Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection
This vast digital collection of military artwork from the 16th through 20th centuries, vividly documents all aspects of military and naval history, with emphasis on the history and illustration of world military and naval uniforms from the 17th century to the present. In addition to the material on military and naval dress, the collection contains thousands of battle and campaign scenes, portraits, caricatures, wartime posters, original photographs, material pertaining to military decorations and insignia, heraldic ornaments, armor, weaponry, equitation, flags, knightly orders, court and ceremonial dress, architecture, and the general history of costume.
Hand-colored etched caricature with 2 illustrations on same sheet; 1 showing Duke of York in uniform receiving attention from his wife, Charlotte; 2nd showing Queen Charlotte in room feeding and attending numerous dogs. Hand-colored etched caricature with 2 illustrations on same sheet; 1 showing Duke of York in uniform receiving attention from his wife, Charlotte; 2nd showing Queen Charlotte in room feeding and attending numerous dogs. Small oblong folio, mounted on blue paper; margins trimmed; clean. N.Y., Walter Schatzki, 1961.
Photogravure after painting by Isabey; standing and seated personages and diplomats near conference table in palace. Photogravure after painting by Isabey; standing and seated personages and diplomats near conference table in palace. Large oblong folio, on white paper mount; margins intact. New York, Rockman Prints, 1955.
Hand-colored unsigned engraving caricature plate printed by H. Delius; rulers toasting each other before map of Europe, figures of numerous kings, officers, Jewish money-lenders etc. at right, victorious and overpowered heraldic eagles and beasts, arms etc. above and below. Hand-colored unsigned engraving caricature plate printed by H. Delius; rulers toasting each other before map of Europe, figures of numerous kings, officers, Jewish money-lenders etc. at right, victorious and overpowered heraldic eagles and beasts, arms etc. above and below. Upright folio, mounted on tan paper, matted; margins; clean. N.Y., Walter Schatzki, 1959.
Blank engraved discharge certificate by Godefroy after Vernet; design of monument with allegorical figures in center, hussar and volunteer soldier at either end. Blank engraved discharge certificate by Godefroy after Vernet; design of monument with allegorical figures in center, hussar and volunteer soldier at either end. Oblong medium folio, matted; margins trimmed close; slightly soiled. New York, Walter Schatzki, 1949.
One of a collection of 16 watercolors by Lawson from original documents owned by the Belgian government; standing single uniform figures. Figure in green and khaki holding rifle. One of a collection of 16 watercolors by Lawson from original documents owned by the Belgian government; standing single uniform figures. Figure in green and khaki holding rifle. Upright, unbound; in maroon cloth portfolio, red leather labels stamped gold "Foreign Troops in Bruges, 1793."
One of a collection of 16 watercolors by Lawson of uniform figures from original documents owned by the Belgian government; standing single uniform figures. Figure in red and white holding rifle. One of a collection of 16 watercolors by Lawson of uniform figures from original documents owned by the Belgian government; standing single uniform figures. Figure in red and white holding rifle. Unbound; in maroon cloth portfolio, red leather labels stamped gold "Foreign Troops in Bruges, 1793."
One of a collection of 13 original photographs, some with pencil captions. Military, naval and civilian officers at a meeting table. One of a collection of 13 original photographs, some with pencil captions. Military, naval and civilian officers at a meeting table. Oblong, no margins; in small green cloth portfolio stamped red "German and Colonial Troops, World War I. Photographs". German and Russian delegation during the preliminary armistice negotiations for the Treaty of Brest-Litovsk (March 3, 1918), probably taken in December 1917 New York, Rockman Prints, 1960.
One of a collection of 16 mounted color lithograph plates after Eckert and Dietrich Monten of uniforms. Line of soldiers with rifles, some firing. One of a collection of 16 mounted color lithograph plates after Eckert and Dietrich Monten of uniforms. Line of soldiers with rifles, some firing. Folio, bound in 1/4 black morocco and marble boards stamped gold "Eckert et Weiss - Armée Suisse"; some creasing at top corner, title cut away and mounted below. Zörich, August Laube, 1953.
