Suppl. addition to collection of 7 aquatint plates by Dorges, Gauthier, Marchand, Aubertin, after Le Coeur; coronation ceremony within vast choir of cathedral, crowded with spectators in several galleries. From 'Fête du Sacre et Couronnement de leurs Majestés Impériales'. Suppl. addition to collection of 7 aquatint plates by Dorges, Gauthier, Marchand, Aubertin, after Le Coeur; coronation ceremony within vast choir of cathedral, crowded with spectators in several galleries. From 'Fête du Sacre et Couronnement de leurs Majestés Impériales'. Upright folio, matted large folio; some margins trimmed; good impressions. New York, Kennedy Galleries, 1943.

Broadside with wood-engraved bust portrait of Prince-President Napoleon in uniform at top, eagle at bottom. Broadside with wood-engraved bust portrait of Prince-President Napoleon in uniform at top, eagle at bottom. Large upright folio; margins intact; clean, repaired tear. New York, Rockman Prints, 1958.

Hand-colored engraving (crude); groups of grenadiers dining at tables outside tents in camp, soldier grabbing woman as she fills a pitcher, another woman running into tent. Hand-colored engraving (crude); groups of grenadiers dining at tables outside tents in camp, soldier grabbing woman as she fills a pitcher, another woman running into tent. Oblong folio, mounted on white paper; margins trimmed close; foxed, yellowed, spotted.

This accomplished print, a combination of aquatint and line engraving, was made to commemorate the displays erected to celebrate the coronation of Napoleon Bonaparte and Josephine as Imperial majesties. According to the legend under the print, the large maquette (most likely constructed of canvas, wood and papier maché) depicts the mountain of St. Bernard, a boat symbolizing the city of Paris, and a balloon carrying an illuminated crow. Soldiers dot the mountain landscape while Napoleon himself and one of his generals are represented on rearing horses at the summit. The orderly crowd that lines the Seine to gape at the spectacle is filled with members of the middle class,and some soldiers, who exhibit the appropriate responses of awe and delight. Napoleon famously crossed into Switzerland via the St. Bernard Pass in May of 1800. This feat was commemorated by Jacques-Louis David in a large canvas painted later that same year. The Napoleon's pose in David's canvas is replicated here in the festival decoration. Such displays incorporating pyrotechnics, light effects, and grand sets are descendants of court entertainments. This display, held for the benefit of the public, firmly establishes Napoleon in an imperial tradition wherein spectacular festivals were held to encourage public support and nationalist sentiment. This accomplished print, a combination of aquatint and line engraving, was made to commemorate the displays erected to celebrate the coronation of Napoleon Bonaparte and Josephine as Imperial majesties. According to the legend under the print, the large maquette (most likely constructed of canvas, wood and papier maché) depicts the mountain of St. Bernard, a boat symbolizing the city of Paris, and a balloon carrying an illuminated crow. Soldiers dot the mountain landscape while Napoleon himself and one of his generals are represented on rearing horses at the summit. The orderly crowd that lines the Seine to gape at the spectacle is filled with members of the middle class,and some soldiers, who exhibit the appropriate responses of awe and delight. Napoleon famously crossed into Switzerland via the St. Bernard Pass in May of 1800. This feat was commemorated by Jacques-Louis David in a large canvas painted later that same year. The Napoleon's pose in David's canvas is replicated here in the festival decoration. Such displays incorporating pyrotechnics, light effects, and grand sets are descendants of court entertainments. This display, held for the benefit of the public, firmly establishes Napoleon in an imperial tradition wherein spectacular festivals were held to encourage public support and nationalist sentiment. Caption: Vue de la Décoration elevée en façe de la Place de Grève de l'autre côté de la rivière, à l'occasion de la Fëte donnée à leurs Majestés par la Ville de Paris. Inscription: à Paris chez Bance, Md. d'Estampes, rue St. Denis. Inscription: Déposé à la Bibliothèque Impériale Inscription: Et chez l'Auteur rue Chapon No. 1 Divin. de la Réunion Printed Signature: Le Coeur del. et sculp.

1 of collection of 48 original unsigned watercolor drawings of uniform figures and insignia. A soldier in white uniform with sword, standing. 1 of collection of 48 original unsigned watercolor drawings of uniform figures and insignia. A soldier in white uniform with sword, standing. Small, unbound; clean; in blue cloth portfolio, red leather label st. gold "Misc. German Naval and Colonial Uniforms, c.1910". Berlin, Ordens-Sammlung, 1956.

1 of collection of 48 original unsigned watercolor drawings of uniform figures and insignia. A soldier in blue-and-black uniform with a sword, standing. 1 of collection of 48 original unsigned watercolor drawings of uniform figures and insignia. A soldier in blue-and-black uniform with a sword, standing. Small, unbound; clean; in blue cloth portfolio, red leather label st. gold "Misc. German Naval and Colonial Uniforms, c.1910". Berlin, Ordens-Sammlung, 1956.

