Wood-engraved illustration with short accompanying text; troops drilling on parade-ground, tents in left distance, state capital in right distance. Wood-engraved illustration with short accompanying text; troops drilling on parade-ground, tents in left distance, state capital in right distance. From Harper's Weekly, May 11, 1861, page 301. Hanover, N.H., Book & Prints Shop, 1956.

Original ink and watercolor sketch, dated and name-stamped by Stevenson; barracks in U.S. Army camp, with black walls and green roofs; 2 scrub pines, telephone lines, pastel sky. Original ink and watercolor sketch, dated and name-stamped by Stevenson; barracks in U.S. Army camp, with black walls and green roofs; 2 scrub pines, telephone lines, pastel sky. Stevenson enlisted in the U.S. Army Corps of Engineers in July 1941. He was one of the original soldier-artists at Fort Belvoir, VA. before accepting a position as a war artist in May 1943. In 1944 he was in southern England covering the preparations for the Normandy invasion and later depicted war damage in France and Germany. Gift of the artist 1994.

Original sketch in brown ink, name-stamped by Stevenson; scene of military barracks buildings, large gully in foreground, water tower and flag in background; unfinished pencil sketch of seated men, one playing guitar, on verso. Original sketch in brown ink, name-stamped by Stevenson; scene of military barracks buildings, large gully in foreground, water tower and flag in background; unfinished pencil sketch of seated men, one playing guitar, on verso. Stevenson enlisted in the U.S. Army Corps of Engineers in July 1941. He was one of the original soldier-artists at Fort Belvoir, VA. before accepting a position as a war artist in May 1943. In 1944 he was in southern England covering the preparations for the Normandy invasion and later depicted war damage in France and Germany. Gift of the artist 1994.

1 pencil drawing; naïve view of tent encampment in wooded area with soldiers, covered wagon, cannon. Accompanying letter by Dickerson of Rhode Island Volunteers, Battery B. to a Mr. N.B. Voss of Norwich, Connecticut, dated October 13, 1862, Camp Foster, Poolesville, Maryland. In the letter, Dickerson states 'I have named this Camp Brushwood, our huts are made of wood and wheat straw...' 1 pencil drawing; naïve view of tent encampment in wooded area with soldiers, covered wagon, cannon. Accompanying letter by Dickerson of Rhode Island Volunteers, Battery B. to a Mr. N.B. Voss of Norwich, Connecticut, dated October 13, 1862, Camp Foster, Poolesville, Maryland. In the letter, Dickerson states 'I have named this Camp Brushwood, our huts are made of wood and wheat straw...' Small oblong. Providence, James Tyson, 1954 Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

Line-lithograph (perhaps from letter-paper) by Rosenthal; view of tent encampment with infantry being reviewed in foreground. Line-lithograph (perhaps from letter-paper) by Rosenthal; view of tent encampment with infantry being reviewed in foreground. Narrow oblong; margins; creased. Albany, N.Y., 1969.

Lithograph print after Voltaire Combe (William Combs); bird's eye view of rows of cavalry in maneuvers on field, military camp and landscape in background. Lithograph print after Voltaire Combe (William Combs); bird's eye view of rows of cavalry in maneuvers on field, military camp and landscape in background. Oblong medium folio; margins intact. Charleston, S.C., Schindler, 1952.

Color aquatint; view inside tent pavilion, showing pasha seated on dais, receiving envoys, courtiers, officials, guard at right. Originally published in: 'Views in the Ottoman Dominions, in Europe, in Asia, and some of the Mediterranean islands, from the original drawings taken for Sir Robert Ainslie, by Luigi Mayer'. [See also: Camp at Daub-Pascia (and) Turkish encampment] Color aquatint; view inside tent pavilion, showing pasha seated on dais, receiving envoys, courtiers, officials, guard at right. Originally published in: 'Views in the Ottoman Dominions, in Europe, in Asia, and some of the Mediterranean islands, from the original drawings taken for Sir Robert Ainslie, by Luigi Mayer'. [See also: Camp at Daub-Pascia (and) Turkish encampment] Oblong folio, matted; margins trimmed; yellowed. N.Y., Rockman Prints, 1949.

