[2 lines of explanatory text] Music by J.P. Webster. Caption title; imprint, etc. from title page. Cover lithographic illustration by Ehrgott, Forbriger & Co.: dismounted soldier attending to a prone and wounded officer, horse standing nearby, lake and tent encampment in distance. For voice and piano.
Pencil and ink drawing of soldiers standing around in a room Pencil and ink drawing of soldiers standing around in a room Signed by the artist. Jarvie served with the 603rd Engineer Camouflage Battalion, part of the 23d Headquarters Special Troops (the so-called 'Ghost Army'). Digital object made available by: Brown University Library, John Hay Library, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
Original unsigned watercolor; seated portrait of militiaman in white uniform, bearskin hat and book on table at his left. Original unsigned watercolor; seated portrait of militiaman in white uniform, bearskin hat and book on table at his left. Upright folio; no margins; clean. title provided by cataloger
Composed by a member of the Corps, performed by Dodsworth's Brass Band, arranged for the piano forte, by E.R. Hansen. Cover title. For piano. Cover lith. ill. by Thayer: uniform figures outdoors, ladies and tent encampment in background.
Composed by a member of the Corps, performed by Dodsworth's Brass Band, arranged for the piano forte, by E.R. Hansen. Cover title. For piano. Cover lith. ill. by Thayer: uniform figures outdoors, ladies and tent encampment in background.
Original ink and watercolor drawing (slightly crude) signed by Quinton; large tent encampment in countryside, small soldier figures in foreground, steeples of villages in distance. Original ink and watercolor drawing (slightly crude) signed by Quinton; large tent encampment in countryside, small soldier figures in foreground, steeples of villages in distance. Numbered manuscript key: 1. Pettistree; 2. Wickham Spire; 3. Bromsewell; 4. Eyke. 5. Rendlesham. N.Y., Rockman, 1953.
In this unusually oblong-shaped print, a large bottle rests on an outcropping of land. Britannia, the national symbol of England, calmly sits inside this bottle which is inscribed "British Spirits composed of True Liberty, Courage, Loyalty & Religion." A spark ignites from the end of Britannia's spear, blowing Napoleon through the bottle's neck and high into the air like a champagne cork. In this unusually oblong-shaped print, a large bottle rests on an outcropping of land. Britannia, the national symbol of England, calmly sits inside this bottle which is inscribed "British Spirits composed of True Liberty, Courage, Loyalty & Religion." A spark ignites from the end of Britannia's spear, blowing Napoleon through the bottle's neck and high into the air like a champagne cork. Published by Ackermann, 1803-08-17. For other images of Napoleon as a bottle imp, see BM nos. 3022-27. Caption: London Pub. 17 Aug. 1803 by R. Ackermann 101 Strand
Song sheet, numbered 470; hand colored engraved illustration of Britannia in foreground, soldier, farmer and sailor near monument in left background, soldiers rimming shoreline, ships offshore. Song sheet, numbered 470; hand colored engraved illustration of Britannia in foreground, soldier, farmer and sailor near monument in left background, soldiers rimming shoreline, ships offshore. Small oblong folio; plate mark, margins. N.Y., Walter Schatzki, 1969.
A portly Tower guard dressed in a Beefeater costume (r.) displays a menagerie of caged animals to a group of tourists (l.). In particular he directs their attention to a "wild goose"--an animal with the body and beak of a goose, but with Burdett's face for a head. The tourists gape in surprise at the unassuming goose whose squawkings are little cause for the shock their expressions register. The goose, who calls "Took, Took," invokes the name of Horne Tooke, Burdett's mentor. A portly Tower guard dressed in a Beefeater costume (r.) displays a menagerie of caged animals to a group of tourists (l.). In particular he directs their attention to a "wild goose"--an animal with the body and beak of a goose, but with Burdett's face for a head. The tourists gape in surprise at the unassuming goose whose squawkings are little cause for the shock their expressions register. The goose, who calls "Took, Took," invokes the name of Horne Tooke, Burdett's mentor. Dialogue: Beef Eater: "Now Ladies and Gentlemen, let me call your particular attention to this extraordinary burd, it has been fluttering and croaking about Middlesex and Westminster to the great annoyance of his Majesty's loyal subjects. He is supposed to be of the wild goose kind by most learned men, and was taken after a great deal of trouble and escorted here under a very strong guard." Dialogue: Took. Took. Inscription: Pubd, April 1810 by Walker No. 7 Cornhill Annotation: [John] Horne Tooke (1736-1812)
Original unsigned pencil sketch; 3/4-length figure of husssar with plumed shako, dolman over shoulder, right hand resting on sword. Original unsigned pencil sketch; 3/4-length figure of husssar with plumed shako, dolman over shoulder, right hand resting on sword. Upright medium folio, matted; margins; slightly soiled. Title supplied by cataloger. N.Y., Rockman Prints, 1953.
