binoculars, leaning against sabre, facing left. 29th in series of 115 colored prints of oil paintings, signed by Legras, of uniform figures from various military units; standing officer in black uniform, red trim, holding binoculars, leaning against sabre, facing left. Upright folio, unbound, in green portfolio with white label, "Etudes de types militaires"; edges frayed.

Colored photogravure after Neuville, 1880; mounted Prussian officer and aide meet group of French infantrymen on rainy road, Frenchman reading document given him by Prussian. Colored photogravure after Neuville, 1880; mounted Prussian officer and aide meet group of French infantrymen on rainy road, Frenchman reading document given him by Prussian. Large oblong folio, matted; margins; slightly stained.

Certificate with 2-color engraved border design after Heutemans, showing uniform figures with flag, trophies etc. Certificate with 2-color engraved border design after Heutemans, showing uniform figures with flag, trophies etc. Oblong medium folio; margins trimmed; slight foxing, yellowed. Brussels, A. Elebaut, 1955. subTitle supplied by cataloger

Stipple-engraving and etched portrait, half-length in uniform, hatless. Stipple-engraving and etched portrait, half-length in uniform, hatless. Upright, matted; margins trimmed; slightly soiled. N.Y., Old Print Shop, 1963.

Mezzotint by and after Smith, published Jan. 1, 1805; full-length portrait in uniform, standing beside table with books, map, painting of naval battle on wall, etc. Mezzotint by and after Smith, published Jan. 1, 1805; full-length portrait in uniform, standing beside table with books, map, painting of naval battle on wall, etc. London, Parker Gallery, 1957. Large upright folio, matted; pl. mark, margins intact.

Mezzotint by John Porter after Simpson, published July 26th, 1841; half-length portrait in uniform, hatless. Mezzotint by John Porter after Simpson, published July 26th, 1841; half-length portrait in uniform, hatless. Upright folio, matted; margins trimmed close; clean. London, Maggs, 1954.

Color lithograph by E.B. and E.C. Kellogg; half-length portrait in uniform, hatless. Color lithograph by E.B. and E.C. Kellogg; half-length portrait in uniform, hatless. Upright folio, matted; margins intact; yellowed. N.Y., Argosy, 1962.

Wood-engraved plate spread on 2 pages after photograph from Frank Leslie's Illustrated Newspaper, Sept. 21, 1861, page 301; full-length portrait in uniform. Wood-engraved plate spread on 2 pages after photograph from Frank Leslie's Illustrated Newspaper, Sept. 21, 1861, page 301; full-length portrait in uniform. Folio, unbound; yellowed. Providence, James Tyson, 1954.

Mezzotint and stipple-engraving (from book?) by and after Sartain; bust portrait in uniform with facsimile signature below. Mezzotint and stipple-engraving (from book?) by and after Sartain; bust portrait in uniform with facsimile signature below. Upright; margins intact; clean. N.Y., Rockman Prints, 1955. title provided by cataloger

Steel-engraving; bust portrait in uniform in oval enframement with naval trophies, small vignette of naval battle at bottom. Steel-engraving; bust portrait in uniform in oval enframement with naval trophies, small vignette of naval battle at bottom. Upright, mounted medium folio; margins intact; margins soiled. N.Y., Argosy, 1954. title provided by cataloger

One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in blue and white holding letter, standing near tents. One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in blue and white holding letter, standing near tents. Small, unbound, slightly soiled; in blue cloth slipcase, maroon leather label stamped gold. Paris, Grangié sale, 1963.

One of a pair of lithograph caricatures by and after Vernier, printed by Destouches; French chasseur reproaching Hungarian grenadier for beating peasant woman weeping in background. One of a pair of lithograph caricatures by and after Vernier, printed by Destouches; French chasseur reproaching Hungarian grenadier for beating peasant woman weeping in background. Small oblong folio; margin at bottom trimmed, foxed; in blue cloth portfolio case, red leather label stamped gold: "French Caricatures ca. 1830-48." S. Lincoln, Mass., Marino, 1962.

48th in collection of 91 lithographic plates by Villain and Gihaut frères after Charlet; painter in studio, drinking and conversing with his model, a soldier holding wine bottle. 48th in collection of 91 lithographic plates by Villain and Gihaut frères after Charlet; painter in studio, drinking and conversing with his model, a soldier holding wine bottle. In blue cloth case, blue leather stamped gold "Lithographs by Charlet". New York, Walter Schatzki, 1965.