One of a collection of 16 mounted color lithograph plates after Eckert and Dietrich Monten of uniforms. Officer on brown horse, soldier standing to the right. One of a collection of 16 mounted color lithograph plates after Eckert and Dietrich Monten of uniforms. Officer on brown horse, soldier standing to the right. Folio; bound in 1/4 black morocco and marble boards stamped gold "Eckert et Weiss - Armée Suisse"; some foxing; title cut off and mounted below. Zürich, August Laube, 1953.
One of a collection of 16 mounted color lithograph plates (after Eckert and Dietrich Monten) of uniforms. 4 figures, one mounted on brown horse, one standing next to cannon pointing to this left, two others holding rifles. One of a collection of 16 mounted color lithograph plates (after Eckert and Dietrich Monten) of uniforms. 4 figures, one mounted on brown horse, one standing next to cannon pointing to this left, two others holding rifles. Folio; bound in 1/4 black morocco and marble boards tamped gold "Eckert et Weiss - Armée Suisse"; worn, torn, yellowed. Zürich, August Laube, 1953.
One of a collection of 16 mounted color lithograph plates (after Eckert and Dietrich Monten) of uniforms. Officer in navy and red with sword on brown horse facing right. One of a collection of 16 mounted color lithograph plates (after Eckert and Dietrich Monten) of uniforms. Officer in navy and red with sword on brown horse facing right. Folio; bound in 1/4 black morocco and marble boards stamped gold "Eckert et Weiss - Armée Suisse"; some foxing. Zürich, August Laube, 1953.
One of a collection of 16 mounted color lithograph plates (after Eckert and Dietrich Monten) of uniforms. 4 soldiers standing outside building, one pointing to his right. One of a collection of 16 mounted color lithograph plates (after Eckert and Dietrich Monten) of uniforms. 4 soldiers standing outside building, one pointing to his right. Folio; bound in 1/4 black morocco and marble boards stamped gold "Eckert et Weiss - Armé Suisse"; page worn and yellowed. Zürich, August Laube, 1953.
One of a collection of 16 mounted color lithograph plates after Eckert and Dietrich Monten of uniforms. 4 figures in conversation, one seated on brick wall. One of a collection of 16 mounted color lithograph plates after Eckert and Dietrich Monten of uniforms. 4 figures in conversation, one seated on brick wall. Folio; bound in 1/4 black morocco and marble boards stamped gold "Eckert et Weiss - Armée Suisse"; top corners worn; title cut away and mounted below. Zürich, August Laube, 1953.
From a newspaper clipping inserted: The Art Work of a Southern Prisoner of War Possessed by Post Brown, G.A.R. Comrade A.P. Shearman of Post Brown, G.A.R., received the other day from J.W. Hosier of Suffolk, Va., as relics of the war five pictures of confederate officers and soldiers, wrought in crayon or india ink upon pasteboard evidently cut from boxes such as are common in dry goods stores. They were the work of a confederate soldier, a prisoner in Fort Norfolk during the war. The pictures are no common affairs but striking in pose, expression and minute details, giving evidence of no ordinary artistic skill. The history of them so far as can be ascertained is given in the following extract from Mr. Hosier's letter of Feb. 16: "I send you today by mail five cards which I got from an old colored woman. This history as she tells it is as follows: She with several others was engaged to clean out the prison at Fort Norfolk after it had been abandoned as a federal prison. With many other things she found these pictures, fifteen in all. Ten of them she sold 7 years ago. The supposition is that some confederate prisoner did this work while in prison. I asked my brother, who escaped the federal balls, if he saw anything of the kind while he was there. (This brother and his father were inmates of the prison fourteen months.) He said he did not remember, but he knew there was a soldier in the prison from South Carolina who was a great artist, and at his leisure was sketching everybody he saw. I would like to have got hold of the other ten pictures which she tells me were considered much better than these, and represented life in prison. Accept these from me as a gift to your post." Mr. Hosier is in a real estate agency at Suffolk. During the visit of veterans of the 112th to Suffolk at the time of the Washington encampment last year he spared no pains to make their stay pleasant and assist them to find localities familiar in the experiences of '62-'63. The gift will be highly prized by Post Brown. From a newspaper clipping inserted: The Art Work of a Southern Prisoner of War Possessed by Post Brown, G.A.R. Comrade A.P. Shearman of Post Brown, G.A.R., received the other day from J.W. Hosier of Suffolk, Va., as relics of the war five pictures of confederate officers and soldiers, wrought in crayon or india ink upon pasteboard evidently cut from boxes such as are common in dry goods stores. They were the work of a confederate soldier, a prisoner in Fort Norfolk during the war. The pictures are no common affairs but striking in pose, expression and minute details, giving evidence of no ordinary artistic skill. The history of them so far as can be ascertained is given in the following extract from Mr. Hosier's letter of Feb. 16: "I send you