Distant view of fortress, two soldiers standing in left foreground. Distant view of fortress, two soldiers standing in left foreground. Formerly in the collection of Perpetua Ingram; sold at Sotheby's May 22, 1997. Reproduced in the Illustrated London News, November 12, 1970, page 504. New York, Swann Auction Galleries, 2015
Hand-colored later impression of stipple engraving by G. Shepherd after Bunbury, published by J. Deeley, London, 1809; officer and sentry on ramparts of fort, man and women looking out to sea at right. [See also: Love at first sight]. Hand-colored later impression of stipple engraving by G. Shepherd after Bunbury, published by J. Deeley, London, 1809; officer and sentry on ramparts of fort, man and women looking out to sea at right. [See also: Love at first sight]. Upright medium folio, matted; margins trimmed; one slightly soiled and spotted.
One of a pair of hand colored stipple engravings by G. Shepherd after Bunbury; officer and sentry on ramparts of fort, man and woman looking out to sea at right. [See also: Love at first sight]. One of a pair of hand colored stipple engravings by G. Shepherd after Bunbury; officer and sentry on ramparts of fort, man and woman looking out to sea at right. [See also: Love at first sight]. Upright, matted; margins; clean. Camden, ME, Staack, 1956.
Original wash drawing initialed 'F.D.'; soldiers lined up in front of building; officers on horseback saluting flag; crowd in foreground. Original wash drawing initialed 'F.D.'; soldiers lined up in front of building; officers on horseback saluting flag; crowd in foreground. For The Graphic, July 7, 1900. London, Maggs, 1998 Title supplied by cataloger.
Caricature of Sir Joseph Banks as fly catcher standing on two globes, published July 12th, 1772. From 'Macaronies, Characters, Caricatures & designed by the greatest personages, artists &c graved & published by M Darly, 39 Strand. 1772'. (Vol.3). Caricature of Sir Joseph Banks as fly catcher standing on two globes, published July 12th, 1772. From 'Macaronies, Characters, Caricatures & designed by the greatest personages, artists &c graved & published by M Darly, 39 Strand. 1772'. (Vol.3). Whipcord del. Beneath title: I rove from pole to pole, you ask me why, I tell you truth, to catch a ____ fly
One of a collection of 3 original watercolors of battle and combat scenes signed by F. Feller. Lancers in right foreground, kopjes in background. One of a collection of 3 original watercolors of battle and combat scenes signed by F. Feller. Lancers in right foreground, kopjes in background. Oblong folio, matted; margins; clean. Title from pencil inscription on verso London, Parker Gallery, 1950.
Caption title For voice and piano with SATB chorus Cover lithographic illustration by Ehrgott, Forbriger & Co.; military and patriotic trophies, symbols and allegories
by Jno. K. Hall, author of the words ; music by J. J. Bailey. Cover lith. illustration by L. Prang: portait of Brastow standing in front of a military encampment, with the American flag flying in the background.
One of a collection of World War I posters. Portraits of three soldiers named Hay, Enright, and Gresham. One of a collection of World War I posters. Portraits of three soldiers named Hay, Enright, and Gresham. Upright folio.
1 etching; rear view of tank in desolate landscape. Inscribed in ink 'The First Tank, 1916' (bottom left) and signed 'Walter M. Keesey' (bottom right). Inscribed on etching 'Ariadne '16. Le Sars. Martinpuich' 1 etching; rear view of tank in desolate landscape. Inscribed in ink 'The First Tank, 1916' (bottom left) and signed 'Walter M. Keesey' (bottom right). Inscribed on etching 'Ariadne '16. Le Sars. Martinpuich' Small oblong folio. London, Maggs, 2005. Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
French soldier swarmed by cheering men, women and children, one holding a tricolor (flag), in a village. Charcoal drawing signed and dated lower right L. Jonas 10 Nov. 18. French soldier swarmed by cheering men, women and children, one holding a tricolor (flag), in a village. Charcoal drawing signed and dated lower right L. Jonas 10 Nov. 18.
Color lithogra[h by and after Maclure, pr. by Maclure, Macdonald & Macgregor; Queen Victoria in canopied pavilion about to fire mounted gun, numerous volunteers in various uniforms standing nearby. Color lithogra[h by and after Maclure, pr. by Maclure, Macdonald & Macgregor; Queen Victoria in canopied pavilion about to fire mounted gun, numerous volunteers in various uniforms standing nearby. Oblong folio, matted; margins intact; edges worn and soiled. N.Y., Rockman Prints, 1949.
One of a set of 4 lithographic plates by R.E. Sly of scenes at Kabul and Bukhara (published by Blackwood & Page,1844). It represents the assassination of Sir Alexander Burnes at the gate of his residence in Kabul on November 2, 1841 One of a set of 4 lithographic plates by R.E. Sly of scenes at Kabul and Bukhara (published by Blackwood & Page,1844). It represents the assassination of Sir Alexander Burnes at the gate of his residence in Kabul on November 2, 1841 Small oblong folio; margins trimmed. Hanover, N.H., Book & Print Shop, 1954.
