Original watercolor signed by Norie; British troops at left advancing on natives behind and upon walls at right. Original watercolor signed by Norie; British troops at left advancing on natives behind and upon walls at right. Oblong folio; no margins; clean. Title supplied by cataloger. London, Parker Gallery, 1966.

3rd in collection of 6 original unsigned watercolors (some probably not contemporary); standing uniform figure, rear view, firing rifle, massed cavalry and infantry in maneuvers in background. 3rd in collection of 6 original unsigned watercolors (some probably not contemporary); standing uniform figure, rear view, firing rifle, massed cavalry and infantry in maneuvers in background. Upright and oblong, small folio and medium folio, matted; margins; clean. London, Parker Gallery, 1967. Title and series title provided by cataloger.

Part of collection of 66 original signed oil paintings on fiber-board by Harry Payne for Gale & Polden postcards; 2 infantrymen in green jackets holding rifles, walking down road; note on verso : "no. 104, 7th set". Part of collection of 66 original signed oil paintings on fiber-board by Harry Payne for Gale & Polden postcards; 2 infantrymen in green jackets holding rifles, walking down road; note on verso : "no. 104, 7th set". Upright folio on board, unbound, in red portfolio stamped gold, "Original oil paintings for British regimental prints c. 1900-1910".

Original watercolor on gray board, signed Cedric; standing uniform figure of officer in profile. Original watercolor on gray board, signed Cedric; standing uniform figure of officer in profile. Upright, matted; margins. London, Parker Gallery, 1972.

Subject: 'Interior of the Floral Hall, Convent Garden' showing figures in various volunteer uniforms dancing and standing around; F. Sexton, Lith; Griffiths, Imp. Subject: 'Interior of the Floral Hall, Convent Garden' showing figures in various volunteer uniforms dancing and standing around; F. Sexton, Lith; Griffiths, Imp. Title continues: Composed by C.H.R. Mariott. Price 3/-

Original watercolor signed by Nation; bey seated on carpet on ground, staff standing behind him, receiving Russian officer with truce offer. Original watercolor signed by Nation; bey seated on carpet on ground, staff standing behind him, receiving Russian officer with truce offer. Upright folio, matted; margins; margins soiled. N.Y., Rockman, 1951.

One of a pair of color mezzotints, published 24th Novr. 1798; Nelson seated in cabin, receiving flag from vanquished French admiral. [See also: The Hazards of war, or, Nelson wounded]. One of a pair of color mezzotints, published 24th Novr. 1798; Nelson seated in cabin, receiving flag from vanquished French admiral. [See also: The Hazards of war, or, Nelson wounded]. Upright folio, matted; margins trimmed close; edges worn. N.Y., Rockman Prints, 1952.

arranged for the piano forte by J. Rebhun. Respectfully dedicated to Brig. Gen. George P. Morris by the publisher. For piano. Cover lith. ill. by Lewis of two military officers on horses inspecting soldiers.

Charles D'Albert. For solo piano. Caption title. Color illustration on cover by Sarony & Major, N.Y.: Queen Victoria reviewing the troops. Music engraver: Ben Marcato Engvr.--Cf. p. 7. Price: $.50.

Equestrian portrait of Louis Napoleon in uniform at review with staff; J. Brandard Lith, M. & N. Hanhart Impt. Equestrian portrait of Louis Napoleon in uniform at review with staff; J. Brandard Lith, M. & N. Hanhart Impt. By Jullien. Pr. 3/-

Subject: Mounted officers watching march-past of soldiers near tent encampment in the countryside; Concanen, lith., Stannard & son, 7 Poland St. Subject: Mounted officers watching march-past of soldiers near tent encampment in the countryside; Concanen, lith., Stannard & son, 7 Poland St. Title continues: Descriptive fantasia for the piano-forte, by M. Paxton. Price 4/- Ent. Sta. Hall.

Lithograph by W. Clerk; departure of State Coach from front of Abbey, soldiers, men, women and children spectators, banners in foreground. Lithograph by W. Clerk; departure of State Coach from front of Abbey, soldiers, men, women and children spectators, banners in foreground. Oblong, matted; margins trimmed close; slightly soiled. Bournemouth, Mathews, 1954.

Subject: Scots Guards marching past Buckingham Palace, queen and family on balcony, watched by men, women and children, and Life Guards; Augustus Butler Delt & Lith; Stannard & Dixon, Imp. Subject: Scots Guards marching past Buckingham Palace, queen and family on balcony, watched by men, women and children, and Life Guards; Augustus Butler Delt & Lith; Stannard & Dixon, Imp. Title continues: Played by the Guards composed by Charles W. Glover. Pr. 2/6. Ent. Sta. Hall.

