Colored lithograph; view of camp with small figures of soldiers at review, man and woman looking on in right foreground. Colored lithograph; view of camp with small figures of soldiers at review, man and woman looking on in right foreground. Medium folio; margins. N.Y., Weyhe.
Original pencil and gouache drawing, signed and dated by Cullen; frontal view of infantryman in field gear, with rifle and pack, standing at attention. Marked number 7. On verso, pencil sketch of truck. Original pencil and gouache drawing, signed and dated by Cullen; frontal view of infantryman in field gear, with rifle and pack, standing at attention. Marked number 7. On verso, pencil sketch of truck. Murphy joined the New York 7th Regiment in 1940 and trained at Camp Stewart, Georgia. He sailed to Australia in 1943 and served on General MacArthur's staff. Later he went to New Guinea and the Philippines before moving on to Japan following the surrender.
Original pen and ink and watercolor sketch, signed and dated by Murphy, of two soldiers with rifles at Camp Stewart, Georgia. Original pen and ink and watercolor sketch, signed and dated by Murphy, of two soldiers with rifles at Camp Stewart, Georgia. Murphy joined the New York 7th Regiment in 1940 and trained at Camp Stewart, Georgia. He sailed to Australia in 1943 and served on General MacArthur's staff. Later he went to New Guinea and the Philippines before moving on to Japan following the surrender.
Original ink drawing signed and dated by John Murphy; 4 vignettes of military camp life, including outdoor mess, ambulance crew standing with truck, men clearing brush, resting in tent. Original ink drawing signed and dated by John Murphy; 4 vignettes of military camp life, including outdoor mess, ambulance crew standing with truck, men clearing brush, resting in tent. Murphy joined the New York 7th Regiment in 1940 and trained at Camp Stewart, Georgia. He sailed to Australia in 1943 and served on General MacArthur's staff. Later he went to New Guinea and the Philippines before moving on to Japan following the surrender. Gift of the artist.
Original ink and watercolor sketch, signed and dated by Stevenson; 5 soldiers in laundry room, 3 washing clothes at sinks at right. Original ink and watercolor sketch, signed and dated by Stevenson; 5 soldiers in laundry room, 3 washing clothes at sinks at right. Stevenson enlisted in the U.S. Army Corps of Engineers in July 1941. He was one of the original soldier-artists at Fort Belvoir, VA. before accepting a position as a war artist in May 1943. In 1944 he was in southern England covering the preparations for the Normandy invasion and later depicted war damage in France and Germany. Gift of the artist 1994.
Original gouache drawing on vellum, unsigned and somewhat crude; small mounted figures of general officer and hussar escort in right foreground entereing tent encampment which is seen in perspective. Original gouache drawing on vellum, unsigned and somewhat crude; small mounted figures of general officer and hussar escort in right foreground entereing tent encampment which is seen in perspective. Oblong; slight margins except none at top; upper corners cut; torn and stained. Title supplied by cataloger. Zurich, l'Art Ancien, 1954.
One of a collection of 6 etched plates by and after Klein showing military transport and cavalry mounted in album. Soldiers standing or seated next to horses; tent and buildings in background. One of a collection of 6 etched plates by and after Klein showing military transport and cavalry mounted in album. Soldiers standing or seated next to horses; tent and buildings in background. Small oblong folio; red cloth, white leather label stamped gold. Foxed and stained. Leichtenstein-Hauslab Collection, 1951.
One of a collection of 23 engraved plates of camp, battle, maneuver and review scenes, showing small figures of soldiers and groups. Camp scene with soldiers outside of building, troops in distance. One of a collection of 23 engraved plates of camp, battle, maneuver and review scenes, showing small figures of soldiers and groups. Camp scene with soldiers outside of building, troops in distance. Unbound; in maroon cloth portfolio case, red leather label stamped gold. Title supplied by cataloger. Leichtenstein-Hauslab Collection, 1951.
One of a collection of 6 etched plates by and after Klein showing military transport and cavalry mounted in album. Camp scene with soldiers, horses and figure working on pistol outside of a tent. One of a collection of 6 etched plates by and after Klein showing military transport and cavalry mounted in album. Camp scene with soldiers, horses and figure working on pistol outside of a tent. Small oblong folio; red cloth, white leather label stamped gold. Leichtenstein-Hauslab Collection, 1951.
Arranged by S. Knaebel For piano Cover title.
Original ink drawing, signed and dated by artist; profile view of soldier seated at table, writing. Original ink drawing, signed and dated by artist; profile view of soldier seated at table, writing. Upright folio; no margins; clean.