today by mail five cards which I got from an old colored woman. This history as she tells it is as follows: She with several others was engaged to clean out the prison at Fort Norfolk after it had been abandoned as a federal prison. With many other things she found these pictures, fifteen in all. Ten of them she sold 7 years ago. The supposition is that some confederate prisoner did this work while in prison. I asked my brother, who escaped the federal balls, if he saw anything of the kind while he was there. (This brother and his father were inmates of the prison fourteen months.) He said he did not remember, but he knew there was a soldier in the prison from South Carolina who was a great artist, and at his leisure was sketching everybody he saw. I would like to have got hold of the other ten pictures which she tells me were considered much better than these, and represented life in prison. Accept these from me as a gift to your post." Mr. Hosier is in a real estate agency at Suffolk. During the visit of veterans of the 112th to Suffolk at the time of the Washington encampment last year he spared no pains to make their stay pleasant and assist them to find localities familiar in the experiences of '62-'63. The gift will be highly prized by Post Brown.
From a newspaper clipping inserted: The Art Work of a Southern Prisoner of War Possessed by Post Brown, G.A.R. Comrade A.P. Shearman of Post Brown, G.A.R., received the other day from J.W. Hosier of Suffolk, Va., as relics of the war five pictures of confederate officers and soldiers, wrought in crayon or india ink upon pasteboard evidently cut from boxes such as are common in dry goods stores. They were the work of a confederate soldier, a prisoner in Fort Norfolk during the war. The pictures are no common affairs but striking in pose, expression and minute details, giving evidence of no ordinary artistic skill. The history of them so far as can be ascertained is given in the following extract from Mr. Hosier's letter of Feb. 16: "I send you today by mail five cards which I got from an old colored woman. This history as she tells it is as follows: She with several others was engaged to clean out the prison at Fort Norfolk after it had been abandoned as a federal prison. With many other things she found these pictures, fifteen in all. Ten of them she sold 7 years ago. The supposition is that some confederate prisoner did this work while in prison. I asked my brother, who escaped the federal balls, if he saw anything of the kind while he was there. (This brother and his father were inmates of the prison fourteen months.) He said he did not remember, but he knew there was a soldier in the prison from South Carolina who was a great artist, and at his leisure was sketching everybody he saw. I would like to have got hold of the other ten pictures which she tells me were considered much better than these, and represented life in prison. Accept these from me as a gift to your post." Mr. Hosier is in a real estate agency at Suffolk. During the visit of veterans of the 112th to Suffolk at the time of the Washington encampment last year he spared no pains to make their stay pleasant and assist them to find localities familiar in the experiences of '62-'63. The gift will be highly prized by Post Brown. From a newspaper clipping inserted: The Art Work of a Southern Prisoner of War Possessed by Post Brown, G.A.R. Comrade A.P. Shearman of Post Brown, G.A.R., received the other day from J.W. Hosier of Suffolk, Va., as relics of the war five pictures of confederate officers and soldiers, wrought in crayon or india ink upon pasteboard evidently cut from boxes such as are common in dry goods stores. They were the work of a confederate soldier, a prisoner in Fort Norfolk during the war. The pictures are no common affairs but striking in pose, expression and minute details, giving evidence of no ordinary artistic skill. The history of them so far as can be ascertained is given in the following extract from Mr. Hosier's letter of Feb. 16: "I send you today by mail five cards which I got from an old colored woman. This history as she tells it is as follows: She with several others was engaged to clean out the prison at Fort Norfolk after it had been abandoned as a federal prison. With many other things she found these pictures, fifteen in all. Ten of them she sold 7 years ago. The supposition is that some confederate prisoner did this work while in prison. I asked my brother, who escaped the federal balls, if he saw anything of the kind while he was there. (This brother and his father were inmates of the prison fourteen months.) He said he did not remember, but he knew there was a soldier in the prison from South Carolina who was a great artist, and at his leisure was sketching everybody he saw. I would like to have got hold of the other ten pictures which she tells me were considered much better than these, and represented life in prison. Accept these from me as a gift to your post." Mr. Hosier is in a real estate agency at Suffolk. During the visit of veterans of the 112th to Suffolk at the time of the Washington encampment last year he spared no pains to make their stay pleasant and assist them to find localities familiar in the experiences of '62-'63. The gift will be highly prized by Post Brown.
