One of a collection of 8 mounted unsigned original watercolors (by Monten, for Sammtliche Truppen von Europa): uniform groups. Group of soldiers with rifles, church in background. One of a collection of 8 mounted unsigned original watercolors (by Monten, for Sammtliche Truppen von Europa): uniform groups. Group of soldiers with rifles, church in background. Unbound; clean; in blue cloth slipcase, beige leather label stamped gold. Title supplied by cataloger. Munich, Wolfle, 1968.

One of a collection of manuscript tile page and 49 (of 62) numbered ink drawings of uniform figures signed and dated by Zimmermann. Figure on blue/gray paper, facing left and holding sword. One of a collection of manuscript tile page and 49 (of 62) numbered ink drawings of uniform figures signed and dated by Zimmermann. Figure on blue/gray paper, facing left and holding sword. Small, foxed; bound in 1/4 dark blue morocco and blue marble boards stamped gold "Zimmermann. Troupes de la Grande Armé 1808. Original Drawings". Paris, Delacre sale, 1961.

12th in suite of 12 mounted original watercolors, unsigned, of uniform figures, probably for a regimental history; mounted officer and trumpeter, in green uniforms, chartreuse trim, galloping toward left. 12th in suite of 12 mounted original watercolors, unsigned, of uniform figures, probably for a regimental history; mounted officer and trumpeter, in green uniforms, chartreuse trim, galloping toward left. Small, unbound; clean; in blue cloth slipcase, beige leather label stamped gold. Munich, Wölfle, 1968.

11th in suite of 12 mounted original watercolors, unsigned, of uniform figures, probably for a regimental history; mounted cavalryman in green uniform, holding pistol. 11th in suite of 12 mounted original watercolors, unsigned, of uniform figures, probably for a regimental history; mounted cavalryman in green uniform, holding pistol. Small, unbound; clean; in blue cloth slipcase, beige leather label stamped gold. Munich, Wölfle, 1968.

10th in suite of 12 mounted original watercolors, unsigned, of uniform figures, probably for a regimental history; mounted officer in green uniform, scarlet trim, looking back toward right. 10th in suite of 12 mounted original watercolors, unsigned, of uniform figures, probably for a regimental history; mounted officer in green uniform, scarlet trim, looking back toward right. Small, unbound; clean; in blue cloth slipcase, beige leather label stamped gold. Munich, Wölfle, 1968.

One of a collection of 25 mounted watercolor sketches, 22 pencil sketches and 2 ink sketches by Wingate, dated November 4, 1837. Figures seated at dinner table; second figure reading book. One of a collection of 25 mounted watercolor sketches, 22 pencil sketches and 2 ink sketches by Wingate, dated November 4, 1837. Figures seated at dinner table; second figure reading book. Oblong folio; bound in 1/4 green morocco stamped gold and green marble boards; soiled. London, Spencer, 1952.

One of a collection of 25 mounted watercolor sketches, 22 pencil sketches and 2 ink sketches by Wingate, dated November 24, 1838. Two figures on horseback facing right, dog running ahead of horses. One of a collection of 25 mounted watercolor sketches, 22 pencil sketches and 2 ink sketches by Wingate, dated November 24, 1838. Two figures on horseback facing right, dog running ahead of horses. Oblong folio; bound in 1/4 green morocco stamped gold and green marble boards; yellowed. London, Spencer, 1952.

