Includes bibliographical references (152-158)

Double-page wood-engraved plate; wedding ceremony at altar, showing Queen Victoria and other dignitaries. From Harper's Weekly, April 29, 1871, pages 384-385 (originally published in the Illustrated London News) Double-page wood-engraved plate; wedding ceremony at altar, showing Queen Victoria and other dignitaries. From Harper's Weekly, April 29, 1871, pages 384-385 (originally published in the Illustrated London News) Oblong folio; margins intact; clean, creased, marginal tears.

Hand-colored mezzotint (after Edward Penny); Marquess, mounted in uniform at left, speaking to soldier seated by roadside with wife and children. Hand-colored mezzotint (after Edward Penny); Marquess, mounted in uniform at left, speaking to soldier seated by roadside with wife and children. 'Presumably derived from the large mezzotint in the same direction by Richard Houston, published in 1769' -- British Museum N.Y., Rockman Prints, 1949.

Color mezzotint (proof) by W.H. Simms after Lawrence, published April 15, 1841; 3/4-length portrait in hussar uniform, sword across shoulders. Color mezzotint (proof) by W.H. Simms after Lawrence, published April 15, 1841; 3/4-length portrait in hussar uniform, sword across shoulders. Small upright folio, plate mark, margins intact; clean. London, Parker Gallery, 1955.

Mezzotint (proof); full-length portrait in hussar uniform, hat in hand, outdoors. Mezzotint (proof); full-length portrait in hussar uniform, hat in hand, outdoors. Large upright folio, matted; margins trimmed; worn, soiled. N.Y., Rockman Prints, 1950.

Original pencil drawing signed and dated by G.J. (?) (possibly George Jones).; full-length portrait sketch of Anglesea in uniform of colonel-in-chief of 7th Queen's Hussars, outdoors, hussar attendant with horse in background. Original pencil drawing signed and dated by G.J. (?) (possibly George Jones).; full-length portrait sketch of Anglesea in uniform of colonel-in-chief of 7th Queen's Hussars, outdoors, hussar attendant with horse in background. Upright; margins; soiled. London, Parker Gallery, 1949.

Steel-engraving by C. Schlecht (from book?); oval bust portrait in uniform. Steel-engraving by C. Schlecht (from book?); oval bust portrait in uniform. Upright; margins intact; clean. title: THE MARQUIS DE LA FAYETTE. caption: C. Schlecht, Sculpt.

arranged by John W. Schaum. For voice and piano. Caption title. Advertising includes musical incipits for various arrangements of the Star Spangled Banner. "Official song of the United States Marine Corps"--Cover. Cover illustration: Saluting marine on shore with a battle ship on the water and the Marine emblem in the sky.

arranged by A. Tregina. March for voice and piano. Caption title. Adaptation of: Geneviève de Brabant. Couplets des deux hommes d'armes / Jacques Offenbach. Conceived by an unknown adapter, the Marines' hymn has subsequently been published in many arrangements. Information on U.S. marines: p. [4] Cover illustration: marines landing on shore from boats. Marine Corps Recruiting Bureau no.: M.C.R.B. 66069 4-16-35 25M. First line of text: From the halls of Montezuma to the shores of Tripoli.

arranged by John W. Schaum. For voice and piano. Caption title. Advertising includes musical incipits for various arrangements of the Star Spangled Banner. "Official song of the United States Marine Corps"--Cover. Cover illustration: Saluting marine on shore with a battle ship on the water and the Marine emblem in the sky.

arranged by John W. Schaum. For voice and piano. Caption title. Advertising includes musical incipits for various arrangements of the Star Spangled Banner. "Official song of the United States Marine Corps"--Cover. Cover illustration: Saluting marine on shore with a battle ship on the water and the Marine emblem in the sky.

Original pen and ink and wash sketch, signed by Reeks, of Marines looking out to sea with casualties on the ground. Original pen and ink and wash sketch, signed by Reeks, of Marines looking out to sea with casualties on the ground. Title from typed label affixed to verso; censor's stamp. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.

Original wash drawing initialed by Dadd; large bodies of troops marching out from tent encampment on edge of river. Original wash drawing initialed by Dadd; large bodies of troops marching out from tent encampment on edge of river. From a sketch by W.T. Maud for The Graphic, September 24, 1898, page 413. Title supplied by cataloger. N.Y., Rockman Prints, 1949.

by J.M. Jolly. Caption title. Pages numbered [175]-180. "Nos. 70-71 Davidson's Pianoforte Pieces'--cover. Ent. Sta. Hall. Price: 6d. For piano. Cover design printed by W. Cornish, 63 Bartholemew Close: 'Her Majesty taking leave of the Scots Fusileer [sic] Guards' ; below, scene of soldiers departing on boats leaving grieiving wives.

Subject: Group of 42nd Highlanders on march in countryside, officer pointing the way, campsite in distance; M. Watson Lith; Stannard & Son, 7, Poland St/ Subject: Group of 42nd Highlanders on march in countryside, officer pointing the way, campsite in distance; M. Watson Lith; Stannard & Son, 7, Poland St/ Title continues: Composed, arranged & dedicated.

