Color mezzotint song sheet, numbered 296; sentimental scene of light cavalryman taking leave of wife on porch, attendant with horse in right background. Color mezzotint song sheet, numbered 296; sentimental scene of light cavalryman taking leave of wife on porch, attendant with horse in right background. Upright folio, matted; plate mark, margins trimmed; slightly soiled. N.Y., Rockman Prints, 1949.

Color lithograph printed by Brooker, published June 27th, 1855; British infantry charging against and overcoming Russians in emplacements in hillside, above river. Color lithograph printed by Brooker, published June 27th, 1855; British infantry charging against and overcoming Russians in emplacements in hillside, above river. Large oblong folio, matted; margins. London, Sotheby, 1954.

Mounted in album 26 x 37 cm. London, Marlborough Rare Books, 1956

Color lithograph by Gauci after C.B.; 7th Dragoon Guards and colonials firing on Free State Boers in positions on kopjes above the veldt, wagon and artillery train moving off into right distance, in 1845. Color lithograph by Gauci after C.B.; 7th Dragoon Guards and colonials firing on Free State Boers in positions on kopjes above the veldt, wagon and artillery train moving off into right distance, in 1845. Bell, who had arrived at the Cape Colony in 1830, was appointed Surveyor-General in the Cape Colony in 1848, retiring in 1872. He was an accomplished artist, heraldist, and designer of Cape medals and stamps. London, Parker Gallery, 1950.

One of series of original watercolors signed by Norie; line of mounted lancers filing down country road. One of series of original watercolors signed by Norie; line of mounted lancers filing down country road. Oblong folio, matted; no margins; slightly soiled. London, Spencer, 1952. Title supplied by cataloger

Hand colored halftone plate after Remington, colored by C.R. Wilmott; mounted artillerymen. Hand colored halftone plate after Remington, colored by C.R. Wilmott; mounted artillerymen. From Harper's Weekly, February 7, 1891, page 112 Toronto, C.R. Wilmott, 1955.

Satire on Daniel Solander, in profile to right, holding a plant specimen with flowers and root in his right hand, and a curved knife (lettered "Savigny") in his left. 13 July 1772 -- British Museum. From 'Macaronies, Characters, Caricatures & designed by the greatest personages, artists &c graved & published by MDarly, 39 Strand. 1772' (Vol.3). Satire on Daniel Solander, in profile to right, holding a plant specimen with flowers and root in his right hand, and a curved knife (lettered "Savigny") in his left. 13 July 1772 -- British Museum. From 'Macaronies, Characters, Caricatures & designed by the greatest personages, artists &c graved & published by MDarly, 39 Strand. 1772' (Vol.3). Whipcord del. Beneath title: Like Soland-goose from frozen zone I wander, on shallow bank's grows fat, sol

One of a collection of 31 original gouache paintings of uniform figures signed Hudson or Cedric. Figure in red and navy dress uniform with sword facing right. One of a collection of 31 original gouache paintings of uniform figures signed Hudson or Cedric. Figure in red and navy dress uniform with sword facing right. Unbound; in red cloth portfolio stamped gold. London, Parker Gallery, 1965.

Color lithograph by Middleton Strobridge & Co. after Mathews; view of encampment and artillery positions in foreground firing over woods in middle distance. Color lithograph by Middleton Strobridge & Co. after Mathews; view of encampment and artillery positions in foreground firing over woods in middle distance. Large oblong folio, matted; margins trimmed; slightly soiled. N.Y., Old Print Shop, 1958.

Color lithograph by T. Sinclair; panoramic view of harbor, fortifications, bombardment, etc. Color lithograph by T. Sinclair; panoramic view of harbor, fortifications, bombardment, etc. Oblong folio, matted; margins intact; creased. Hanover, N.H., Book & Print Shop, 1955.

Hand-colored etched caricature by W.P. Carey after Bunbury; corporal (Trim) marching toward portal at left with upraised pick-axe, overtaken by stout captain (Uncle Toby) who taps him on the shoulder with crutch. [Note: A print of the same subject was published by James Bretherton in January 1773.] Hand-colored etched caricature by W.P. Carey after Bunbury; corporal (Trim) marching toward portal at left with upraised pick-axe, overtaken by stout captain (Uncle Toby) who taps him on the shoulder with crutch. [Note: A print of the same subject was published by James Bretherton in January 1773.] Oblong folio; plate mark, margins intact; clean.

by Adolphe Schubert. Cover title. Tinted lithographic cover: walled city under bombardment, British soldiers advancing at left and entering through breach in wall, officer cheering near artillery in foreground; M. & N. Hanhart, Imp. The imprint has been cropped.

