Colored lithograph by (and after?) Hellich; insurgent officer full-length in uniform, emerging from tomb or dungeon, upon the opened lid of which is an inscription. A commemoration of August 31, 1848. Dedicated to the friends of the Corps Concord. Colored lithograph by (and after?) Hellich; insurgent officer full-length in uniform, emerging from tomb or dungeon, upon the opened lid of which is an inscription. A commemoration of August 31, 1848. Dedicated to the friends of the Corps Concord. Upright medium folio; margins intact; slightly worn. New York, Rockman Prints, 1949.

Composed and respectfully dedicated to the memory of Major Ring[g]old by Thomas H. Chambers ; arranged by S. Bassford. For piano. Cover title. Caption title: Grand triumphant march in the Battle of Palo Alto. Cover lithographic illustration by Sarony & Major: 5 vignettes of Major Ringold and military scenes.

Hand-colored steel engraving by Chavanne after Read; view down street showing long procession headed by Highlanders, spectators and club buildings at sides. Hand-colored steel engraving by Chavanne after Read; view down street showing long procession headed by Highlanders, spectators and club buildings at sides. Oblong, matted; margins; slightly soiled. London, Parker Gallery, 1952.

1st in pair of copper-engravings by and after Billy; officer, outdoors, in military costume with baton, smaller figures in background. Numbered 40. 1st in pair of copper-engravings by and after Billy; officer, outdoors, in military costume with baton, smaller figures in background. Numbered 40. Small upright folio; plate marks, margins trimmed; slightly soiled. New York, Harry H. Hymes, 1947.

9th of 14 watercolor copies after originals by Lex in General Staff library in Berlin, signed and dated by Giersberg; uniform figures of 4th Regiment of Polish Infantry (each with attached slip with description in Polish and German); 3 infantrymen in profile facing left, presenting arms. 9th of 14 watercolor copies after originals by Lex in General Staff library in Berlin, signed and dated by Giersberg; uniform figures of 4th Regiment of Polish Infantry (each with attached slip with description in Polish and German); 3 infantrymen in profile facing left, presenting arms. Large folio, unbound; in red cloth slipcase, dark red leather label stamped gold; clean. New York, H.P. Kraus, 1952.

10th of bound manuscript title-page and 25 hand-colored engraved plates of mounted hussar uniform figures (same figure or plate throughout); hussar in electric blue uniform, gold trim, facing left, on horse with scarlet saddle blanket. 10th of bound manuscript title-page and 25 hand-colored engraved plates of mounted hussar uniform figures (same figure or plate throughout); hussar in electric blue uniform, gold trim, facing left, on horse with scarlet saddle blanket. Bound in blue leather tooled and stamped gold "Koronázási Banderiumok, 1790"; clean. N.Y., Apfel, 1962. title provided by cataloger

Unsigned watercolor; study of palace or cathedral Unsigned watercolor; study of palace or cathedral Small oblong folio. Munich, auction, 1957. Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

Hand-colored engraving, numbered 60; view in palace courtyard showing small figures of guards with flag drawn up at left, several carriages in center, small figures of cavalrymen and officers at right. Hand-colored engraving, numbered 60; view in palace courtyard showing small figures of guards with flag drawn up at left, several carriages in center, small figures of cavalrymen and officers at right. From 'Theatrum Scotiae' by John Slezer, 1693. London, Spencer, 1953.

One of a collection of 9 original watercolor drawings signed by F.F. Llull of uniforms of President's Guard, cavalry, infantry, artillery, police, Banwalpur Emir Body Guard. Figure in red and blue with hands on belt. One of a collection of 9 original watercolor drawings signed by F.F. Llull of uniforms of President's Guard, cavalry, infantry, artillery, police, Banwalpur Emir Body Guard. Figure in red and blue with hands on belt. Folio, unbound; in green cloth portfolio, red leather labels stamped gold. Bala-Cynwyd, Pa. James C. Tily, 1970.

One of a collection of 9 original watercolor drawings signed by F.F. Llull of uniforms of President's Guard, cavalry, infantry, artillery, police, Banwalpur Emir Body Guard. Figure in red, white and blue standing in front of flag. One of a collection of 9 original watercolor drawings signed by F.F. Llull of uniforms of President's Guard, cavalry, infantry, artillery, police, Banwalpur Emir Body Guard. Figure in red, white and blue standing in front of flag. Folio, unbound; in green cloth portfolio, red leather labels stamped gold. Bala-Cynwyd, Pa., James C. Tily, 1970.