From a collection of color lithographic plates (some proofs) after Lieut. T. Wingate (and others?); British troops marching over marshy plain, four mounted officer in right foreground, baggage camels in left ditance From a collection of color lithographic plates (some proofs) after Lieut. T. Wingate (and others?); British troops marching over marshy plain, four mounted officer in right foreground, baggage camels in left ditance Large oblong folio. London, Parker Gallery, 1968 Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection., Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

Engraved plate (from Grose's Military Antiquities?) with 6 illustrations of soldier figures in musket evolutions numbered 43-48. Engraved plate (from Grose's Military Antiquities?) with 6 illustrations of soldier figures in musket evolutions numbered 43-48. Small upright; mounted on white board; margins severely trimmed; soiled. London, Ifan Kyrle Fletcher, 1962

1 albumen photograph mounted in album of 114 original albumen prints, 22 x 19 cm, photographed by Aaron Penley, Professor of Civil Drawing, Addiscombe College 1 albumen photograph mounted in album of 114 original albumen prints, 22 x 19 cm, photographed by Aaron Penley, Professor of Civil Drawing, Addiscombe College Medium folio volume. New York, Rockman Prints, 1960. Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

1st in collection of 4 copper-engraved plates, this one by Noble, after Hamilton, each with ornamental border; mounted officer reading declaration to cheering group in narrow city street. 1st in collection of 4 copper-engraved plates, this one by Noble, after Hamilton, each with ornamental border; mounted officer reading declaration to cheering group in narrow city street. Engraved for Barnard's New Complete & Authentic History of England New York, Milton L. Bernstein, 1946.

Part of collection of original watercolors on board, signed by Ibbetson, for Gale & Polden postcards; color guard with British and regimental flags marching toward left in foreground, troop of infantry assembled in background. Part of collection of original watercolors on board, signed by Ibbetson, for Gale & Polden postcards; color guard with British and regimental flags marching toward left in foreground, troop of infantry assembled in background. In red portfolio, red label stamped gold, "E. Ibbetson, Original watercolors for British regimental prints, c.1900-1910".

Part of collection of 66 original signed oil paintings on fiber-board by Harry Payne for Gale & Polden postcards; 2 infantrymen with rifles at stone steps, barracks buildings in background. Part of collection of 66 original signed oil paintings on fiber-board by Harry Payne for Gale & Polden postcards; 2 infantrymen with rifles at stone steps, barracks buildings in background. Folio, unbound; some edges etc. soiled or worn but images in good condition; in 2 red cloth cases, red leather labels stamped gold. London, Francis Edwards, 1966.

27th in collection of 61 tempera drawings on board, signed, and most dated, by McNeill, for Gale and Polden postcard series of uniform figures and groups (all infantry regiments and RAMC units shown except the following, for which drawings were either not made or else are now lacking : 1st, 4th, 17th, 19th, 21st, 37th, 38th, 52nd, 64th, 75th); 2 standing uniform figures of officer and infantryman, the latter holding grounded rifle, facing each other, outdoors. 27th in collection of 61 tempera drawings on board, signed, and most dated, by McNeill, for Gale and Polden postcard series of uniform figures and groups (all infantry regiments and RAMC units shown except the following, for which drawings were either not made or else are now lacking : 1st, 4th, 17th, 19th, 21st, 37th, 38th, 52nd, 64th, 75th); 2 standing uniform figures of officer and infantryman, the latter holding grounded rifle, facing each other, outdoors. Oblong and upright, 61 pieces; a few soiled; in folio red cloth case, red leather label stamped gold. London, Francis Edwards, 1966.

Part of collection of original watercolors on board, signed by Ibbetson, for Gale & Polden postcards; double line of infantrymen standing at attention in front of brick archway at right. Part of collection of original watercolors on board, signed by Ibbetson, for Gale & Polden postcards; double line of infantrymen standing at attention in front of brick archway at right. In red portfolio, red label stamped gold, "E. Ibbetson, Original watercolors for British regimental prints, c.1900-1910".

4th in collection of 6 original gouache drawings on dark gray board, signed by Challenor; standing uniform figure, left hand on hip, right hand holding glove. 4th in collection of 6 original gouache drawings on dark gray board, signed by Challenor; standing uniform figure, left hand on hip, right hand holding glove. Upright medium folio, matted; margins intact; clean. N.Y., Rockman Prints, 1950. Series title provided by cataloger.

Unsigned original watercolor by McNeill; officer and infantryman conversing, shrubbery in background. Title on verso. Unsigned original watercolor by McNeill; officer and infantryman conversing, shrubbery in background. Title on verso. Upright; no margins; stained.

Wood-engraved plate; sailor, 3/4 length, standing on fantail, holding cap in one hand, telescope in the other. Wood-engraved plate; sailor, 3/4 length, standing on fantail, holding cap in one hand, telescope in the other. From Harper's Weekly, May 8, 1869, page 296. Hanover, N.H., Book & Print Shop, 1955.

Chas. D'Albert Cover illustration of mameluke flourishing sword and galloping right, fortress in background; Sarony & Co., New York

Cover only; color lithograph illustration of mameluke flourishing sword and galloping towards right, fortress in left background, small mameluke figures in right background. Cover only; color lithograph illustration of mameluke flourishing sword and galloping towards right, fortress in left background, small mameluke figures in right background. Folio; white paper printed black with color illustration as above; slightly soiled. Also: Complete copy of 6 pages, published by Wm. Hall & Son, New York, with lithographic cover illustration by Sarony & Co. Presented, 1976 by Brown University Library. London, J. Hall, 1961.

3rd in collection of 3 original watercolors by Plummer; view of fortress under artillery barrage. 3rd in collection of 3 original watercolors by Plummer; view of fortress under artillery barrage. Oblong, 3 sheets in card portfolio; no margins; clean.

French infantry and zouaves storming distant fortifications; signed 'A. Butler' French infantry and zouaves storming distant fortifications; signed 'A. Butler' By Alphonse Leduc. 'No. 4 of The War Quadrilles (illustrated) by Alphonse Leduc'