The Pope, accompanied by a troupe of cardinals and priests, enters the scene from the left of the sheet to pay mandatory homage to Napoleon. Bringing gifts of statuettes, crucifixes, and relics like the keys of St. Peter, "Mary Magdalene's Cracked Pitcher," and the "Vn Mary's Peticoat" they are treated rudely by a shabbily dressed Napoleon and his equally rag-tag guards. Deeply humiliated, the Pope bows at Napoleon's feet while the cardinals and priests surrounding him look angrily at the French soldiers who urge them forward. Napoleon, seated on a throne at the right of the sheet, grins grotesquely and tightly crosses his arms across his chest. While this sheet pokes fun at the relics and pomp of Roman Catholicism, it also depicts Napoleon as a impudent despot who has no respect for any form of religion. Napoleon places his foot on the Pope's head, knocking his mitre off and forcing him to lower himself further. A soldier, standing in shadow behind his throne, relieves himself into a vessel of "Holy Water." Note that in the lower right corner of the image text has been carefully scratched out and is now illegible. The Pope, accompanied by a troupe of cardinals and priests, enters the scene from the left of the sheet to pay mandatory homage to Napoleon. Bringing gifts of statuettes, crucifixes, and relics like the keys of St. Peter, "Mary Magdalene's Cracked Pitcher," and the "Vn Mary's Peticoat" they are treated rudely by a shabbily dressed Napoleon and his equally rag-tag guards. Deeply humiliated, the Pope bows at Napoleon's feet while the cardinals and priests surrounding him look angrily at the French soldiers who urge them forward. Napoleon, seated on a throne at the right of the sheet, grins grotesquely and tightly crosses his arms across his chest. While this sheet pokes fun at the relics and pomp of Roman Catholicism, it also depicts Napoleon as a impudent despot who has no respect for any form of religion. Napoleon places his foot on the Pope's head, knocking his mitre off and forcing him to lower himself further. A soldier, standing in shadow behind his throne, relieves himself into a vessel of "Holy Water." Note that in the lower right corner of the image text has been carefully scratched out and is now illegible. Published by Fores, 1797-03-12. According to Broadley, this is the first English caricature published against Napoleon Bonaparte. Notably, Napoleon is not drawn as 'Little Boney' in this image. Rather than satirizing his reported diminutive height, Issac Cruikshank has chosen instead to capitalize on Napoleon's rude behavior and tattered uniform. From her historical research, Margaret George notes: 'There were reports in February 1797 that Napoleon was in Rome; he entered Ancona, 5, Feb., and demanded a plenipotentiary from Rome.' These reports of Napoleon's entry into Rome are false since in reality, Napoleon never made it to the city. Dialogue: Napoleon: "I say remember to take off your hat when you wait on a Gemman!!! There kiss that you foutre."

From collection of 16 hand-colored etched plates by and after Dighton, this one published Jany. 1815; full-length portrait of Napoleon in blue uniform, wearing hat, his hand inside shirt, looking toward left. From collection of 16 hand-colored etched plates by and after Dighton, this one published Jany. 1815; full-length portrait of Napoleon in blue uniform, wearing hat, his hand inside shirt, looking toward left. Upright folio, some matted, some trimmed; clean; in maroon cloth portfolio, red leather label stamped gold. New York, Harry H. Hymes, 1945.

Colored aquatint by Ebner after Guerin; full-length portrait in uniform, left arm extended, cocked hat on table at left, tiled floor. Colored aquatint by Ebner after Guerin; full-length portrait in uniform, left arm extended, cocked hat on table at left, tiled floor. Large upright folio, matted; plate mark, margins intact; clean. Paris, Paul Roulleau, 1960.

Original unsigned wash drawing of bunks inside barracks. Original unsigned wash drawing of bunks inside barracks. Medium oblong folio; no margins; clean. Title supplied by cataloger.

From collection of original watercolors and drawings by R. Baldwin; watercolor, showing military bunkhouses, flanked by wooden walkway, along road among pine trees. From collection of original watercolors and drawings by R. Baldwin; watercolor, showing military bunkhouses, flanked by wooden walkway, along road among pine trees. Upright giant folio matted on white board; no margins; clean. title provided by cataloger

by J. Friedheim, conductor of the New-England Band ; arranged for the piano forte by Ch. Zeuner. Caption title. Publisher's address on title page: 33 Court Street, Boston. Illustration: scene of Bunker Hill Monument / Pendleton's Lithography, Boston.

