Colored aquatint by Fry & Sutherland after Heath; equestrian group portrait of Wellington and other officers at left center, battle in right background. Colored aquatint by Fry & Sutherland after Heath; equestrian group portrait of Wellington and other officers at left center, battle in right background. Large oblong folio, matted; plate mark, margins trimmed; worn, margins soiled. London, Parker Gallery, 1955.
Hand-colored aquatint by Burkitt and Hudson; vast battle scene with masses of infantry and cavalry in combat. Hand-colored aquatint by Burkitt and Hudson; vast battle scene with masses of infantry and cavalry in combat. Large oblong folio; margins; margins worn, stained.
Masses of cavalry and infantry in combat. Hand colored aquatint published 17th Feby. 1817. Masses of cavalry and infantry in combat. Hand colored aquatint published 17th Feby. 1817. Engraving on paper. Old Lyme, CT, Christopher Bryant, 2000
Hand-colored engraving by Robertson after Hamilton, published March 25th, 1783; combat at sea with boats in foreground near burning ships, artillery fire and fortress in background. Hand-colored engraving by Robertson after Hamilton, published March 25th, 1783; combat at sea with boats in foreground near burning ships, artillery fire and fortress in background. Large oblong folio, matted; margins trimmed; edges worn. London, Parker Gallery, 1953.
Color aquatint by Hubert & Stadler after Captain Jahleel Brenton, published May 19th, 1802; ships in harbor being loaded by sailors; officers, spectators, woman with sweetheart, peddlers etc. on dock in foreground. Color aquatint by Hubert & Stadler after Captain Jahleel Brenton, published May 19th, 1802; ships in harbor being loaded by sailors; officers, spectators, woman with sweetheart, peddlers etc. on dock in foreground. Large oblong folio, matted; plate mark, margins intact; clean. London, Spencer, 1955.
Hand-colored aquatint by and after Page; standing figure in uniform, arm extended to point, outdoors. Hand-colored aquatint by and after Page; standing figure in uniform, arm extended to point, outdoors. Upright folio, matted; margins; repaired tears, soiled.. London, Parker Gallery, 1951.
Partially colored aquatint by F.C. Lewis after Creen; standing uniform figure, outdoors, with upraised left arm, small figures parading in right background. Partially colored aquatint by F.C. Lewis after Creen; standing uniform figure, outdoors, with upraised left arm, small figures parading in right background. Upright folio, matted; margins trimmed; creased; clean. Bedford, Peter Young, 1950.
One of 3 color aquatint plates after Tomkins of uniform figures, outdoors; soldier moving left gesturing with left hand, other riflemen behind him firing from various standing, kneeling, and prone positions One of 3 color aquatint plates after Tomkins of uniform figures, outdoors; soldier moving left gesturing with left hand, other riflemen behind him firing from various standing, kneeling, and prone positions Upright folio, matted; margins trimmed; soiled. London, Parker Gallery, 1949.
Mezzotint by Turner after Shee, published Sepr. 18, 1813; full-length portrait in uniform, outdoors, hat on ledge at left, smaller mounted figures in right background. Mezzotint by Turner after Shee, published Sepr. 18, 1813; full-length portrait in uniform, outdoors, hat on ledge at left, smaller mounted figures in right background. Large upright folio, matted; plate mark, margins intact. London, Parker Gallery, 1955.
Color aquatint after Allan, published Feby. 1, 1802; panoramic view of British infantry advancing across river to storm city fortifications. Color aquatint after Allan, published Feby. 1, 1802; panoramic view of British infantry advancing across river to storm city fortifications. Allan served in the Madras Infantry from 1780 and took part in the third and fourth Mysore war, the latter as Deputy Quartermaster General. As he spoke Persian fluently, he was appointed to carry the flag of truce into the Palace of Seringapatam after its fall and negotiate with Tipu Sultan. Subsequently, Allan was with General Baird when Tipu's body was found. He resigned from the Army in 1804 and from 1814 was a Director of the East India Company. London, Parker Gallery, 1950.
Color stipple-engraving by Schiavonetti after Edwards, published July 1st, 1801; 2 cavalry uniform figures in sword practice in foreground, smaller figures and troop in background. Color stipple-engraving by Schiavonetti after Edwards, published July 1st, 1801; 2 cavalry uniform figures in sword practice in foreground, smaller figures and troop in background. Large oblong folio, matted; margins trimmed close. N.Y., Kennedy Galleries, 1952.