1 of collection of 48 original unsigned watercolor drawings of uniform figures and insignia. A soldier in white uniform with sword, standing. 1 of collection of 48 original unsigned watercolor drawings of uniform figures and insignia. A soldier in white uniform with sword, standing. Small, unbound; clean; in blue cloth portfolio, red leather label st. gold "Misc. German Naval and Colonial Uniforms, c.1910". Berlin, Ordens-Sammlung, 1956.

One of a collection of 12 (of ?) mounted uncolored lithograph plates (after Beck) of uniform figures or groups. Figure standing next to canon. One of a collection of 12 (of ?) mounted uncolored lithograph plates (after Beck) of uniform figures or groups. Figure standing next to canon. Unbound, yellowed; in green cloth portfolio stamped gold on cover "Sachsen Uniforms. Beck. c. 1880"; plate trimmed. Hamburg, Schulz, 1952.

Color lithograph; progress of Imperial carriage procession through triumphal arch, crowds of men, women and children spectators in foreground. Color lithograph; progress of Imperial carriage procession through triumphal arch, crowds of men, women and children spectators in foreground. Oblong folio; margins intact; clean. Vienna, Nebehay, 1958.

One of a collection of 29 mounted watercolor drawings by Kollmann of peasant scenes, vehicles, festivals etc., including 3 of military costume. Crowded streets for festival with men, women and children, decorated buildings and rides. One of a collection of 29 mounted watercolor drawings by Kollmann of peasant scenes, vehicles, festivals etc., including 3 of military costume. Crowded streets for festival with men, women and children, decorated buildings and rides. Oblong; bound in full brown pebble-grain Morocco stamped and decorated gold; covers slightly worn. Camden, Me., Staack, 1954.

composed and respectfully dedicated to Genl. Winfield Scott, by J Pychowski. Cover title. Cover lithographic illustration by Sarony & Major: half-length portrait of General Scott in uniform.

One of a collection of 22 double-page engraved plates by and after de Hooghe with collaboration of Capt. Juan de Ledesma showing battle scenes in France and Flanders, 1567-1580, with manuscript notes in ink in bottom margins. Celebration in Paris honoring Alexander Farnese, Duke of Parma for his relief of the siege of Paris in 1590. One of a collection of 22 double-page engraved plates by and after de Hooghe with collaboration of Capt. Juan de Ledesma showing battle scenes in France and Flanders, 1567-1580, with manuscript notes in ink in bottom margins. Celebration in Paris honoring Alexander Farnese, Duke of Parma for his relief of the siege of Paris in 1590. Small folio; calf back and decorated boards, no title; cover worn, rubbed, some small worm-holes, yellowed, tear at bottom edge.

Color lithograph by F. Kollarz after Dittmann, printed by Rauh; view of military ceremony in town square surrounded by troops. Color lithograph by F. Kollarz after Dittmann, printed by Rauh; view of military ceremony in town square surrounded by troops. Large oblong folio; margins trimmed; worn. Vienna, Christian Nebehay, 1956. Title supplied by cataloger.

Tinted lithograph by and after Blanco, printed by Donon, from series 'Reyes Contemporanéos'; full-length portrait in uniform, carrying hat, at foot of staircase. Tinted lithograph by and after Blanco, printed by Donon, from series 'Reyes Contemporanéos'; full-length portrait in uniform, carrying hat, at foot of staircase. Small upright folio; margins; clean. N.Y., Rockman Prints, 1964.

Unsigned original watercolor drawing; standing figure in uniform, saber under arm. Unsigned original watercolor drawing; standing figure in uniform, saber under arm. Small upright folio, matted; margins intact; clean. London, Parker Gallery, 1950.

Engraving; oval half-length portrait in uniform (?) and cuirass, left hand resting on crown at right. Engraving; oval half-length portrait in uniform (?) and cuirass, left hand resting on crown at right. Upright; plate mark, margins trimmed. N.Y., Rockman Prints, 1964.

One of a collection of 12 engraved plates of equestrian portraits by and after Weiss. Mounted figure in full armor, ruff and sash, on rearing horse, battle before city in background One of a collection of 12 engraved plates of equestrian portraits by and after Weiss. Mounted figure in full armor, ruff and sash, on rearing horse, battle before city in background Upright folio, foxed; in maroon cloth portfolio case, red leather label stamped gold. Leichtenstein-Hauslab Collection, 1951.

Engraving; half-length portrait in armor and robe, hatless. Engraving; half-length portrait in armor and robe, hatless. Upright; margins trimmed. N.Y., Rockman Prints, 1964.

