Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection

This vast digital collection of military artwork from the 16th through 20th centuries, vividly documents all aspects of military and naval history, with emphasis on the history and illustration of world military and naval uniforms from the 17th century to the present. In addition to the material on military and naval dress, the collection contains thousands of battle and campaign scenes, portraits, caricatures, wartime posters, original photographs, material pertaining to military decorations and insignia, heraldic ornaments, armor, weaponry, equitation, flags, knightly orders, court and ceremonial dress, architecture, and the general history of costume.
This collection is part of Brown University Library, hosted by Brown University.

Items in this collection

The opening ceremony of the Church of the Redeemer in Jerusalem

Original wash drawing by Hall (probably for The Graphic) showing Kaiser Wilhelm II at lectern, surrounded by clergy, Knights of St. John, military aides etc., Kaiserin in left foreground. Original wash drawing by Hall (probably for The Graphic) showing Kaiser Wilhelm II at lectern, surrounded by clergy, Knights of St. John, military aides etc., Kaiserin in left foreground. Small oblong folio, matted medium folio; no margins; edges worn and slightly torn. Title supplied by cataloger. London, Ifan Kyrle Fletcher, 1952.

The only particular in which the Salvation Army fell short was that there was not sufficient huts for the demand of t...

Poster records Congressman Tinkham's commendation of the war services of the Salvation Army. Poster records Congressman Tinkham's commendation of the war services of the Salvation Army. Printed in red, gray and black on heavy white card stock within red border; text in black. At head of title illustration of small truck marked with a cross and "Salvation Army U.S.A." Title from first sentence. Tinkham's report on his visit to the front. Type signature at end: George Holden Tinkham, Congressman.

The Ommadhawn

The Ommadhawn

Brown University

One of a collection of 6 original watercolors by Alfy (pseudonym); unsigned, dated 1878; infantry officer in undress, rear view. One of a collection of 6 original watercolors by Alfy (pseudonym); unsigned, dated 1878; infantry officer in undress, rear view. Upright; no margins; soiled. N.Y., Rockman Prints, 1961.

The Omar Pacha waltzes

The Omar Pacha waltzes

Brown University

Omar Pacha, mounted in uniform, above river bank, sentries nearby, tent encampment on opposite bank; J. Brandard, M. & N. Hanhart Imp. Omar Pacha, mounted in uniform, above river bank, sentries nearby, tent encampment on opposite bank; J. Brandard, M. & N. Hanhart Imp. Composed & dedicated to Monsr. Brouneau of Edinburgh, by Henry W. Goodban. Price 3/-

The olde English halbert exercise. plate 4

Engraved plate of 9 illustrations of soldiers demonstrating halberts and 9 soldiers demonstrating being double armed Engraved plate of 9 illustrations of soldiers demonstrating halberts and 9 soldiers demonstrating being double armed Oblong folio, slightly soiled and worn "Engraved for Spencer's New History of England

The Old Straws

The Old Straws

Brown University

One of a set of 3 original signed gouache caricatures by Swottie (pseudonym) of profile uniform figures, facing left. One of a set of 3 original signed gouache caricatures by Swottie (pseudonym) of profile uniform figures, facing left. Upright folio; margins; clean. London, Foster Groom, 1950.

The old soldier remarkable for constant attendance at St. Paul's: done from an original painting

Engraving (crude) by C. Mosley after J.W.; full-length figure of man in military greatcoat and hat, standing in square in West Smithfield, London, with dome of St. Paul's visible in right distance. [See the Gentleman's Magazine for 1741, page 25; and 1749, page 284.] Engraving (crude) by C. Mosley after J.W.; full-length figure of man in military greatcoat and hat, standing in square in West Smithfield, London, with dome of St. Paul's visible in right distance. [See the Gentleman's Magazine for 1741, page 25; and 1749, page 284.] Oblont; plate mark, margins. London, Spencer, 1955.

The old sentinel march

The old sentinel march

Brown University

composed by R.M. Stults. Cover title. For piano. Also published for piano four hands, military band and orchestra. Advertisments for other music: p. [8] Cover lith. illustration by George H. Walker & Co.: three-quarter length figure of soldier on guard, and inset illustration of soldiers firing from prone position.

The old General ready for a "Movement"

Lithograph; seated general, preparing to tighten noose on Jefferson Davis, who, in animal form, contemplates escape from small cave, other persons caricatured in animal form at left and right. Lithograph; seated general, preparing to tighten noose on Jefferson Davis, who, in animal form, contemplates escape from small cave, other persons caricatured in animal form at left and right. Oblong medium folio; margins intact; soiled. Presented, 1945, by Clarence Brigham, American Antiquarian Society.

