Original sepia conté crayon sketch, signed by Fisher, of an Algerian man seated on the ground, and a side view of the face of the same man. Original sepia conté crayon sketch, signed by Fisher, of an Algerian man seated on the ground, and a side view of the face of the same man. Fisher served overseas during World War Two as a map specialist with the U.S. Army's 30th Topographic Engineers.

Original conté crayon drawing, signed and dated by Fisher, of an Algerian bartender. Original conté crayon drawing, signed and dated by Fisher, of an Algerian bartender. Fisher served overseas during World War Two as a map specialist with the U.S. Army's 30th Topographic Engineers.

Hand-colored engraving (somewhat crude); equestrian portrait in uniform and frock-coat, facing left, outdoors. Hand-colored engraving (somewhat crude); equestrian portrait in uniform and frock-coat, facing left, outdoors. Small upright folio; margins; worn, soiled. N.Y., Walter Schatzki, 1958.

Lithograph by Eduard Kaiser after Amerling; equestrian portrait in uniform, facing left. Lithograph by Eduard Kaiser after Amerling; equestrian portrait in uniform, facing left. Large upright folio; margins trimmed; soiled. N.Y., Rockman Prints, 1957.

1 albumen photograph mounted in album of 114 original albumen prints, 22 x 19 cm, photographed by Aaron Penley, Professor of Civil Drawing, Addiscombe College 1 albumen photograph mounted in album of 114 original albumen prints, 22 x 19 cm, photographed by Aaron Penley, Professor of Civil Drawing, Addiscombe College Medium folio volume. New York, Rockman Prints, 1960. Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

One of 3 series of prints and 2 separate prints bound together; full-length portrait by Levachez (after V.) of standing Emperor in green jacket, smaller soldier figures in background. One of 3 series of prints and 2 separate prints bound together; full-length portrait by Levachez (after V.) of standing Emperor in green jacket, smaller soldier figures in background. Folio; bound in 3/4 green morocco stamped gold "Prints. Russian Campaign" and marble boards; worn, some plates foxed. London, Francis Edwards, 1951.

Lithograph by and after V. Adam; equestrian portrait in cossack officer uniform, riding towards right, smaller figures in background. Lithograph by and after V. Adam; equestrian portrait in cossack officer uniform, riding towards right, smaller figures in background. Small oblong; margins; foxed. New York, Walter Schatzki, 1952.

Stipple-engraving by Bourgeois de la Richardière after Desnoyers; half-length portrait in uniform and hat, hand on hip. Stipple-engraving by Bourgeois de la Richardière after Desnoyers; half-length portrait in uniform and hat, hand on hip. Upright folio; margins trimmed; foxed. New York, Rockman Prints, 1958.

Unsigned pencil and watercolor drawing; bust portrait in armor with chain of Golden Fleece, hatless. Unsigned pencil and watercolor drawing; bust portrait in armor with chain of Golden Fleece, hatless. Upright, matted; margins and border intact; clean. Camden, Me., Staack, 1959.

Round aquatint portrait of Berthier (bust in uniform) at top with engraved illustrations of battle scene, by and after D(uplessis)-B(ertaux) below; long engraved biographical notice at bottom; probably page from book. From: 'Collection Complete de 60 Portraits des Personnages qui ont le plus Figure dans la Revolution Francaise', Auber, Pairs, 1800. Round aquatint portrait of Berthier (bust in uniform) at top with engraved illustrations of battle scene, by and after D(uplessis)-B(ertaux) below; long engraved biographical notice at bottom; probably page from book. From: 'Collection Complete de 60 Portraits des Personnages qui ont le plus Figure dans la Revolution Francaise', Auber, Pairs, 1800. Upright folio; plate mark, left margin trimmed; slightly worn. NewYork, Argosy, 1955.

From collection of 89 original signed watercolors on board, mostly dated, by Wollen, Ibbetson, Holloway, for Gale & Polden postcards, this one signed and dated 1909 by Ibbetson; 3 infantrymen with shouldered rifles marching single file through small archway of building, toward right. From collection of 89 original signed watercolors on board, mostly dated, by Wollen, Ibbetson, Holloway, for Gale & Polden postcards, this one signed and dated 1909 by Ibbetson; 3 infantrymen with shouldered rifles marching single file through small archway of building, toward right. In red cloth case, red leather label stamped gold. London, Francis Edwards, 1966.

Photograph by Walery (pseudonym of Count Stanislaw Julian Ostrorog); 3/4-length portrait in state gown and headdress, with facsimile autograph and date. Photograph by Walery (pseudonym of Count Stanislaw Julian Ostrorog); 3/4-length portrait in state gown and headdress, with facsimile autograph and date. Upright folio; margins intact; slightly soiled or foxed. Series title supplied by cataloger. Bournemouth, Mathews, 1954.

Steel engraving (from book) after photograph by W. & D. Downey; half-length portrait, seated, in uniform. Steel engraving (from book) after photograph by W. & D. Downey; half-length portrait, seated, in uniform. Upright; margins intact; slightly soiled. Paris, Lemmerman, 1956.

Colored engraving; full-length portrait in uniform, pistol in right hand, lance in left hand. Colored engraving; full-length portrait in uniform, pistol in right hand, lance in left hand. Small upright folio, matted; margins trimmed; slightly soiled. New York, Harry H. Hymes, 1943.