Engraved certificate with steel-engraved illustration in upper portion by Annin & Smith after Penniman; view of battle of Bunker Hill, text and facsimile engravers signatures below. Engraved certificate with steel-engraved illustration in upper portion by Annin & Smith after Penniman; view of battle of Bunker Hill, text and facsimile engravers signatures below. Upright folio; plate marks, margins trimmed; yellowed. N.Y., Argosy, 1955. subtitle provided by cataloger

Collodion print photograph; house with square white pillars and large pyramid-shaped thatched roof, British colonials and Indian attendants on or near 2 horse-drawn buggies in foreground. Collodion print photograph; house with square white pillars and large pyramid-shaped thatched roof, British colonials and Indian attendants on or near 2 horse-drawn buggies in foreground. No. 2501 Oblong small folio; no margins; clean.

6th in suite of 17 unsigned watercolors of uniforms by Lawson, copied from contemporary originals, accompanied by 2 pages of ink manuscript explanation; mounted cavalryman in green uniform, dark red sash and turban, holding rifle, facing right. 6th in suite of 17 unsigned watercolors of uniforms by Lawson, copied from contemporary originals, accompanied by 2 pages of ink manuscript explanation; mounted cavalryman in green uniform, dark red sash and turban, holding rifle, facing right. Small, unbound; in red cloth case, green leather labels stamped gold "Indian State Troops. Water-colors by C.C.P. Lawson from original documents".

2nd of 3 lithographs by Chevalier after Bleibtreu; battle scene with mounted general at center, facing right. 2nd of 3 lithographs by Chevalier after Bleibtreu; battle scene with mounted general at center, facing right. Large oblong folio; margins; clean, edges worn. Hamburg, Schulz, 1957.

Subject: Mounted officer leading patrol through street at night; London, Henderson, Rait & Spalding. Subject: Mounted officer leading patrol through street at night; London, Henderson, Rait & Spalding. Title continues: Composed by Carl Kiefert. 'Played with immense success at the promenade concerts at Her Majesty's Theatre' Price 4/-

4th in collection of 10 original pen and ink drawings signed and dated by Jeffreys; British troops at work in desert, hauling rocks from row of small carrier wagons on rail line at left. 4th in collection of 10 original pen and ink drawings signed and dated by Jeffreys; British troops at work in desert, hauling rocks from row of small carrier wagons on rail line at left. Upright folio, unbound; no margins; in blue cloth portfolio, white label: 'Jeffreys, Edward Grover. Scenes during World War One. 10 pen and ink drawings on paper" (older red label scratched off spine). Stow-on-the-Wold, Christopher Clarke Antiques, 2012

Ink and watercolor sketch of men building or repairing bridge. Ink and watercolor sketch of men building or repairing bridge. Oblong, margins worn and torn, yellowed, creased.

Original ink and wash sketch by Reeks; 2 U.S. soldiers filling sandbag. Original ink and wash sketch by Reeks; 2 U.S. soldiers filling sandbag. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.

One of a set of 15 photostats of uniforms and standards after D. Von Schriltz. Figure in brown with bugle facing left. One of a set of 15 photostats of uniforms and standards after D. Von Schriltz. Figure in brown with bugle facing left. Bound in tan cloth, white leather labels stamped gold. Von Schriltz, 1957.

by Hermann Shols, leader of the band. Cover lith. ill. by Sarony, Major & Knapp: mounted bugler with troopers charging in the right distance.

