And the sweet man of Galilee
Title from first line.
Title from first line.
words and music by Harry Leslie Brown. For voice and piano. Caption title. Lyrics with an additional verse: p. [4] Cover illustration: an S.A. rest room, featuring fresh doughnuts.
Henry Wadsworth Longfellow. Text printed in blue on recto, black on verso on glossy card stock in postcard format. Full-color head-and-shoulder portrait of Longfellow at left of text and spray of carnations below signed: Cobb Shinn. Title from first line of poem. Untitled four-line poem.
by Tom Clark. Printed on heavy white paper in postcard format. Text on recto superimposed on colored abstract illustration; on verso in upper right corner cut of baseball catcher. Title from first line. Suggested range of publication dates from internal evidence.
by Tom Clark. Printed on heavy white paper in postcard format. Text on recto superimposed on colored abstract illustration; on verso in upper right corner cut of baseball catcher. Title from first line. Suggested range of publication dates from internal evidence.
by Tom Clark. Printed on heavy white paper in postcard format. Text on recto superimposed on colored abstract illustration; on verso in upper right corner cut of baseball catcher. Title from first line. Suggested range of publication dates from internal evidence.
Bruce Bawer. Poetry. Printed on cream paper; title in blue-gray; right edge of page [1] deckled. First line same as title. Colophon on page [4]: There are 200 copies of this keepsake printed from Spectrum types by Michael Peich at the Aralia Press. One hundred forty copies are on Letterpress Text. Sixty copies ... are on Rives Heavy, numbered, and signed by the author.
Tune: Yankee Doodle. Postcard. Within border of type ornaments.
Tune: Yankee Doodle. Postcard. Within border of type ornaments.
Title from first line. Pages [2-3] blank. Illus. in orange, black and gold. On page [4] Impression leaflets. Edited by Paul Elder. Designed by Harold Sichel ..
Printed in red, green, tan and black on heavy white paper within decorative border on page [1]; colored design on page [2] Title from first line. Type-signed at end: Walt Whitman.
Printed in red, green, tan and black on heavy white paper within decorative border on page [1]; colored design on page [2] Title from first line. Type-signed at end: Walt Whitman.
Broadsheet. Poetry. Advertising flyer printed on yellow paper in brown with detachable upper one-fourth bearing legend: Open Places, Box 2353, Stephens College, Columbia, Missouri 65201. At end of poem: Rosmarie Waldrop. On verso: in upper fourth, order form; in lower three fourths printed horizontally advertising for her "The aggressive ways of the casual stranger" First line: If I believe only what I see I'm bulging.
by Harry Ruby and George Jessel. March for voice and piano. Caption title. Advertisement for "Hippity hop" and other songs: p. [4] Cover illustration: drawing of woman with umbrella and soldier / Barbelle.
by Harry Ruby and George Jessel. March for voice and piano. Caption title. Advertisement for "Hippity hop" and other songs: p. [4] Cover illustration: drawing of woman with umbrella and soldier / Barbelle.
by Harry Ruby and George Jessel. March for voice and piano. Caption title. Advertisement for "Hippity hop" and other songs: p. [4] Cover illustration: drawing of woman with umbrella and soldier / Barbelle.
by Harry Ruby and George Jessel. March for voice and piano. Caption title. Advertisement for "Hippity hop" and other songs: p. [4] Cover illustration: drawing of woman with umbrella and soldier / Barbelle.
At end of text: Published in the San Francisco Examiner May 25, 1948, in connection with the United Nations Appeal for Children.
Printed in red and black on heavy paper in postcard format within wavy red border. At head of title reproduction of landscape photograph captioned: Deering's Oaks, Portland, Me. Title from first line of five-line stanza. Type-signed at end: Longfellow. Suggested range of publication dates from internal evidence.
Seguita dalle traduzione di T.S. Eliot e Giuseppe Ungaretti ; illustrata da Berrocal Announcement of publication of book.
Printed on pink paper. At head of title illustration of horseshoe inscribed: Good luck. Poem in three eight-line stanzas. At end of poem: Very truly yours, Miss Lottie Smith. Price: Anything you wish to give. Suggested range of publication dates from internal evidence.
Pages [2,4] blank.
At head of text: O.N.B.
Pages [1] and [4] blank. Poetry in 6 four-line stanzas captioned "Hymn" on page [3] Title with date and place on page [2] Author's name not on piece. AUthor attribution from a letter written March 24, 1936, by Harvard College Library Assistant Librarian Walter B. Briggs: The 'Cambridge Chronicle' for May 6, 1876 gives the poem; it does not state the author. The 'Cambridge Press' for May 6, 1876 states that "All present sang to the tune of 'Old Hundred" an original hymn, written by Mr. John Owen". Without question, Mr. John Owen was the author.
Humorous poem about disputes in Danvers about taxation and new schoolhouse. Humorous poem about disputes in Danvers about taxation and new schoolhouse. Printed in two columns divided by single line. Poem in 23 four-line stanzas. Suggested range of publication date from reference to Kansas and 'bleeding Danvers", referring to pre-Civil War conflict in "bleeding Kansas."
Poetry Poetry Printed in two columns Type-signed at end: T-3 Jerome Z. Litt, U.S. Army. Hay Broadsds Harris copy: Ms. signature "T/4 Frederick E. Altieri, U.S. Army"; stamped "Rec'd JAN 16 1946. Ans'd [blank]"; fold traces.
Caption title. Poetry in thirty-two lines printed in black on lavender paper. Typesigned at end: Leonard Randolph. Colophon in lower margin: Set at NewCompGraphics, Beyond Baroqie Foundation, Venice, Ca. Possible range of dates suggested by internal evidence.
Poetry. Printed in black on buff paper with gray deckled lower edge. At end of poem: Jonathan Williams. Colophon at end: One hundred copies of this unpublished poem handset and printed at the Bibliographical Press--Sterling Memorial Library, Yale University, New Haven 1977. First line: This is your Aunt.
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