Poem, in 15 stanzas. Title from caption. At end of text: Isaac P. Noyes. Dec. 24, 1906, Washington, D.C. Pages [3]-[4] blank. First line: Where the wish is the father of the thought.

Poem, in 15 stanzas. Title from caption. At end of text: Isaac P. Noyes. Dec. 24, 1906, Washington, D.C. Pages [3]-[4] blank. First line: Where the wish is the father of the thought.

Page [2] blank. Folded at top. Printed in two columns divided by single line, within double-line border with ornamental corners on page [1] only. At center of title wood-engraving of Harry Bailey. Cover title. Text of six songs beginning with Yankee duet. Suggested range of publication dates from internal evidence.

Poetry in two six-line stanzas. At head in upper right above illustration: Price - Twopence, plain. Fourpence, coloured. Typesigned at end of poem: Ralph Hodgson. Above title, illustration of church and houses against evening sky; above colophon medallion-type illustration of scarecrow. Colophon at end in lower margin: Printed by A.T. Stevens, of 55 St. Martins Lane, in the city of Westminster, for Flying Fame, 45 Roland Gardens, London, S.W., where copies may be had from the Secretary. "One thousand copies of each were printed towards the end of 1913"--Millard,C. Printed work of C.L. Fraser, p.4. Decorations by C. Lovat Fraser. Cf. Millard, p. 1.

Broadsheet advertising card printed on heavy paper. On recto lithograph of head-and-shoulders portrait of young woman on easel; at lower right on palette: Compliments of Geo. Wm. Reed Bitter Co., New Haven, proprietors Reed's Gilt Edge Tonic, a true specific for malaria & indigestion; at lower left: Shober & Carqueville Chicago. Illustration caption: The late Miss Jennie E. Cramer, New Haven, Conn., found dead on the beach at West Haven, Conn. Aug. 5th, 1881, supposed to have been murdered. On verso poem in three eight-line stanzas entitled: The death of Jennie E. Cramer, beginning: Dying, away from home and friends.

Poetry. Printed in two columns divided by line of type ornaments and line of advertising. Printed area measures: 23.0 x 14.5 cm. Wood-engraving of coffin at left of title. Poem in sixteen six-line stanzas. Printed vertically between columns: Printed by Nathaniel Coverly, jun'r. Corner of Theatre-Alley, Boston. Boston directories first list Coverly at this address in 1810; American Antiquarian Society copy presented to society in 1814. First line: Give ear to me, ye sons of men.

Poetry in sixteen six-line stanzas printed in two columns divided by ruled line of advertising with type ornaments at each end: Sold wholesale and retail, by Hunts & Shaw, No. 2, Mercantile Wharf, Boston. Within border of type ornament sections. The firm was listed at above address between 1837 and 1841. Cut of landscape with weeping willow at head of title in first column. Not in Checklist Amer. imprints.

Poetry in sixteen six-line stanzas printed in two columns divided by ruled line of advertising with type ornaments at each end: Sold wholesale and retail, by Hunts & Shaw, No. 2, Mercantile Wharf, Boston. Within border of type ornament sections. The firm was listed at above address between 1837 and 1841. Cut of landscape with weeping willow at head of title in first column. Not in Checklist Amer. imprints.

Poetry in 16 six-line stanzas printed in two columns divided by line of type ornaments. Printed area measures: 24.7 x 16.2 cm. At left of title wood-engraving of coffin lettered P.G. Type and type setting are identical to those of Hay Broadsds copy (HB19548) with cut of Virgin in Glory, authoratively attributable to the printer Nathaniel Coverly, Jr., who is known to have printed in Salem, Mass., in 1798 and 1799; internal evidence suggests an 18th century publication date.

Printed area measures 27.3 x 15.9 cm. Poetry in sixteen six-line stanzas printed in two columns divided by line of type ornaments. Cut of the Virgin in glory at left of title. Same cut used on broadsides authoritatively attributed to the printer Nathaniel Coverly, Jr; internal evidence suggests an 18th century publication date. Coverly is known to have printed in Salem, Mass.,in 1798 and 1799.