One of a collection of 9 original watercolor drawings signed by F.F. Llull of uniforms of President's Guard, cavalry, infantry, artillery, police, Banwalpur Emir Body Guard. Figure in blue and red saluting. One of a collection of 9 original watercolor drawings signed by F.F. Llull of uniforms of President's Guard, cavalry, infantry, artillery, police, Banwalpur Emir Body Guard. Figure in blue and red saluting. Folio, unbound; in green cloth portfolio, red leather labels stamped gold. Bala-Cynwyd, Pa., James C. Tily, 1970.

Hand-colored engraving published in London by Routledge and Sons, 1878; 19 illustrations showing royalist commanders and soldiers, also armor, weapons, etc. Hand-colored engraving published in London by Routledge and Sons, 1878; 19 illustrations showing royalist commanders and soldiers, also armor, weapons, etc. In 1662 William Barnston commissioned this Civil War window in his chapel in St. Chad's, Farndon, Cheshire. It commemorates the Royalist defenders of Chester. The artist obtained accurate details of dress and equipment from contemporary illustrations. From left to right along the top are Sir Richard Grosvenor, Sir William Mainwaring and William Barnston, identified by their coats of arms. In the center, Sir Francis Gamul, another of Charles's attendants at the Siege of Chester, stands in front of his tent, reviewing an array of military equipment. N.Y., Rockman Prints, 1973.

One of 6 colored lithographic plates by Anatole et Bocquin, printed by Lemercier, showing standing uniform figure outdoors, each with title in Turkish. One of 6 colored lithographic plates by Anatole et Bocquin, printed by Lemercier, showing standing uniform figure outdoors, each with title in Turkish. Lith en couleur par Anatole et Bocquin.

Original ink sketch, signed and dated 9-7-43 by Stevenson; soldiers packing up clothing and blanket rolls in bunkroom iwth bunk beds. Original ink sketch, signed and dated 9-7-43 by Stevenson; soldiers packing up clothing and blanket rolls in bunkroom iwth bunk beds. Stevenson enlisted in the U.S. Army Corps of Engineers in July 1941. He was one of the original soldier-artists at Fort Belvoir, VA. before accepting a position as a war artist in May 1943. In 1944 he was in southern England covering the preparations for the Normandy invasion and later depicted war damage in France and Germany. Gift of the artist 1994.

Hand-colored engraving by Scott after Brunyas; officers and soldiers outside tent, one reading document, group of Jamaicans at left with weapons laid on ground. Hand-colored engraving by Scott after Brunyas; officers and soldiers outside tent, one reading document, group of Jamaicans at left with weapons laid on ground. The Maroons were self liberated slaves in Jamaica who fought the British to retain their independence. At the end of the first Maroon War, 1730 -39, the British accepted that they could not defeat the guerrilla army of the Maroons, and so they made peace with them. The treaty recognized their freedom and granted them land in return for their help in recapturing other runaway slaves.-- © Bristol Museums, Galleries & Archives

