One of a collection of 3 chromolithograph plates of panoramic battle scenes after W.D. Blatchly, Sgt. Grundy, F.W. Curzon and others. One of a collection of 3 chromolithograph plates of panoramic battle scenes after W.D. Blatchly, Sgt. Grundy, F.W. Curzon and others. Large oblong folio, matted; margins intact; edges worn and soiled. N.Y., Eberstadt, 1953.

3rd in collection of 11 color engravings by Harris, after Martens 'from a sketch by Major G.F. White, H.M. 31st Regt,', published April 5, 1849; British infantry advancing toward right through remnants of Indian artillery defenses, burning tent encampment in background. 3rd in collection of 11 color engravings by Harris, after Martens 'from a sketch by Major G.F. White, H.M. 31st Regt,', published April 5, 1849; British infantry advancing toward right through remnants of Indian artillery defenses, burning tent encampment in background. Large oblong folio, matted; some margins severely or entirely trimmed; some worn, soiled. London, Parker Gallery, 1949.

Color lithograph by Kohler after L'Enfant Bros; mounted soldiers charging upon native warriors, one of whom stabs horse. From series 'War in the Punjab'. Color lithograph by Kohler after L'Enfant Bros; mounted soldiers charging upon native warriors, one of whom stabs horse. From series 'War in the Punjab'. Upright, matted; margins trimmed; soiled.

Hand-colored steel-engraved plate from Graham's Magazine by Smillie & Hinshelwood; battle scene in open field, roof of house in background. Hand-colored steel-engraved plate from Graham's Magazine by Smillie & Hinshelwood; battle scene in open field, roof of house in background. Oblong, matted; margins; clean. N.Y., Old Print Shop, 1957.

2nd in collection of 7 (of 9) chromolithographic plates of panoramic battle scenes, by Sutherland '99; British infantry and cavalry attacking toward right up bare hill, against Boer troops and artillery. 2nd in collection of 7 (of 9) chromolithographic plates of panoramic battle scenes, by Sutherland '99; British infantry and cavalry attacking toward right up bare hill, against Boer troops and artillery. Giant oblong folio, matted; margins; edges slightly soiled. From 'Bacon's South African Battle Pictures - No. 2'. N.Y., Rockman Prints, 1958.

1st in collection of 7 (of 9) chromolithographic plates of panoramic battle scenes, by Sutherland; British infantry in red and blue uniforms surrounding and attacking Boers on hilltop. 1st in collection of 7 (of 9) chromolithographic plates of panoramic battle scenes, by Sutherland; British infantry in red and blue uniforms surrounding and attacking Boers on hilltop. Giant oblong folio, matted; margins; edges slightly soiled. From 'Bacon's South African Pictures - No. 1'. London, Parker Gallery, 1960.

One of a collection of 3 chromolithograph plates of panoramic battle scenes after W.D. Blatchly and others. One of a collection of 3 chromolithograph plates of panoramic battle scenes after W.D. Blatchly and others. Large oblong folio, matted; margins intact; edges worn and soiled. N.Y., Eberstadt, 1953.

Hand-colored engraving by Fittler after Adam Neale M.D., published June 15, 1809; harbor forts and ships in foreground, smoke and fire of battle along hills in distance. Hand-colored engraving by Fittler after Adam Neale M.D., published June 15, 1809; harbor forts and ships in foreground, smoke and fire of battle along hills in distance. Small oblong folio, matted; margins; clean. London, Parker Gallery, 1965.

Color lithograph; battle scene at edge of city, U.S. troops advancing from left, Mexican soldiers, women, monks etc. on ledge at right. No. 115. Color lithograph; battle scene at edge of city, U.S. troops advancing from left, Mexican soldiers, women, monks etc. on ledge at right. No. 115. Small oblong folio, matted; margins slightly trimmed; browned and soiled. Providence, James Tyson, 1956.

Steel-engraved plate from book by J. Duthie after Billings; battle scene on rocky heights, with fortifications in background. Steel-engraved plate from book by J. Duthie after Billings; battle scene on rocky heights, with fortifications in background. Oblong; margins intact; yellowed, soiled, lower left corner creased. N.Y., Argosy, 1952.

Color lithograph; battle scene showing U.S. troops repelling Mexicans arriving at left. Color lithograph; battle scene showing U.S. troops repelling Mexicans arriving at left. Small oblong folio, matted; margins intact; slightly yellowed. N.Y., Eberstadt, 1954.