Colored lithographed caricature; Confederate government removing and packing belongings in dog-wagon, African-Americans and other spectators standing by in derisive attitudes. Colored lithographed caricature; Confederate government removing and packing belongings in dog-wagon, African-Americans and other spectators standing by in derisive attitudes. Small oblong folio; margins intact; clean. New York, Argosy, 1953.
Original humorous watercolor (somewhat crude) initialed on back 'W.W'; guardsman outside tent and another inside tent in conversation; figure in tent smoking, with cup and saucer in other hand, dog nearby; text of conversation below. Original humorous watercolor (somewhat crude) initialed on back 'W.W'; guardsman outside tent and another inside tent in conversation; figure in tent smoking, with cup and saucer in other hand, dog nearby; text of conversation below. Small upright folio, matted; slight margins; creased. N.Y., Rockman Prints, 1949.
Color lithograph after Parsons; close naval encounter with ships in distance, all surrounded by nine sepia vignettes of interior of Monitor, portrait vignette of John Ericsson, designer of the Monitor Color lithograph after Parsons; close naval encounter with ships in distance, all surrounded by nine sepia vignettes of interior of Monitor, portrait vignette of John Ericsson, designer of the Monitor Large oblong folio; considerable foxing and stains; repaired. Transfer from John Hay Library Print Room 1992.
Color lithograph by Currier & Ives; Washington and Lafayette shaking hands in drawing room, ladies, officers and gentlemen at right and left. Color lithograph by Currier & Ives; Washington and Lafayette shaking hands in drawing room, ladies, officers and gentlemen at right and left. Oblong medium folio, matted folio; margins intact; clean. New York, Harry H. Hymes, 1941.
Subject: Rifleman reconnoitring on manoeuvres; C. Black. Del., Mansfield Lith. Subject: Rifleman reconnoitring on manoeuvres; C. Black. Del., Mansfield Lith. Title continues: Dedicated by permission to the officers of the First Regt. of Manchester Volunteer Rifles.
Colored lithograph by Day & Son after Pomeroy; military exercises in clearing outside town, small figures of spectators at left and right. Colored lithograph by Day & Son after Pomeroy; military exercises in clearing outside town, small figures of spectators at left and right. Oblong folio, matted; margins; clean. London, Parker Gallery, 1950.
Original watercolor signed by Barnes; standing figure in uniform with drum, outdoors. Original watercolor signed by Barnes; standing figure in uniform with drum, outdoors. Small upright folio, matted; margins intact; clean. London, Parker Gallery, 1952.
Original unsigned watercolor; mounted uniform figure facing left, holding sword at shoulder. Original unsigned watercolor; mounted uniform figure facing left, holding sword at shoulder. Margins intact. Note on verso: 'Commanded by the Right Hon. J.C. Villiers'. N.Y., Walter Schatzki, 1972.
One of a collection of 7 mounted original watercolors of Chinese soldiers in battle or of soldier types, all signed or initialed by Wirgman. Soldier next to dead horse lighting gun/canon while other soldiers fire rifles in background. One of a collection of 7 mounted original watercolors of Chinese soldiers in battle or of soldier types, all signed or initialed by Wirgman. Soldier next to dead horse lighting gun/canon while other soldiers fire rifles in background. Reproduced in The Cosmopolitan, Vol. XVII (October 1894), page 654. Wirgman covered the Second Opium War for the Illustrated London News.
Bust portrait of sultan in uniform titled '(The Sultan Abdu'l Medjid)', ornamental enframement with Russian and Turkish banners, vignette battle scenes at right and left, Bust portrait of sultan in uniform titled '(The Sultan Abdu'l Medjid)', ornamental enframement with Russian and Turkish banners, vignette battle scenes at right and left, Nos. 443 & 444 Musical Bouquet. 'N.B. This beautiful song was published in "The Illustrated news," Oct. 15th, 1853' Includes page and half of score. Composed by Henry Russell, the poetry by Charles Mackay.
