Line lithograph (proof), unsigned; artillery train on march. Line lithograph (proof), unsigned; artillery train on march. Small oblong folio, matted folio; narrow margins; clean. N.Y., Rockman Prints, 1949. Title supplied by cataloger

Original pencil sketch (by Bach); horses and riders of artillery wagon pushing up incline, artillery wagon not shown. Original pencil sketch (by Bach); horses and riders of artillery wagon pushing up incline, artillery wagon not shown. Leichtenstein-Hauslab Collection, 1951. Title supplied by cataloger

One of a collection of 26 original pencil drawings by Braun of Bavarian artillery figures, parades, reviews etc. on 19 sheets of paper. Figures on horseback galloping toward the left. One of a collection of 26 original pencil drawings by Braun of Bavarian artillery figures, parades, reviews etc. on 19 sheets of paper. Figures on horseback galloping toward the left. Unbound, foxed and soiled; in light blue cloth portfolio, white leather label stamped gold. New York, Walter Schatzki

One of a collection of 26 original pencil drawings by Braun of Bavarian artillery figures, parades, reviews etc. on 19 sheets of paper. Sketch of troops on horseback from a distance. One of a collection of 26 original pencil drawings by Braun of Bavarian artillery figures, parades, reviews etc. on 19 sheets of paper. Sketch of troops on horseback from a distance. Unbound; foxed, worn, soiled; in light blue cloth portfolio, white leather label stamped gold. New York, Walter Schatzki

One of a collection of 26 original pencil drawings by Braun of Bavarian artillery figures, parades, reviews etc. on 19 sheets of paper. Several figures on horseback, one standing. One of a collection of 26 original pencil drawings by Braun of Bavarian artillery figures, parades, reviews etc. on 19 sheets of paper. Several figures on horseback, one standing. Unbound; foxed and soiled; in light blue cloth portfolio, white leather label stamped gold. New York, Walter Schatzki

One of a collection of 26 original pencil drawings by Braun of Bavarian artillery figures, parades, reviews etc. on 19 sheets of paper. Single figure from behind. One of a collection of 26 original pencil drawings by Braun of Bavarian artillery figures, parades, reviews etc. on 19 sheets of paper. Single figure from behind. Unbound, slightly soiled, foxed and worn; in blue cloth portfolio, white leather label stamped gold. New York, Walter Schatzki

One of a collection of 26 original pencil drawings by Braun of Bavarian artillery figures, parades, reviews etc. on 19 sheets of paper. Figure pushing spokes of wagon wheel. One of a collection of 26 original pencil drawings by Braun of Bavarian artillery figures, parades, reviews etc. on 19 sheets of paper. Figure pushing spokes of wagon wheel. Unbound, foxed and soiled; in blue cloth portfolio, white leather label stamped gold. New York, Walter Schatzki

One of a collection of 26 original pencil drawings by Braun of Bavarian artillery figures, parades, reviews etc. on 19 sheets of paper. Two figures, each standing next to cannon. One of a collection of 26 original pencil drawings by Braun of Bavarian artillery figures, parades, reviews etc. on 19 sheets of paper. Two figures, each standing next to cannon. Unbound, slightly soiled; in light blue cloth portfolio white leather label stamped gold. New York, Walter Schatzki

One of a collection of26 original pencil drawings by Braun of Bavarian artillery figures, parades, reviews etc. on 19 sheets of paper. Soldiers and horses in distance; groups of figures on horseback on reverse. One of a collection of26 original pencil drawings by Braun of Bavarian artillery figures, parades, reviews etc. on 19 sheets of paper. Soldiers and horses in distance; groups of figures on horseback on reverse. Unbound; yellowed and soiled; in light blue cloth portfolio, white leather label stamped gold. New York, Walter Schatzki

Photogravure plate reproducing roll of honor after Tidmann; lists of honors and battles with ornamental enframement including 10 uniform figures, 4 oval bust portraits of kings of Bavaria, trophies and allegorical beings etc. Photogravure plate reproducing roll of honor after Tidmann; lists of honors and battles with ornamental enframement including 10 uniform figures, 4 oval bust portraits of kings of Bavaria, trophies and allegorical beings etc. Upright folio; margins intact; yellowed and stained. N.Y., Walter Schatzki, 1952. Title supplied by cataloger.