One of a collection of 21 mounted original unsigned watercolors of battle and military scenes. Soldiers with cannons on hill; large number of soldiers mounted and on foot down below near harbor. One of a collection of 21 mounted original unsigned watercolors of battle and military scenes. Soldiers with cannons on hill; large number of soldiers mounted and on foot down below near harbor. Unbound, mounted on paper; in red cloth portfolio, green leather label stamped gold; clean. For or copied from Charles Ball, 'The History of the Indian Mutiny'. N.Y., Rockman Prints, 1949.

Color aquatint by Clark & Dubourg 'from an original drawing made on the spot by Lt. Col. Reeves, 27th Regt.', published Novr. 2, 1814; hilltop held by British troops with French troops advancing up the steep hill-side; small group of French cavalry in flight between British lines holding mound with castle and church in middle-ground center. Color aquatint by Clark & Dubourg 'from an original drawing made on the spot by Lt. Col. Reeves, 27th Regt.', published Novr. 2, 1814; hilltop held by British troops with French troops advancing up the steep hill-side; small group of French cavalry in flight between British lines holding mound with castle and church in middle-ground center. Oblong folio, matted; margins.

Tank with British soldiers advancing against German troops Tank with British soldiers advancing against German troops Inscribed (lower right): "E. Zimmer 1917"

Partially hand colored copper engraving 'Designed, Drawn & Engraver by J. Baker'; battle scene showing uniform. Key identifies the figures as follows: American: 1. Genl. Warren, 2. Genl. Putnam, 3. Majr. Knowlton, 4. Col. Prescott, 5. Lieut. Col. Parker, 6. Col. Gardner, Loss, 450. British: 7. Col. Abercrombie, 8. Genl. Howe, 9. Major Small, 10. Major Pitcairn, 11. Lieut. Pitcairn, 12. Ens. Ld. Rawdon, Loss, 1054. Partially hand colored copper engraving 'Designed, Drawn & Engraver by J. Baker'; battle scene showing uniform. Key identifies the figures as follows: American: 1. Genl. Warren, 2. Genl. Putnam, 3. Majr. Knowlton, 4. Col. Prescott, 5. Lieut. Col. Parker, 6. Col. Gardner, Loss, 450. British: 7. Col. Abercrombie, 8. Genl. Howe, 9. Major Small, 10. Major Pitcairn, 11. Lieut. Pitcairn, 12. Ens. Ld. Rawdon, Loss, 1054. Oblong folio, matted; margins trimmed; yellowed, soiled, spotted. New York, Harry H. Hymes, 1943.

Color lithograph by Currier after Cameron; battle scene showing Mexicans at right falling before American rifle and artillery fire, General Scott in left foreground. Color lithograph by Currier after Cameron; battle scene showing Mexicans at right falling before American rifle and artillery fire, General Scott in left foreground. Small oblong folio, matted folio; margins trimmed close; one corner torn, all other tears repaired. In large blue folio titled 'Mexican War Scenes.' N.Y., Rockman, 1954.

Steel engraving by J. Duthie after Billings; battle scene showing General Zachary Taylor in center, mountains in left background. Steel engraving by J. Duthie after Billings; battle scene showing General Zachary Taylor in center, mountains in left background. Small oblong; margins; slightly yellowed.

Original watercolor signed by Schouler; combat between Bavarian infantry and Purssian cavalry, wounded etc. in foreground, battle and clouds of smoke in background, buildings in distance. Original watercolor signed by Schouler; combat between Bavarian infantry and Purssian cavalry, wounded etc. in foreground, battle and clouds of smoke in background, buildings in distance. Small oblong folio, mounted and matted; clean. N.Y., Tony, 1966. Title supplied by cataloger

Original watercolor signed and dated 1943 by Reeks; 4 U.S. marines moving through swamp; dead Japanese soldier floating in water. Original watercolor signed and dated 1943 by Reeks; 4 U.S. marines moving through swamp; dead Japanese soldier floating in water. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.

Original watercolor signed by Reeks; jungle scene, soldier at left about to throw grenade into cave. Original watercolor signed by Reeks; jungle scene, soldier at left about to throw grenade into cave. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.

