Color lithograph after C. Ens.; battle scene with Washington, mounted and waving sword and flag, in center. Color lithograph after C. Ens.; battle scene with Washington, mounted and waving sword and flag, in center. Oblong folio, matted; margins trimmed; worn and slightly soiled.

One of a pair of watercolors signed by la Fontaine; battle scenes in countryside; One of a pair of watercolors signed by la Fontaine; battle scenes in countryside; Watercolor submitted for Lampert Prize. Title supplied by cataloger. Bedford, Peter Young, 1950.

Ink and wash drawing (by Simpson) inscribed with title in English and German in different hands; battle scene with soldiers and horses, officer falling from horse Ink and wash drawing (by Simpson) inscribed with title in English and German in different hands; battle scene with soldiers and horses, officer falling from horse Published in the Illustrated London News, August 25, 1877, page 176 Engraved image has title: An incident of the Battle of Plevna: Death of Colonel Rosenbaum, of the Archangel Regiment. A sketch from information supplied by Captain Dahnhauer Large upright folio. London, Roseberys, 2018 Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection., Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

Original wash drawing signed and dated by Schönberg; officers and soldiers at command or organization point near buildings, battle taking place in near background, wounded and other soldiers returning from battle at left. Original wash drawing signed and dated by Schönberg; officers and soldiers at command or organization point near buildings, battle taking place in near background, wounded and other soldiers returning from battle at left. Oblong folio, matted; no margins; good condition. New York, Rockman Prints, 1950.

1st in suite of 3 chromolithographic plares after A. Sutherland '98; panoramic battle scene, lines of British troops forming a horseshoe along river bank and slaughtering attacking Sudanese infantry. 1st in suite of 3 chromolithographic plares after A. Sutherland '98; panoramic battle scene, lines of British troops forming a horseshoe along river bank and slaughtering attacking Sudanese infantry. Giant oblong folio, matted; some margins trimmed or worn; clean. From 'Bacon's Sudan War Pictures'. London, Parker Gallery, 1965

Color lithograph by Endicott and Swett after Ruckle; battle scene among trees, mounted officers under trees in foreground. Color lithograph by Endicott and Swett after Ruckle; battle scene among trees, mounted officers under trees in foreground. Folio, matted; margins; soiled. N.Y., Old Print Shop, 1950.

Hand colored aquatint (from book?) by Strickland after Major Riddle; small figures in infantry battle in meadows. From 'The Port Folio', Philadelphia, September 1815 Hand colored aquatint (from book?) by Strickland after Major Riddle; small figures in infantry battle in meadows. From 'The Port Folio', Philadelphia, September 1815 Oblong; matted; margins trimmed; soiled, stained. N.Y., Old Print Shop, 1957.

Aquatint of unfinished painting by John Landis of battle scene at New Orleans. American troops firing from behind bales of cotton, General Andrew Jackson commanding on horseback to the right; General Thomas Packenham mortally wounded on left.. Aquatint of unfinished painting by John Landis of battle scene at New Orleans. American troops firing from behind bales of cotton, General Andrew Jackson commanding on horseback to the right; General Thomas Packenham mortally wounded on left.. Oblong folio; margins; worn.

Color engraving by J.W. Steel after Seymour; battle scene with 3 mounted officers in center, identified as 'Genl. Coll, Major Genl. Andrew Jackson, Major Livingston', before flagstaff. British troops approaching fortifications in background, Americans advancing to meet them, British mounted officer confronted by an American soldier, left distance Color engraving by J.W. Steel after Seymour; battle scene with 3 mounted officers in center, identified as 'Genl. Coll, Major Genl. Andrew Jackson, Major Livingston', before flagstaff. British troops approaching fortifications in background, Americans advancing to meet them, British mounted officer confronted by an American soldier, left distance Medium oblong folio, matted; plate mark, margins intact. New York, Harry H. Hymes, 1944.

Hand colored engraving by Yeager after West. 'Print shows the Battle of New Orleans from the British perspective, as British forces advance upon the earthworks or barricades from which the American forces, under the command of Andrew Jackson, repel the attack. Includes a remarque printed at bottom center that shows a head-and-shoulders portrait of Andrew Jackson, facing slightly left, with American flags and various weapons. Prominent figures are identified by number within the print, however, there is no corresponding key. In this print, Major General Lambert (no. 3) is depicted holding the cloth or handkerchief that obscures his face' - Library of Congress, Hand colored engraving by Yeager after West. 'Print shows the Battle of New Orleans from the British perspective, as British forces advance upon the earthworks or barricades from which the American forces, under the command of Andrew Jackson, repel the attack. Includes a remarque printed at bottom center that shows a head-and-shoulders portrait of Andrew Jackson, facing slightly left, with American flags and various weapons. Prominent figures are identified by number within the print, however, there is no corresponding key. In this print, Major General Lambert (no. 3) is depicted holding the cloth or handkerchief that obscures his face' - Library of Congress, Oblong folio, matted; margins trimmed; slightly worn. New York, Harry H. Hymes, 1943.