One, of ? engravings by Martin Englebrecht after Rigaud; views of besieging troops outside walled city. Title and text printed below in French and German. One, of ? engravings by Martin Englebrecht after Rigaud; views of besieging troops outside walled city. Title and text printed below in French and German. Oblong medium folio, mounted on grey paper, plate mark, margins. Hamburg, Schulz, 1952. subtitle provided by cataloger Title: Comment l'on soutient et repousse les Sorties. Caption: Quand on a avancé les tranchées, et qu'il est tems d'Etablir les batteries de Canon pour ruiner les defenses de la place, les assiegéz ne manquent pas de faire des Sorties pour interrompre les travaux, Combler les tranchées et encloüer le Canon; ils sont arretez par les grenadiers qui soutiennent les travailleurs, penant que les trouppes qui Soutiennent la tranchée se jettent sur les revers pour se former, et se mettre en Etat des les repousser, et comme les redouttes gardent les flanes des tranchées les assiegez font leurs efforts pour S'en emparer, pour avoir des revers Sur les tranchées. pendant qu'on est aux mains La cavalerie se place pour couper les assiegeans dans leurs retraite. Title: Wie man die Ausfälle aushält und zurück treibt. Caption: Wann man mit denen Lauffgräben avanciret, und es nennehro [?] Zeit ist, die Batterien vor die Stücke zu verfertigen, um die Fortificationen der Festung zu ruiniren, unterlassen die Belagerten nicht Ausfälle zu thun, um den Feind in seiner Arbeit zu st÷ren, die Lauffgräben wieder anzufüllen, u. die Stück zu vernageln, diese werden von denen Granadierern abgehalten, welche die Arbeiter schützen, da indessen die Troupen, welche zur bedeckung des Lauffgrabens seÿn, die ausgefallene von hinten zu angreiffen, um sie zuruck zu treiben. Gleichwie um die Redouten die Flügel der Lauffgräben bedecken, also bemühen sich die Belagerten, sich derselben zu bemächtigen, um sich der Lauffgräben indessen zu versichern, da man mit einander in einem Scharmützel begiffen ist. Die Cavallerie aber wird so poltiret [?], dass sie denen Belagerten den Ruckweg abschneidet. Caption: J. Rigaud inv. Caption: Mart Engelbrecht excud. Aug. Vind Number: 2

3rd in collection of 7 uncolored copper-engraved plates, by Le Prince; figure of bearded Russian officer, in long coat, standing next to stone pediment, holding axe and mace in either hand. 3rd in collection of 7 uncolored copper-engraved plates, by Le Prince; figure of bearded Russian officer, in long coat, standing next to stone pediment, holding axe and mace in either hand. Small folio; bound in green cloth, red leather label stamped gold; clean. Leichtenstein-Hauslab Collection, 1951.

One of a collection of 22 double-page engraved plates by and after de Hooghe with collaboration of Capt. Juan de Ledesma, showing battle scenes in France and Flanders, 1567-1580, with manuscript notes in ink in bottom margins. Siege at Antwerp. One of a collection of 22 double-page engraved plates by and after de Hooghe with collaboration of Capt. Juan de Ledesma, showing battle scenes in France and Flanders, 1567-1580, with manuscript notes in ink in bottom margins. Siege at Antwerp. Small folio; calf back and decorated boards, no title; cover worn, rubbed, some small worm-holes, yellowed.

Napoleon cocks his head and brings his hand to his ear to better hear the music signaling the final act of his rule. He stands in front of a puppet theater, where the final drama is being acted out. Four musicians surround Napoleon and play the score to the finale in allegro tempo. They are (l. to r.): Tsar Alexander, Emperor Franz I, the crown Prince of Sweden, and King Frederick William III. The participation of England is symbolized by the barrel of "Gunpowder" that Tsar Alexander sits on, and perhaps also by the motto "Honi Soit" inscribed on his garter. On the stage, the sovereigns of the Confederation of the Rhine exit towards the open wings. Wellington arrives in the left distance and precipitates the departure. A winged dragon bears the King of Westphalia, Jérôme Bonaparte, away. While this image differs in inscriptions from the satire cataloged in "Napoleon Im Spiegel der Karicature," the image itself is almost unchanged. Napoleon cocks his head and brings his hand to his ear to better hear the music signaling the final act of his rule. He stands in front of a puppet theater, where the final drama is being acted out. Four musicians surround Napoleon and play the score to the finale in allegro tempo. They are (l. to r.): Tsar Alexander, Emperor Franz I, the crown Prince of Sweden, and King Frederick William III. The participation of England is symbolized by the barrel of "Gunpowder" that Tsar Alexander sits on, and perhaps also by the motto "Honi Soit" inscribed on his garter. On the stage, the sovereigns of the Confederation of the Rhine exit towards the open wings. Wellington arrives in the left distance and precipitates the departure. A winged dragon bears the King of Westphalia, Jérôme Bonaparte, away. While this image differs in inscriptions from the satire cataloged in "Napoleon Im Spiegel der Karicature," the image itself is almost unchanged. "Napoleon Im Spiegel der Karicature" attributes authorship to Johann Gottfried Schadow. The publisher given is Caspar Weiss, Berlin. Inscription: Paris, Chez Furioso le Petit. Inscription: Deposé à la Bibliotheque Nationale

Subject: Arms of the Honourable Artillery Company in the form of small silver table piece. Subject: Arms of the Honourable Artillery Company in the form of small silver table piece. Title continues: Dedicated by permission to the officers and members of the Honourable Artillery Company by W.W. Frayling, Bandmaster, H.A.C. 2/6 Nett.