Hand-colored etching published by Fores, Jany 29, 1795. 'The two chief figures resembling the embracing couple: the Frenchman (right) holds against his person the baggy breeches of the Dutchman; coins stream from the pockets and are piled on the ground. The Dutchman (left), standing with bare thighs, scratches his head in dismay, saying, "Oh my Dollars & Ducats D------n their Citizenship; A fellow here calls me Frere Citoyen and takes away all my Property". His hat and (broken) pipe lie on the ground. On the left, and in profile to the right, a ragged Frenchman in Dutch breeches, wearing a bonnet-rouge, capers delightedly, holding to his mouth a square 'Gin' bottle. Coins pour from the breeches. He says: "They may talk of the Coldness of this Country but by Gar here is the Warm Liqour for De inside & de Warm breeches for de out side". In the foreground (right) a dwarfish Frenchman sits on a pile of sacks inscribed 'Dollars for the use of the National Convention'. He dips in his hand and stuffs coins into his coat-pocket. In the background (left) an almost naked Frenchman capers delightedly, waving a hat-full of coins, and saying: "Aye Aye, Equality is the order of the Day la Liberté for the Carmagnoles." On the extreme right a sansculotte embraces a delighted fat Dutchwoman. Three barelegged Dutchmen are behind; one says: "I dont like this Equality business I wish we had not Invited theese Plundering Fellows here, I suppose they'll make use of my Iron next." A Frenchman wearing Dutch breeches (cf. BMSat 9034) smokes a pipe in an experimental manner' -- British Museum Hand-colored etching published by Fores, Jany 29, 1795. 'The two chief figures resembling the embracing couple: the Frenchman (right) holds against his person the baggy breeches of the Dutchman; coins stream from the pockets and are piled on the ground. The Dutchman (left), standing with bare thighs, scratches his head in dismay, saying, "Oh my Dollars & Ducats D------n their Citizenship; A fellow here calls me Frere Citoyen and takes away all my Property". His hat and (broken) pipe lie on the ground. On the left, and in profile to the right, a ragged Frenchman in Dutch breeches, wearing a bonnet-rouge, capers delightedly, holding to his mouth a square 'Gin' bottle. Coins pour from the breeches. He says: "They may talk of the Coldness of this Country but by Gar here is the Warm Liqour for De inside & de Warm breeches for de out side". In the foreground (right) a dwarfish Frenchman sits on a pile of sacks inscribed 'Dollars for the use of the National Convention'. He dips in his hand and stuffs coins into his coat-pocket. In the background (left) an almost naked Frenchman capers delightedly, waving a hat-full of coins, and saying: "Aye Aye, Equality is the order of the Day la Liberté for the Carmagnoles." On the extreme right a sansculotte embraces a delighted fat Dutchwoman. Three barelegged Dutchmen are behind; one says: "I dont like this Equality business I wish we had not Invited theese Plundering Fellows here, I suppose they'll make use of my Iron next." A Frenchman wearing Dutch breeches (cf. BMSat 9034) smokes a pipe in an experimental manner' -- British Museum New York, Walter Schatzki, 1964 Caption: London Pub Jan'y 29, 1795 by SW Fores No 3 Piccadilly Dialogue: Figure in left foreground: "Dollars; so the use of the National Convention"
Color lithograph after Payne; humorous scene of British soldiers attempting to ride camels with Egyptian drivers, in desert. Color lithograph after Payne; humorous scene of British soldiers attempting to ride camels with Egyptian drivers, in desert. Large oblong folio, matted; margins severely trimmed; clean. London, Parker Gallery, 1965.
Double-page halftone plate after Remington; armed Indians stealing through woods; caption and small halftone military portrait pasted on back of mount. Double-page halftone plate after Remington; armed Indians stealing through woods; caption and small halftone military portrait pasted on back of mount. From Collier's Weekly, October 22, 1898. Providence, James Tyson, 1957.
Hand-colored steel-engraving after Chapman; view of camp near creek, with soldiers in camp activities, relaxing, etc. Hand-colored steel-engraving after Chapman; view of camp near creek, with soldiers in camp activities, relaxing, etc. Oblong medium folio, matted; plate mark, margins intact; soiled. N.Y., Old Print Shop, 1961.
Original watercolor caricature signed by Carbine (pseudonym), on grey board; standing profile figure of officer of 5th Dragoon Guards in summer undress uniform. Original watercolor caricature signed by Carbine (pseudonym), on grey board; standing profile figure of officer of 5th Dragoon Guards in summer undress uniform. Upright medium folio, matted; margins. An author using the pseudonym 'Carbine' wrote for The Bystander in 1906. London, Parker Gallery, 1972.
One of 2 wood engraved plates from magazine; soldiers charging up ledge, U.S. Capitol under construction in background. [See also: Quarters of the Twelfth Regiment, Butterfield Avenue, Camp Anderson, Washington, D.C.] One of 2 wood engraved plates from magazine; soldiers charging up ledge, U.S. Capitol under construction in background. [See also: Quarters of the Twelfth Regiment, Butterfield Avenue, Camp Anderson, Washington, D.C.] From New-York Illustrated News, June 1, 1861, page 61. Hanover, N.H., Book & Print Shop, 1956.
Color plate after Pachner from magazine (double-page); 13 vignettes of uniform groups 1812- c. 1941, also 2 other vignettes. Painted for Esquire Magazine Color plate after Pachner from magazine (double-page); 13 vignettes of uniform groups 1812- c. 1941, also 2 other vignettes. Painted for Esquire Magazine Oblong folio; margins; creased, edges worn. Presented, 1953, by William C. Blood, Philadelphia.