Poetry printed in two colums. Printed area measures:24.7 x 16.4 cm. At left of title wood-engraving of coffin. Type closely resembles that used for " Polly Goold" broadsides attributed to the printer Nathaniel Coverly, Jr., but type setting and spacing differs. The latter suggests Joseph White as printer, who from 1788 to 1809, first in partnership, then alone, printed in Boston and later Charleston, Mass., continuing to use the long s into the 19th century. Cf. Ford 3214.

Printed in two columns divided by single line with type ornament below title. Individual broadsides would measure: 29 x 23 cm. Printed area measures: 24.1 x 14.5 cm. Poem in sixteen six-line stanzas. The poem is a combination of two poems; the last eight stanzas are Wells Currier's Elegy on the death of Miss Gould. Possible range of publication dates suggested by internal evidence, especially type faces. Sheet with four broadsides, meant to be separated; two broadsides printed upside down in relation to other two. Sheet contains following broadsides: The major's only son, and his true love's overthrow (First line: Come all young people, far and near) -- A night watch, or the Song of a young convert, on his bed, during the silent watches of the night (First line: How can I sleep while angels sing) -- The happy child (First line: You parents that have children dear) -- The last words of Polly Goold (First line: Give ear to me, ye sons of men)

Within ornamental border.

Keith Abbott. At end of text: Keith Abbott / A Cranium Free Poem. Issued in post card format.

Printed in two columns divided by single line. Within border of type ornaments. Date suggested by appearance of item.

Printed in two columns divided by single line. Within border of type ornaments. Date suggested by appearance of item.

Printed in two columns divided by single line. Within border of type ornaments. Date suggested by appearance of item.

Within double line border printed in two columns. At head of title: Cut of running Afro-American with pack. At end of text: -*It will not be forgotten that Lincoln, after his election... Verse.

words and music by Emil Breitenfeld. March for voice and piano. Caption title. From musical comedy: "Toot Toot" Advertisement for another song: p. [6]

Poetry. Poem tells how speaker has given up drink. At end of text: Since the above gay and festive youth swore off, he has braced up and purchased a hat, a pair of cuff buttons, a sett of shirt studs, and a biled shirt at Franklin's 99 Cent Store, 252 Essex St., the cheapest place in Salem. Date from appearance of item. First line: No, thank you, not any to night, boys, for me.

Carol Lee Sanchez. Printed on ivory paper in two columns within lines of type ornaments at top and bottom. Poem in five stanzas of varying length. "From: Conversations from the nightmare, by Carol Lee Sanchez. Available from Casa Editorial ...." Suggested publication date from publication date of book.

Poem in eight stanzas about the Last Judgment. Date suggested by appearance of item.

Poem in eight stanzas about the Last Judgment. Date suggested by appearance of item.

Poem in eight stanzas about the Last Judgment. Date suggested by appearance of item.

Reprinted from The Chicago Examiner, Dec. 1st, 1917.

Attacks new constitution proposed for Rhode Island and praises T.W. Dorr, the "lawful Governor." Attacks new constitution proposed for Rhode Island and praises T.W. Dorr, the "lawful Governor." Within border of type ornaments. Printed area measures: 29.4 x 8.3 cm. Poem in thirteen four-line stanzas with varying four-line refrain. At end of text: A Dorrite Lady. Printed on single sheet with The Suffrage boys and Providence Chronicle's alarm; intended to be separated; measurement if separated: 30 x 11 cm.

Air: Green grow the rashes, O.

by N. Howard "Jack" Thorp. Printed on heavy white paper in postcard format. On recto text of song in three eight-line stanzas with eight-line chorus beginning: With angora chaps en carnival hats. On verso, headed: "She's 7 year old this July," invitation to seventh cowboys reunion July 4-6, 1921.