Original albumen print photograph; group portrait of 4 cavalry officers, 3 seated, 1 standing, with gear and equipment at right; studio background. Original albumen print photograph; group portrait of 4 cavalry officers, 3 seated, 1 standing, with gear and equipment at right; studio background. Upright, on black card mat; no margins; clean.

Unsigned original watercolor (crude); 2 standing uniform figures. Unsigned original watercolor (crude); 2 standing uniform figures. Upright, matted medium folio; no margins; soiled and stained. N.Y., Rockman, 1952. Title supplied by cataloger

Albumen or carbon print photograph; portrait of large group of officers, mostly standing, some seated or lounging on ground, tree in background. Albumen or carbon print photograph; portrait of large group of officers, mostly standing, some seated or lounging on ground, tree in background. Square, on black card mat; no margins; clean.

Original albumen print photograph; group portrait of 8 soldiers in variety of uniforms (all or mostly cavalry); 5 standing, 2 seated, 1 reclining; studio background. Original albumen print photograph; group portrait of 8 soldiers in variety of uniforms (all or mostly cavalry); 5 standing, 2 seated, 1 reclining; studio background. Upright; no margins; clean.

Gelatin DOP print photographic postcard; 8 German infantrymen standing or reclining on grass embankment, hedge in background; verso includes correspondence (dated Oct. 10, 1914) addressed to recipient in Bavaria. Gelatin DOP print photographic postcard; 8 German infantrymen standing or reclining on grass embankment, hedge in background; verso includes correspondence (dated Oct. 10, 1914) addressed to recipient in Bavaria. Oblong; no margins; clean.

Color lithograph after Fuchs; 12 illustrations of military and naval battle scenes in ornamental frame. Color lithograph after Fuchs; 12 illustrations of military and naval battle scenes in ornamental frame. Upright folio, matted; margins trimmed; slightly soiled and torn. New York, Harry H. Hymes, 1943.

Poster showing scenes of military life in France, featuring sporting and recreational events, with photographs by Harry S. Mueller, Captain, Infantry. Text continues: How would you like to be with Uncle Sam's privileged tourists? Why worry about the hot weather or a job? Take a cool and comfortable ocean voyage. See Hawaii, Panama, or the Philippines, and better yourself by attending the Vocational schools. Earn - Learn - Travel. Enlist in the U.S. Army No. 3-6916. Poster showing scenes of military life in France, featuring sporting and recreational events, with photographs by Harry S. Mueller, Captain, Infantry. Text continues: How would you like to be with Uncle Sam's privileged tourists? Why worry about the hot weather or a job? Take a cool and comfortable ocean voyage. See Hawaii, Panama, or the Philippines, and better yourself by attending the Vocational schools. Earn - Learn - Travel. Enlist in the U.S. Army No. 3-6916. Oblong folio.

Destroyed vehicles and other debris litter the foreground of the watercolor. Smoke rises from the left side. Two Marines with rifles are seen in silhouette on a ridge, one standing, the other crouching. Destroyed vehicles and other debris litter the foreground of the watercolor. Smoke rises from the left side. Two Marines with rifles are seen in silhouette on a ridge, one standing, the other crouching. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.

Original bistre wash drawing on blue paper signed and dated by Casanova; mounted and dismounted soldiers stripping dead bodies on field after battle. Original bistre wash drawing on blue paper signed and dated by Casanova; mounted and dismounted soldiers stripping dead bodies on field after battle. Upright folio, matted; narrow black margin; clean. New York, Rockman Prints, 1962. Title and subtitle supplied by cataloger

Color lithograph after Mackie, initialed bottom left 'WPM 1861'; landscape with small monument at right, Confederate soldiers in uniform standing and seated nearby; in ornamental enframement. Color lithograph after Mackie, initialed bottom left 'WPM 1861'; landscape with small monument at right, Confederate soldiers in uniform standing and seated nearby; in ornamental enframement. Title continues: "Inscription, 'They have killed me Boys, but don't give up the Fight.' Dedicated to the people of Savannah, Ga. by the Artist." This monument to Colonel Francis S. Bartow of the 7th Georgia Infantry disappeared in the spring of 1862. N.Y., Old Print Shop, 1961.

