Hand-colored engraved caricature plate, published Febr. 7th, 1798; man with placard on back preceded by halberd-carrier and followed by military fifer and drummer, George III looking out window at right.The Duke of Norfolk walks (right to left) in round-shouldered dejection immediately before two Grenadiers, one, William Pitt the Youner, beating a drum, the other (William Windham?) playing a fife. In front of him Dundas marches stiffly. Hand-colored engraved caricature plate, published Febr. 7th, 1798; man with placard on back preceded by halberd-carrier and followed by military fifer and drummer, George III looking out window at right.The Duke of Norfolk walks (right to left) in round-shouldered dejection immediately before two Grenadiers, one, William Pitt the Youner, beating a drum, the other (William Windham?) playing a fife. In front of him Dundas marches stiffly. Oblong folio, matted; plate mark, margins trimmed; 2 corners soiled and with repaired tears. N.Y., Kennedy Galleries, 1954.

In this image Napoleon is punished by General Blücher, who carries a large drum into which Napoleon is inserted. The large drum bears Napoleon's Imperial insignia. Blücher carries a bundle of twigs which he uses to scourge Napoleon's bared bottom. In his right hand he carries a drumstick with which he beats Napoleon's head. Walking on the left, Alexander and Frederick William III smugly observe Napoleon's beating. A piper who wears the fleur-de-lys emblem of Louis XVIII accompanies the allied leaders. In the background the French army marches under the flag of the restored Bourbon king. Significantly, none of the figures is caricatured, although they are satirized. Napoleon's response is particularly comic. Backside bared, he has been returned to his "sans-culottes" roots (traditionally attributed to Napoleon by the British). While his feet wave futilely, he clutches his head and exclaims. In this image Napoleon is punished by General Blücher, who carries a large drum into which Napoleon is inserted. The large drum bears Napoleon's Imperial insignia. Blücher carries a bundle of twigs which he uses to scourge Napoleon's bared bottom. In his right hand he carries a drumstick with which he beats Napoleon's head. Walking on the left, Alexander and Frederick William III smugly observe Napoleon's beating. A piper who wears the fleur-de-lys emblem of Louis XVIII accompanies the allied leaders. In the background the French army marches under the flag of the restored Bourbon king. Significantly, none of the figures is caricatured, although they are satirized. Napoleon's response is particularly comic. Backside bared, he has been returned to his "sans-culottes" roots (traditionally attributed to Napoleon by the British). While his feet wave futilely, he clutches his head and exclaims. Published by W. Holland, No. 11 Cockspur Street, June 1814. The work is unsigned; George attributes the work to Williams. Caption: Pubd June 1814 by Holland No 11 Cockspur Street

Original ink drawing signed and dated by Hoffmann; standing uniform figure, drumming and marching forward. Original ink drawing signed and dated by Hoffmann; standing uniform figure, drumming and marching forward. Small upright; margins intact; clean. Munich, Wölfle, 1969. Title supplied by cataloger

Hand-colored line-lithograph (from book?); standing figure of drummer. Hand-colored line-lithograph (from book?); standing figure of drummer. Upright; plate mark, margins; slightly soiled.

16th in collection of 20 hand-colored aquatint plates of irregular French revolutionary uniform figures, after Hauck; drummer boy in gray overcoat and mittens, carrying gold drum on back. 16th in collection of 20 hand-colored aquatint plates of irregular French revolutionary uniform figures, after Hauck; drummer boy in gray overcoat and mittens, carrying gold drum on back. Upright, bound; in leather portfolio, black label stamped gold "Hauck. Fransche Soldaten 1795". title provided by cataloger

One of a suite of 13 ink and watercolor drawings by Rousselot after original documents of 7th Fusiliers, 1787 (Bibliothèque Nationale, Cabinet des Estampes, no. 1073.) One of a suite of 13 ink and watercolor drawings by Rousselot after original documents of 7th Fusiliers, 1787 (Bibliothèque Nationale, Cabinet des Estampes, no. 1073.) Small folio, unbound; in red cloth case, red leather label stamped gold; mint condition. Paris, 1954.

One of a set of 15 hand colored photostats of uniforms and standards after D. Von Schriltz. Figure in brown with drum facing right. One of a set of 15 hand colored photostats of uniforms and standards after D. Von Schriltz. Figure in brown with drum facing right. Bound in tan cloth, white leather labels stamped gold. Von Schriltz, 1957.

One of a suite of 13 ink and watercolor drawings by Rousselot after original documents of 7th Fusiliers, 1787 (Bibliothèque Nationale, Cabinet des Estampes, no. 1073). One of a suite of 13 ink and watercolor drawings by Rousselot after original documents of 7th Fusiliers, 1787 (Bibliothèque Nationale, Cabinet des Estampes, no. 1073). Folio, unbound; in red cloth case, red leather label stamped gold; mint condition. Title supplied by cataloger. Paris, 1954.