The Old canaries

The Old canaries

Brown University

One of a set of 3 original signed gouache caricatures by Swottie (pseudonym) of profile uniform figures, facing left. [See also: The Old Straws and Westminster Dragoons, Yeomanry.] One of a set of 3 original signed gouache caricatures by Swottie (pseudonym) of profile uniform figures, facing left. [See also: The Old Straws and Westminster Dragoons, Yeomanry.] Upright folio; margins; clean. London, Forster Groom, 1950.

The officer's funeral

The officer's funeral

Brown University

words & music by the Honble. Mrs. Norton. Price 38 Cts nett. Lithographed title page, including illustration, engraved music. Illustration. signed: M Schmitz, depicting an officer's horse, with reversed boots, standing near a funeral service, church in distance. For voice and piano.

The offering of the carriers of the press to their patrons. January 1st 1862

Lithograph; 7 oval bust portraits of naval and military leaders: Wilkes, Banks, McClellan, McCall, Dupont, Halleck, Sherman. Lithograph; 7 oval bust portraits of naval and military leaders: Wilkes, Banks, McClellan, McCall, Dupont, Halleck, Sherman. Upright folio; margins somewhat trimmed; repaired tears, slightly soiled, worn. Hanover, N.H., Book & Print Shop, 1954.

The oath of allegiance to the infant King of Rome

This satire depicts a large imperial ceremony. The infant King of Rome straddles the cross that tops his crown. In one hand he holds a rattle, in the other he extends a large sword to the kneeling pope. As he bends to kiss the sword, the Pope's crozier breaks on the steps. Other Catholic bishops crowd around waiting their turn to pledge their allegiance. In the midst of all this pomp and circumstance, a small dog (l.) urinates on the crown. Napleon and Marie Louise watch from their thrones raised on a dais. While Marie Louise gestures with pride at her child, Napoleon shrinks back into his seat and clutches a roll of paper bearing the title "Oath of Allegiance." This satire depicts a large imperial ceremony. The infant King of Rome straddles the cross that tops his crown. In one hand he holds a rattle, in the other he extends a large sword to the kneeling pope. As he bends to kiss the sword, the Pope's crozier breaks on the steps. Other Catholic bishops crowd around waiting their turn to pledge their allegiance. In the midst of all this pomp and circumstance, a small dog (l.) urinates on the crown. Napleon and Marie Louise watch from their thrones raised on a dais. While Marie Louise gestures with pride at her child, Napoleon shrinks back into his seat and clutches a roll of paper bearing the title "Oath of Allegiance." Published by Thomas Tegg, 1813-01-12. British Museum, BM 11998. For a comparison of themes, see 'Debuteys Apointed by the Legislative body doing Homage to the King of Rome,' Broadley 269, BM 11735. Caption: Pubd June 12 1818 by Thos Tegg No 111 Cheapside London

The nursery; with Britannia reposing in peace

Leading members of the Whig opposition lull Britannia to sleep in a wicker bassinet. All three men are busily involved in providing for Britannia's comfort and keeping her in a state of deep sleep. Addington, (l.), is dressed in women's clothing and sits at the right of the bassinet. He sings a lullaby while rocking the cradle. At his feet a saucepan inscribed French Pap waits in case Britannia wakes hungry and cranky. Britannia, a large well-fed woman wearing classical robes, is thoroughly unaware of the present condition of Europe. She sleeps with her thumb in her mouth, completely relaxed. The shield and spear which are her attributes have slipped from her hand and now lay on top of her blankets. An inscription on the bonnet of the bassinet reads, "Requiescat in Pace." Fox, likewise dressed in women's clothing, hangs cloth diapers in front of a smoking fireplace. He turns to look at Britannia, and wears an expression of concern at the depth of her sleep. A print depicting Bonaparte dancing the jig and playing a fiddle hangs over a fireplace. Two apothecary jars are on the mantlepiece, one contains Composing Draught, the other Opiate Pills. These jars indicate that Britannia has been drugged by the Opposition into her current state. A twig switch hangs on the wall over Britannia's cradle, in case Britannia becomes defiant. Hawkesbury, (l.), a gangly old nursemaid, approaches carrying what George has described as a child's commode. The chair back is inscribed "French C-k-g Chair," and is decorated with a liberty cap. Another print, a tattered song sheet titled "Rule Britannia," has been tacked to the wall behind Hawhesbury. Leading members of the Whig opposition lull Britannia to sleep in a wicker bassinet. All three men are busily involved in providing for Britannia's comfort and keeping her in a state of deep sleep. Addington, (l.), is dressed in women's clothing and sits at the right of the bassinet. He sings a lullaby while rocking the cradle. At his feet a saucepan inscribed French Pap waits in case Britannia wakes hungry and cranky. Britannia, a large well-fed woman wearing classical robes, is thoroughly unaware of the present condition of Europe. She sleeps with her thumb in her mouth, completely relaxed. The shield and spear which are her attributes have slipped from her hand and now lay on top of her blankets. An inscription on the bonnet of the bassinet reads, "Requiescat in Pace." Fox, likewise dressed in women's clothing, hangs cloth diapers in front of a smoking fireplace. He turns to look at Britannia, and wears an expression of concern at the depth of her sleep. A print depicting Bonaparte dancing the jig and playing a fiddle hangs over a fireplace. Two apothecary jars are on the mantlepiece, one contains Composing Draught, the other Opiate Pills. These jars indicate that Britannia has been drugged by the Opposition into her current state. A twig switch hangs on the wall over Britannia's cradle, in case Britannia becomes defiant. Hawkesbury, (l.), a gangly old nursemaid, approaches carrying what George has described as a child's commode. The chair back is inscribed "French C-k-g Chair," and is decorated with a liberty cap. Another print, a tattered song sheet titled "Rule Britannia," has been tacked to the wall behind Hawhesbury. This plate has been recently colored with 'modern' pigments. An uncolored engraving on the verso suggests that this image has been cut from an album (possibly the 1830 republication of Gillray's plates by Thomas McLean). Dialogue: Hawkesbury: "O, By, My Baby, my Baby,/ O, By in Peace! my dearee!/ For such a sweet Nap as This,/ You never had, far nor nearee!/ So, By my baby, my dearee." Inscription: Pubd. Decr. 4th 1802, by Js. Gillray, No. 27 St. Jamses's Street. Printed Signature: Js. Gillray invt & fect. Plate Mark: 268