One of a set of 3 hand-colored engravings in ornamental enframements by Du Bosc after Benoistl views of commanders and armies in foreground with cites under bombardment and siege in background. [See also: The Siege of Huy, August the 16, 1703; The Siege of Lisle. in 1708; and companion print The Taking of Mareschall Tallard and Pushing of4000 Horse into the Danube at the Battle of Blenheim.] One of a set of 3 hand-colored engravings in ornamental enframements by Du Bosc after Benoistl views of commanders and armies in foreground with cites under bombardment and siege in background. [See also: The Siege of Huy, August the 16, 1703; The Siege of Lisle. in 1708; and companion print The Taking of Mareschall Tallard and Pushing of4000 Horse into the Danube at the Battle of Blenheim.] From 'The Military History of the Late Prince Eugene of Savoy, and of the Late John Duke of Marlborough'. Chicago, W. Russell Button, 1964.

One of a set of 3 hand-colored engravings in ornamental enframements by Du Bosc after Benoist; views of commanders and armies in foreground with cities under bombardment and siege in background. [See also: The Siege of Huy, August the 16, 1703; The Siege of Mons. September ye 20, 1709; and companion print The Taking of Mareschall Tallard and Pushing of 4000 Horse into the Danube at the Battle of Blenheim]. One of a set of 3 hand-colored engravings in ornamental enframements by Du Bosc after Benoist; views of commanders and armies in foreground with cities under bombardment and siege in background. [See also: The Siege of Huy, August the 16, 1703; The Siege of Mons. September ye 20, 1709; and companion print The Taking of Mareschall Tallard and Pushing of 4000 Horse into the Danube at the Battle of Blenheim]. From 'The Military History of the Late Prince Eugene of Savoy, and of the Late John Duke of Marlborough'. Chicago, W. Russell Button, 1964.

Subject: three-quarter length portrait of General William Fenwick Williams standing by breastwork, mosque in background; T. Packer Lith, Stannard & Dixon Imp. Subject: three-quarter length portrait of General William Fenwick Williams standing by breastwork, mosque in background; T. Packer Lith, Stannard & Dixon Imp. Title continues: Written by J, Duff, composed by Edwd. L. Hime. Pr. 2/-

One of 19 colored (with three uncolored) engraved caricatures, published April 1st, 1772; two soldiers in a room, (one of whom in Uncle Toby), one in a red uniform and one in a blue-green uniform; the soldiers are preparing to shoot themselves with a rifle, while one enacts the siege. A scene from Tristram Shandy. One of 19 colored (with three uncolored) engraved caricatures, published April 1st, 1772; two soldiers in a room, (one of whom in Uncle Toby), one in a red uniform and one in a blue-green uniform; the soldiers are preparing to shoot themselves with a rifle, while one enacts the siege. A scene from Tristram Shandy. Unbound; in red cloth portfolio, red leather backstrip label stamped gold; most clean, some worn.

1st in pair of hand-colored engravings of battle and siege scenes, published Decr. 9th, 1780; siege and bombardment of city in background, mounted generals in left foreground, troops moving across fields in center. 1st in pair of hand-colored engravings of battle and siege scenes, published Decr. 9th, 1780; siege and bombardment of city in background, mounted generals in left foreground, troops moving across fields in center. Upright, matted; margins trimmed; clean. From 'The Field of Mars:...' London, Parker Gallery, 1965.

10th in collection of 12 (of 13) numbered and unnumbered hand-colored engravings (this one uncolored) by and after Leveque, published May 1815; British artillery bombarding city across river, long bridge at right. 10th in collection of 12 (of 13) numbered and unnumbered hand-colored engravings (this one uncolored) by and after Leveque, published May 1815; British artillery bombarding city across river, long bridge at right. Oblong folio, matted; most with plate marks and margins intact; some slightly soiled. From "Campaigns of the British Army in Portugal...' London, Francis Edwards, 1962.

4th in set of 4 sheets of humorous ink drawings (by Snaffles), with manuscript narrative poem (by Kipling); illustrarion of officer ordering soldier to join line of other soldiers. 4th in set of 4 sheets of humorous ink drawings (by Snaffles), with manuscript narrative poem (by Kipling); illustrarion of officer ordering soldier to join line of other soldiers. Small upright and oblong folio, matted; margins; clean. London, Parker Gallery, 1965.

1st in set of 4 sheets of humorous ink drawings (by Snaffles), with manuscript narrative poem (by Kipling); 2 illustrations of soldiers on sentry duty. 1st in set of 4 sheets of humorous ink drawings (by Snaffles), with manuscript narrative poem (by Kipling); 2 illustrations of soldiers on sentry duty. Small upright and oblong folio, matted; margins; clean. London, Parker Gallery, 1965.

