Digital collections that fall within the John Hay Library’s Performance and Entertainment STRATEGIC COLLECTING DIRECTION. Here you will find digitized materials that document the history and creative process of performing arts and provides a window into public life and popular entertainment in the Americas through plays, dance, film, music, photography, and pornography.
words by Ballard Macdonald ; music by James F. Hanley. March for voice and piano. Caption title. Advertisements for other songs: p. 3-[4] War slogans: p. [4] Cover illustration: soldier by campfire envisioning his home / Starmer Also published for: band, orchestra, male quartette.
words by Ballard Macdonald ; music by James F. Hanley. March for voice and piano. Caption title. Advertisements for other songs: p. [3-4] War slogans: p. [4] Cover illustration: soldier by campfire envisioning his home / Starmer Also published for: band, orchestra, male quartette.
words by Jean C. Havez ; music by Irving Berlin. For voice and piano. Caption title. From musical revue: Yip-yip-yaphank, a military musical "mess" cooked up by the boys of Camp Upton. Advertisement for other songs: p. [6] Cover illustration: a soldier.
words and music by Constantin Sternberg ; English version by Helen D. Tretbar. Broadsheet. Poetry; without the music. At head of text: Dedicated to Mad. Pauline L'Allemaud. At end of text: Copyright I.O. v. Prochazka, 1886. American Elite Edition.
Walter J. Coates. Printed on birch bark pasted on cardboard; two perforations in left margin; initial block. At head of text: Suggested by Gustave Nadaud's song, "Carcassonne," as translated by Daniel L. Cady. Poem in four eight-line stanzas with final four-line stanza entitled: L'Envoi. At end of text: Dec. 30, 1926. Place of publication and publisher from dealer when Brown University copy was acquired with other birch bark broadsides; Coates was editor and printer at Driftwind Press.
by Bob Parker. Printed in blue on glossy white paper. At head of title cut of two child angels. Poem in four four-line stanzas. At end of text: By Bob Parker, the Sandman. Observed by Stanley Carter, P. O. Box 203, Lafayette, Indiana. Suggested publication date from acquisition date of Brown University copy.
An outdoor performance/exhibit with placards placed in a circle, with people painted on them. An outdoor performance/exhibit with placards placed in a circle, with people painted on them. Dramdust set, New England festival, Roger Williams Park, Rites and Reason Theatre, University Archives Subject Photographs, 1-Q, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
An outdoor performance/exhibit with placards placed in a circle, with people painted on them. There is a school bus in the background. An outdoor performance/exhibit with placards placed in a circle, with people painted on them. There is a school bus in the background. Dramdust set, New England festival, Roger Williams Park, Rites and Reason Theatre, University Archives Subject Photographs, 1-Q, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
Poetry and prose. At head of title quotation from Shakespeare's Julius Caesar beginning: As Caesar loved me I weep for him. Includes quotation from speech of T. Burges "previous to the last congressional election," praising Nathan F. Dixon and disparaging "Mr. Pierce." Date suggested because Burges, Dixon and D. J. Pearce ran for Congress from Rhode Island in 1833; Burges and Pearce were elected.
words by Edgar Leslie and Bert Kalmar ; music by M.K. Jerome. For voice and piano. Caption title. Advertisement for "My Barney lies over the ocean": p. [4] Cover illustration: drawing of a ship sailing to the United States, printed in blue ink / Barbelle.
Poetry. Page [2] blank. Printed in black and gray-blue on cream paper. On page [1] cut in red and gray-blue of landscape and bed under arch signed: Zola. Title from beginning of first line. Colophon on page [4] with vignette of hand press: The Cummington Press. Cummington, Massachusetts. At end of poem: Traditional. First line: Down in yon forest there stands a hall.
Printed in colors on heavy white paper in postcard format. Above and at right of text reproductions of color photographs of Virginia landscape. Type-signed at end of poem: W.D. Mc. Publication date from ms. date on verso of Brown University copy.
Text of song in five eight-line stanzas with four-line chorus beginning: Down in the coal mine, underneath the ground. Suggested range of publication dates from internal evidence.
words by James Burrell; music by James T. Brymn For voice and piano Caption title Lyricist's name appears as James Burrel on cover "Musical supplement to the New York Sunday Press, Sunday, February 17th, 1901"--Cover Cover illustration: drawing of woman with flowers / B. Gutmann
Humorous complaint about life in a military training camp, possibly during World War I. Humorous complaint about life in a military training camp, possibly during World War I. Printed on heavy paper in postcard format; postal information on verso printed in green. To be sung to the tune: Back home in Tennessee. Text of song in two eight-line stanzas with eight-line chorus beginning: Down in our Seaford Camp.