One of a collection of 12 original watercolor drawings of uniform figures and group, copied from original in the British Museum, plus manuscript muster-roll of officers. Figure in red and white playing drum. One of a collection of 12 original watercolor drawings of uniform figures and group, copied from original in the British Museum, plus manuscript muster-roll of officers. Figure in red and white playing drum. Unbound; in tan board portfolio, pink paper cover label lettered black, slight yellowing. London, Francis Edwards, 1952.

Supplement to suite of 9 ink and watercolor sketches of uniform figures, by Lawson; drum major in dark blue uniform, red trim and fez, blue and gold sash, standing with baton. Supplement to suite of 9 ink and watercolor sketches of uniform figures, by Lawson; drum major in dark blue uniform, red trim and fez, blue and gold sash, standing with baton. Small, unbound; clean; in beige cloth case, red leather label st. gold "African regiments 1897-1957 - water colors by C.C.P. Lawson". London, Lawson, 1959.

Original crude oil painting on canvas signed and dated 1883 by Locke; full-length portrait of Malkeson in center with baton and standards, other soldier figures near houses in left and right background, trees in distance. Original crude oil painting on canvas signed and dated 1883 by Locke; full-length portrait of Malkeson in center with baton and standards, other soldier figures near houses in left and right background, trees in distance. Oblong folio; no margins; worn, cracked, chipped. N.Y., Rockman Prints, 1949.

6th in set of 10 watercolors of uniforms by Lawson, copied from contemporary originals; standing drum major facing forward. 6th in set of 10 watercolors of uniforms by Lawson, copied from contemporary originals; standing drum major facing forward.

One of a collection of 12 original watercolor drawings of uniform figures and group, copied from original in the British Museum, plus manuscript muster-roll of officers. Figure in yellow and white with red trim holding baton. One of a collection of 12 original watercolor drawings of uniform figures and group, copied from original in the British Museum, plus manuscript muster-roll of officers. Figure in yellow and white with red trim holding baton. Unbound, in tan board portfolio, pink paper cover label lettered black. London, Francis Edwards, 1952.

From collection of 30 watercolor drawings copied by Schäfer after Suhr, and 6 original watercolors by Schäfer; standing figure of drum major in scarlet jacket, white trousers, bearskin, 1 hand on hip, holding grounded baton. From collection of 30 watercolor drawings copied by Schäfer after Suhr, and 6 original watercolors by Schäfer; standing figure of drum major in scarlet jacket, white trousers, bearskin, 1 hand on hip, holding grounded baton. Bound in maroon cloth, black leather label stamped gold "G. Schäfer. Troops quartered, Hamburg 1806-1813. Ms."; clean. Volume including typewritten title-page, list of drawings and text by Schäfer. title provided by cataloger

One of a collection of 15 colored and uncolored mezzotint and aquatint full-length military portraits by Charon, Hocquart, Landelle after Martinet, Dusaulchoy, Aubry. One of a collection of 15 colored and uncolored mezzotint and aquatint full-length military portraits by Charon, Hocquart, Landelle after Martinet, Dusaulchoy, Aubry. Upright folio; clean. New York, Harry H. Hymes, 1947.

One of a pair of crude unsigned original watercolor caricatures; French soldiers and officer with flag, trumpeter on dromedary, riding towards right. One of a pair of crude unsigned original watercolor caricatures; French soldiers and officer with flag, trumpeter on dromedary, riding towards right. Small oblong folio, matted; no margins; slightly worn. London, Parker Gallery, 1963. Title: Dromedarys advancing. Genl. Menou upon the Right

One of a pair of crude unsigned original watercolor caricatures; three French soldiers on top of dromedary being led towards left, firing muskets over animal's rump. One of a pair of crude unsigned original watercolor caricatures; three French soldiers on top of dromedary being led towards left, firing muskets over animal's rump. Small oblong folio, matted; no margins; slightly worn. London, Parker Gallery, 1963. Title: Dromedary in Retreat

Hand-colored etched caricature (printed by Cruikshank), published Feb. 19, 1808; lion and uniform guarding pile of gold coins, Royal Family helping selves at left, poor people crying for bread at right. Hand-colored etched caricature (printed by Cruikshank), published Feb. 19, 1808; lion and uniform guarding pile of gold coins, Royal Family helping selves at left, poor people crying for bread at right. Small oblong folio, mounted on blue paper; margins trimmed; clean. N.Y., Walter Schatzki, 1961.