Broadside with 4 engraved illustrations of an massive mortar with projectile designed by 'le fameux Ingenieur Mustaphato Salicio' to carry 25 men inside for breaching towns and fortified places. The illustrations are numbered N I - N IV, and show soldiers padded with straw loading themselves inside the huge mortar; the mortar being hoisted by a huge pulley into the barrel of an enormous cannon; an enormous bellows being erected to fire the cannon; and the soldiers marching out of the mortar inside the walls of the city Broadside with 4 engraved illustrations of an massive mortar with projectile designed by 'le fameux Ingenieur Mustaphato Salicio' to carry 25 men inside for breaching towns and fortified places. The illustrations are numbered N I - N IV, and show soldiers padded with straw loading themselves inside the huge mortar; the mortar being hoisted by a huge pulley into the barrel of an enormous cannon; an enormous bellows being erected to fire the cannon; and the soldiers marching out of the mortar inside the walls of the city Oblong folio. Vienna, Christian Nebehay, 1959. Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection., Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

This image is a French copy of Cruikshank's caricature, "Delusion, a New Farce." It is a different impression of the print cataloged as work number 130605. On the event of his third birthday, the young King of Rome was brought to review the troops. In this image the King of Rome is wheeled on his hobby horse by his father, Napoleon Bonaparte, who gestures towards the two lines of soldiers standing at attention in front of them. The rear row of soldiers is war ravaged--emaciated skeletons who are missing eyes and noses. Their lips are locked shut by medals of the "Legion d'Honneur." The soldiers in the front row are all children who have sprouted grotesque features, mustaches and beards. The combination of scarred veterans and young children comments upon Napoleon's policy of conscription, which consumed the population of France. Despite Napoleon's best efforts to interest his son in his birthright, the King of Rome complains that he would like to be returned to his mother, and his chamber pot. The King of Rome is followed by a nurse who carries the end of his elaborate pig tail, and by a Mameluke who carries a pot of porridge and a basket of diapers. Behind them, portraits in a print shop window proclaim "Vive l'Empereur." This image is a French copy of Cruikshank's caricature, "Delusion, a New Farce." It is a different impression of the print cataloged as work number 130605. On the event of his third birthday, the young King of Rome was brought to review the troops. In this image the King of Rome is wheeled on his hobby horse by his father, Napoleon Bonaparte, who gestures towards the two lines of soldiers standing at attention in front of them. The rear row of soldiers is war ravaged--emaciated skeletons who are missing eyes and noses. Their lips are locked shut by medals of the "Legion d'Honneur." The soldiers in the front row are all children who have sprouted grotesque features, mustaches and beards. The combination of scarred veterans and young children comments upon Napoleon's policy of conscription, which consumed the population of France. Despite Napoleon's best efforts to interest his son in his birthright, the King of Rome complains that he would like to be returned to his mother, and his chamber pot. The King of Rome is followed by a nurse who carries the end of his elaborate pig tail, and by a Mameluke who carries a pot of porridge and a basket of diapers. Behind them, portraits in a print shop window proclaim "Vive l'Empereur." Published, Spring 1814 (around the time of the celebration of the King of Rome's third birthday on March 20). Caption: Belle estampe representant le marmot roi de Rome agé de trois ans monté sur son dada passant on revue les troupes françaises. dedié aux soldats de la grande armée. [Beautiful print representing the brat king of Rome aged three years mounted on his hobbyhorse, reviewing the French troops. Dedicated to the soldiers of the grand army.] Dialogue: Napoleon: "Voyez mon fils les légions qui ont conquis l'Eurôpe et voyez celles qui recommencier ce besogne comme Alexander je pleurais de n'avoir pas un autre Europe a Conquerir. S'etait un fou il aurait du faire comme moi il se Serait épargné bien les larmes... passé les troupes en revue dites leur que je vais les conduire a la gloire comme j'ai conduit leurs prere; dites leurs qu'ils doivent se battre pour vous et votre papa." Dialogue: King of Rome: "Qu'on me ramene chez maman, j'ai envie de faire." Inscription: Vive L'Empereur Label(s): Serviettes pour Sa Majesté Imperiale Label(s): Moullie pour S. M. Label(s): Legion d'honneur