Original ink and watercolor drawing, signed and dated by artist; 3 soldiers seated on cots, playing cards. Original ink and watercolor drawing, signed and dated by artist; 3 soldiers seated on cots, playing cards. Oblong small folio; no margins; clean.
Original ink drawing, signed and dated by artist; side view of soldier seated on chair or bunk, reading papers, cigar in hand. Original ink drawing, signed and dated by artist; side view of soldier seated on chair or bunk, reading papers, cigar in hand. Oblong folio; no margins; clean.
Color lithograph by Bien, 'Sketched by R.W. Rock'; view of encampment and surrounding landscape, small figures at review in foreground, men and women spectators. R.W. Rock was the pseudonym of John C. Thompson, a corporal in the regiment and author of 'History of the Eleventh Regiment, Rhode Island Volunteers, in the war of the rebellion' (1881). A former Confederate outpost, Minor's Hill was the site of a large Union cantonment housing the reserve force supporting Federal outposts in Fairfax County. This image depicts 'Camp Owen, the camp of the 11th Rhode Island Infantry Regiment. It shows approximately 100 tents, in ten neat lines of ten tents each, as well as regimental headquarters tents. Of particular interest: a line of wooden huts may be seen—the same huts described in letters written by the soldiers who constructed them. The wood was removed from surrounding farms' -- Wikipedia. Veterans of the regiment held a reunion there on September 21, 1892. Color lithograph by Bien, 'Sketched by R.W. Rock'; view of encampment and surrounding landscape, small figures at review in foreground, men and women spectators. R.W. Rock was the pseudonym of John C. Thompson, a corporal in the regiment and author of 'History of the Eleventh Regiment, Rhode Island Volunteers, in the war of the rebellion' (1881). A former Confederate outpost, Minor's Hill was the site of a large Union cantonment housing the reserve force supporting Federal outposts in Fairfax County. This image depicts 'Camp Owen, the camp of the 11th Rhode Island Infantry Regiment. It shows approximately 100 tents, in ten neat lines of ten tents each, as well as regimental headquarters tents. Of particular interest: a line of wooden huts may be seen—the same huts described in letters written by the soldiers who constructed them. The wood was removed from surrounding farms' -- Wikipedia. Veterans of the regiment held a reunion there on September 21, 1892. Small oblong folio; margins; lower right corner bent, some slight soiling. Providence, James Tyson, 1952.
Color lithograph by Sachse & Co.; bird's-eye view of tent encampment, showing many small soldier figures, looking across harbor towards city. Color lithograph by Sachse & Co.; bird's-eye view of tent encampment, showing many small soldier figures, looking across harbor towards city. Oblong medium folio, matted; margins; stained. N.Y., Old Print Shop, 1969.
Original stereoview photograph by B.L. Singley and published by Keystone View Company of the camp of the British Seventh Division in Bloemfontein, South Africa. Three soldiers sitting on a rock, with troops in the distance. Original stereoview photograph by B.L. Singley and published by Keystone View Company of the camp of the British Seventh Division in Bloemfontein, South Africa. Three soldiers sitting on a rock, with troops in the distance. Oblong small folio; mounted on tan board; creased.
1st in pair of colored lithographs by and after Burgess; tent encampment showing soldiers eating, relaxing etc., and some at right for roll call or inspection. [See also: A Field Day of the Highland Brigade, Dover and Camps of 44th & 49th Regiments, Arch Cliff fort, Dover]. 1st in pair of colored lithographs by and after Burgess; tent encampment showing soldiers eating, relaxing etc., and some at right for roll call or inspection. [See also: A Field Day of the Highland Brigade, Dover and Camps of 44th & 49th Regiments, Arch Cliff fort, Dover]. Oblong folio, matted; margins intact; clean. New York, Harry H. Hymes, 1947.
1st of 2 unsigned pencil sketches and 1 charcoal sketch, this one a pencil sketch with illegible date; bust portrait of two French officers. 1st of 2 unsigned pencil sketches and 1 charcoal sketch, this one a pencil sketch with illegible date; bust portrait of two French officers. Small oblong folio, matted; margins; slight foxing, stamp of Raffet sale. Brussels, Delacre sale, 1961.
2nd of 2 unsigned pencil sketches and 1 charcoal sketch, this one a pencil sketch with illegible date; portrait heads of nine French soldiers. 2nd of 2 unsigned pencil sketches and 1 charcoal sketch, this one a pencil sketch with illegible date; portrait heads of nine French soldiers. Small oblong folio, matted; margins; slight foxing, stamp of Raffet sale. Brussels, Delacre sale, 1961.