Watercolor copy by C.C.P. L(awson) from original large composition shown at Burlington House, 1955; standing light dragoon officer figure. Watercolor copy by C.C.P. L(awson) from original large composition shown at Burlington House, 1955; standing light dragoon officer figure. Upright; no margins; clean; in folio red cloth portfolio, red leather label stamped gold : 'C.C.P. Lawson - British Uniforms 1790-1800 - after Contemporary Documents, by [R.J.?]'. Title provided by cataloger.
Unsigned original wash drawing; dismounted light cavalryman seated and resting in stable, while farmer attends horse in left background, child plays with dog in left foreground, two lovers ascending to hayloft in right background. Unsigned original wash drawing; dismounted light cavalryman seated and resting in stable, while farmer attends horse in left background, child plays with dog in left foreground, two lovers ascending to hayloft in right background. Upright folio; no margins; creased. Title supplied by cataloger. N.Y., Walter Schatzki, 1954.
Original watercolor signed and dated Decr. 1825 by Barry; line of cavalrymen commencing charge at left, mounted dragoon in right foreground pointing at them, landscape background. Original watercolor signed and dated Decr. 1825 by Barry; line of cavalrymen commencing charge at left, mounted dragoon in right foreground pointing at them, landscape background. Oblong folio; no margins; worn. Title supplied by cataloger. N.Y., Rockman Prints, 1955.
Lithograph cartoon; African-Americans, British officers, Indian, civilians in groups, burning ship at lower left, building being ignited by officer at right. Lithograph cartoon; African-Americans, British officers, Indian, civilians in groups, burning ship at lower left, building being ignited by officer at right. Oblong folio, matted; margins intact; foxed, soiled, worn. N.Y., Old Print Shop, 1953.
2nd of 2 chromolith. plates; 15 illustrations of war scenes along Nile. 2nd of 2 chromolith. plates; 15 illustrations of war scenes along Nile. Large oblong folio, matted; margins; edges soiled, creased. N.Y., Rockman Prints, 1950.
Second in set of three chromolithograph sheets, each intended as mount or background for two military portraits (not present); with British and Empire soldiers in military scenes and uniform groups. Second in set of three chromolithograph sheets, each intended as mount or background for two military portraits (not present); with British and Empire soldiers in military scenes and uniform groups. Oblong folio; margins; clean. New York, Rockman Prints, 1958.
Unsigned ink and watercoor drawing; infantryman with pack etc. marching and pointing toward left, landscape background showing small figures of soldiers drilling at left. Unsigned ink and watercoor drawing; infantryman with pack etc. marching and pointing toward left, landscape background showing small figures of soldiers drilling at left. Upright, matted; no margins; clean. N.Y., Rockman Prints, 1953. title provided by cataloger
Unsigned pencil sketch; full-length figure of officer, musket in right hand, left hand on hip, standing near cannon on emplacement. Unsigned pencil sketch; full-length figure of officer, musket in right hand, left hand on hip, standing near cannon on emplacement. Upright, mounted on brown paper; margins; clean. N.Y., Rockman, 1952. Title provided by cataloger.
One of a pair of ink and watercolor drawings, unsigned; this one showing 11 cavalry and infantrymen. [See also: British Uniforms, 1845 - 6 cavalry troopers]. One of a pair of ink and watercolor drawings, unsigned; this one showing 11 cavalry and infantrymen. [See also: British Uniforms, 1845 - 6 cavalry troopers]. Small oblong; no margins; soiled. Title supplied by cataloger. N.Y., Rockman Prints, 1949.