Hand-colored copper-engraving by Freschi, published April 24, 1813; 'Portrait of Alexander Zemlenutin; full-length, standing to front, with head turned to look to right, holding sword in his left hand and pole of a spear in the right, spearhead depicted separately on the right; musket on back, wearing fur hat, pistol in belt' - British Museum. Hand-colored copper-engraving by Freschi, published April 24, 1813; 'Portrait of Alexander Zemlenutin; full-length, standing to front, with head turned to look to right, holding sword in his left hand and pole of a spear in the right, spearhead depicted separately on the right; musket on back, wearing fur hat, pistol in belt' - British Museum. Upright folio, matted; plate mark, margins intact; clean. Paris, Bessel, 1955.

1st of 8 (of ?) numbered copper-engraved plate after Zauerveid (Sauerweid); scene of military review; mounted emperor and king at left, leading troop of cavalry; infantry behind 3 trees at right; man, woman and children in right foreground. 1st of 8 (of ?) numbered copper-engraved plate after Zauerveid (Sauerweid); scene of military review; mounted emperor and king at left, leading troop of cavalry; infantry behind 3 trees at right; man, woman and children in right foreground. Unbound, in gray paper wrapper printed black, in red cloth slipcase, red leather label stamped gold; wrapper foxed, plate clean. Hamburg, Helmut Gerhard Schulz, 1953.

Stipple-engraving by J. Godby after Wolkoff; half-length portrait in uniform, hatless. Stipple-engraving by J. Godby after Wolkoff; half-length portrait in uniform, hatless. Upright folio, matted; plate mark, margins intact; clean. Paris, Lemmerman, 1953.

Hand-colored stipple-engraving by Cardon after Devis; equestrian portrait in uniform with upraised sword, soldiers and distant view of city of London and St. Paul's Cathedral in left background. Hand-colored stipple-engraving by Cardon after Devis; equestrian portrait in uniform with upraised sword, soldiers and distant view of city of London and St. Paul's Cathedral in left background. Upright folio, matted; plate mark, margins trimmed; margins soiled. London, Parker Gallery, 1952.

One of a set of 3 unsigned oval watercolor bust portraits in uniform of Friedrich Wilhelm of Prussia, Alexander of Russia and Marshal Blücher. One of a set of 3 unsigned oval watercolor bust portraits in uniform of Friedrich Wilhelm of Prussia, Alexander of Russia and Marshal Blücher. Oval; margins trimmed close; clean. Title supplied by cataloger. New York, Walter Schatzki, 1955.

Original unsigned watercolor; bust portrait in uniform, hatless. Original unsigned watercolor; bust portrait in uniform, hatless. Small round, mounted on white paper; no margins; stained. N.Y., Rockman Prints, 1959. Title supplied by cataloger.

Lithograph after Boryel'; half-length portrait in uniform. Lithograph after Boryel'; half-length portrait in uniform. Upright folio, matted; margins trimmed; stained. N.Y., Argosy, 1955.

Hand-colored line- and stipple-engraving; 3 rulers standing in uniform and clasping hands, outdoors, rising sun in left background, allegorical trumpeter above. Hand-colored line- and stipple-engraving; 3 rulers standing in uniform and clasping hands, outdoors, rising sun in left background, allegorical trumpeter above. Upright folio, matted; plate mark, margins trimmed close; clean. New York, H.P. Kraus, 1945.

Stipple-engraving by Boettger; oval bust portrait in uniform. Stipple-engraving by Boettger; oval bust portrait in uniform. Upright folio, matted; plate mark, margins slightly trimmed; slightly soiled. New York, Lemmerman, 1953.

Original watercolor signed and dated by J.P.J. (after François Pascal Simon Gérard, 1817?); full-length portrait in uniform, outdoors. Original watercolor signed and dated by J.P.J. (after François Pascal Simon Gérard, 1817?); full-length portrait in uniform, outdoors. Upright folio, matted; no margins; slight spots. New York, Rockman Prints, 1963. title provided by cataloger

Original ink and watercolor drawing signed by Hess; Alexander, mounted, shaking hand of priest in town square, another priest and mounted officers nearby, men and women spectators at left. Original ink and watercolor drawing signed by Hess; Alexander, mounted, shaking hand of priest in town square, another priest and mounted officers nearby, men and women spectators at left. Signed in ink, lower left. title provided by cataloger

Hand-colored aquatint by Stölzel after Kiel; full-length portrait in uniform and cocked hat, facing left. Hand-colored aquatint by Stölzel after Kiel; full-length portrait in uniform and cocked hat, facing left. Small upright folio; plate mark, margins intact; soiled. New York, H.P. Kraus, 1951.

Lithograph by G. Haase after Ant. Gareis; equestrian portrait in uniform. Lithograph by G. Haase after Ant. Gareis; equestrian portrait in uniform. Upright folio; margins intact; browned. Vienna, Christian Nebehay, 1959.

Engraving by J C. Böhmer after Bertier; oval bust portrait in uniform and plumed hat. Engraving by J C. Böhmer after Bertier; oval bust portrait in uniform and plumed hat. Upright, mounted on tan paper; margins trimmed. title: ALEXANDER BERTHIER Prinz von Neuchatel. caption: Bertier pinx. caption: J. C. B÷hmer sc.

Engraving after Rähmel; oval bust portrait in uniform, enframement of military trophies. Engraving after Rähmel; oval bust portrait in uniform, enframement of military trophies. Small upright, mounted small folio; margins trimmed very close. Leichtenstein-Hauslab Collection, 1951.

Hand-colored aquatint by Stölzel after Kiel; full-length portrait in uniform and cocked hat, facing left [slight variant of RuMP1814sf-1]. Hand-colored aquatint by Stölzel after Kiel; full-length portrait in uniform and cocked hat, facing left [slight variant of RuMP1814sf-1]. Upright small; plate mark, margins intact; clean. N.Y., Rockman Prints, 1949.