Performance and Entertainment
This collection has the following subsets:
- Blondie Robinson collection of African-American Minstrel and Vaudeville photographs
- Ciné-Tracts
- Dupee Fireworks Collection
- Fernando Birri Archive of Multimedia Arts - Escritos
- H. Adrian Smith Magic Objects Collection
- Harris Broadsides
- Julie Adams Strandberg Collection: 50 Years of Dance at Brown University
- Lincoln Sheet Music
- Representations of Blackness in Music of the United States (1830s-1920s)
- Rites and Reason Theatre
- Songsters and Hymnals from the Harris Collection of American Poetry and Plays
- World War I Sheet Music
- Yiddish Sheet Music
Items in this collection
Hurrah for the flag of liberty
Pages [2, 4] blank. Page [1] within single line border.
Hurrah for the boys in khaki
Francis M. McFarland. For voice and piano. Caption title. Cover illustration: floral design.
Hurrah for old New England
Hurrah for Jeff. Davis
by a Lady Rebel ; written after the battle of Bull Run. To be sung to the tune: Hurrah for the bonnets o' blue. Text within decorative border. Text of song in three four-line stanzas and four-line chorus beginning: Hurrah for Jeff. Davis, Hurrah!
Hurrah for Alpha Delta
Air: "Hurrah for old New-England" Within ornamental border. At end of text: C.O.T.
Huntington family gathering. Sept. 25th, 1884
Programme.
Hunting the Hun
words by Howard E. Rogers ; music by Archie Gottler. For voice and piano. Caption title. Advertisement for another song: p. [4] Cover illustration: drawing of American soldiers capturing a German soldier / Barbelle.
Hunting the Hun
Hunters of Kentucky: as sung by Mr. Petrie, with unbounded aplause at the Chatham Garden Theatre
Wood-engraving of dancing couple with landscape in background between title and text. Printed in two columns divided by single line. To be sung to the tune: O Miss Bailey. Text of campaign song in eight stanzas used by Andrew Jackson. At end of second column below double rule: Printed and sold by C. Brown, 211 Water-Street. C. Brown was listed at above address from 1825 to 1833.
Hunters of Kentucky
Within ornamental border printed in two columns divided by line of type ornaments. At head of text: Written by the celebrated S. Woodworth and was sung at the Harrisburg Theatre by Mr. A. Simonds.
Hunters of Kentucky
Printed in two columns with line of type ornaments at end of text. At head of text: Two wood-engravings, one of three soldiers, the other of a man and a monster captioned: Half horse and half allegator. At end of text: Printed and sold at No. 25 High Street, Providence, by the 100, dozen or single. Author's name not on item. Henry Trumbull used this address from 1826 to 1836.
Hunt's wood is as dry as a herring
1 broadsheet. Lithograph of man looking at liquor-dealer's window. On verso five untitled four-line poems advertising E.M. Hunt's coal and wood along with two short Shakespearean quotations beginning: There is small choice in rotten apples.
Hunt's coal lyrics
Broadsheet printed in colors on recto, in red on verso. On recto colored lithograph of child in fancy dress, inscribed: Bufford's Oil Chromo, Boston. Title from verso. On verso, printed in two columns divided by single line, six titled and four untitled poems advertising Hunt's coal and wood. One poem refers to Brown University students. Suggested range of publication dates from internal evidence.
Hunky dory
At head of text advertisement for Lovatt Magic Soap.
Hungry soul
Humoresque
Humanity's plea to live
Printed on colored paper. Ornamental border at top and bottom.
Humanity's flame of love
Within line border. At end of text: Tribute sponsored by Dr. Robert Breed.
Humanity's flame of love
Within line border. At end of text: Tribute sponsored by Dr. Robert Breed.
Humane crew, humane crew
Title from first line. Printed in two columns divided by single line.
Human equality: Supplemental to "A man's a man, for a' that"
by William Lloyd Garrison. Poetry in 9 eight-line stanzas printed in two columns. According to dealer's information this publication is the first edition of the poem, which Garrison had printed from the Riverside Press plate, now among the Garrison papers at BPL; printed not before 1850.
Printed in two columns divided by double line of type ornaments, with short horizontal type ornament line at top and bottom. Cut of sailing vessel centered at top between Hull's and Victory. Imprint date suggested by content and typography. First line: Ye tars of Columbia! who seek on the main.
Hull's surrender, or Villany [sic] somewhere
Attacks General Hull for losing Detroit. Attacks General Hull for losing Detroit. Printed in two columns divided by line of type ornaments. At left of title wood-engraving of officer and devil. Text of song in eight four-line stanzas with varied two-line chorus.
Hulet Saw-Mill
Tune: King Solomon. Within ornamental border. Small woodcut of house at head of title. At head of text: Written for the Hulet Depot, for the month of September, A.D. 1854. At end of text: Printed not a hundred miles from Chepatchet--Copy Right secured.
Hubert walking--a profile
Barbara Howes. Printed in brown on cream paper. Poem in three stanzas of varying length.
How, when, where, why
Broadsheet. Christian poem. At end of text: F.G. Brown. At end of p. [1]: Church of the Transfiguration. Within single line border. In lower left corner: (23) First line: You ask me how I gave my heart to Christ?
How, when, where, why
Broadsheet. Christian poem. At end of text: F.G. Brown. At end of p. [1]: Church of the Transfiguration. Within single line border. In lower left corner: (23) First line: You ask me how I gave my heart to Christ?
How, when, where, why
Broadsheet. Christian poem. At end of text: F.G. Brown. At end of p. [1]: Church of the Transfiguration. Within single line border. In lower left corner: (23) First line: You ask me how I gave my heart to Christ?
How, when, where, why
Broadsheet. Christian poem. At end of text: F.G. Brown. At end of p. [1]: Church of the Transfiguration. Within single line border. In lower left corner: (23) First line: You ask me how I gave my heart to Christ?
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