From a newspaper clipping inserted: The Art Work of a Southern Prisoner of War Possessed by Post Brown, G.A.R. Comrade A.P. Shearman of Post Brown, G.A.R., received the other day from J.W. Hosier of Suffolk, Va., as relics of the war five pictures of confederate officers and soldiers, wrought in crayon or india ink upon pasteboard evidently cut from boxes such as are common in dry goods stores. They were the work of a confederate soldier, a prisoner in Fort Norfolk during the war. The pictures are no common affairs but striking in pose, expression and minute details, giving evidence of no ordinary artistic skill. The history of them so far as can be ascertained is given in the following extract from Mr. Hosier's letter of Feb. 16: "I send you today by mail five cards which I got from an old colored woman. This history as she tells it is as follows: She with several others was engaged to clean out the prison at Fort Norfolk after it had been abandoned as a federal prison. With many other things she found these pictures, fifteen in all. Ten of them she sold 7 years ago. The supposition is that some confederate prisoner did this work while in prison. I asked my brother, who escaped the federal balls, if he saw anything of the kind while he was there. (This brother and his father were inmates of the prison fourteen months.) He said he did not remember, but he knew there was a soldier in the prison from South Carolina who was a great artist, and at his leisure was sketching everybody he saw. I would like to have got hold of the other ten pictures which she tells me were considered much better than these, and represented life in prison. Accept these from me as a gift to your post." Mr. Hosier is in a real estate agency at Suffolk. During the visit of veterans of the 112th to Suffolk at the time of the Washington encampment last year he spared no pains to make their stay pleasant and assist them to find localities familiar in the experiences of '62-'63. The gift will be highly prized by Post Brown. From a newspaper clipping inserted: The Art Work of a Southern Prisoner of War Possessed by Post Brown, G.A.R. Comrade A.P. Shearman of Post Brown, G.A.R., received the other day from J.W. Hosier of Suffolk, Va., as relics of the war five pictures of confederate officers and soldiers, wrought in crayon or india ink upon pasteboard evidently cut from boxes such as are common in dry goods stores. They were the work of a confederate soldier, a prisoner in Fort Norfolk during the war. The pictures are no common affairs but striking in pose, expression and minute details, giving evidence of no ordinary artistic skill. The history of them so far as can be ascertained is given in the following extract from Mr. Hosier's letter of Feb. 16: "I send you today by mail five cards which I got from an old colored woman. This history as she tells it is as follows: She with several others was engaged to clean out the prison at Fort Norfolk after it had been abandoned as a federal prison. With many other things she found these pictures, fifteen in all. Ten of them she sold 7 years ago. The supposition is that some confederate prisoner did this work while in prison. I asked my brother, who escaped the federal balls, if he saw anything of the kind while he was there. (This brother and his father were inmates of the prison fourteen months.) He said he did not remember, but he knew there was a soldier in the prison from South Carolina who was a great artist, and at his leisure was sketching everybody he saw. I would like to have got hold of the other ten pictures which she tells me were considered much better than these, and represented life in prison. Accept these from me as a gift to your post." Mr. Hosier is in a real estate agency at Suffolk. During the visit of veterans of the 112th to Suffolk at the time of the Washington encampment last year he spared no pains to make their stay pleasant and assist them to find localities familiar in the experiences of '62-'63. The gift will be highly prized by Post Brown.