Color aquatint by and after Tomkins, published Feby. 1st, 1800; military portrait, full-length, smaller figures of volunteers in left background manning battery, Pendennis Castle in right background, 'Little Dennis' in distance by ocean, flags below. Color aquatint by and after Tomkins, published Feby. 1st, 1800; military portrait, full-length, smaller figures of volunteers in left background manning battery, Pendennis Castle in right background, 'Little Dennis' in distance by ocean, flags below. Upright medium folio; plate mark; margins; repaired tears; yellowed and stained. From 'The British Volunteer..'
Color aquatint by Lewis after Faulkner; uniform figure waving sword, landscape background. Color aquatint by Lewis after Faulkner; uniform figure waving sword, landscape background. Upright folio, matted; margins trimmed; margins soiled. London, Parker Gallery, 1955.
One of 3 color aquatint plates after Tomkins of uniform figures, outdoors; soldier walking towards left carrying rifle, two other soldier and target in right background, village and church in right distance. One of 3 color aquatint plates after Tomkins of uniform figures, outdoors; soldier walking towards left carrying rifle, two other soldier and target in right background, village and church in right distance. Upright folio, matted; margins trimmed; repaired tears; soiled. N.Y., Rockman Prints, 1949.
Color engraving by Hunt after Campion; review in field in right foreground, men, women and children spectators at left, country house in left background. Color engraving by Hunt after Campion; review in field in right foreground, men, women and children spectators at left, country house in left background. Large oblong folio, matted; margins trimmed. New York, Harry H. Hymes, 1943.
Color aquatint, Jany. 1st, 1819; group of British officers in courtyard of fort being killed by Indian soldiers. Color aquatint, Jany. 1st, 1819; group of British officers in courtyard of fort being killed by Indian soldiers. Oblong folio; plate mark, margins intact; clean.
Color aquatint; standing uniform figure in attitude to charge, firing lines in background, dome building in distance (St. Paul's Cathedral?), illustration of lion on rock in lower margin. Color aquatint; standing uniform figure in attitude to charge, firing lines in background, dome building in distance (St. Paul's Cathedral?), illustration of lion on rock in lower margin. Upright folio, matted; margins trimmed; slightly soiled; repaired tear. N.Y., Rockman Prints, 1949.
Hand-colored engraving by Toms after Scott, published March 23d, 1741; warships in harbor attacking fort at left, sailors and marines leaving ships in longboats and rowing toward fort. Hand-colored engraving by Toms after Scott, published March 23d, 1741; warships in harbor attacking fort at left, sailors and marines leaving ships in longboats and rowing toward fort. Large oblong folio, matted; plate mark, margins trimmed; clean. Chicago, Kenneth Nebenzahl, 1970.
One of a collection of 3 poem broadsides, each with hand colored engraved illustrations of soldier group or scene by and after Gardiner, published Aug. 27, 1803. One of a collection of 3 poem broadsides, each with hand colored engraved illustrations of soldier group or scene by and after Gardiner, published Aug. 27, 1803. Upright medium folio, matted; plate marks, margins intact; edges soiled and torn. N.Y., Rockman Prints, 1949.
'Drawn & Engraved by John Burnet, Painted by J.A. Atkinson - The Portraits by A.W. Devis', published June 18, 1819; Wellington and Blücher with aides, mounted at left center, surveying battle, wounded soldiers in foreground; with printed text and key. 'Drawn & Engraved by John Burnet, Painted by J.A. Atkinson - The Portraits by A.W. Devis', published June 18, 1819; Wellington and Blücher with aides, mounted at left center, surveying battle, wounded soldiers in foreground; with printed text and key. Large oblong folio; plate mark, margins intact; slightly worn. Vienna, Christian Nebehay, 1958.
Color stipple engraving by Cardon after Loutherbourg; British cavalrymen, infantrymen, guardsman, Highlander, sailor and Indian soldiers clustered at bottom, or else climbing up, obelisk on river bank and adorning it with numerous oval medallion bust portraits of British commanders. Color stipple engraving by Cardon after Loutherbourg; British cavalrymen, infantrymen, guardsman, Highlander, sailor and Indian soldiers clustered at bottom, or else climbing up, obelisk on river bank and adorning it with numerous oval medallion bust portraits of British commanders. Large upright folio, margins trimmed; slightly soiled. London, Parker Gallery, 1950.
