Printed area measures: 24.9 x 16.6 cm. Within border of type ornaments with corner ornaments. At end of text within border: Cranston & Knowles, Prs., No. 4, Union Buildings.
Performance and Entertainment
This collection has the following subsets:
- Blondie Robinson collection of African-American Minstrel and Vaudeville photographs
- Ciné-Tracts
- Dupee Fireworks Collection
- Fernando Birri Archive of Multimedia Arts - Escritos
- H. Adrian Smith Magic Objects Collection
- Harris Broadsides
- Julie Adams Strandberg Collection: 50 Years of Dance at Brown University
- Lincoln Sheet Music
- Representations of Blackness in Music of the United States (1830s-1920s)
- Rites and Reason Theatre
- Songsters and Hymnals from the Harris Collection of American Poetry and Plays
- World War I Sheet Music
- Yiddish Sheet Music
Items in this collection
Printed area measures: 24.9 x 16.6 cm. Within border of type ornaments with corner ornaments. At end of text within border: Cranston & Knowles, Prs., No. 4, Union Buildings.
Within scallop edged border of type ornaments printed in two columns, divided by double rule. At bottom in border: Brown & Danforth, Printers.
Within scallop edged border of type ornaments printed in two columns, divided by double rule. At bottom in border: Brown & Danforth, Printers.
Anniversary celebration of Howard Union, No. 3, Daughters of Temperance: Wednesday evening, Oct. 25th, 1848
Printed in two columns divided by double line within border of type ornament sections. Includes words of three temperance songs.
Anniversary anthem
Two poems, each within border of type ornaments; possibly intended to be separated. First poem in four four-line stanzas with four-line chorus printed at head and at end of first stanza; second poem in four four-line stanzas with four-line chorus printed at end of first stanza and beginning: The Union forever, Hurrah, boys, Hurrah! Possible range of publication dates suggested by internal evidence, especially the borders.
Anniversary and public examination, at Wheaton Seminary, Norton, Mass: June 30 and July 1, 1874
Printed in sepia on cream paper.
Anniversary and public examination, at Wheaton Seminary, Norton, Mass: June 30 and July 1, 1874
Printed in sepia on cream paper.
Anniversary and public examination, at Wheaton Seminary, Norton, Mass: June 30 and July 1, 1874
Printed in sepia on cream paper.
Annie, why tardy thus at festal scene?
Title from first line.
Ann Greene Chapman of Boston
Extracts from The Liberator include death notice quoting from Chapman's will, tribute by L.M.F. Child quoting stanzas from a hymn by Chapman, memorial resolutions of the Boston Female Anti-slavery Society of which Chapman was a member, and memorial poem by A.W. Weston. Extracts from The Liberator include death notice quoting from Chapman's will, tribute by L.M.F. Child quoting stanzas from a hymn by Chapman, memorial resolutions of the Boston Female Anti-slavery Society of which Chapman was a member, and memorial poem by A.W. Weston. Poetry and prose. Broadsheet printed in two columns. At head of text: From the Liberator.
Anit neb her
Michael Basinski. Broadsheet printed on cream paper vertically lined on recto; title, author's name and colophon on verso. Poetry. Colophon on verso: 13 made on the 13th of July 1999 as a gift from Watching Monster Movies Press, Lancaster, New York.
Animated Card Through Balloon (Disc and balloons)
Animal dentistry
Poem tells how dentists Dr. Bryan and Dr. Parker put in and take out silver filling in Jackass's teeth. Poem tells how dentists Dr. Bryan and Dr. Parker put in and take out silver filling in Jackass's teeth. Poem in 16 lines. Suggested publication date from 1904 presidential election when Parker instead of Bryan was the Democratic candidate.
Anglo-American hymn
Poetry by Mrs. Howe ; music by Christiana Thompson. Broadsheet. Poetry. Words of Battle hymn on recto; at end of text: Anglo-American Reception, Doughty House, Richmond. Printed crossways on verso: An Anglo-American song, written and composed for Sir Francis and Lady Cook, upon the occasion of the Anglo-American Garden Party at Doughty House, Richmond-on-Thames, July 5th, 1898. Anglo-American song in three stanzas with choruses in which the U.S.A. and England ask and offer mutual aid in Spanish-American War and English difficulties with China. Not in BAL.
Angels, meet me at the cross roads: song and chorus
by Will S. Hays. For voice and piano, with chorus (SATB) Caption title. Dedicated to: Robert Biggs. Advertisement for other music: p. [2] Cover illustration: engraving of Black traveller standing at crossroads / H.J. Greene.
Angels roll the stone away
Title from first line. Poem in four three-line stanzas. In lower left corner: Easter greetings from Caroline Hazard 1944.
Angels of the cross of red
words and music by John D. McDonald. Waltz for voice and piano. Caption title. "To The Brave and Unselfish Women of America This Song Is Dedicated."--Cover. Cover illustration: drawing of women in Red Cross uniforms as angels. Also published for: orchestra and band. First line of text: Let's sing of the angels of mercy. First line of chorus: There's love in our hearts for the Red Cross.
Angels guard thee little stranger
Title from first line. Within single line border. At end of text: M. McB. No. 25 of unspecified series.
Angel riddling
"Christmas 1962"--P. [4] Poem by Richard Outram; with a wood engraving by Barbara Outram.
Angel riddling
[Richard & Barbara Outram] "Christmas 1962"--P. [4] Poem by Richard Outram; with a wood engraving by Barbara Outram.
Angel riddling
"Christmas 1962"--P. [4] Poem by Richard Outram; with a wood engraving by Barbara Outram.
Angel riddling
[Richard & Barbara Outram] "Christmas 1962"--P. [4] Poem by Richard Outram; with a wood engraving by Barbara Outram.
Angel choirs
Margaret Dole McCall. Printed on heavy white paper in postcard format. Two poems. At end of text: Merry Christmas & Happy New Year to all.
Angel beacons
Within single line border with ornamental corners.
Angel beacons
Within single line border with ornamental corners.
And what is nothingness
Printed in red on heavy cream paper. Title from first line. Poem in two stanzas of four lines each and one of three. Type-signed at end: John Wieners. Removed from portfolio Semina, no. 4.
And they followed Him
Copyright Morris & Bendien, N.Y.
And there is no health in us
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