Color lithograph by Currier; close fighting near buildings. Color lithograph by Currier; close fighting near buildings. Small oblong folio, matted; margins; margins stained. In large blue folio titled 'Mexican War Scenes.' N.Y., Old Print Shop, 1955.

5th in collection of 7 (of 9) chromolithographic plates of panoramic battle scenes, by Sutherland; long lines of British infantry and artillery firing across river at Boers in distant background. 5th in collection of 7 (of 9) chromolithographic plates of panoramic battle scenes, by Sutherland; long lines of British infantry and artillery firing across river at Boers in distant background. Giant oblong folio, matted; margins; edges slightly soiled. From 'Bacon's South African Battle Pictures - No. 5'. N.Y., Rockman Prints, 1958.

Engraving after Duplessis-Bertaux, battle scene at Marengo(?), allegorical figures in clouds above. From 'Collection Complete de 60 Portraits des Personnages qui ont le plus Figure dans la Revolution Francaise', Auber, Pairs, 1800. Engraving after Duplessis-Bertaux, battle scene at Marengo(?), allegorical figures in clouds above. From 'Collection Complete de 60 Portraits des Personnages qui ont le plus Figure dans la Revolution Francaise', Auber, Pairs, 1800. Small oblong; margins trimmed; worn. New York, Walter Schatzki, 1958. Title supplied by cataloger Title: (French Grenadiers, Chasseurs à Cheval and Infantry Charging at Marengo) Caption: Duplesis-Bertaux del.

Double-page wood engraving; Confederate infantry in foreground advancing from right towards left, under fire from Union artillery in background, 2 ships on river in right distance. Double-page wood engraving; Confederate infantry in foreground advancing from right towards left, under fire from Union artillery in background, 2 ships on river in right distance. From Harper's weekly, July 26, 1862, pages 472-473. Denver, presented, 1987, by John C. Corbridge.

Color stipple engraving by Anthony Cardon after de Loutherbourg; view of battle between infantry formations on plain, wounded and dying soldiers resting and being attended in left and right foreground, horse artillery arriving in center, river or stream at far right; accompanied by engraved and printed key. Color stipple engraving by Anthony Cardon after de Loutherbourg; view of battle between infantry formations on plain, wounded and dying soldiers resting and being attended in left and right foreground, horse artillery arriving in center, river or stream at far right; accompanied by engraved and printed key. Large oblong folio, matted; margins trimmed close; clean. London, Parker Gallery, 1952.

Steel-engraved plate after Nast (from book); battle scene showing troops advancing over ledge. Steel-engraved plate after Nast (from book); battle scene showing troops advancing over ledge. Oblong; margins; margins stained. Hanover, N.H., Book & Print Shop, 1956.

Hand-colored engraving (2nd imprint of UB17751f-2) by C. Tiebout after Tisdale; colonials in farmyard firing on British troops in background, casualties; women pleading with soldier on right, another women and child running behind. Hand-colored engraving (2nd imprint of UB17751f-2) by C. Tiebout after Tisdale; colonials in farmyard firing on British troops in background, casualties; women pleading with soldier on right, another women and child running behind. Small oblong folio; margins; soiled, mounted on linen. N.Y., Weyhe, 1942.

Hand-colored engraving by C. Tiebout after Tisdale; Americans in farmyard firing on British troops in background, casualties; women pleading with soldier on right, another women and child running behind. Hand-colored engraving by C. Tiebout after Tisdale; Americans in farmyard firing on British troops in background, casualties; women pleading with soldier on right, another women and child running behind. Oblong folio, matted; plate mark, margins intact; near-mint condition. New York, Harry H. Hymes, 1943.

Sepia photograph of painting by Bicknell; minute-men firing on British advancing from background, farmhouses etc. in background. Sepia photograph of painting by Bicknell; minute-men firing on British advancing from background, farmhouses etc. in background. Large oblong folio, mounted on board to size; no margins; edges worn. Title supplied by cataloger.

Color stipple-engraving by Orme and Cooper, after Place, published July 1, 1807; 2 full-length figures of officers in uniform with horses; battle in right background. Color stipple-engraving by Orme and Cooper, after Place, published July 1, 1807; 2 full-length figures of officers in uniform with horses; battle in right background. Upright folio, matted; plate mark, margins trimmed; margins worn and soiled. N.Y., Rockman Prints, 1951.

