One in a collection of nine original pencil and chalk sketches, on 6 sheets, stamped with monogram of E. C(rofts); French Grenadier of I Empire with right arm in sling, rifle in left hand. One in a collection of nine original pencil and chalk sketches, on 6 sheets, stamped with monogram of E. C(rofts); French Grenadier of I Empire with right arm in sling, rifle in left hand. Study for "The Morning of Waterloo" (Royal Academy, 1876) New York, Rockman Prints, 1962. title provided by cataloger

Original pencil drawing signed in ink by Ridley (after Bellangé) at bottom; grenadier standing near low wall and holding up baby in pinafore and wooden shoes who wears bearskin hat. (See Bellangé - FrO1808sf-1 - for comparison) Original pencil drawing signed in ink by Ridley (after Bellangé) at bottom; grenadier standing near low wall and holding up baby in pinafore and wooden shoes who wears bearskin hat. (See Bellangé - FrO1808sf-1 - for comparison) Upright, matted; no margins; clean. New York, Rockman Prints, 1952. Title and subtitle supplied by cataloger

Original ink drawing signed by Hilpert; standing figure of drummer in grenadier uniform, bearskin hat, playing drum. Original ink drawing signed by Hilpert; standing figure of drummer in grenadier uniform, bearskin hat, playing drum. Small upright folio, unbound; in green paper folder lettered black; slightly soiled. Paris, Cart, 1955.

Hand-colored line-engraving or etching, unsigned; 2 soldiers sitting on ground, grenadier seen from behind, cuirassier smoking pipe, wine bottle between them. [See also: Sapeur et Dragon, Dragons de l'Imperatrice.] Hand-colored line-engraving or etching, unsigned; 2 soldiers sitting on ground, grenadier seen from behind, cuirassier smoking pipe, wine bottle between them. [See also: Sapeur et Dragon, Dragons de l'Imperatrice.] Oblong folio, matted; plate mark, margins trimmed; clean. Leichtenstein-Hauslab Collection, 1951. title provided by cataloger

One of a pair of original watercolors signed 'Th. Fort'; mounted officer, pointing with sabre and leading infantry charge from left to right. [See also: Incendie de la Préfecture, mai 71, Paris] One of a pair of original watercolors signed 'Th. Fort'; mounted officer, pointing with sabre and leading infantry charge from left to right. [See also: Incendie de la Préfecture, mai 71, Paris] Small oblong folio, matted; no margins; clean. Title supplied by cataloger. New York, Rockman Prints, 1950.

Piled into a clumsy wooden sled, a group of seven French generals attempt to escape from Russia. All around, a bleak winter landscape stretches, revealing no point of origin or safe harbor for the retreating generals. The horses pulling the sled do so under great duress. The horse closest to the viewer kicks its back legs at the driver, while the other brays angrily at his driver attempting to maneuver the horse by pulling on its tail. Despite the slow progress they appear to be making, the petticoats and ribbands worn by the generals stream in the wind. Comically, the figures react with ridiculous facial expressions signaling despair, worry, or shock. They are so intent on their departure, they do not notice the general who has fallen backwards off the sled onto the frozen field. Rather, the figures remaining in the sled shiver in the cold and try to warm themselves by pulling their cloaks and hats up around their ears. Most of the borrowed (or stolen) robes they have used to supplement their uniforms is women's clothing: hats, petticoats and cloaks in particular. Piled into a clumsy wooden sled, a group of seven French generals attempt to escape from Russia. All around, a bleak winter landscape stretches, revealing no point of origin or safe harbor for the retreating generals. The horses pulling the sled do so under great duress. The horse closest to the viewer kicks its back legs at the driver, while the other brays angrily at his driver attempting to maneuver the horse by pulling on its tail. Despite the slow progress they appear to be making, the petticoats and ribbands worn by the generals stream in the wind. Comically, the figures react with ridiculous facial expressions signaling despair, worry, or shock. They are so intent on their departure, they do not notice the general who has fallen backwards off the sled onto the frozen field. Rather, the figures remaining in the sled shiver in the cold and try to warm themselves by pulling their cloaks and hats up around their ears. Most of the borrowed (or stolen) robes they have used to supplement their uniforms is women's clothing: hats, petticoats and cloaks in particular. Published by Hannah Humphrey. Mary George notes that this image belongs to a series of caricatures made by Cruikshank. The inspiration for Cruikshank's image is Terebenev's satire titled 'Journey of the Exalted Traveller from Warsaw to Paris.' This Russian caricature is reproduced by Broadley (ii-173). The title at the top of this image is written in Cyrillic script. 1813-05-13 Caption: Published May 30th 1813 by H Humphrey St James's Street Printed Signature: George Cruikshank sculp. Annotation: 5- Annotation: TH8.58 Collector's Mark: A Collector's Mark: [a triangle]