Napoleon' s overtures of Peace towards Great Britain are here characterized as a rehearsal for a dramatic production in the theater. Napoleon stands in a bank of clouds at the right side of the stage. George III has emerged from his box seat to stand on the left side of the stage and peer at Napoleon through a short telescope. Napoleon returns the King's gaze and gestures toward a long scroll held by Talleyrand and inscribed with a list of impossible demands. Talleyrand sits on a large overturned basket that empties gold coins and sheets of paper onto the stage. As the papers are inscribed variously "The Argus," "To The London Corresponding Society," "Address to the Papists," "The Whig Club," and the "United Irishmen," the implication is that the threat against George III lies within the opposition party. A statue of William Pitt, who died in January of 1806, stands on a pedestal to just behind George III. A ship bearing the British flag and the title "The Royal Soverign" is painted on the backdrop. The orchestra is equally constituted by "subversive" figures. The Broad Bottom coalition is present as is Charles James Fox, who holds his bow away from the fiddle to listen to promises made by ?. William Sheridan sits, sleeping on the far right of the orchestra pit. Members of the audience spill out of their box seats on the right of the stage and applaud the performance. Among them the Prince Regent and Mrs. Fitzherbert, seated in the bottom right box, wait to stage their own political farce titled "Dolly made a Dutchess." Napoleon' s overtures of Peace towards Great Britain are here characterized as a rehearsal for a dramatic production in the theater. Napoleon stands in a bank of clouds at the right side of the stage. George III has emerged from his box seat to stand on the left side of the stage and peer at Napoleon through a short telescope. Napoleon returns the King's gaze and gestures toward a long scroll held by Talleyrand and inscribed with a list of impossible demands. Talleyrand sits on a large overturned basket that empties gold coins and sheets of paper onto the stage. As the papers are inscribed variously "The Argus," "To The London Corresponding Society," "Address to the Papists," "The Whig Club," and the "United Irishmen," the implication is that the threat against George III lies within the opposition party. A statue of William Pitt, who died in January of 1806, stands on a pedestal to just behind George III. A ship bearing the British flag and the title "The Royal Soverign" is painted on the backdrop. The orchestra is equally constituted by "subversive" figures. The Broad Bottom coalition is present as is Charles James Fox, who holds his bow away from the fiddle to listen to promises made by ?. William Sheridan sits, sleeping on the far right of the orchestra pit. Members of the audience spill out of their box seats on the right of the stage and applaud the performance. Among them the Prince Regent and Mrs. Fitzherbert, seated in the bottom right box, wait to stage their own political farce titled "Dolly made a Dutchess." Caption: Pubd April 5th 1806, by H. Humphrey St James s Street Caption: Js Gillray fect Dialogue: George III (l.): Very Amusing terms indeed!/ and might do vastly well with some of/ the new-made little Gingerbread Kings/but We are not in the habits of giving/ -up either "Ships, or Commerce, or/ Colonies" merely because little Boney / is in a pet to have them!!! Dialogue: Napoleon (center): There's my Term's [sic] Dialogue: Remember my Friend your Oath. - "Our politics are the same." Inscription: Terms/ of / Peace. Acknowledge / me as Emperor / Dismantle / your Fleet Reduce your / Army Abandon Malta / & Gibralter / Renounce all/ Continental / Connection / Your Colonies / I will take at / a Valuation / Engage to / Pay to the / Great Nation / for 7 Years/ annually/ £1,000,000 / and place / in my hands / as Hostages / the Princess / Charlotte of / Wales, with / Ten of ye late / Administration / Whom I shall / name.

This is an uncolored version of the print. Napoleon' s overtures of Peace towards Great Britain are here characterized as a rehearsal for a dramatic production in the theater. Napoleon stands in a bank of clouds at the right side of the stage. George III has emerged from his box seat to stand on the left side of the stage and peer at Napoleon through a short telescope. Napoleon returns the King's gaze and gestures toward a long scroll held by Talleyrand and inscribed with a list of impossible demands. Talleyrand sits on a large overturned basket that empties gold coins and sheets of paper onto the stage. As the papers are inscribed variously "The Argus," "To The London Corresponding Society," "Address to the Papists," "The Whig Club," and the "United Irishmen" the implication is that the threat against George III lies within the opposition party. A statue of William Pitt, who died in January of 1806, stands on a pedestal to just behind George III. A ship bearing the British flag and the title "The Royal Soverign" is painted on the backdrop. The orchestra is equally constituted by "subversive" figures. The Broad Bottom coalition is present as is Charles James Fox, who holds his bow away from the fiddle to listen to promises made by ?. William Sheridan sits, sleeping on the far right of the orchestra pit. Members of the audience spill out of their box seats on the right of the stage and applaud the performance. Among them the Prince Regent and Mrs. Fitzherbert, seated in the bottom right box, wait to stage their own political farce titled "Dolly made a Dutchess." This is an uncolored version of the print. Napoleon' s overtures of Peace towards Great Britain are here characterized as a rehearsal for a dramatic production in the theater. Napoleon stands in a bank of clouds at the right side of the stage. George III has emerged from his box seat to stand on the left side of the stage and peer at Napoleon through a short telescope. Napoleon returns the King's gaze and gestures toward a long scroll held by Talleyrand and inscribed with a list of impossible demands. Talleyrand sits on a large overturned basket that empties gold coins and sheets of paper onto the stage. As the papers are inscribed variously "The Argus," "To The London Corresponding Society," "Address to the Papists," "The Whig Club," and the "United Irishmen" the implication is that the threat against George III lies within the opposition party. A statue of William Pitt, who died in January of 1806, stands on a pedestal to just behind George III. A ship bearing the British flag and the title "The Royal Soverign" is painted on the backdrop. The orchestra is equally constituted by "subversive" figures. The Broad Bottom coalition is present as is Charles James Fox, who holds his bow away from the fiddle to listen to promises made by ?. William Sheridan sits, sleeping on the far right of the orchestra pit. Members of the audience spill out of their box seats on the right of the stage and applaud the performance. Among them the Prince Regent and Mrs. Fitzherbert, seated in the bottom right box, wait to stage their own political farce titled "Dolly made a Dutchess." Dialogue: George III (l.): Very Amusing terms indeed!/ and might do vastly well with some of/ the new-made little Gingerbread Kings/but We are not in the habits of giving/ -up either "Ships, or Commerce, or/ Colonies" merely because little Boney / is in a pet to have them!!! Dialogue: Napoleon (center): There's my Term's Dialogue: Remember my Friend your Oath. - "Our politics are the same." Dialogue: Attention Inscription: Terms/ of / Peace. Acknowledge / me as Emperor / Dismantle / your Fleet Reduce your / Army Abandon Malta / & Gibralter / Renounce all/ Continental / Connection / Your Colonies / I will take at / a Valuation / Engage to / Pay to the / Great Nation / for 7 Years/ annually/ £1,000,000 / and place / in my hands / as Hostages / the Princess / Charlotte of / Wales, with / Ten of ye late / Administration / Whom I shall / name. Label(s): Ge. III.d whom God long preserve. Label(s): Non sibi fed Patriae vixit Label(s): Jobson & Nell. Irish jug report of the Secret Committee. Neilson told me he had sworn Mr. Gralton. Duet on a Pair of Portraits. The Brentford Bully a new Song. Liberty and Equality down with all the Prisons. Shortly will be performed the Farce Dolly made a Duchess. A Serious Ballad Burke. Broad Bottom Concert. Britons Strike Home. God save the King. Water Gruel. Cheese Parongs The Mid Watch. How Happy could I be with either. See the Conquering Hero comes. Bill of Indentures. Harp of St. Patrick.