One of a collection of 4 chromolithographic prints of battle scenes showing troops in uniform. One of a collection of 4 chromolithographic prints of battle scenes showing troops in uniform. Oblong large folio.

One of a collection of 4 color wood-block engravings (each of 3 plates joined together) of war scenes. Mounted and dismounted figures in battle, fire in background. One of a collection of 4 color wood-block engravings (each of 3 plates joined together) of war scenes. Mounted and dismounted figures in battle, fire in background. Large oblong folio, from a large collection of wood-block prints, matted giant folio; margins worn and torn. N.Y., Rockman Prints, 1948. Title supplied by cataloger.

3rd in collection of 3 colored lithographs by Walker after Norie, printed by Day & Son, published Jan. 22, 1855; scene of massive infantry combat, British dressed in red uniforms attacking Russian troops in grey coats. 3rd in collection of 3 colored lithographs by Walker after Norie, printed by Day & Son, published Jan. 22, 1855; scene of massive infantry combat, British dressed in red uniforms attacking Russian troops in grey coats. Oblong folio, matted; margins trimmed; edges stained.

Oriignal somewhat crude watercolor signed by W.A. Brooke(?); soldiers with mortars in front of earthworks in foreground, explosion in fortress in background. Oriignal somewhat crude watercolor signed by W.A. Brooke(?); soldiers with mortars in front of earthworks in foreground, explosion in fortress in background. Oblong folio, matted; no margins; clean. London, Parker Gallery, 1965. Title supplied by cataloger

Color lithograph by Bufford after Breyman; scene of attack on group of log cabins in countryside during "Wakarusa War" between Free Staters and Border Ruffians in Kansas. Breyman has included himself driving a covered wagon to the right. The artist, who arrived in Kansas in 1854, was one of a number of Free Staters imprisoned at Lecompton. Color lithograph by Bufford after Breyman; scene of attack on group of log cabins in countryside during "Wakarusa War" between Free Staters and Border Ruffians in Kansas. Breyman has included himself driving a covered wagon to the right. The artist, who arrived in Kansas in 1854, was one of a number of Free Staters imprisoned at Lecompton. Oblong folio, mounted on white paper, matted; margins trimmed, repaired tear. N.Y., Kennedy Galleries, 1962.

Color lithograph by E. Walker after Lieut. Archer, H.M. 24th Regt.; British infantry formations advancing toward right, tent encampment and hilltop town in background, mounted officers and horses in foreground. Color lithograph by E. Walker after Lieut. Archer, H.M. 24th Regt.; British infantry formations advancing toward right, tent encampment and hilltop town in background, mounted officers and horses in foreground. Oblong folio, matted; margins intact; margins slightly soiled.

Colored lithograph; U.S. infantry at left charging C.S.A. artillery and infantry in background. Colored lithograph; U.S. infantry at left charging C.S.A. artillery and infantry in background. Small oblong folio, matted; margins; clean. London, Parker Gallery, 1968.

Color lithograph by and after Magnus; view of battle, with small central group of officers in conference in foreground. Color lithograph by and after Magnus; view of battle, with small central group of officers in conference in foreground. Oblong folio, matted; margins; slightly creased. N.Y., Argosy, 1950.

Steel engraving by H.B. Hall after painting by Walker from design by Bachelder; panoramic view of battle, advancing troops, wounded etc. in foreground. Steel engraving by H.B. Hall after painting by Walker from design by Bachelder; panoramic view of battle, advancing troops, wounded etc. in foreground. Large oblong folio, matted giant folio; margins intact; clean, tear in left margin repaired. N.Y., Argosy, 1954.

3rd in suite of 12 mounted aquatint plates of battles, military and camp scenes, views (by C. Turner after St. Clair); panoramic battle scene on plain in valley, mounted officers in lower left foreground, hills in background; Wellington in left foreground with staff, wounded being tended to and stretchered in left and right foreground. 3rd in suite of 12 mounted aquatint plates of battles, military and camp scenes, views (by C. Turner after St. Clair); panoramic battle scene on plain in valley, mounted officers in lower left foreground, hills in background; Wellington in left foreground with staff, wounded being tended to and stretchered in left and right foreground. Folio, unbound in maroon cloth portfolio, red leather label st. gold "St. Clair Peninsular Campaign - 1810"; titles and margins trimmed away; clean. From 'A Series of Views of the Principal Occurrences of the Campaigns in Spain and Portugal'. London, Francis Edwards, 1945.