Watercolor copy by Cecil C.P. Lawson after original by Wootton at Windsor Castle

9th in collection of 53 hand-colored unsigned engraved plates of uniforms; officer facing rifleman, seen from behind wearing backpack; both in navy blue jackets, gray trousers. 9th in collection of 53 hand-colored unsigned engraved plates of uniforms; officer facing rifleman, seen from behind wearing backpack; both in navy blue jackets, gray trousers. Small folio, unbound; edges of plates soiled; in blue cloth slipcase, red leather label stamped gold. Hamburg, Ernst August auction, 1971.

Color lithograph caricature by and after Mercer, printed by C. Hullmandel; sergeant with staff or baton at right drilling 5 recruits. [See Drilling.] Color lithograph caricature by and after Mercer, printed by C. Hullmandel; sergeant with staff or baton at right drilling 5 recruits. [See Drilling.] N.Y., Rockman Prints, 1949.

Original watercolor caricature, unsigned, on gray paper; group of British infantrymen, presumably in India, drilling with officer near fortress, cannonball passing through ranks and decapitating 3 of them, battle in progress in right distance. Original watercolor caricature, unsigned, on gray paper; group of British infantrymen, presumably in India, drilling with officer near fortress, cannonball passing through ranks and decapitating 3 of them, battle in progress in right distance. Small oblong, matted; no margins; clean. N.Y., Rockman Prints, 1961.

Unsigned watercolor copy of lithograph with same title, but with the addition in the center of a female portrait and of poetry addressed to "Lavinia." [See Drilling. Plate 1.] Unsigned watercolor copy of lithograph with same title, but with the addition in the center of a female portrait and of poetry addressed to "Lavinia." [See Drilling. Plate 1.] Oblong, matted; no margins; clean. N.Y., Walter Schatzki, 1954.

Colored lithographic caricature by and after H.B. (pseudonym of John Doyle); Duke of Wellington drilling recruits. HB Sketches No. 851. Colored lithographic caricature by and after H.B. (pseudonym of John Doyle); Duke of Wellington drilling recruits. HB Sketches No. 851. Oblong medium folio, matted; margins trimmed. London, Parker Gallery, 1955.

11th in collection of 15 original albumen sepia print photographs; full-length portrait of cavalryman wearing the Médaille de Sainte Hélène, standing, holding shako against right hip, sabre and gloves in left hand, indoors. 11th in collection of 15 original albumen sepia print photographs; full-length portrait of cavalryman wearing the Médaille de Sainte Hélène, standing, holding shako against right hip, sabre and gloves in left hand, indoors. Photographed by Erwin Hanfstaengl (also known as Erwin frères, a German photographer), around 1863, who began working in Paris in 1861, at 4, Rue Frochet, 4, en face la Rue Breda. This is based on the similar photographic portraits of Dorigny and Bonneville on which the photographer's name appears, and the similarity in the backgrounds of several carte de visites. (information courtesy of Wouter Lambrechts, Antwerp, Belgium)

Color and lithograph plate (first of series) after W.C.R., with 4 illustrations of uniform groups, 1772-1787, 1787-1813. Color and lithograph plate (first of series) after W.C.R., with 4 illustrations of uniform groups, 1772-1787, 1787-1813. Oblong folio, matted; margins trimmed; crease, clean. London, Parker Gallery, 1965.

Hand-colored engraving by Arnold after Richter; landscape view towards Dresden with the Moreau Monument and some small soldier figures in right foreground. Hand-colored engraving by Arnold after Richter; landscape view towards Dresden with the Moreau Monument and some small soldier figures in right foreground. Small oblong folio; plate mark, margins; crease; slight soiling. N.Y., Walter Schatzki, 1961.

Hand colored stipple engraving by Franz Arnolt after Borowsky; 3 grenadiers of different regiments, full-length, conferring. Hand colored stipple engraving by Franz Arnolt after Borowsky; 3 grenadiers of different regiments, full-length, conferring. Upright; margins entirely trimmed away. Title supplied by cataloger. Leichtenstein-Hauslab Collection, 1951.

A Marine lies sleeping on the ground, face down. A Marine lies sleeping on the ground, face down. Title from typed label affixed to verso. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.

Original pencil sketch, dated by Murphy, of the American Embassy in Tokyo's drawing room. Notation as to where Hirohito and MacArthur sat for their famous conference. Original pencil sketch, dated by Murphy, of the American Embassy in Tokyo's drawing room. Notation as to where Hirohito and MacArthur sat for their famous conference. Murphy joined the New York 7th Regiment in 1940 and trained at Camp Stewart, Georgia. He sailed to Australia in 1943 and served on General MacArthur's staff. Later he went to New Guinea and the Philippines before moving on to Japan following the surrender.