One of 6 colored lithographic plates by Anatole et Bocquin, printed by Lemercier, showing standing uniform figure outdoors, each with title in Turkish. One of 6 colored lithographic plates by Anatole et Bocquin, printed by Lemercier, showing standing uniform figure outdoors, each with title in Turkish. Lith en couleur par Anatole et Bocquin.

Engraving by Jeremias Wolff after Rugendas, numbered 6; mounted and dismounted foragers tying up and carrying off bundles of crops, city (Augsburg) in far distance. From: 'Belagerung Augsburgs im Spanischen Erbfolgekrieg'. Engraving by Jeremias Wolff after Rugendas, numbered 6; mounted and dismounted foragers tying up and carrying off bundles of crops, city (Augsburg) in far distance. From: 'Belagerung Augsburgs im Spanischen Erbfolgekrieg'. Oblong folio; margins trimmed; clean. New York, Walter Schatzki, 1971.

1 hand-colored engraving by J. Punt after P. v. Cuyck of funeral procession; 2 horses and 7 members of the royal household, two of which are carrying standards, walking left. From 'Lyk-Staetsie van zyne Doorluchtigste Hoogheid den Heere Willem Carel Hendrik Friso, Prince van Orange en Nassau---Gehouden den IV. Februari MDCCLII (Hague, Pieter Gosse Junior and Nicholaes van Daalen, 1755) 1 hand-colored engraving by J. Punt after P. v. Cuyck of funeral procession; 2 horses and 7 members of the royal household, two of which are carrying standards, walking left. From 'Lyk-Staetsie van zyne Doorluchtigste Hoogheid den Heere Willem Carel Hendrik Friso, Prince van Orange en Nassau---Gehouden den IV. Februari MDCCLII (Hague, Pieter Gosse Junior and Nicholaes van Daalen, 1755) Giant oblong folio. New York, H.P. Kraus, 1966. Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

One of a suite of 12 numbered sepia lithographs by Adolf Kittendorff and Grove after Simonsen; campaign scenes and types, uniform groups. Troupes walking on path, each with rifle; child holding trumpet on the shoulders of one soldier. One of a suite of 12 numbered sepia lithographs by Adolf Kittendorff and Grove after Simonsen; campaign scenes and types, uniform groups. Troupes walking on path, each with rifle; child holding trumpet on the shoulders of one soldier. Folio, unbound; foxed, soiled, worn; in maroon cloth portfolio stamped gold "Simonsen. Danish Battle Scenes." London, Parker Gallery, 1952.

From collection of 89 original signed watercolors on board, mostly dated, by Wollen, Ibbetson, Holloway, for Gale & Polden postcards; this one signed by Ibbetson; general and 2 officers facing soldier awarded medal; troops, civilian spectators, buildings in background. From collection of 89 original signed watercolors on board, mostly dated, by Wollen, Ibbetson, Holloway, for Gale & Polden postcards; this one signed by Ibbetson; general and 2 officers facing soldier awarded medal; troops, civilian spectators, buildings in background. In red cloth case, red leather label stamped gold. London, Francis Edwards, 1966.