Etching, signed by artist; soldiers standing and sitting around makeshift huts and tents by trees, laundry drying Etching, signed by artist; soldiers standing and sitting around makeshift huts and tents by trees, laundry drying From set of etchings entitled 'Impressions de Guerre. Gravures Originales de A. Brouet 1914-1915'

Original pen and ink and wash sketch, signed and dated by Reeks, of troops camouflaging artillery at Iwo Jima. Original pen and ink and wash sketch, signed and dated by Reeks, of troops camouflaging artillery at Iwo Jima. Title from typed label affixed to verso. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.

Ink and watercolor sketch of camouflaged area in forest, signed and dated by Hughes. Ink and watercolor sketch of camouflaged area in forest, signed and dated by Hughes. Oblong folio, margins worn and torn, yellowed. Title supplied by cataloger.

Original watercolor signed and dated by Stevenson of a long row of tents hidden under a camouflage canopy at a railroad depot. Soldiers shown on top of tents installing the canopy, 365 Engineers G.S. Regiment. Original watercolor signed and dated by Stevenson of a long row of tents hidden under a camouflage canopy at a railroad depot. Soldiers shown on top of tents installing the canopy, 365 Engineers G.S. Regiment. Stevenson enlisted in the U.S. Army Corps of Engineers in July 1941. He was one of the original soldier-artists at Fort Belvoir, VA. before accepting a position as a war artist in May 1943. In 1944 he was in southern England covering the preparations for the Normandy invasion and later depicted war damage in France and Germany. Gift of the artist 1994.

Engraving by M. Pöltzel, numbered 28; perspective view of Romans besieging walled town with movable towers and various war engines, commander and aides looking on from left foreground. From: 'Gemälde aus der römischen Geschichte nach Millots Plane dargestellt von Professor Zappe mit 48 Kupferstichen'. Wien bei Phil. Jos. Schalbacher, [ca. 1800] Engraving by M. Pöltzel, numbered 28; perspective view of Romans besieging walled town with movable towers and various war engines, commander and aides looking on from left foreground. From: 'Gemälde aus der römischen Geschichte nach Millots Plane dargestellt von Professor Zappe mit 48 Kupferstichen'. Wien bei Phil. Jos. Schalbacher, [ca. 1800] Upright, matted; margins trimmed; clean. N.Y., Rockman Prints, 1954.

Crude ink and water-color drawing of Largiere, full-length in uniform seated on horse blowing trumpet, with caption in black ink on each side Crude ink and water-color drawing of Largiere, full-length in uniform seated on horse blowing trumpet, with caption in black ink on each side Small upright folio. South Deerfield, MA, Douglas Auctioneers (acc. 1999). Digital object made available by: Brown University Library, John Hay Library, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

21 of 35 hand-colored lithographic plates on grey board; standing figure with rifle and bayonet.

23 of 35 hand-colored lithographic plates on grey board

Original watercolor signed and dated by Payne; uniform group showing offer, in undress uniform, with sergeant inspecting soldiers in castle court. Original watercolor signed and dated by Payne; uniform group showing offer, in undress uniform, with sergeant inspecting soldiers in castle court. Upright, matted; no margins; clean. London, Parker Gallery, 1964.

Collodion print photograph (by Dayal?); small procession of military camels moving toward left in front of line of standing infantry, 2 spectators in right foreground, arched arcade or viewing stand in background. Collodion print photograph (by Dayal?); small procession of military camels moving toward left in front of line of standing infantry, 2 spectators in right foreground, arched arcade or viewing stand in background. No. 339 Oblong; no margins; left edge slightly faded, frayed.

10th in collection of 13 unsigned ink and watercolor drawings (by Lawson), copied from original documents in Foreign Office; 2 Indian soldiers mounted on camels, in bright orange coats, purple turbans; 1 playing kettle drums, the other with flag. 10th in collection of 13 unsigned ink and watercolor drawings (by Lawson), copied from original documents in Foreign Office; 2 Indian soldiers mounted on camels, in bright orange coats, purple turbans; 1 playing kettle drums, the other with flag. Unbound; clean; in red cloth portfolio, black leather label st. gold "X.X.P. Lawson. Indian, Afghan and Thibetan State Troops, c.1830". London, Lawson, 1966. Title provided by cataloger