3rd in set of 4 sheets of humorous ink drawings (by Snaffles), with manuscript narrative poem (by Kipling); illusttation of soldiers hosing down fellow soldier. 3rd in set of 4 sheets of humorous ink drawings (by Snaffles), with manuscript narrative poem (by Kipling); illusttation of soldiers hosing down fellow soldier. Small upright and oblong folio, matted; margins; clean. London, Parker Gallery, 1965.

2nd in set of 4 sheets of humorous ink drawings (by Snaffles), with manuscript narrative poem (by Kipling); 2 illustrations of soldiers on sentry duty. 2nd in set of 4 sheets of humorous ink drawings (by Snaffles), with manuscript narrative poem (by Kipling); 2 illustrations of soldiers on sentry duty. Small upright and oblong folio, matted; margins; clean. London, Parker Gallery, 1965.

Part of collection of original watercolors on board, signed by Ibbetson, for Gale & Polden postcards; 2 infantrymen with shouldered rifles marching side by side down country road. Part of collection of original watercolors on board, signed by Ibbetson, for Gale & Polden postcards; 2 infantrymen with shouldered rifles marching side by side down country road. In red portfolio, red label stamped gold, "E. Ibbetson, Original watercolors for British regimental prints, c.1900-1910".

Colored printed (chromolithograph?) card, from original watercolor signed by McNeill; standing uniform figure of infantryman in red jacket, helmet, holding grounded rifle; insignia in upper right corner. Colored printed (chromolithograph?) card, from original watercolor signed by McNeill; standing uniform figure of infantryman in red jacket, helmet, holding grounded rifle; insignia in upper right corner. Upright; no margins; stained.

5th in collection of 61 tempera drawings on board, signed, and most dated, by McNeill, for Gale and Polden postcard series of uniform figures and groups (all infantry regiments and RAMC units shown except the following, for which drawings were either not made or else are now lacking : 1st, 4th, 17th, 19th, 21st, 37th, 38th, 52nd, 64th, 75th); standing uniform figure in red jacket, black helmet, with grounded rifle; insignia in upper right; pencil note on verso : "Corporal". 5th in collection of 61 tempera drawings on board, signed, and most dated, by McNeill, for Gale and Polden postcard series of uniform figures and groups (all infantry regiments and RAMC units shown except the following, for which drawings were either not made or else are now lacking : 1st, 4th, 17th, 19th, 21st, 37th, 38th, 52nd, 64th, 75th); standing uniform figure in red jacket, black helmet, with grounded rifle; insignia in upper right; pencil note on verso : "Corporal". Oblong and upright, 61 pieces; a few soiled; in folio red cloth case, red leather label stamped gold. London, Francis Edwards, 1966.

Part of collection of original watercolors on board, signed by Ibbetson, for Gale & Polden postcards; officers in conversation standing in road or field, young trumpeter holding horse by bit in background, troop of soldiers standing behind them. Part of collection of original watercolors on board, signed by Ibbetson, for Gale & Polden postcards; officers in conversation standing in road or field, young trumpeter holding horse by bit in background, troop of soldiers standing behind them. In red portfolio, red label stamped gold, "E. Ibbetson, Original watercolors for British regimental prints, c.1900-1910".

Part of collection of original watercolors on board, signed by Ibbetson, for Gale & Polden postcards; mounted officers at left passing long line of troops marching toward right down country road. Part of collection of original watercolors on board, signed by Ibbetson, for Gale & Polden postcards; mounted officers at left passing long line of troops marching toward right down country road. In red portfolio, red label stamped gold, "E. Ibbetson, Original watercolors for British regimental prints, c.1900-1910".

Gouache caricature on gray board signed and dated by Walsh; front view of officer on 3rd County of London Yeomanry. Gouache caricature on gray board signed and dated by Walsh; front view of officer on 3rd County of London Yeomanry. Upright folio; margins; soiled. London, Foster Groom, 1950.

One of a collection of 5 original gouache drawings on gray board signed by Topee (pseudonym) of uniform figures. One of a collection of 5 original gouache drawings on gray board signed by Topee (pseudonym) of uniform figures. Upright medium folio; margins intact; clean, corner crumpled. Series title supplied by cataloger. London, Ifan Kyrle Fletcher, 1952

Color aquatint after Capt. (George Lewis?) Cooper, Bengal Artillery, published Decr. 1st, 1846; horse artillery descending cliff at right, and crossing river, infantrymen in left foreground and on top of cliff at left. Color aquatint after Capt. (George Lewis?) Cooper, Bengal Artillery, published Decr. 1st, 1846; horse artillery descending cliff at right, and crossing river, infantrymen in left foreground and on top of cliff at left. Large oblong folio, matted; margins; clean.