From collection of 89 original signed watercolors on board, mostly dated, by Wollen, Ibbetson, Holloway, for Gale & Polden postcards; this one signed by Ibbetson; color guard standing in foreground; troop of infantry in formation in background, outdoors. From collection of 89 original signed watercolors on board, mostly dated, by Wollen, Ibbetson, Holloway, for Gale & Polden postcards; this one signed by Ibbetson; color guard standing in foreground; troop of infantry in formation in background, outdoors. In red cloth case, red leather label stamped gold. London, Francis Edwards, 1966.

From collection of 89 original signed watercolors on board, mostly dated, by Wollen, Ibbetson, Holloway, for Gale & Polden postcards, this one signed by Ibbetson; mounted officer with uplifted sword, leading large troop of infantry on march across field. From collection of 89 original signed watercolors on board, mostly dated, by Wollen, Ibbetson, Holloway, for Gale & Polden postcards, this one signed by Ibbetson; mounted officer with uplifted sword, leading large troop of infantry on march across field. In red cloth case, red leather label stamped gold. London, Francis Edwards, 1966.

From collection of 89 original signed watercolors on board, mostly dated, by Wollen, Ibbetson, Holloway, for Gale & Polden postcards, this one signed by Ibbetson; British infantry in khaki fatigues marching down village road; group of dismounted French cuirassiers at right. From collection of 89 original signed watercolors on board, mostly dated, by Wollen, Ibbetson, Holloway, for Gale & Polden postcards, this one signed by Ibbetson; British infantry in khaki fatigues marching down village road; group of dismounted French cuirassiers at right. In red cloth case, red leather label stamped gold. London, Francis Edwards, 1966.

From collection of 89 original signed watercolors on board, mostly dated, by Wollen, Ibbetson, Holloway, for Gale & Polden postcards, this one signed by Ibbetson; large troop of infantry presenting arms, facing right; standard-bearer lowering flag to ground; civilians under hanging festoons in right background. From collection of 89 original signed watercolors on board, mostly dated, by Wollen, Ibbetson, Holloway, for Gale & Polden postcards, this one signed by Ibbetson; large troop of infantry presenting arms, facing right; standard-bearer lowering flag to ground; civilians under hanging festoons in right background. In red cloth case, red leather label stamped gold. London, Francis Edwards, 1966.

From collection of 89 original signed watercolors on board, mostly dated, by Wollen, Ibbetson, Holloway, for Gale & Polden postcards, this one signed by Ibbetson; 7 members of drum corps standing in plaza; drum major in foreground, officer and building in left background. From collection of 89 original signed watercolors on board, mostly dated, by Wollen, Ibbetson, Holloway, for Gale & Polden postcards, this one signed by Ibbetson; 7 members of drum corps standing in plaza; drum major in foreground, officer and building in left background. In red cloth case, red leather label stamped gold. London, Francis Edwards, 1966.

Chromolithographic membership certificate with border of 15 illustrations of historic and military scenes, including 1 showing uniform of Patriotic Sons of America; 2 oval bust portraits of Washington and Columbus, illustration of eagle, flags, allegorical figures. Chromolithographic membership certificate with border of 15 illustrations of historic and military scenes, including 1 showing uniform of Patriotic Sons of America; 2 oval bust portraits of Washington and Columbus, illustration of eagle, flags, allegorical figures. Large upright folio; margins intact; clean, creased. N.Y., Rockman Prints, 1964.

Composed and arranged for the piano forte and respectfully dedicated to Lieut. C.C. Harmon of the Portland Light Infantry by Mrs. C.B. Varney Sarony & Major, lithographers For piano

Colored aquatint by Chapuy after Brion; oval bust portrait (profile) in uniform with enframement of wreath, flags etc. Colored aquatint by Chapuy after Brion; oval bust portrait (profile) in uniform with enframement of wreath, flags etc. Small upright folio, matted; plate mark, margins intact; clean. N.Y.; Argosy, 1955. Title: P. A. DE SUFFREN Grand Croix de l'Ordre de St. Jean de Jerusalem, Chevalier des Ordres du Roi Vice Amiral de France &c. &c Verse: L'amour de la patrie est ta suprême loi, Tes talens à tou char enchainent la Victoire; Couronné de làuriers de ton Roi; Que peut il manquer à ta glorie? Caption: A Paris chez Basset rue St. Jacques au coin de celle des mathurins Caption: Brion del. Caption: Chapuy Sculp.