From a newspaper clipping inserted: The Art Work of a Southern Prisoner of War Possessed by Post Brown, G.A.R. Comrade A.P. Shearman of Post Brown, G.A.R., received the other day from J.W. Hosier of Suffolk, Va., as relics of the war five pictures of confederate officers and soldiers, wrought in crayon or india ink upon pasteboard evidently cut from boxes such as are common in dry goods stores. They were the work of a confederate soldier, a prisoner in Fort Norfolk during the war. The pictures are no common affairs but striking in pose, expression and minute details, giving evidence of no ordinary artistic skill. The history of them so far as can be ascertained is given in the following extract from Mr. Hosier's letter of Feb. 16: "I send you today by mail five cards which I got from an old colored woman. This history as she tells it is as follows: She with several others was engaged to clean out the prison at Fort Norfolk after it had been abandoned as a federal prison. With many other things she found these pictures, fifteen in all. Ten of them she sold 7 years ago. The supposition is that some confederate prisoner did this work while in prison. I asked my brother, who escaped the federal balls, if he saw anything of the kind while he was there. (This brother and his father were inmates of the prison fourteen months.) He said he did not remember, but he knew there was a soldier in the prison from South Carolina who was a great artist, and at his leisure was sketching everybody he saw. I would like to have got hold of the other ten pictures which she tells me were considered much better than these, and represented life in prison. Accept these from me as a gift to your post." Mr. Hosier is in a real estate agency at Suffolk. During the visit of veterans of the 112th to Suffolk at the time of the Washington encampment last year he spared no pains to make their stay pleasant and assist them to find localities familiar in the experiences of '62-'63. The gift will be highly prized by Post Brown. From a newspaper clipping inserted: The Art Work of a Southern Prisoner of War Possessed by Post Brown, G.A.R. Comrade A.P. Shearman of Post Brown, G.A.R., received the other day from J.W. Hosier of Suffolk, Va., as relics of the war five pictures of confederate officers and soldiers, wrought in crayon or india ink upon pasteboard evidently cut from boxes such as are common in dry goods stores. They were the work of a confederate soldier, a prisoner in Fort Norfolk during the war. The pictures are no common affairs but striking in pose, expression and minute details, giving evidence of no ordinary artistic skill. The history of them so far as can be ascertained is given in the following extract from Mr. Hosier's letter of Feb. 16: "I send you today by mail five cards which I got from an old colored woman. This history as she tells it is as follows: She with several others was engaged to clean out the prison at Fort Norfolk after it had been abandoned as a federal prison. With many other things she found these pictures, fifteen in all. Ten of them she sold 7 years ago. The supposition is that some confederate prisoner did this work while in prison. I asked my brother, who escaped the federal balls, if he saw anything of the kind while he was there. (This brother and his father were inmates of the prison fourteen months.) He said he did not remember, but he knew there was a soldier in the prison from South Carolina who was a great artist, and at his leisure was sketching everybody he saw. I would like to have got hold of the other ten pictures which she tells me were considered much better than these, and represented life in prison. Accept these from me as a gift to your post." Mr. Hosier is in a real estate agency at Suffolk. During the visit of veterans of the 112th to Suffolk at the time of the Washington encampment last year he spared no pains to make their stay pleasant and assist them to find localities familiar in the experiences of '62-'63. The gift will be highly prized by Post Brown.