Lithograph caricature by Delannois. 'Satire showing a smartly dressed couple, invited to a ball and looking at a buffet, which is guarded by two officers; the tablecloth is decorated with a mock trophy incorporating the pear representing Louis-Philippe and the clysters symbolizing Lobau Lithograph caricature by Delannois. 'Satire showing a smartly dressed couple, invited to a ball and looking at a buffet, which is guarded by two officers; the tablecloth is decorated with a mock trophy incorporating the pear representing Louis-Philippe and the clysters symbolizing Lobau Small oblong folio; margins intact; clean. Camden, Me., Staack, 1961. Title: Buffet du bal des Tuileries: Passez au large! Caption: Au bureau chez Aubert, galerie Véro Dodat. Caption: Lith. Delannois, r. du bouloi Annotation: (garde Nationale - Chasseurs) Caption: La Caricature. (Journal) No. 223 Number: Pl. 464

Original pencil drawing by Pvt. Karl Robert Rittmann; soldier seated aiming rifle Original pencil drawing by Pvt. Karl Robert Rittmann; soldier seated aiming rifle Gift of Larry Rittman, 2021 Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

Original watercolor signed and dated by Roberson; semi-caricature of mounted uniform figure riding toward left, brief music score below. Original watercolor signed and dated by Roberson; semi-caricature of mounted uniform figure riding toward left, brief music score below. Large square, matted; margins; slight foxing. London, Parker Gallery, 1964.

Unsigned watercolor, copied from Stowe manuscript in British Museum; row of 4 uniform figures of drummer, grenadier and non-commissioned officer, shown also in rear view. Unsigned watercolor, copied from Stowe manuscript in British Museum; row of 4 uniform figures of drummer, grenadier and non-commissioned officer, shown also in rear view. Small oblong folio, matted; margins intact. London, Parker Gallery, 1972. title provided by cataloger

Original unsigned watercolor by Martens; mounted artillery officer in gray hussar-style uniform, on brown horse facing left; artillery unit with wagon in background. Original unsigned watercolor by Martens; mounted artillery officer in gray hussar-style uniform, on brown horse facing left; artillery unit with wagon in background. Upright folio, matted; margins trimmed; stains or foxing on edges, clean. title provided by cataloger London, Bloomsbury Historical Consultancy, 2006

Color lithograph by T. Picken after Shepherd, printed by Day & Son; view of palace from southeast, showing new front, Queen's carriage with lancer escort travelling away in foreground. Color lithograph by T. Picken after Shepherd, printed by Day & Son; view of palace from southeast, showing new front, Queen's carriage with lancer escort travelling away in foreground. Small oblong folio, matted; margins severely trimmed; clean. London, Parker Gallery, 1950.

Hand-colored aquatint plate by and after Döbler, from Sommers Taschenbuch, 1831; mounted figure in Indian military costume, with lance, sword and musket, riding toward left, small figures of horse- and camel-train in distance. Hand-colored aquatint plate by and after Döbler, from Sommers Taschenbuch, 1831; mounted figure in Indian military costume, with lance, sword and musket, riding toward left, small figures of horse- and camel-train in distance. Upright square, matted; plate mark, margins trimmed close; yellowed. James Silk Buckingham was a Cornish-born author, journalist and traveller, known for his contributions to Indian journalism. He was a pioneer among the Europeans who fought for a liberal press in India - Wikipedia.

One of a collection of 12 watercolors of Brunswick Troops in Canada uniforms with descriptive legends lettered on back. Figure in brown and white striped uniform with blue jacket with red and yellow details, holding a rifle. One of a collection of 12 watercolors of Brunswick Troops in Canada uniforms with descriptive legends lettered on back. Figure in brown and white striped uniform with blue jacket with red and yellow details, holding a rifle. Unbound; in 1/2 black leather and blue cloth case stamped gold. Berlin, Knötel, 1950.

3rd in suite of 7 unsigned ink sketches of scenes and groups during Napoleonic wars - perhaps Waterloo campaign - and after; column of mounted cavalry riding down country road, small building on horizon at left. 3rd in suite of 7 unsigned ink sketches of scenes and groups during Napoleonic wars - perhaps Waterloo campaign - and after; column of mounted cavalry riding down country road, small building on horizon at left. Oblong, matted; no margins; in red cloth slipcase, red leather label stamped gold "British troops in the field, 1815-1830". London, Parker Gallery, 1969. title provided by cataloger