9th in collection of 13 unsigned ink and watercolor drawings (by Lawson), copied from original documents in Foreign Office; 2 Indian soldiers mounted on camels, in bright orange coats, purple turbans, facing left. 9th in collection of 13 unsigned ink and watercolor drawings (by Lawson), copied from original documents in Foreign Office; 2 Indian soldiers mounted on camels, in bright orange coats, purple turbans, facing left. Unbound; clean; in red cloth portfolio, black leather label st. gold "X.X.P. Lawson. Indian, Afghan and Thibetan State Troops, c.1830". London, Lawson, 1966. Title provided by cataloger

8th in collection of 13 unsigned ink and watercolor drawings (by Lawson), copied from original documents in Foreign Office; 2 Indian soldiers mounted on camels, in bright orange coats, turbans, facing left. 8th in collection of 13 unsigned ink and watercolor drawings (by Lawson), copied from original documents in Foreign Office; 2 Indian soldiers mounted on camels, in bright orange coats, turbans, facing left. In red cloth portfolio, black leather label stamped gold "C.C.P. Lawson. Indian, Afghan and Thibetan State Troops, c.1830". London, Lawson, 1966. Title provided by cataloger

One of a collection of 10 color lithographic military bust portraits. Figure in blue jacket facing left. One of a collection of 10 color lithographic military bust portraits. Figure in blue jacket facing left. Unbound; clean; in blue cloth portfolio, 'red leather labels stamped gold "Napoleon's Marshals ... c. 1830." Paris, Roulleau, 1956.

Original sepia photograph; group portrait of 62 members of volunteer body standing and seated before the wall of a college chapel Original sepia photograph; group portrait of 62 members of volunteer body standing and seated before the wall of a college chapel Small oblong folio; matted; no margins; clean. Title supplied by cataloger. London, W. Hill, 1952.

Number 5 of a collection of 5 (of 6) color aquatint plates from the series R. Ackermann's costumes of the Volunteer Corps. Number 5 of a collection of 5 (of 6) color aquatint plates from the series R. Ackermann's costumes of the Volunteer Corps. Upright folio; plate marks, margins intact; light surface dirt. New York, Harry H. Hymes, 1947.

Colored aquatint caricature, published Septbr. 1798; militia drillmaster and drummer boys at right, with motley group of gowned students and dons lined up for drill at left. Colored aquatint caricature, published Septbr. 1798; militia drillmaster and drummer boys at right, with motley group of gowned students and dons lined up for drill at left. Oblong folio, matted; margins severely trimmed. London, Parker Gallery, 1961.

Hand colored engraving; 4 uniform figures, outdoors. Hand colored engraving; 4 uniform figures, outdoors. N.Y., Rockman Prints, 1954. Small oblong folio, matted; plate mark, margins intact; soiled and edges torn.

Colored aquatint by J. M. Alix and Bertaux after Van Gorp. 'Bust portraits of the three Consuls Cambacérès, Bonaparte and Lebrun, in red jacket, within an oval and surmounting a scene where Bonaparte is given the consulship for life by the Senate presided by Barthélémy' -- British Museum Colored aquatint by J. M. Alix and Bertaux after Van Gorp. 'Bust portraits of the three Consuls Cambacérès, Bonaparte and Lebrun, in red jacket, within an oval and surmounting a scene where Bonaparte is given the consulship for life by the Senate presided by Barthélémy' -- British Museum Upright medium folio, matted; plate mark, margins trimmed; yellowed. London, Redfern (Maggs), 1956.

39th in collection of 91 lithographic plates by Villain and Gihaut frères after Charlet; 2 vagabonds or shysters introducing themselves to seated dragoon; another soldier in background. 39th in collection of 91 lithographic plates by Villain and Gihaut frères after Charlet; 2 vagabonds or shysters introducing themselves to seated dragoon; another soldier in background. In blue cloth case, blue leather stamped gold "Lithographs by Charlet". New York, Walter Schatzki, 1965.

Three French soldiers sitting around campfire at night; Stannard & Son, Impt. Three French soldiers sitting around campfire at night; Stannard & Son, Impt. By Emile Waldteufel. Price 4/-

Three French soldiers sitting around campfire at night; Stannard & Son, Impt. Three French soldiers sitting around campfire at night; Stannard & Son, Impt. By Emile Waldteufel. Price 4/-

Foldout after page 8, "Fol. 8" Parade from a festival at Lyon