From a newspaper clipping inserted: The Art Work of a Southern Prisoner of War Possessed by Post Brown, G.A.R. Comrade A.P. Shearman of Post Brown, G.A.R., received the other day from J.W. Hosier of Suffolk, Va., as relics of the war five pictures of confederate officers and soldiers, wrought in crayon or india ink upon pasteboard evidently cut from boxes such as are common in dry goods stores. They were the work of a confederate soldier, a prisoner in Fort Norfolk during the war. The pictures are no common affairs but striking in pose, expression and minute details, giving evidence of no ordinary artistic skill. The history of them so far as can be ascertained is given in the following extract from Mr. Hosier's letter of Feb. 16: "I send you today by mail five cards which I got from an old colored woman. This history as she tells it is as follows: She with several others was engaged to clean out the prison at Fort Norfolk after it had been abandoned as a federal prison. With many other things she found these pictures, fifteen in all. Ten of them she sold 7 years ago. The supposition is that some confederate prisoner did this work while in prison. I asked my brother, who escaped the federal balls, if he saw anything of the kind while he was there. (This brother and his father were inmates of the prison fourteen months.) He said he did not remember, but he knew there was a soldier in the prison from South Carolina who was a great artist, and at his leisure was sketching everybody he saw. I would like to have got hold of the other ten pictures which she tells me were considered much better than these, and represented life in prison. Accept these from me as a gift to your post." Mr. Hosier is in a real estate agency at Suffolk. During the visit of veterans of the 112th to Suffolk at the time of the Washington encampment last year he spared no pains to make their stay pleasant and assist them to find localities familiar in the experiences of '62-'63. The gift will be highly prized by Post Brown. From a newspaper clipping inserted: The Art Work of a Southern Prisoner of War Possessed by Post Brown, G.A.R. Comrade A.P. Shearman of Post Brown, G.A.R., received the other day from J.W. Hosier of Suffolk, Va., as relics of the war five pictures of confederate officers and soldiers, wrought in crayon or india ink upon pasteboard evidently cut from boxes such as are common in dry goods stores. They were the work of a confederate soldier, a prisoner in Fort Norfolk during the war. The pictures are no common affairs but striking in pose, expression and minute details, giving evidence of no ordinary artistic skill. The history of them so far as can be ascertained is given in the following extract from Mr. Hosier's letter of Feb. 16: "I send you today by mail five cards which I got from an old colored woman. This history as she tells it is as follows: She with several others was engaged to clean out the prison at Fort Norfolk after it had been abandoned as a federal prison. With many other things she found these pictures, fifteen in all. Ten of them she sold 7 years ago. The supposition is that some confederate prisoner did this work while in prison. I asked my brother, who escaped the federal balls, if he saw anything of the kind while he was there. (This brother and his father were inmates of the prison fourteen months.) He said he did not remember, but he knew there was a soldier in the prison from South Carolina who was a great artist, and at his leisure was sketching everybody he saw. I would like to have got hold of the other ten pictures which she tells me were considered much better than these, and represented life in prison. Accept these from me as a gift to your post." Mr. Hosier is in a real estate agency at Suffolk. During the visit of veterans of the 112th to Suffolk at the time of the Washington encampment last year he spared no pains to make their stay pleasant and assist them to find localities familiar in the experiences of '62-'63. The gift will be highly prized by Post Brown.
Sheet with 24 engraved bust portraits, each in red ornamental border; cabinet members and officers, of whom 21 are shown in uniform. Sheet with 24 engraved bust portraits, each in red ornamental border; cabinet members and officers, of whom 21 are shown in uniform. Oblong medium folio; margins intact; creased, foxed. Boston, Edward Morrill, 1956.
Color lithograph; group portrait, outdoors, showing uniforms, subordinate figures at left and right background, showing various uniforms, troops exercising in distant landscape background. Color lithograph; group portrait, outdoors, showing uniforms, subordinate figures at left and right background, showing various uniforms, troops exercising in distant landscape background. Large oblong folio, matted giant folio; margins intact; margins slightly soiled. Presented by Langbourne Williams, 1942. Title supplied by cataloger.