The Northumberland Fusiliers: 5th Foot

Part of collection of 66 original signed oil paintings on fiber-board by Harry Payne for Gale & Polden postcards; profile view of infantryman, standing at attention with rifle, facing right, mounted and standing officers in right background; note on verso : "no. 40, 7th set". Part of collection of 66 original signed oil paintings on fiber-board by Harry Payne for Gale & Polden postcards; profile view of infantryman, standing at attention with rifle, facing right, mounted and standing officers in right background; note on verso : "no. 40, 7th set". Upright folio on board, unbound, in red portfolio stamped gold, "Original oil paintings for British regimental prints c. 1900-1910".

The Northumberland Fusiliers, 1742-1887: Composite

One of a pair of composite watercolor and tempera paintings signed and dated by R. Wymer; uniform groups and figures. One of a pair of composite watercolor and tempera paintings signed and dated by R. Wymer; uniform groups and figures. Large oblong folio, matted; no margins; clean. Title supplied by cataloger. London, Parker Gallery, 1960.

The Northamptonshire Regt.: 48th & 58th Foot

Part of collection of 66 original signed oil paintings on fiber-board by Harry Payne for Gale & Polden postcards; infantryman standing at attention, presenting arms, facing toward right; officer walking in left background; note on verso : "5th set, no. 81". Part of collection of 66 original signed oil paintings on fiber-board by Harry Payne for Gale & Polden postcards; infantryman standing at attention, presenting arms, facing toward right; officer walking in left background; note on verso : "5th set, no. 81". Upright folio on board, unbound, in red portfolio stamped gold, "Original oil paintings for British regimental prints c. 1900-1910".

The Northamptonshire Regiment

58th in collection of 61 tempera drawings on board, signed, and most dated, by McNeill, for Gale and Polden postcard series of uniform figures and groups (all infantry regiments and RAMC units shown except the following, for which drawings were either not made or else are now lacking : 1st, 4th, 17th, 19th, 21st, 37th, 38th, 52nd, 64th, 75th); 3 uniform figures standing in town or barracks road, officer in blue coat in center, officer in red jacket saluting at left, infantryman at right; note on verso: "48th". 58th in collection of 61 tempera drawings on board, signed, and most dated, by McNeill, for Gale and Polden postcard series of uniform figures and groups (all infantry regiments and RAMC units shown except the following, for which drawings were either not made or else are now lacking : 1st, 4th, 17th, 19th, 21st, 37th, 38th, 52nd, 64th, 75th); 3 uniform figures standing in town or barracks road, officer in blue coat in center, officer in red jacket saluting at left, infantryman at right; note on verso: "48th". Oblong and upright, 61 pieces; a few soiled; in folio red cloth case, red leather label stamped gold. London, Francis Edwards, 1966.

The Northamptonshire Regiment

Unsigned original watercolor by McNeill; infantryman standing at arms, officer at left saluting superior officer in navy blue overcoat; building corner, poplars in background. Title on verso. Unsigned original watercolor by McNeill; infantryman standing at arms, officer at left saluting superior officer in navy blue overcoat; building corner, poplars in background. Title on verso. Upright; no margins; stained.