This image is a French copy of Cruikshank's caricature, "Delusion, a New Farce." On the event of his third birthday, the young King of Rome was brought to review the troops. In this image the King of Rome is wheeled on his hobby horse by his father, Napoleon Bonaparte, who gestures towards the two lines of soldiers standing at attention in front of them. The rear row of soldiers is war ravaged, emaciated skeletons who are missing eyes and noses. Their lips are locked shut by medals of the "Legion d'Honneur." he soldiers in the front row are all children who have sprouted grotesque features, mustaches and beards. The combination of scarred veterans and young children points to Napoleon's policy of conscription, which consumed the population of France. Despite Napoleon's best efforts to interest his son in his birthright, the King of Rome complains that he would like to be returned to his mother--and his chamber pot. The King of Rome is followed by a nurse who carries the end of his elaborate pigtail, and by a Mameluke who carries a pot of porridge and a basket of diapers. Behind them, portraits in a print shop window proclaim "Vive l'Empereur." This image is a French copy of Cruikshank's caricature, "Delusion, a New Farce." On the event of his third birthday, the young King of Rome was brought to review the troops. In this image the King of Rome is wheeled on his hobby horse by his father, Napoleon Bonaparte, who gestures towards the two lines of soldiers standing at attention in front of them. The rear row of soldiers is war ravaged, emaciated skeletons who are missing eyes and noses. Their lips are locked shut by medals of the "Legion d'Honneur." he soldiers in the front row are all children who have sprouted grotesque features, mustaches and beards. The combination of scarred veterans and young children points to Napoleon's policy of conscription, which consumed the population of France. Despite Napoleon's best efforts to interest his son in his birthright, the King of Rome complains that he would like to be returned to his mother--and his chamber pot. The King of Rome is followed by a nurse who carries the end of his elaborate pigtail, and by a Mameluke who carries a pot of porridge and a basket of diapers. Behind them, portraits in a print shop window proclaim "Vive l'Empereur." Published, Spring 1814. Around the time of the celebration of the King of Rome's third birthday on March 20. See also IRIS Work No. 129851; this is a different impression of the same print. Caption: Belle estampe representant le marmot roi de Rome agé de trois ans monté sur son dada passant on revue les troupes françaises. dedié aux soldats de la grande armée. [Beautiful print representing the brat king of Rome aged three years mounted on his hobbyhorse, reviewing the French troops. Dedicated to the soldiers of the grand army.] Dialogue: Napoleon: "Voyez mon fils les légions qui ont conquis l'Eurôpe et voyez celles qui recommencier ce besogne comme Alexander je pleurais de n'avoir pas un autre Europe a Conquerir. S'etait un fou il aurait du faire comme moi il se Serait épargné bien les larmes... passé les troupes en revue dites leur que je vais les conduire a la gloire comme j'ai conduit leurs prere; dites leurs qu'ils doivent se battre pour vous et votre papa." Dialogue: King of Rome: "Qu'on me ramene chez maman, j'ai envie de faire." Inscription: Vive L'Empereur Label(s): Serviettes pour Sa Majesté Imperiale Label(s): Moullie pour S. M. Label(s): Legion d'honneur

One of a collection of 24 original watercolor caricatures of soldiers by Lavrate. Figure with umbrella standing in rain and smoking. One of a collection of 24 original watercolor caricatures of soldiers by Lavrate. Figure with umbrella standing in rain and smoking. Unbound; in blue cloth case, red leather back stamped gold "Laurette--French Military Caricatures--c. 1850"; yellowed and brittle. London, Spencer, 1955.

One of a collection of 12 (of ?) hand colored engraved plates of uniform figures, outdoors, each with title printed in Italian, listed as being numbers 10-19, 21, 22 in collection described in de Ridder 15; also 1 additional plate so similar as maybe to belong in series, being Nouvel Uniforme du Premier Lieutenant Autrichien. Figure wearing new uniform, with sword in right hand facing right. One of a collection of 12 (of ?) hand colored engraved plates of uniform figures, outdoors, each with title printed in Italian, listed as being numbers 10-19, 21, 22 in collection described in de Ridder 15; also 1 additional plate so similar as maybe to belong in series, being Nouvel Uniforme du Premier Lieutenant Autrichien. Figure wearing new uniform, with sword in right hand facing right. Upright small folio, unbound, trimmed and mounted; slight foxing; in red cloth slipcase, white leather label stamped gold "Austrian Troops in Italy, ca. 1770." Brussels, Delacre sale, 1961

Original pencil caricature, unsigned; Napoleon III setting off Gatling gun; Prince Imperial approaching with ammunition from left. Original pencil caricature, unsigned; Napoleon III setting off Gatling gun; Prince Imperial approaching with ammunition from left. Small oblong folio; margins; slightly soiled. New York, Rockman Prints, 1958.