Steel-engraving; bust portrait in uniform, showing orders. Steel-engraving; bust portrait in uniform, showing orders. Upright; margins; soiled; matted folio.

Engraving by Galle after Jonghelinck. 'Monument to the Duke of Alva. A statue of a man in armour and holding a stick, two men holding axes and torches beyond, inscription on base of statue, decorations of the side panels shown on either side of the base; first state before publisher's address; after Jacques Jonghelinck; illustration to Pieter Bor's "Nederlandsche Oorlogen" (Widow of Joannes van Someren, Abraham Wolfgangh & Hendrick en Dirck Boom, Amsterdam: 1679-1684)' -- British Museum Engraving by Galle after Jonghelinck. 'Monument to the Duke of Alva. A statue of a man in armour and holding a stick, two men holding axes and torches beyond, inscription on base of statue, decorations of the side panels shown on either side of the base; first state before publisher's address; after Jacques Jonghelinck; illustration to Pieter Bor's "Nederlandsche Oorlogen" (Widow of Joannes van Someren, Abraham Wolfgangh & Hendrick en Dirck Boom, Amsterdam: 1679-1684)' -- British Museum Upright medium folio, matted; margins severely trimmed; clean. Liechtenstein-Hauslab Collection, 1951.

Lithograph after Lanzedelly; oval bust portrait in uniform and orders, numbered XI. Lithograph after Lanzedelly; oval bust portrait in uniform and orders, numbered XI. Upright medium folio; margins intact; slightly soiled; corners worn. N.Y., Rockman Prints, 1960.

Engraving; half-length portrait in part-armor and robe. Engraving; half-length portrait in part-armor and robe. Upright; margins trimmed. N.Y., Rockman Prints, 1964.

Portion of page with short article and oval wood-engraved illustration of portrait of Ferdinand, 3/4-length in uniform. Portion of page with short article and oval wood-engraved illustration of portrait of Ferdinand, 3/4-length in uniform. From Ballou's Pictorial, January 10, 1857, page 21 Hanover, N.H., Book & Print Shop.

Tinted lithograph by and after Kaiser and Strassgschwandtner, printed by Rauh; equestrian portrait in uniform, facing right. Tinted lithograph by and after Kaiser and Strassgschwandtner, printed by Rauh; equestrian portrait in uniform, facing right. Large upright folio; margins intact; margins slightly soiled. N.Y., Rockman Prints, 1955.

Line- and stipple-engraving by F. Kramerlauf after Andreitch; half-length portrait in hussar uniform, leaning on table, books in hand. Line- and stipple-engraving by F. Kramerlauf after Andreitch; half-length portrait in hussar uniform, leaning on table, books in hand. Upright folio; plate mark, margins intact; edges slightly worn. N.Y., Rockman Prints, 1955.

Engraving by P. á Gunst after van der Werff; oval bust portrait in armor, wearing Order of the Golden Fleece, in oval enframement with drapery of wolf-pelt, skulls etc. at bottom. Engraving by P. á Gunst after van der Werff; oval bust portrait in armor, wearing Order of the Golden Fleece, in oval enframement with drapery of wolf-pelt, skulls etc. at bottom. Small upright folio, mounted on paper; margins severely trimmed; yellowed. New York, Rockman Prints, 1962.

Lithograph by Janek; portrait in hussar uniform on rearing horse facing left, right arm raised to point, massed troops on plain in background. Lithograph by Janek; portrait in hussar uniform on rearing horse facing left, right arm raised to point, massed troops on plain in background. Upright folio; margins intact; clean. Vienna, Christian Nebehay, 1975.

33rd in collection of 67 matted plates; 2 standing figures of Russian women, described as craftsmen's wives, wearing long gowns and caped headdresses. 33rd in collection of 67 matted plates; 2 standing figures of Russian women, described as craftsmen's wives, wearing long gowns and caped headdresses. In folio mats, unbound; in black leatherette portfolio st. gold on front cover "Basset. Troupes Etrangères"; clean, some plates trimmed. No. 33. Paris, Ordonneau sale, 1970.

One of a collection of 30 original watercolors of costume figures including many showing military costume and court costume. Woman in green robe and white head-cover. One of a collection of 30 original watercolors of costume figures including many showing military costume and court costume. Woman in green robe and white head-cover. Folio, unbound; in red cloth case, green leather backstrip stamped gold; clean.

Hand-colored etched caricature plate (after George Moutard Woodward?), published Sepr. 30, 1790; 2 rows of pairs of militiamen or volunteers and women, cleaning and inspecting guns etc. Hand-colored etched caricature plate (after George Moutard Woodward?), published Sepr. 30, 1790; 2 rows of pairs of militiamen or volunteers and women, cleaning and inspecting guns etc. Oblong folio, matted; margins trimmed; creased; some spotting.