A sheet of sketches depicting various battle scenes, including soldiers being injured by an explosion, lying on stretchers,and yelling. A sheet of sketches depicting various battle scenes, including soldiers being injured by an explosion, lying on stretchers,and yelling. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.

One of a collection of 4 mezzotint plates by and after Ridinger of military and battle scenes. One of a collection of 4 mezzotint plates by and after Ridinger of military and battle scenes. Large oblong folio; margins entirely trimmed away; worn, torn, creased, mended. Title supplied by cataloger.

A chaotic battle scene, with Marines firing rifles, pointing at the Japanese, and lying wounded on the ground. Smoke and fire are seen in the distance, as well as advancing Marines in silhouette. A chaotic battle scene, with Marines firing rifles, pointing at the Japanese, and lying wounded on the ground. Smoke and fire are seen in the distance, as well as advancing Marines in silhouette. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.

Original bistre ink and gray wash drawing (by Courtois also known as Bourgignon) signed (?) with cipher, bottom left; on verso in sepia ink: Borgognone; armored cavalrymen at left about to advance, 2 mounted heralds trumpeting in center, battle in right landscape background. Original bistre ink and gray wash drawing (by Courtois also known as Bourgignon) signed (?) with cipher, bottom left; on verso in sepia ink: Borgognone; armored cavalrymen at left about to advance, 2 mounted heralds trumpeting in center, battle in right landscape background. Oblong folio, matted; margins intact; slightly soiled. Title supplied by cataloger. New York, Rockman Prints, 1957.

One of a collection of 2 hand colored and 10 uncolored woodblock battle and military scenes, cut from books. Battle using pikes and spears, buildings in background. One of a collection of 2 hand colored and 10 uncolored woodblock battle and military scenes, cut from books. Battle using pikes and spears, buildings in background. Clean; in beige cloth slipcase, brown leather label stamped gold. Title supplied by cataloger.

One of pair of original sepia ink sketches (attributed to Courtois, "Le Bourguignon"), each marked "No. 4"; battle around fortress. One of pair of original sepia ink sketches (attributed to Courtois, "Le Bourguignon"), each marked "No. 4"; battle around fortress. Small oblong folio, 2 pieces [cf. FrO1640sf-1b], matted; no margins; yellowed, some stains. New York, Rockman Prints, 1949. Title and subtitle supplied by cataloger

A battle scene. A line of US Marines with backpacks and rifles runs from the lower left into the midground. A large explosion fills the center of the painting. Tanks pass to the right of this. Two downed Japanese airplanes lie on the ground. A dead or wounded Japanese soldier lies on the ground next to one of the planes. Two other Marines crouch in the foreground. A battle scene. A line of US Marines with backpacks and rifles runs from the lower left into the midground. A large explosion fills the center of the painting. Tanks pass to the right of this. Two downed Japanese airplanes lie on the ground. A dead or wounded Japanese soldier lies on the ground next to one of the planes. Two other Marines crouch in the foreground. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.

One of pair of original sepia ink sketches (by Courtois, "Le Bourguignon"); battle on bridge. One of pair of original sepia ink sketches (by Courtois, "Le Bourguignon"); battle on bridge. Inscribed top right in sepia: No. 4; on a separate label below one drawing in sepia ink: Del Borgognone New York, Rockman Prints, 1949. Title and subtitle supplied by cataloger

Peasants attacking soldiers in a wooded and mountainous landscape Peasants attacking soldiers in a wooded and mountainous landscape Signed and inscribed Carl von Mayrhauser 1825 Title supplied by cataloger. Dedham, MA, Henry Hornblower, 2005

A Marine in the left foreground, holding a rifle in his right hand, yells and points toward the battle scene with his left hand. The body of a (Japanese?) soldier lies on the ground at lower right. Other Marines crouch in the center. Explosions appear in the background. A Marine in the left foreground, holding a rifle in his right hand, yells and points toward the battle scene with his left hand. The body of a (Japanese?) soldier lies on the ground at lower right. Other Marines crouch in the center. Explosions appear in the background. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.