Color print of original signed watercolor by Lelièpvre; mounted Confederate cavalryman carrying Confederate flag, facing right. Color print of original signed watercolor by Lelièpvre; mounted Confederate cavalryman carrying Confederate flag, facing right. Upright large folio, matted; narrow margins; clean. title provided by cataloger
One of a collection of 16 mounted color lithograph plates (after Eckert and Dietrich Monten) of uniforms. Officer in navy and red facing infantry commander holding paper, two other infantrymen standing next to him, and other soldiers in background. One of a collection of 16 mounted color lithograph plates (after Eckert and Dietrich Monten) of uniforms. Officer in navy and red facing infantry commander holding paper, two other infantrymen standing next to him, and other soldiers in background. Folio; bound in 1/4 black morocco and marble boards stamped gold "Eckert et Weiss - Armée Suisse"; margins trimmed, slightly yellowed. Zürich, August Laube, 1953.
One of a collection of 16 mounted color lithograph plates after Eckert and Dietrich Monten of uniforms, Two soldiers walking with packs on their backs following mounted troops. One of a collection of 16 mounted color lithograph plates after Eckert and Dietrich Monten of uniforms, Two soldiers walking with packs on their backs following mounted troops. Folio, bound in 1/4 black morocco and marble boards stamped gold "Eckert et Weiss - Armée Suisse"; slight creasing at top corners, title cut away and mounted below. Zürich, August Laube, 1953.
1 of 40 original unsigned original watercolors of uniform figures, including Austrian, Hungarian, Russian, German, and one British, some drawn for Costumes Militaires, several by or after Finart; and 2 engraved plates; all mounted in album
70th in series of 115 colored prints of oil paintings, signed by Legras, of uniform figures from various military units; mounted artillery officer in dark green uniform, red trim, shako, facing right.. 70th in series of 115 colored prints of oil paintings, signed by Legras, of uniform figures from various military units; mounted artillery officer in dark green uniform, red trim, shako, facing right.. Upright folio, unbound, in green portfolio with white label, "Etudes de types militaires"; clean. title provided by cataloger
1 of 40 original unsigned original watercolors of uniform figures, including Austrian, Hungarian, Russian, German, and one British, some drawn for Costumes Militaires, several by or after Finart; and 2 engraved plates; all mounted in album
Hand colored engraving by N. Le Mire after Le Paon; full-length portrait of Lafayette in uniform, horse and black attendant at right, armies in battle in left background. Hand colored engraving by N. Le Mire after Le Paon; full-length portrait of Lafayette in uniform, horse and black attendant at right, armies in battle in left background. Upright folio, mounted on gray board, matted; margins trimmed; clean. London, Parker, 1961.
Original unsigned preliminary ink and wash sketch, with tinted border, for engraving by N. le Mire after le Paon; full-length portrait of Lafayette in uniform, horse and attendant at right, armies in battle in left background. Original unsigned preliminary ink and wash sketch, with tinted border, for engraving by N. le Mire after le Paon; full-length portrait of Lafayette in uniform, horse and attendant at right, armies in battle in left background. Upright folio mounted on gray board, matted; margins trimmed; clean. N.Y., Argosy, 1954. title provided by cataloger
Hand-colored etched caricature (after William Heath?), published June 5th, 1822; Royal dukes and their ladies (the Duke of Sussex and his daughter?, and the Duke of Duchess of Cambridge or Gloucesters? ) approaching with charity envelopes, repelled by snorting unicorn and roaring lion at right, with arm of Lady Conyngham holding out message from center of Royal Arms. Hand-colored etched caricature (after William Heath?), published June 5th, 1822; Royal dukes and their ladies (the Duke of Sussex and his daughter?, and the Duke of Duchess of Cambridge or Gloucesters? ) approaching with charity envelopes, repelled by snorting unicorn and roaring lion at right, with arm of Lady Conyngham holding out message from center of Royal Arms. Small oblong folio; margins trimmed; clean. N.Y., Walter Schatzki, 1964.
Lithograph by Hartwich after Kaiser; dying general supported by soldiers in foreground, battle in mountain village in background. Lithograph by Hartwich after Kaiser; dying general supported by soldiers in foreground, battle in mountain village in background. Large oblong folio, matted; margins intact; clean. Hamburg, Schulz, 1953.