The Norfolk Regt.: 9th Foot

Part of collection of 66 original signed oil paintings on fiber-board by Harry Payne for Gale & Polden postcards; 2 infantrymen, 1 with bent knee holding pennant, in conversation outdoors; note on verso : "No. 44, third set of 6". Part of collection of 66 original signed oil paintings on fiber-board by Harry Payne for Gale & Polden postcards; 2 infantrymen, 1 with bent knee holding pennant, in conversation outdoors; note on verso : "No. 44, third set of 6". Upright folio on board, unbound, in red portfolio stamped gold, "Original oil paintings for British regimental prints c. 1900-1910".

The Norfolk Regiment

The Norfolk Regiment

Brown University

23rd in collection of 61 tempera drawings on board, signed, and most dated, by McNeill, for Gale and Polden postcard series of uniform figures and groups (all infantry regiments and RAMC units shown except the following, for which drawings were either not made or else are now lacking : 1st, 4th, 17th, 19th, 21st, 37th, 38th, 52nd, 64th, 75th); 2 infantrymen in conversation on path, holding grounded rifles, iron fence in background; note on verso: "9th". 23rd in collection of 61 tempera drawings on board, signed, and most dated, by McNeill, for Gale and Polden postcard series of uniform figures and groups (all infantry regiments and RAMC units shown except the following, for which drawings were either not made or else are now lacking : 1st, 4th, 17th, 19th, 21st, 37th, 38th, 52nd, 64th, 75th); 2 infantrymen in conversation on path, holding grounded rifles, iron fence in background; note on verso: "9th". Oblong and upright, 61 pieces; a few soiled; in folio red cloth case, red leather label stamped gold. London, Francis Edwards, 1966.

The Norfolk Regiment

The Norfolk Regiment

Brown University

Original watercolor sketch signed and dated by McNeill; 2 infantrymen with grounded rifles, talking near iron fence. (On oblong sheet, right half unpainted; title on verso.) Original watercolor sketch signed and dated by McNeill; 2 infantrymen with grounded rifles, talking near iron fence. (On oblong sheet, right half unpainted; title on verso.) Oblong folio; no margins; clean.

The Norfolk Guards quick step: as performed by the Boston Brigade Band

composed and respectfully dedicated to the officers and members of the Norfolk Guards, by Geo. O. Farmer. Collation: Title, [1]; music, 2-3; blank, [4] Lith. cover illustration by Sharp and Michelin after F. H. Lane: central vignette of soldier in regimental uniform, border of foliage, military equipment, etc.

The Noble 24th, or, Vanquished, not disgraced

written by G.C. Anewick ; music by Vincent Davies ; sung by with immense success by J.W. Rowley. Cover title. Lithographic cover illustration: soldier holding a flag by 'W.S. delt' Song for voice and piano. First line: A story came one morning. First line of chorus: All honour to the twentyfourth. Portrait on title page: J.W. Rowley. Price 6d. Net.

The Ninth Queen's Royal Lancers under the command of Lieut.-Col. H.A. Bushman taking part in Sir Frederick Roberts' M...

Original watercolor signed by Norie; lancers in field dress and with pack camels marching through mountain pass, natives unloading expired camel in right foreground. Original watercolor signed by Norie; lancers in field dress and with pack camels marching through mountain pass, natives unloading expired camel in right foreground. Large oblong folio, matted; no margins; clean. London, Parker Gallery, 1953.

The New-York Regiment, 1756. Private

One of a collection of 12 watercolors of American Colonial militia uniforms, 1756-1761. Figure in khaki with brown coat walking to the left with a rifle. One of a collection of 12 watercolors of American Colonial militia uniforms, 1756-1761. Figure in khaki with brown coat walking to the left with a rifle. Unbound; in 1/2 black leather and blue cloth case stamped gold. Berlin, Knötel, 1950.

The New-Port Regiment, 1760. Recruiting sergeant

One of a collection of 12 watercolors of American Colonial militia uniforms, 1756-1761. Figure in green and blue with brown coat. One of a collection of 12 watercolors of American Colonial militia uniforms, 1756-1761. Figure in green and blue with brown coat. Unbound; in 1/2 black leather and blue cloth case stamped gold. Berlin, Knötel, 1950.

The New-Jersey Regiment (Jersey Blues). Private, marching order, 1758

One of a collection of 12 American Colonial militias uniforms, 1756-1761, Figure in blue, orange and khaki with rifle facing left. One of a collection of 12 American Colonial militias uniforms, 1756-1761, Figure in blue, orange and khaki with rifle facing left. Unbound; in 1/2 black leather and blue cloth case stamped gold. Berlin, Knötel, 1950.