1st of 2 ink and watercolor drawings, unsigned; 6 standing uniform figures of hussar, light, dragoon, Life Guard, Scots Grey, 2 cavalry officers in undress, line of mounted Life Guards and building in background. [See also: British Uniforms, c. 1846 - 11 cavalry and infantrymen]. 1st of 2 ink and watercolor drawings, unsigned; 6 standing uniform figures of hussar, light, dragoon, Life Guard, Scots Grey, 2 cavalry officers in undress, line of mounted Life Guards and building in background. [See also: British Uniforms, c. 1846 - 11 cavalry and infantrymen]. Small oblong; no margins; soiled. N.Y., Rockman Prints, 1949. Title provided by cataloger.
Colored engraving by Henry Winkles after Heck; 12 figures in row, numbered 1-11, in various uniforms, landscape background. Colored engraving by Henry Winkles after Heck; 12 figures in row, numbered 1-11, in various uniforms, landscape background. Narrow small oblong folio, matted; margins trimmed; edges soiled. From 'Iconographic Encyclopaedia of Science, Literature, and Art,' (New York, Rudolph Garrigue, 1851). London, Parker Gallery, 1953. Title provided by cataloger.
2nd of pair of composite watercolors initialed by RMB showing various figures in different uniforms, ink manuscript captions below. 2nd of pair of composite watercolors initialed by RMB showing various figures in different uniforms, ink manuscript captions below. Title supplied by cataloger.
1st of pair of composite watercolors initialled RMB showing various figures in different uniforms. 1st of pair of composite watercolors initialled RMB showing various figures in different uniforms. Title supplied by cataloger.
6th in collection of 11 uncolored lithographic plates by and after Neumann; 3 infantrymen advancing up slope at left, mounted trumpeter blowing horn at right. 6th in collection of 11 uncolored lithographic plates by and after Neumann; 3 infantrymen advancing up slope at left, mounted trumpeter blowing horn at right. Small folio, unbound; in maroon cloth portfolio stamped gold. New York, Walter Schatzki, 1952. title provided by cataloger
Group of ten officers and NCO's from various regiments in dress uniforms seated and standing outside building, some wearing Afghan War medal Group of ten officers and NCO's from various regiments in dress uniforms seated and standing outside building, some wearing Afghan War medal London, Silk Road Books and Photos, 2015. Digital object made available by: Brown University Library, John Hay Library, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)
Original unsigned watercolor (presumably by Michell); troops advancing up over rubble to storm bastions and defenders. Original unsigned watercolor (presumably by Michell); troops advancing up over rubble to storm bastions and defenders. Small oblong, matted together; no margins on watercolor, plate mark, margins on print; clean. Title supplied by cataloger. N.Y., Rockman Prints, 1952.
Small hand colored engraving by and after Major C.C. Michell apparently adapted from the watercolor with the same supplied title; troops advancing up over rubble to storm bastions and defenders. Small hand colored engraving by and after Major C.C. Michell apparently adapted from the watercolor with the same supplied title; troops advancing up over rubble to storm bastions and defenders. Small oblong, one of 2 pieces, matted together; margins, plate mark; clean. Title supplied by cataloger. N.Y., Rockman Prints, 1952.
Chromolithograph (possibly after a design by R.P. Leitch) published by George C. Leighton; officers in irregular winter dress, Native Americans, guides conferring and resting in foreground, files of soldiers and sledges moving through mountain pass in background. Chromolithograph (possibly after a design by R.P. Leitch) published by George C. Leighton; officers in irregular winter dress, Native Americans, guides conferring and resting in foreground, files of soldiers and sledges moving through mountain pass in background. Supplement to 'Illustrated London News', 15 March 1862, page 264. London, Spencer, 1953.
Original unsigned watercolor; line of British troops stretching into the distance across a featureless landscape near ruined castle; women camp followers with children in foreground close to tree. Original unsigned watercolor; line of British troops stretching into the distance across a featureless landscape near ruined castle; women camp followers with children in foreground close to tree. Matted. Title supplied by cataloger. Stow-on-the-Wold, Christopher Clarke Antiques, 2003
Original unsigned watercolor (crude); scene in plain surrounded by mountains, showing British infantry, artillery, rifles and cavalry crossing bridges and going into attack. Original unsigned watercolor (crude); scene in plain surrounded by mountains, showing British infantry, artillery, rifles and cavalry crossing bridges and going into attack. Narrow oblong folio, matted; no margins; creased, somewhat worn. Title supplied by cataloger. N.Y., Rockman Prints, 1955.