Colored lithographic imagerie plate with 5 rows, each showing 4 humorous soldier scenes including cantinière. Colored lithographic imagerie plate with 5 rows, each showing 4 humorous soldier scenes including cantinière. Upright folio; margins.

Hand-colored engraved game-sheet with 4 corner illustrations of soldier scenes, 43 illustrations, including 42 of uniforms, 1 of king receiving army officers. Hand-colored engraved game-sheet with 4 corner illustrations of soldier scenes, 43 illustrations, including 42 of uniforms, 1 of king receiving army officers. Large oblong folio; plate mark, margins; clean. Paris, Robert Prouté, 1974.

One of a collection of 6 hand colored engraved plates of uniform figures, most showing front and rear views, and most with titles in French and German. Figure in red, white and blue with right foot on rock, two figures in back ground in red, light blue and white holding rifles. One of a collection of 6 hand colored engraved plates of uniform figures, most showing front and rear views, and most with titles in French and German. Figure in red, white and blue with right foot on rock, two figures in back ground in red, light blue and white holding rifles. Small upright folio, yellowed; margins trimmed, clean, in blight blue cloth portfolio, red leather label stamped gold. Brussels, Delacre sale, 1961.

Colored engraving; 1 uniform figure in foreground, 2 smaller ones in right background. Colored engraving; 1 uniform figure in foreground, 2 smaller ones in right background. Small upright folio, matted; margins trimmed; clean. New York, Rockman Prints, 1954.

Hand-colored line-engraved caricature; soldier, civilians and women in round-dance outside building, numerous military and civilian spectators. Hand-colored line-engraved caricature; soldier, civilians and women in round-dance outside building, numerous military and civilian spectators. Oblong medium folio, matted; margins; soiled. New York, Rockman Prints, 1950. Title: Nous Avons Notre Père de Gand, ou Une Soirée des Thuileries, en Juillet 1815. Banner(s): Vive le Roi

Original watercolor signed and dated by Reeks; three men fishing from small rock in misty, rainy bay, violet clouds in background. Original watercolor signed and dated by Reeks; three men fishing from small rock in misty, rainy bay, violet clouds in background. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign. title provided by cataloger

Original sepia pen and ink sketch, signed by Shannon, of a street scene in Noumea, New Caledonia; two people on a bicycle, a military vehicle, and large tree roots. Original sepia pen and ink sketch, signed by Shannon, of a street scene in Noumea, New Caledonia; two people on a bicycle, a military vehicle, and large tree roots. Shannon served as a war artist with the U.S. Army in the South Pacific War Art Unit in 1943. Later became picture editor and illustrator for the Army Information and Education Division, New York, 1944-1946.

Original pen and ink and wash sketch, signed by Shannon, of M.P. in the middle of a street directing traffic, one pedestrian crossing street; Noumea, New Caledonia. Original pen and ink and wash sketch, signed by Shannon, of M.P. in the middle of a street directing traffic, one pedestrian crossing street; Noumea, New Caledonia. Shannon served as a war artist with the U.S. Army in the South Pacific War Art Unit in 1943. Later became picture editor and illustrator for the Army Information and Education Division, New York, 1944-1946.