From collection of etchings by and after Zauerveid (Sauerweid) in 1 set of 14 unnumbered plates and 1 set of 12 numbered (1-6,10,12-16); military and campaign scenes showing French, Russian, Saxon, Austrian and Brunswick troops. In numbered series, numbers 1,2,3,6, and also 3 in unnumbered set, are identical with series of color aquatint plates of Saxon troops signed by Edward Hull. Troop of cavalry assembled in park or parade ground, church and other buildings in background. From collection of etchings by and after Zauerveid (Sauerweid) in 1 set of 14 unnumbered plates and 1 set of 12 numbered (1-6,10,12-16); military and campaign scenes showing French, Russian, Saxon, Austrian and Brunswick troops. In numbered series, numbers 1,2,3,6, and also 3 in unnumbered set, are identical with series of color aquatint plates of Saxon troops signed by Edward Hull. Troop of cavalry assembled in park or parade ground, church and other buildings in background. Oblong, unbound; margins intact; clean, in maroon slipcase, red leather label stamped gold "A. Sauerweid & L. Beyer, Militär-Gruppen, 1813-1815". Heidelberg, Helmut Tenner, 1954. title provided by cataloger

Colored stipple-engraving by Tassaert after Harriet; equestrian portrait in uniform, riding toward left, waving sword, infantry advancing in background. Colored stipple-engraving by Tassaert after Harriet; equestrian portrait in uniform, riding toward left, waving sword, infantry advancing in background. Upright folio, matted; margins; slightly soiled. New York, Augustin Fries, 1958.

Arranged by N.P.B. Curtiss. For piano. Cover lith. ill. by Bufford: 3 uniformed figures in foreground; tent encampment, cannon, and lady visitors in the background.

One of 73 watercolors, signed by Pierre Albert Leroux. A doctor in uniform, standing. One of 73 watercolors, signed by Pierre Albert Leroux. A doctor in uniform, standing.

In this highly colored caricature, Joseph Bonaparte wanders in the dangerous middle ground between Vesuvius' eruption and the eruption of Spanish resistance fighters. Without a crown, yet still wearing fashionable Spanish clothing decorated with slashes and a wide ruff, Joseph wildly looks about him and considers his options. Alone and cornered, there is no safe haven in any direction. Vesuvius explodes, belching fire, smoke, and molten rocks which fall dangerously close to his feet. Equal danger awaits him on the other side of the valley. A squadron of Spanish musketeers take aim and fire from their vantage point atop a bluff. In the distance, the distinctive skylines of Naples, (l.), and Madrid, (r.), are separated from the conflict by a large body of water. This sheet is brightly colored with strong outlines. However, small dark spots and stains pepper the sheet universally. Additionally, the sheet has been torn along the center left edge, and has been mended by a piece of adhesive tape applied to the verso. The upper left corner has been torn off and replaced by a small triangle of paper glued to the verso. In this highly colored caricature, Joseph Bonaparte wanders in the dangerous middle ground between Vesuvius' eruption and the eruption of Spanish resistance fighters. Without a crown, yet still wearing fashionable Spanish clothing decorated with slashes and a wide ruff, Joseph wildly looks about him and considers his options. Alone and cornered, there is no safe haven in any direction. Vesuvius explodes, belching fire, smoke, and molten rocks which fall dangerously close to his feet. Equal danger awaits him on the other side of the valley. A squadron of Spanish musketeers take aim and fire from their vantage point atop a bluff. In the distance, the distinctive skylines of Naples, (l.), and Madrid, (r.), are separated from the conflict by a large body of water. This sheet is brightly colored with strong outlines. However, small dark spots and stains pepper the sheet universally. Additionally, the sheet has been torn along the center left edge, and has been mended by a piece of adhesive tape applied to the verso. The upper left corner has been torn off and replaced by a small triangle of paper glued to the verso. Published by Thomas Tegg. Not listed in the British Museum catalog. 1808-09-25 Caption: Pubd Septr 25 1808 by Thos Tegg No 111 Cheapside Dialogue: Joseph: "Which way shall I turn me how can I decide /Tis this way or that way /Or which way you will /Poor wandering Joey is sure of a hill." Printed Signature: Thomas Rowlandson fc. Annotation: 6- Collector's Mark: [a triangle with a horizontal score mark through the center] Collector's Mark: A