One of a collection of 5 (of ?) numbered color lithograph plates of soldier scenes printed by W. Kohler. One of a collection of 5 (of ?) numbered color lithograph plates of soldier scenes printed by W. Kohler. Upright folio, matted; margins intact; soiled. N.Y., Rockman Prints, 1949.

1 colored photogravure mounted on canvas initialed and dated; exhausted and wounded soldiers returning from battle 1 colored photogravure mounted on canvas initialed and dated; exhausted and wounded soldiers returning from battle Giant oblong folio. St. Catherine's, Ontario, Lord Durham Rare Books, 2013 Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

One of a pair of color stipple engravings by Robert Cooper after Corbould, published Augt. 1, 1812; hussar rushing into arms of wife. [See also The Farewell]. One of a pair of color stipple engravings by Robert Cooper after Corbould, published Augt. 1, 1812; hussar rushing into arms of wife. [See also The Farewell]. Upright; margins trimmed; soiled. London, Redfern, 1955.

One of a collection of 26 lithographs on paper, all signed in pencil lower right; crowded country road by trees with large detachment of mounted troops passing long convoy of Red Cross wagons One of a collection of 26 lithographs on paper, all signed in pencil lower right; crowded country road by trees with large detachment of mounted troops passing long convoy of Red Cross wagons Oblong folio. N.Y., Argosy, 2010.

Original watercolor signed and dated bottom right: 'W. Heath Del. 1815'; retreat of ragged and freezing army across snowy landscape. Original watercolor signed and dated bottom right: 'W. Heath Del. 1815'; retreat of ragged and freezing army across snowy landscape. Oblong folio, matted; no margins; clean. title provided by cataloger

composed & dedicated to Commodore Napier and his brave companions in arms by Stephen Glover. For piano. "A march descriptive of the flight of Ibrahim Pacha and the pursuit of the Turkish soldiery"--Caption. Illustration: Ibrahim Pacha on horseback, fleeing / Lith. of Endicott, N.Y.

Subject: Ibrahim Pacha on galloping horse. Subject: Ibrahim Pacha on galloping horse. Title continues: A descriptive march composed & dedicated to Sir Charles Napier K.C.B. and his brave companions in arms Stephen Glover. Price 3/-

Albumen print photograph by Herzog & Higgins; Indian infantry and ceremonial elephant parading down curved avenue or square on expansive plain, crowd of onlookers in distance, arched portico at far right. Albumen print photograph by Herzog & Higgins; Indian infantry and ceremonial elephant parading down curved avenue or square on expansive plain, crowd of onlookers in distance, arched portico at far right. No. 93 Scene from the Delhi Durbar, 1903 Oblong; no margins; severely damaged.

2nd of 3 original lithographs by Spruance; man rising out of small underground cave or bomb shelter, with other people still huddled inside. 2nd of 3 original lithographs by Spruance; man rising out of small underground cave or bomb shelter, with other people still huddled inside. Upright folio, 3 prints, matted; margins; clean.

Formerly occupied by Sir Henry Lawrence, Chief Commissioner of Oudh, at the outbreak of the mutiny, the Residency became the last defended place for the British. The building was crammed with soldiers and civilians. "There is not one hole or corner where one can enjoy an instant's privacy," wrote one lady in her journal. The posed figure on the far right stands in front of the room where Lawrence was killed. Formerly occupied by Sir Henry Lawrence, Chief Commissioner of Oudh, at the outbreak of the mutiny, the Residency became the last defended place for the British. The building was crammed with soldiers and civilians. "There is not one hole or corner where one can enjoy an instant's privacy," wrote one lady in her journal. The posed figure on the far right stands in front of the room where Lawrence was killed. Mounted in album 26 x 37 cm. London, Marlborough Rare Books, 1956

Color lithograph by Currier & Ives; group of British soldiers in foreground surprised and fired upon by 2 American soldiers (William Jaspar and John Newton) in woods, 2 bound prisoners, a man, woman and child, at left. Color lithograph by Currier & Ives; group of British soldiers in foreground surprised and fired upon by 2 American soldiers (William Jaspar and John Newton) in woods, 2 bound prisoners, a man, woman and child, at left. Small oblong folio, matted; margins severely trimmed; worn. New York, Harry H. Hymes, 1946.