Subject: 'The burial of Sir Jno Moore', etched by T. Jones. Subject: 'The burial of Sir Jno Moore', etched by T. Jones. Title continues: Sung by Mr. Henry Phillips, also by Miss Love, the music by T. Williams. Author of 'Lord Ullens daughter', 'Twas whisper'd in heaven' &c. Pr. 2/-

composed by P. S. Gilmore. For piano. Cover title. "To the class of 1857"--cover. Cover lith. ill. by J.H. Bufford after Wallace A. King entitled 'South Barracks, Norwich University', depicting cadets parading before building and firing cannon.

Watercolor drawing signed and dated by M.C.T(sen); standing uniform figure. Watercolor drawing signed and dated by M.C.T(sen); standing uniform figure. Upright; margins intact; clean. Presented, 1966, by M.C. Tsen. title provided by cataloger

by Albert Dufaure

Part of collection of original watercolors by Woolen, McNeill, Ibbetson and Holloway, for British regimental postcards published by Gale & Polden, this one signed by Holloway; sentry and 2 officers outside barracks guard room, 2 smaller soldier figures walking in left background. Part of collection of original watercolors by Woolen, McNeill, Ibbetson and Holloway, for British regimental postcards published by Gale & Polden, this one signed by Holloway; sentry and 2 officers outside barracks guard room, 2 smaller soldier figures walking in left background. In red portfolio box, red label stamped gold " Woolen, McNeill, Ibbetson & Holloway - Original watercolors for British regimental postcards c.1900-1910".

Part of collection of original watercolors by Woolen, McNeill, Ibbetson and Holloway, for British regimental postcards published by Gale & Polden, this one signed by Holloway; 2 officers in trophy room looking at ceremonial German helmet displayed on wall at left, with other trophies. Part of collection of original watercolors by Woolen, McNeill, Ibbetson and Holloway, for British regimental postcards published by Gale & Polden, this one signed by Holloway; 2 officers in trophy room looking at ceremonial German helmet displayed on wall at left, with other trophies. In red portfolio box, red label stamped gold " Woolen, McNeill, Ibbetson & Holloway - Original watercolors for British regimental postcards c.1900-1910".

Part of collection of original watercolors by Woolen, McNeill, Ibbetson and Holloway, for British regimental postcards published by Gale & Polden, this one signed by Holloway; 2 mounted officers in country road, 4 standing soldiers in right background. Part of collection of original watercolors by Woolen, McNeill, Ibbetson and Holloway, for British regimental postcards published by Gale & Polden, this one signed by Holloway; 2 mounted officers in country road, 4 standing soldiers in right background. In red portfolio box, red label stamped gold " Woolen, McNeill, Ibbetson & Holloway - Original watercolors for British regimental postcards c.1900-1910".

Part of collection of original watercolors by Woolen, McNeill, Ibbetson and Holloway, for British regimental postcards published by Gale & Polden, this one signed by Holloway; street scene, soldier in khaki fatigues offering piece of candy to child and mother in foreground; 1 mounted and 4 standing soldiers in background including French soldier.. Part of collection of original watercolors by Woolen, McNeill, Ibbetson and Holloway, for British regimental postcards published by Gale & Polden, this one signed by Holloway; street scene, soldier in khaki fatigues offering piece of candy to child and mother in foreground; 1 mounted and 4 standing soldiers in background including French soldier.. In red portfolio box, red label stamped gold " Woolen, McNeill, Ibbetson & Holloway - Original watercolors for British regimental postcards c.1900-1910".

Part of collection of original watercolors by Woolen, McNeill, Ibbetson and Holloway, for British regimental postcards published by Gale & Polden, this one signed by Holloway; officers facing grenadiers in meadow, all lifting hats and cheering, women spectators, man, and boy in sailor costume in left background. Part of collection of original watercolors by Woolen, McNeill, Ibbetson and Holloway, for British regimental postcards published by Gale & Polden, this one signed by Holloway; officers facing grenadiers in meadow, all lifting hats and cheering, women spectators, man, and boy in sailor costume in left background. In red portfolio box, red label stamped gold " Woolen, McNeill, Ibbetson & Holloway - Original watercolors for British regimental postcards c.1900-1910".