Original pencil sketch signed and dated by Chapman; soldier standing guard with grounded rifle, behind high barbed-wire fence. Original pencil sketch signed and dated by Chapman; soldier standing guard with grounded rifle, behind high barbed-wire fence. Chapman served in the U.S. Army and sketched scenes stateside, in convoy, and in England before being transferred in 1944 to the Public Relations and Historical Section of the 84th Infantry Division to produce work on the Battle of Germany. He also did cartoons for the 84th divisional newspaper and Stars & Stripes.
Colored lithograph by Bufford; panoramic view of militia units in review, tent camp in background, spectators at left. Colored lithograph by Bufford; panoramic view of militia units in review, tent camp in background, spectators at left. Large oblong folio, matted; margins intact; clean. Boston, Goodspeed, 1968.
Colored lithograph; view of tent encampment, lake in foreground. Colored lithograph; view of tent encampment, lake in foreground. Small oblong folio, matted; margins intact; soiled. N.Y., Old Print Shop, 1951.
Original wash drawing by Beard probably for magazine; 4 large illustrations of camp scenes, showing cavalry training, camp barbering watched by two women, soldier eating pie, washing dishes, etc., with pencil manuscript captions. Original wash drawing by Beard probably for magazine; 4 large illustrations of camp scenes, showing cavalry training, camp barbering watched by two women, soldier eating pie, washing dishes, etc., with pencil manuscript captions. Pencil captions (top): Green horses and green men; (middle): They like to have their best girls call but don't like them to come unannounced; (right): Mother's pie - [its like home?]; (bottom): Washing dishes; The dinner table. New York, Milton L. Bernstein, 1948.
Unsigned pencil sketch of troops milling around at Camp Lee, some seated. Unsigned pencil sketch of troops milling around at Camp Lee, some seated. Oblong medium folio; no margins; yellowed.
6th in collection of 6 original pencil drawings signed and dated by Walker; semi-caricature of 3 cavalrymen preparing to mount horses, horse in center nipping soldier on the leg; more horses in background. 6th in collection of 6 original pencil drawings signed and dated by Walker; semi-caricature of 3 cavalrymen preparing to mount horses, horse in center nipping soldier on the leg; more horses in background. Oblong medium folio; margins; yellowed; in large folio slipcase of blue cloth, dark blue morocco back st. gold "Civil War drawings. James Walker".
Hand-colored line-lithograph; view of tent encampment in woods. Hand-colored line-lithograph; view of tent encampment in woods. Small oblong folio; margins intact; worn, very creased, foxed. Rutland, Vt., Tuttle, 1969.
Original pencil sketch signed and dated by Chapman; view of one-story bunkhouse in camp. Original pencil sketch signed and dated by Chapman; view of one-story bunkhouse in camp. Chapman served in the U.S. Army and sketched scenes stateside, in convoy, and in England before being transferred in 1944 to the Public Relations and Historical Section of the 84th Infantry Division to produce work on the Battle of Germany. He also did cartoons for the 84th divisional newspaper and Stars & Stripes.
Original pencil sketch signed and dated by Chapman; view of street in camp, between rows of large tents with wooden walkways. Original pencil sketch signed and dated by Chapman; view of street in camp, between rows of large tents with wooden walkways. Chapman served in the U.S. Army and sketched scenes stateside, in convoy, and in England before being transferred in 1944 to the Public Relations and Historical Section of the 84th Infantry Division to produce work on the Battle of Germany. He also did cartoons for the 84th divisional newspaper and Stars & Stripes.
composed and dedicated to the New York City Guards Glee Club, and performed by the class of the New York Vocal Institute in presence of the Mayor and Corporation, by George Loder. Illustrated cover: Thayer & Co., Lith., Boston, showing figure in uniform against background of tents etc. G.W. Quidor, Engvr. For TTBB and piano.
Original watercolor signed and dated by Bierly; scene of military trucks, with cannon or howitzer, parked in rain soaked camp yard, buildings in background. Unfinished watercolor landscape with country road on verso. Original watercolor signed and dated by Bierly; scene of military trucks, with cannon or howitzer, parked in rain soaked camp yard, buildings in background. Unfinished watercolor landscape with country road on verso. Bierly served with the 603rd Engineer Camouflage Battalion at Fort Meade during most of 1943 before joining the 635th Engineer Camouflage Company in England.
