Shortly after it was evacuated, there was a tremedous explosion which blew open all the doors of the Residency. Thick smoke billowed out from the building revealing a heap of ruins. Shortly after it was evacuated, there was a tremedous explosion which blew open all the doors of the Residency. Thick smoke billowed out from the building revealing a heap of ruins. Mounted in album 26 x 37 cm. London, Marlborough Rare Books, 1956
Stipple-engraving, unsigned; oval bust portrait in uniform, hatless. Stipple-engraving, unsigned; oval bust portrait in uniform, hatless. Small upright, mounted on white paper; margins trimmed; yellowed. N.Y., Argosy, 1955.
Mezzotint by I. Smith after Kneller; 3/4-length portrait in armor, helmet on pedestal at right, battle in left background. Mezzotint by I. Smith after Kneller; 3/4-length portrait in armor, helmet on pedestal at right, battle in left background. Upright folio; plate mark, margins severely trimmed; clean. N.Y., Rockman Prints, 1961.
Mezzotint by J. Faber after van Loo; half-length portrait in armor and cloak. Mezzotint by J. Faber after van Loo; half-length portrait in armor and cloak. Upright folio, matted and mounted on board; plate mark, margins; clean, slight foxing. London, Parker Gallery, 1951.
Color mezzotint; equestrian portrait in uniform, pointing with sword, horse rearing towards left, landscape background with tents. Color mezzotint; equestrian portrait in uniform, pointing with sword, horse rearing towards left, landscape background with tents. Upright folio, matted; plate mark, margins trimmed close; edges and corners worn. Boston, Goodspeed, 1948.
Stipple-engraving by Orme, 1794, after painting by Smart, 1786, published April 3d, 1794; oval bust portrait in uniform. Stipple-engraving by Orme, 1794, after painting by Smart, 1786, published April 3d, 1794; oval bust portrait in uniform. Small upright folio; plate mark, margins; clean. N.Y., Argosy Bookshop, 1955.
Color mezzotint; Cornwallis, full-length in uniform, about to step from small boat manned and attended by 2 sailors, warships and harbor fort in background. Color mezzotint; Cornwallis, full-length in uniform, about to step from small boat manned and attended by 2 sailors, warships and harbor fort in background. Upright folio, matted; plate mark, margins trimmed. Chicago, W. Russell Button, 1964.
Stipple-engraving by H. Meyer after Hoppner, published May 4, 1804; oval half-length portrait in uniform. Stipple-engraving by H. Meyer after Hoppner, published May 4, 1804; oval half-length portrait in uniform. Small upright folio; plate mark, margins trimmed; slightly soiled. N.Y., Argosy, 1955.
Color mezzotint by Earlom after Beechey, published Jany. 9, 1806; 3/4-length portrait in uniform, hatless. Color mezzotint by Earlom after Beechey, published Jany. 9, 1806; 3/4-length portrait in uniform, hatless. Upright folio, matted; plate mark, bottom margin trimmed; slight foxing. London, W. M. Sabin, 1950.
Mezzotint by Houston, 1760, after Reynolds; 3/4-length portrait in uniform, facing left, hand resting on sword, battle in background. Mezzotint by Houston, 1760, after Reynolds; 3/4-length portrait in uniform, facing left, hand resting on sword, battle in background. Upright folio, matted; plate mark, margins trimmed close; edges worn and soiled.
One of a collection of 7 colored and uncolored bust and half-length portraits in uniform. Engraved by H. Meyer after J. Jackson, from original by Sir William Beechey, published March 21, 1817. One of a collection of 7 colored and uncolored bust and half-length portraits in uniform. Engraved by H. Meyer after J. Jackson, from original by Sir William Beechey, published March 21, 1817. Upright folio; some margins trimmed; some soiled. New York, Henry L. Bokelman, 1948.