Colored lithograph; full-length portrait of Duc de Bordeaux(?) in hussar or guide uniform on terrace, small soldier figures near building in right background. Colored lithograph; full-length portrait of Duc de Bordeaux(?) in hussar or guide uniform on terrace, small soldier figures near building in right background. Small upright folio, matted; margins worn. title: COMME LA GLOIRE VIENT AUX GARÇONS caption: Un Grand homme (illeg) dans l'enfance (illeg) Maréchal de France. caption: Déposé annotation: Duc de Bordeaux

by F.H. Losey. Cover title. Cover illustration: photography of Ferdinand Foch (Marshall of France) with Joan of Arc holding the American flag behind him.

Original unsigned watercolor (by Thomas Usher ); full-length portrait of young officer in uniform standing on shore, telescope under arm, ships in distance. Title from verso. Usher was British Consul-General and Charge d'Affairs at Port au Prince and son of Rear Admiral Sir Thomas Ussher, K.C.H., C.B. Original unsigned watercolor (by Thomas Usher ); full-length portrait of young officer in uniform standing on shore, telescope under arm, ships in distance. Title from verso. Usher was British Consul-General and Charge d'Affairs at Port au Prince and son of Rear Admiral Sir Thomas Ussher, K.C.H., C.B. Upright folio, matted; no margins; slightly foxed.

Three-quarter seated portrait of Commander Henry Stearns Newcomb. He died in late October 1863 from illness while commanding the gun-boat Tioga, part of the East Gulf Blockade Squadron at Key West. Three-quarter seated portrait of Commander Henry Stearns Newcomb. He died in late October 1863 from illness while commanding the gun-boat Tioga, part of the East Gulf Blockade Squadron at Key West.

Wood-engraved plate after Chapin; 5 illustrations including 2 of gun crews, 1 oval bust portrait of Dahlgren, 2 of sailors. Wood-engraved plate after Chapin; 5 illustrations including 2 of gun crews, 1 oval bust portrait of Dahlgren, 2 of sailors. From Harper's Weekly, April 20, 1861, page 244. Hanover, N.H., Book & Print Shop, 1955.

14th in collection of 14 watercolors of uniform figures and groups by Lawson, after original documents; mounted officer in scarlet jacket, blue and gold turban and sash, facing right. 14th in collection of 14 watercolors of uniform figures and groups by Lawson, after original documents; mounted officer in scarlet jacket, blue and gold turban and sash, facing right. Unbound; clean; in red cloth case, green leather labels st. gold "Indian State Troops. Water-colors by C.C.P. Lawson from original documents". London, Lawson, 1959.

13th in collection of 14 watercolors of uniform figures and groups by Lawson, after original documents; mounted officer in dark blue jacket, blue and gold turban, in profile facing left. 13th in collection of 14 watercolors of uniform figures and groups by Lawson, after original documents; mounted officer in dark blue jacket, blue and gold turban, in profile facing left. Unbound; clean; in red cloth case, green leather labels st. gold "Indian State Troops. Water-colors by C.C.P. Lawson from original documents". London, Lawson, 1959.

2nd in collection of 14 watercolors of uniform figures and groups by Lawson, after original documents; mounted officer in dark blue jacket, gold trim, blue and gold turban, riding toward left, looking back toward right. 2nd in collection of 14 watercolors of uniform figures and groups by Lawson, after original documents; mounted officer in dark blue jacket, gold trim, blue and gold turban, riding toward left, looking back toward right. Unbound; clean; in red cloth case, green leather labels st. gold "Indian State Troops. Water-colors by C.C.P. Lawson from original documents". London, Lawson, 1959.

13th of 16 mounted hand-colored lithographic plates (by and after Carl Müller) of uniform figures and groups Two mounted solders with a third addressing them

Hand-colored line and stipple-engraving published December 1, 1809; Tyrolese irregular leader, full-length, with weapons in belt, in uniform or military costume, hat in hand, musket on table at left. From 'Ackermann's Repository of Arts', volume 2, plate 35. Hand-colored line and stipple-engraving published December 1, 1809; Tyrolese irregular leader, full-length, with weapons in belt, in uniform or military costume, hat in hand, musket on table at left. From 'Ackermann's Repository of Arts', volume 2, plate 35. Upright; matted medium folio; margins entirely trimmed away; cleaned. New York, Henry L. Bokelman, 1948.

6th of set of 7 original caricature ink and watercolor drawings of Swiss Army uniform figures, from collection of 805, of various nationalities, signed illegibly; standing uniform figure in profile, of officer in gray jacket, wearing sabre, walking toward right. 6th of set of 7 original caricature ink and watercolor drawings of Swiss Army uniform figures, from collection of 805, of various nationalities, signed illegibly; standing uniform figure in profile, of officer in gray jacket, wearing sabre, walking toward right. In folio mat, unbound; clean. Rome, Querzola, 1968.

One of a collection of 9 small color lithograph plates of uniforms; figure in blue with sword on brown horse facing right. One of a collection of 9 small color lithograph plates of uniforms; figure in blue with sword on brown horse facing right. Mounted on tan paper, unbound; in red cloth portfolio, white leather labels stamped gold. N.Y., Kraus, 1942.