Color stipple-engraving by Orme after Brown, published Feby. 1, 1796; Duke of York and officers, mounted, at left, directing soldiers in battle. Color stipple-engraving by Orme after Brown, published Feby. 1, 1796; Duke of York and officers, mounted, at left, directing soldiers in battle. Large oblong folio, matted; plate mark, margins trimmed. London, Parker Gallery, 1950.
Color aquatint by P.W. Tomkins and Chas. Tomkins after Kendall, published Augt. 31st, 1782; view of tent encampment in country fields, showing soldiers, men, women and children, visitors etc. in foreground, woman begging in right foreground receiving alms from lady country house, churches etc. in background. Color aquatint by P.W. Tomkins and Chas. Tomkins after Kendall, published Augt. 31st, 1782; view of tent encampment in country fields, showing soldiers, men, women and children, visitors etc. in foreground, woman begging in right foreground receiving alms from lady country house, churches etc. in background. Large oblong folio, matted; margins severely trimmed; soiled. London, Parker Gallery, 1951.
Hand-colored aquatint by Reeve after Dayes, 'Invented by C.J. Williams, Loyal Southwark Volunteers', published June 4th, 1804; symbolic tree in center, bare and blasted by lightning, with scenes of military atrocities and other violence around its trunk (hangings, whipping, execution by firing squad, beheading, guillotine, chasing women etc.) against conscripts, nobles, Syrians or Egyptians. Hand-colored aquatint by Reeve after Dayes, 'Invented by C.J. Williams, Loyal Southwark Volunteers', published June 4th, 1804; symbolic tree in center, bare and blasted by lightning, with scenes of military atrocities and other violence around its trunk (hangings, whipping, execution by firing squad, beheading, guillotine, chasing women etc.) against conscripts, nobles, Syrians or Egyptians. Tree has various words engraved upon it including: Injustice, Depopulation, Supineness, Atheism, Desolation, Treason, Licentiousness, Sedition, Ambition, Duplicity, Intrigue, Hypocrisy, Regicide, Anarchy, Usurpation, Religious Persecution, Depravity, etc. Medallion portrait of Napoleon hanging on tree Large upright folio, matted; margins; margins worn, soiled and torn. London, Spencer, 1955.
Copper-engraving by Vendramini after L'Eveque; full-length portrait in uniform and cocked hat, standing outside tent, pointing with baton; soldiers and tents in background. Copper-engraving by Vendramini after L'Eveque; full-length portrait in uniform and cocked hat, standing outside tent, pointing with baton; soldiers and tents in background. Upright folio, matted; plate mark, margins trimmed; soiled. N.Y., Rockman Prints, 1952.
Stipple engraving by Antoine Cardon and John Eginton after Hamilton; Marie Antoinette, hands being bound by jailer and accompanied by priest, conducted by soldiers into cart at left. Stipple engraving by Antoine Cardon and John Eginton after Hamilton; Marie Antoinette, hands being bound by jailer and accompanied by priest, conducted by soldiers into cart at left. Large oblong folio, matted giant folio; margins trimmed; yellowed, worn, foxed. New York, Argosy, 1955.
Mezzotint by Thomas Lupton after Patten; half-length portrait in uniform, hatless. Mezzotint by Thomas Lupton after Patten; half-length portrait in uniform, hatless. Upright folio, matted; plate mark, margins trimmed; worn, somewhat yellowed. London, Parker Gallery, 1955.
Color lithograph by Schenck after Gordon from a photograph by Warwick; view of troops parading before spectators and officials; Chatsworth House and landscape in background. Color lithograph by Schenck after Gordon from a photograph by Warwick; view of troops parading before spectators and officials; Chatsworth House and landscape in background. Large oblong folio, matted; bottom margin trimmed; clean. London, Parker Gallery, 1952.
Mezzotint by Cousins after Lucas; full-length portrait in uniform, hat in hand, standing beside base of column, landscape background. Mezzotint by Cousins after Lucas; full-length portrait in uniform, hat in hand, standing beside base of column, landscape background. Large upright folio, matted; margins trimmed; worn, repaired tear. London, Foster Groom, 1950.
Mezzotint by Thomas Lupton after Clint; oval bust portrait in naval uniform and ermine cloak and orders, hatless. Mezzotint by Thomas Lupton after Clint; oval bust portrait in naval uniform and ermine cloak and orders, hatless. Upright folio; plate mark, margins slightly trimmed. clean. N.Y., Rockman Prints, '61.