Color lithograph (by Harris after de Daubrawa); equestrian portrait in uniform, riding towards left, background of military review. Color lithograph (by Harris after de Daubrawa); equestrian portrait in uniform, riding towards left, background of military review. Upright folio, matted; margins entirely trimmed away; clean. Title supplied by cataloger. London, Parker Gallery, 1951.
Uncolored stipple engraving by Thomas Williamson after Home; full-length portrait in uniform, standing before tent, soldiers etc. in right background. Uncolored stipple engraving by Thomas Williamson after Home; full-length portrait in uniform, standing before tent, soldiers etc. in right background. Upright folio, matted; margins trimmed; edges worn and soiled. New York, Harry H. Hymes, 1946.
Color stipple-engraving by Thomas Williamson after Home; full-length portrait in uniform, standing before tent, soldiers etc. in right background. Color stipple-engraving by Thomas Williamson after Home; full-length portrait in uniform, standing before tent, soldiers etc. in right background. Upright folio, matted; margins trimmed; edges worn and soiled. New York, Harry H. Hymes, 1946.
Copper engraving by R. Sheppard, 1735, after Loggan (1661); half-length portrait in armor with baton in hand, background of drapery with small figures in battles at right. Copper engraving by R. Sheppard, 1735, after Loggan (1661); half-length portrait in armor with baton in hand, background of drapery with small figures in battles at right. From Mechell's edition of Paul de Rapin-Thoyras The History of England. N.Y., Rockman Prints, 1955.
Color lithograph by J. Hunt after Jones; artillerymen in mortar emplacements giving display to military and men, women and children spectators in foreground, landscape background. Color lithograph by J. Hunt after Jones; artillerymen in mortar emplacements giving display to military and men, women and children spectators in foreground, landscape background. Oblong folio; margins slightly trimmed. N.Y., Rockman Prints, 1949.
One of a pair of mezzotint engravings by John Sartain after Schopin; Josephine in salon with Napoleon and officers. From 'The Eclectic Magazine of Foreign Literature, Science and Art,' edited by W.H. Bidwell, January, 1861. (See also: The Divorce of the Empress Josephine.) One of a pair of mezzotint engravings by John Sartain after Schopin; Josephine in salon with Napoleon and officers. From 'The Eclectic Magazine of Foreign Literature, Science and Art,' edited by W.H. Bidwell, January, 1861. (See also: The Divorce of the Empress Josephine.) Oblong; margins trimmed; foxed. Hanover, N.H., Book & Print Shop, 1955.
Steel engraving by C. Mottram after Barker, printed by Hobgate; officer seated outside tent writing letter and stroking dog, orderly preparing horses nearby, troops assembling in background. Steel engraving by C. Mottram after Barker, printed by Hobgate; officer seated outside tent writing letter and stroking dog, orderly preparing horses nearby, troops assembling in background. Large oblong folio; plate mark, margins; tear at bottom. N.Y., Rockman Prints, 1953.
Wood-engraved plate with 2 illustrations; minute-men assembling; militia drilling on parade-ground. From Ballou's Pictorial, Aug. 31, 1856, page 137 Wood-engraved plate with 2 illustrations; minute-men assembling; militia drilling on parade-ground. From Ballou's Pictorial, Aug. 31, 1856, page 137 Upright folio; margins intact; clean. Hanover, N.H., Book & Print Shop, 1956.
Original watercolor signed by Simkin; 3 mounted uniform figures with horse-drawn supply wagon, on country road. Original watercolor signed by Simkin; 3 mounted uniform figures with horse-drawn supply wagon, on country road. Oblong, matted; margins; soiled.
From a set of 8 watercolors showing uniforms of the Royal Waggon Train and Royal Army Service Corps.
Color plate after Lawson; combat scene showing mounted and dismounted soldiers of military train battling through Indian mutineers. Color plate after Lawson; combat scene showing mounted and dismounted soldiers of military train battling through Indian mutineers. Oblong, matted; margins; clean.
Engraving; view showing 2 buildings in right and left backgrounds, small figures of soldier, veterans etc. in foreground. Oblong folio; margins. Engraving; view showing 2 buildings in right and left backgrounds, small figures of soldier, veterans etc. in foreground. Oblong folio; margins. Oblong folio; margins. New York, Rockman Prints, 1964.
