words and music by Alex Rogers For voice and piano At head of title: A quaint idea set to music "Featured by Aida Overton Walker" Title page illustration: snake offering apple to statue of Eve on a pedestal; cameo photo. of Aida Overton Walker Advertisement for another song (with 1st p. of music) on p. [2]: Nobody / music by Bert A. Williams Advertisement for 7 songs from the musical Bandana Land (with incipits) on p. [6]: Fas' fas' world; Late hours; Just the same; Bon bon buddy; It's hard to love somebody; Bandana Land; Dinah

Title within single line border.

Title within single line border.

1 broadsheet. At head of text: Acts XXVII:23. At end of text: Published by J.A. Whipple, No. 3 Hamilton Place, Boston, U.S.A.

1 broadsheet. At head of text: Acts XXVII:23. At end of text: Published by J.A. Whipple, No. 3 Hamilton Place, Boston, U.S.A.

Poetry and prose, printed in one and two columns within single line border with corner ornaments. At head of poem: Entered, according to Act of Congress, in the year One Thousand Eight Hundred and Sixty-three, by Wm. H. Hayward, in the Clerk's Office of the District Court of Maryland. At end of poem within border: *Since ascertained to have been Sergt. A. Humerton, Co. C, 154th N.Y. Vols.; whose family now resides in Cattaragus County, New York. Imprint in lower margin below border: Slater, Print. Baltimore.

Double line border on cover.

Title from first lines of poem. "'Additions', March 1968 - 2" appears at the bottom of the sheet.

1 broadsheet. Printed in three columns.

as composed and sung by Wm. Whitlock. For voice and piano. Caption title. Additional verses: p. [5] Cover illustration: lithograph of Afro-American actors on stage, one playing banjo and the other dancing. "Lith. of E. Jones & G.W. Newman, 128 Fulton St."--Cover.

by L. Wolfe Gilbert and Anatol Friedland. For voice and piano. Caption title. Advertisement for another song: p. [4] Cover illustration: drawing of soldiers trimming the Kaiser's moustache / Starmer.

words and music by Maceo Pinkard. Blues for voice and piano. Caption title.

words and music by Maceo Pinkard. Blues for voice and piano. Caption title.

Within double line border, printed in two columns. On verso: Stereoscopic view of man digging a grave.

Within double line border, printed in two columns. On verso: Stereoscopic view of man digging a grave.

Within double line border, printed in two columns. On verso: Stereoscopic view of man digging a grave.

Attack on Woodrow Wilson. Attack on Woodrow Wilson. Poem in 19 four-line stanzas. Publication date suggested because of mention of the "conclave at Versailles." Poem has been attributed to William E. Foster because a typescript now at Brown University was found in a book from Foster's estate at the American Antiquarian Society.

Poem in seven four-line stanzas. At end of text: Member Temperance Praying Band. Suggested range of publication dates from internal evidence.

First line: Why am I so weak, and lonely.

Broadsheet. Within single-line border on each side. Text of hymn in four eight-line stanzas. Author's name not on item. At end of text: Church herald. In lower margin on recto: Church of the Transfiguration New York. At lower left within border on recto: 49. Suggested range of publication dates from internal evidence.

Translated by George P. Philes. Cut of Lorenzo de Medici statue at head of title.

At head of text: Who seek salvation must first learn the lesson of kindness.

At head of text: Who seek salvation must first learn the lesson of kindness.

At head of text: Who seek salvation must first learn the lesson of kindness.

At upper right: Words and music by J.E. Kelly, 4819 Chicago St., Seattle, Wash. Text of song in two eight-line stanzas with eight-line chorus beginning: O, who put the big double "L" in O'Kelly.

Within red ornamental double line border. At head of title: My son, keep thy father's commandment .. At end of text: No. 4.

Within red ornamental double line border. At head of title: My son, keep thy father's commandment .. At end of text: No. 4.