4th in collection of 7 (of 9) chromolithographic plates of panoramic battle scenes, by Sutherland; British army attacking up mountaintop against dug-in Boer troops. 4th in collection of 7 (of 9) chromolithographic plates of panoramic battle scenes, by Sutherland; British army attacking up mountaintop against dug-in Boer troops. Giant oblong folio, matted; margins; edges slightly soiled. From 'Bacon's South African Battle Pictures - No. 4'. London, Parker Gallery, 1960.

Steel-engraved plate (after F.O.C. Darley) from book; battle scene of soldiers advancing over stone bridge. Steel-engraved plate (after F.O.C. Darley) from book; battle scene of soldiers advancing over stone bridge. Oblong, matted small folio; margins trimmed; cleaned. N.Y., Argosy, 1954.

One of a set of 4 copper engraved plates; this one by C.N. Cochin and Augustin de St. Aubin after Giovanni Salusti Damasceno, dated 1765 by artist, 1770 by engraver. 'In the foreground the Qing cavalry armed with bows and arrows attack the enemy cavalry armed with long spears; in the middle distance to left serried ranks of soldiers, mainly infantry; cannon pulled by horses, also borne by camels on their backs; mountainous landscape' -- British Museum. Plate 8 from a set of sixteen plates entitled 'Victoires et Conquêtes de l'Empereur de la Chine'. One of a set of 4 copper engraved plates; this one by C.N. Cochin and Augustin de St. Aubin after Giovanni Salusti Damasceno, dated 1765 by artist, 1770 by engraver. 'In the foreground the Qing cavalry armed with bows and arrows attack the enemy cavalry armed with long spears; in the middle distance to left serried ranks of soldiers, mainly infantry; cannon pulled by horses, also borne by camels on their backs; mountainous landscape' -- British Museum. Plate 8 from a set of sixteen plates entitled 'Victoires et Conquêtes de l'Empereur de la Chine'. Oblong folio. yellowed. London, Francis Edwards, 1949. Title supplied by cataloger.

A close-up image of an exhausted American Marine standing in a war damaged landscape. He carries a pack on his back, his hair stands wildly around his head, and he stares off into the distance with a frightened look on his face. A close-up image of an exhausted American Marine standing in a war damaged landscape. He carries a pack on his back, his hair stands wildly around his head, and he stares off into the distance with a frightened look on his face. Title from typed label affixed to verso. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.

A close-up portrait of a bearded, exhausted Marine, his face and head covered with dust. A close-up portrait of a bearded, exhausted Marine, his face and head covered with dust. Title from typed label affixed to verso

Original watercolor signed and dated "Iwo '45" by Reeks; scene of aftermath of combat in rocky landscape; ruins of explosion, mangled motorcycle and dead Japanese soldier in foreground, 2 small figures infantrymen firing from top of ridge in background. Original watercolor signed and dated "Iwo '45" by Reeks; scene of aftermath of combat in rocky landscape; ruins of explosion, mangled motorcycle and dead Japanese soldier in foreground, 2 small figures infantrymen firing from top of ridge in background. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign. title provided by cataloger

Original unsigned ink wash drawing (from photograph?); 3 U.S. warships, in open sea, under air attack, firing anti-aircraft guns. Original unsigned ink wash drawing (from photograph?); 3 U.S. warships, in open sea, under air attack, firing anti-aircraft guns. Oblong folio, matted; margins; margins soiled.

Color lithograph by Adolf Kittendorff after Simonsen, printed by Baerentzen & Co.; artillery in action on battlefield. From 'Scenen af Livet i Pelten' [Kjöbenhavn] : H. J. Bing & sons, [1851?]. Color lithograph by Adolf Kittendorff after Simonsen, printed by Baerentzen & Co.; artillery in action on battlefield. From 'Scenen af Livet i Pelten' [Kjöbenhavn] : H. J. Bing & sons, [1851?]. Oblong folio, matted; margins trimmed; slightly soiled. London, Parker Gallery, 1951.

Partially colored lithograph showing officer with glass in raised right hand and hat in left in midst of troops firing canons. Partially colored lithograph showing officer with glass in raised right hand and hat in left in midst of troops firing canons. Upright folio, margins, clean.

Soldiers in a battery with two cannon behind a fortification of gabions and sandbags. Soldiers in a battery with two cannon behind a fortification of gabions and sandbags. From Raffet's Souvenirs d'Italie, 1849