Steel-engraving by Edward Goodall after Nash, the figures after J. Stephanoff, printed by J. Hayward; view of Ecole Militaire, showing cadets parading in middle distance, spectators and promenaders in foreground. Steel-engraving by Edward Goodall after Nash, the figures after J. Stephanoff, printed by J. Hayward; view of Ecole Militaire, showing cadets parading in middle distance, spectators and promenaders in foreground. Small oblong folio; margins. London, J. Hall, 1964.
Color lithograph by Edmund Walker, printed by Day & Son, after Haghe; tent encampments in foreground and distance, men, women, children and some soldiers in center foreground watching return of mounted and foot troops to encampments. Color lithograph by Edmund Walker, printed by Day & Son, after Haghe; tent encampments in foreground and distance, men, women, children and some soldiers in center foreground watching return of mounted and foot troops to encampments. Narrow large oblong folio, matted; margins; clean. London, Parker Gallery, 1951.
Engraved caricature by and after Attwold; sergeant with halberd holding tiny young ensign on leading-strings holding flag, soldiers behind, numbered 44; lettered with title and eight lines of verse in two columns below. Satire on the promotion of inexperienced officers. Engraved caricature by and after Attwold; sergeant with halberd holding tiny young ensign on leading-strings holding flag, soldiers behind, numbered 44; lettered with title and eight lines of verse in two columns below. Satire on the promotion of inexperienced officers. Upright; matted margins intact, soiled. N.Y., Rockman Prints, 1949.
2nd in pair of hand-colored etched caricatures after Woodward, published July 24, 1798; 2 rows of comic domestic scenes featuring military figures, their wives and families. [See also: Military accidents!!]. 2nd in pair of hand-colored etched caricatures after Woodward, published July 24, 1798; 2 rows of comic domestic scenes featuring military figures, their wives and families. [See also: Military accidents!!]. Oblong folio, mounted on white paper; margins trimmed; clean. Munich, auction 1955.
One of 19 colored (with three uncolored) engraved caricatures, published Feby. 9th, 1773; 'No.4: Whole length caricature portrait of a thin man with a large head walking or running in profile to the right. His wig is a high toupet with a queue in a black bag. In his left hand he holds out a small three-cornered hat, in his right is a sword whose point rests on the ground. He wears a short coat with facings and epaulettes, and a ruffled shirt'. -- British Museum. One of 19 colored (with three uncolored) engraved caricatures, published Feby. 9th, 1773; 'No.4: Whole length caricature portrait of a thin man with a large head walking or running in profile to the right. His wig is a high toupet with a queue in a black bag. In his left hand he holds out a small three-cornered hat, in his right is a sword whose point rests on the ground. He wears a short coat with facings and epaulettes, and a ruffled shirt'. -- British Museum. Unbound; in red cloth portfolio, red leather backstrip label stamped gold; most clean, some worn.
One of 19 colored (with three uncolored) engraved caricatures, published May 1, 1773; 'Two soldiers; on the left, a middle-aged man who has lost an eye, an arm and a leg; on the right, a young man peering at the other through an eye-glass'. -- British Museum. One of 19 colored (with three uncolored) engraved caricatures, published May 1, 1773; 'Two soldiers; on the left, a middle-aged man who has lost an eye, an arm and a leg; on the right, a young man peering at the other through an eye-glass'. -- British Museum. Unbound; in red cloth portfolio, red leather backstrip label stamped gold; most clean, some worn.
Original unsigned watercolor, by Campion; panoramic view of large tent encampment in landscape background, small soldier figures in foreground, troops parading in middle distance. Original unsigned watercolor, by Campion; panoramic view of large tent encampment in landscape background, small soldier figures in foreground, troops parading in middle distance. Oblong folio, matted; no margins; clean. London, Parker Gallery, 1954. title provided by cataloger
