Printed in red and black. Illustration on pages [2-3] of old man and cat. On page [4] advertisement for baked goods. Date from internal evidence.
Printed in green with floral border framing upper part of text.
Poem in 13 eight-line stanzas. Type-signed at end: Homer D.L. Sweet. Publication date suggested because poem states "eighteen thirty-eight" was "fifty years ago."
Poem in five six-line stanzas. First line same as title. At end of text: Mary A. McMakin. Washington, D.C., 1892.
by Chas. K. Harris. Waltz for voice and piano. Caption title. Advertisements for other music: p. 2-[6] Cover illustration: two angels and battle scene / EH Pfeiffer.
lyric by Fleta Jan Brown ; music by Charles N. Grant. March for voice and piano. Cover title. Advertisements for other songs: p. 3-[8] Cover illustration: portraits of Abraham Lincoln, George Washington, Woodrow Wilson and four other men.
lyric by Fleta Jan Brown ; music by Charles N. Grant. March for voice and piano. Cover title. Advertisements for other songs: p. 3-[8] Cover illustration: portraits of Abraham Lincoln, George Washington, Woodrow Wilson and four other men.
words by Fleta Jan Brown ; music by Charles N. Grant. For voice and piano. Includes arrangements for mixed voices (SATB) and for male voices (TTBB) Caption title. On cover: The international peace song. Cover design: two doves holding red and blue ribbons that form the frames around portraits of George Washington, Woodrow Wilson, Abraham Lincoln, U.S. Grant, Robert E. Lee, W.J Bryan and Andrew Carnegie. Advertisements: "The whole town's wise" at bottom of p. [2]; "Piping rock" at bottom of p. 3; "As he rode her around", p. [4]; "I love you more each day", p. 5; excerpts from "When all the world's at peace", chorus- mixed voice arrangement and chorus- male voice arrangement on p. [6]
Poetry. Author's name not printed on item. Author's name from autograph on Brown University copy; place of publication suggested because it was usual place of publication for Palmer's poems; suggested range of publication dates from internal evidence.
by Alfred Bryan, Cliff Hess and Edgar Leslie. For voice and piano. Caption title. Successfully introduced by: Belle Baker. War slogans: p. 2-3. Advertisement for "I'm all bound 'round with the Mason Dixon Line": p. [4] Cover illustration: photograph of Belle Baker; drawing of soldier's band marching / Barbelle.
by Alfred Bryan, Cliff Hess and Edgar Leslie. For voice and piano. Caption title. Successfully introduced by: Belle Baker. War slogans: p. 2-3. Advertisement for "I'm all bound 'round with the Mason Dixon Line": p. [4] Cover illustration: photograph of Belle Baker; drawing of soldier's band marching / Barbelle.
by Alfred Bryan, Cliff Hess and Edgar Leslie. For voice and piano. Caption title. Successfully introduced by: Belle Baker. War slogans: p. 2-3. Advertisement for "I'm all bound 'round with the Mason Dixon Line": p. [4] Cover illustration: photograph of Belle Baker; drawing of soldier's band marching / Barbelle.
Tipped in cover bearing title: A Reverie. When again? Within triple line border.
Tipped in cover bearing title: A Reverie. When again? Within triple line border.
Tipped in cover bearing title: A Reverie. When again? Within triple line border.
words & music by Jack Frost. March for voice and piano. Cover title. Advertisement for other songs: p. [4] Cover illustration: photograph of unnamed soldier and woman; drawing of two servicemen and an eagle.
words by Casper Nathan ; music by Theodore Morse. For voice and piano. Caption title. Advertisement for "God spare our boys over there": p. [4] Cover illustration: blue service star and battle scene / [rose symbol] Illustrator's name represented by rose symbol on cover. Also published for band, orchestra and male quartette.
words by Casper Nathan ; music by Theodore Morse. For voice and piano. Caption title. Advertisement for "God spare our boys over there": p. [4] Cover illustration: blue service star and battle scene / [rose symbol] Illustrator's name represented by rose symbol on cover. Also published for band, orchestra and male quartette.
Printed on heavy wheat-colored paper within double-line border. Poem in seven four-line stanzas. At end of text: Are you a wheat or tare? Suggested publication date from dealer.
Printed in green, with floral border framing upper half of text.
Printed in three columns. At end of text: On Tuesday, 8th October, the day of the reception of Gen. Sheridan ..