One of a collection of 6 original matted watercolors signed by Heath of military scenes and battles. Soldiers of the Black Watch rescuing Sir Ralph Abercromby at the Battle of Alexandria. One soldier lying on the ground, battle in background. One of a collection of 6 original matted watercolors signed by Heath of military scenes and battles. Soldiers of the Black Watch rescuing Sir Ralph Abercromby at the Battle of Alexandria. One soldier lying on the ground, battle in background. Small oblong folio, unbound, in red cloth slip-case, red leather label stamped gold; clean. Title supplied by cataloger. London, Parker Gallery, 1951.

Color lithograph by Sarony & Major; officer directing firing of cannon from fortifications; same plate as published by N. Currier under title "The Bombardment of Matamoras, May, 1847, by the U.S. troops under Major Brown. Color lithograph by Sarony & Major; officer directing firing of cannon from fortifications; same plate as published by N. Currier under title "The Bombardment of Matamoras, May, 1847, by the U.S. troops under Major Brown. Small oblong folio, matted; margins trimmed; foxed and soiled. N.Y., Old Print Shop, 1955.

Hand-colored etched caricature. 'Above the design: 'Discharged his Majesty's Service'. Fox, in uniform, stands at attention in profile to the left, holding four muskets (or a musket with four triggers and barrels). An armlet is inscribed 'Sinew of Rebellion'. He wears a bonnet-rouge with tricolour cockade; in his belt, and very prominent on his protruding stomach, are two pistols and a dagger. At his back hang materials for arson: a knapsack inscribed 'Fire is the best Weapon you can Use - ' It is filled with sticks of combustibles. Two grenades project from a bulging breeches pocket. From his protruding lips issues a blast inscribed: 'Inflammatory Harrangues / To stir up the People to / Acts of Sedition / Mutiny Treason / Rebellion.' At his feet are two papers: 'Punctual discharge of my Duty to my Constituants [scored through and replaced by] Colleagues'; 'Remonstrance from my Constituents for non Attendance'. On the left is a broad low post on which is a placard: 'Head Quarters Craven House [scored through and replaced by] Crown & Anchor Parole Reform - Countersign - Anarchy.' -- British Museum Hand-colored etched caricature. 'Above the design: 'Discharged his Majesty's Service'. Fox, in uniform, stands at attention in profile to the left, holding four muskets (or a musket with four triggers and barrels). An armlet is inscribed 'Sinew of Rebellion'. He wears a bonnet-rouge with tricolour cockade; in his belt, and very prominent on his protruding stomach, are two pistols and a dagger. At his back hang materials for arson: a knapsack inscribed 'Fire is the best Weapon you can Use - ' It is filled with sticks of combustibles. Two grenades project from a bulging breeches pocket. From his protruding lips issues a blast inscribed: 'Inflammatory Harrangues / To stir up the People to / Acts of Sedition / Mutiny Treason / Rebellion.' At his feet are two papers: 'Punctual discharge of my Duty to my Constituants [scored through and replaced by] Colleagues'; 'Remonstrance from my Constituents for non Attendance'. On the left is a broad low post on which is a placard: 'Head Quarters Craven House [scored through and replaced by] Crown & Anchor Parole Reform - Countersign - Anarchy.' -- British Museum Small upright folio, matted; severely trimmed; soiled. N.Y., Rockman Prints, 1954

Garibaldi is moved to Spezia in the hopes there will be fewer disturbances and he will recover more quickly Garibaldi is moved to Spezia in the hopes there will be fewer disturbances and he will recover more quickly Published in Illustrated Times, November 8, 1862, vol. 1, p. 453-454.

Color aquatint; view in black-draped hall decorated with candelabra, hatchments etc., showing catafalque, honor guard with banners, other soldiers, heralds, visitors, etc. Color aquatint; view in black-draped hall decorated with candelabra, hatchments etc., showing catafalque, honor guard with banners, other soldiers, heralds, visitors, etc. Small oblong folio, matted; plate mark, margins; clean. N.Y., Rockman Prints, 1951.

1 hand-colored engraving on paper by Lewis after Barker; group of officers meeting in centre near other mounted and dismounted officers, soldiers, natives and wounded in foreground and left and right; temples and city in background 1 hand-colored engraving on paper by Lewis after Barker; group of officers meeting in centre near other mounted and dismounted officers, soldiers, natives and wounded in foreground and left and right; temples and city in background Giant oblong folio. London, Parker Gallery, 1952 Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)