In this beautifully colored and intricate caricature, a quack doctor sits at his desk administering cures to the line of patients who enter with various complaints. Enthroned in a gothic styled chair topped by a bonnet rouge, the quack, Larevellière-Lépeaux, examines a sample jar (typically used to collect urine) that contains an exploding liquid that sends little heads into the jar's atmosphere. The quack is represented with diabolically arched eyebrows, deformed legs and is swathed in tricolored garments. Behind his grand chair, two generals are wracked with the effects his cure. One sits on a commode inscribed "Vive la Grande Nation" and clutches his stomach as well as a paper labeled "Ordres, les Ordres." His companion, Jourdan, is identifiable by the inscription on the rim of the chamber pot into which he vomits. Their grotesque faces clearly express the tumult in their bodies and are accurate representations of each physical response. On the right of the image, patients--more officers--crowd into the room. They too are grotesqued and comically exhibit their illnesses. The first in line suffers from a "Case of Diabetes" and covers his privates with his hat while he clutches them with his free hand. Next, a general with a cane and split boots (indicating gout?) bites his lower lip while he massages his lower back. According to the slip of paper he is afflicted by "l'ennemi inquitetait mes derriers." Standing in the background a figure wearing an eye patch holds a trumpet to his ear, while two other officers wait their turns and are clearly in pain. The quack's office is cluttered with artifacts and panaceas. On the left wall, two mummies are bandaged in tricolored ribbons that are labeled "Buonaparte" and "Kleber." Next, several shelves holding vials and containers of "Projets Avortés" (Aborted Projects) line the walls. These jars contain strange and deformed figures and are labeled "Ireland," "Commune de Pekin," "Departement de Mont Caucasse," "Directoire de L'Abissinie," and "Armee de Grange." A crocodile, which George notes symbolizes both quackery and Egypt, is suspended from the ceiling over the quack's desk. The desk is likewise littered with jars and vials of medicines. In addition, papers are scattered on the floor, along with an enema bag and a clyster pipe (far left). In this beautifully colored and intricate caricature, a quack doctor sits at his desk administering cures to the line of patients who enter with various complaints. Enthroned in a gothic styled chair topped by a bonnet rouge, the quack, Larevellière-Lépeaux, examines a sample jar (typically used to collect urine) that contains an exploding liquid that sends little heads into the jar's atmosphere. The quack is represented with diabolically arched eyebrows, deformed legs and is swathed in tricolored garments. Behind his grand chair, two generals are wracked with the effects his cure. One sits on a commode inscribed "Vive la Grande Nation" and clutches his stomach as well as a paper labeled "Ordres, les Ordres." His companion, Jourdan, is identifiable by the inscription on the rim of the chamber pot into which he vomits. Their grotesque faces clearly express the tumult in their bodies and are accurate representations of each physical response. On the right of the image, patients--more officers--crowd into the room. They too are grotesqued and comically exhibit their illnesses. The first in line suffers from a "Case of Diabetes" and covers his privates with his hat while he clutches them with his free hand. Next, a general with a cane and split boots (indicating gout?) bites his lower lip while he massages his lower back. According to the slip of paper he is afflicted by "l'ennemi inquitetait mes derriers." Standing in the background a figure wearing an eye patch holds a trumpet to his ear, while two other officers wait their turns and are clearly in pain. The quack's office is cluttered with artifacts and panaceas. On the left wall, two mummies are bandaged in tricolored ribbons that are labeled "Buonaparte" and "Kleber." Next, several shelves holding vials and containers of "Projets Avortés" (Aborted Projects) line the walls. These jars contain strange and deformed figures and are labeled "Ireland," "Commune de Pekin," "Departement de Mont Caucasse," "Directoire de L'Abissinie," and "Armee de Grange." A crocodile, which George notes symbolizes both quackery and Egypt, is suspended from the ceiling over the quack's desk. The desk is likewise littered with jars and vials of medicines. In addition, papers are scattered on the floor, along with an enema bag and a clyster pipe (far left). Published by H. Humphrey, St. James' Street, June 20, 1799. This caricature is not signed by Gillray but is securely attributed to his hand. This caricature deals with the British victory in Egypt which crippled the French army. It also hints at the various diseases that were associated with 'exotic' eastern regions. Caption: Pubd June 20th 1799, by H Humphrey St James's Street

Napoleon sits on a throne located in the center of the image. Talleyrand sits at his right. To their left, a group of officers is clustered around a table. In the right background, French guards stand at attention. All of the figures in this image are engaged in looking at British satires of the Napoleonic conflict. They are shown laughing--an expression that exaggerates their already grotesqued features--and are sharing the "charge" of the satires. The prints they look at are turned so that the viewer can see them as well. Many of the prints are even identifiable by their titles, or by the subject matter. Yet, it is unclear whether the French comprehend that they are the true targets of the satires that amuse them. We, the viewers of this print, are made to understand that our position is superior in that we recognize the satires within the satire, and we simultaneously recognize that the French soldiers are equally victims of satire. Napoleon sits on a throne located in the center of the image. Talleyrand sits at his right. To their left, a group of officers is clustered around a table. In the right background, French guards stand at attention. All of the figures in this image are engaged in looking at British satires of the Napoleonic conflict. They are shown laughing--an expression that exaggerates their already grotesqued features--and are sharing the "charge" of the satires. The prints they look at are turned so that the viewer can see them as well. Many of the prints are even identifiable by their titles, or by the subject matter. Yet, it is unclear whether the French comprehend that they are the true targets of the satires that amuse them. We, the viewers of this print, are made to understand that our position is superior in that we recognize the satires within the satire, and we simultaneously recognize that the French soldiers are equally victims of satire. This image is not signed by the artist. Dialogue: Talleyrand: "Aha, dis be de great Commander at Dunkirk, who swim like a fish, Drink like a Duck, & run like a Greyhound." Napoleon: "Aye, Talley, this is not the way I reward merit by putting inexperienced Boys over the heads of experienced Veterans." French Officer: "Oh vat great General, take de Garrison of a Pulpit under de direction of his Whore - ha de Dutch Women did laugh him at de Helder." French Officer: "Dere is nothing to be feared from such Petticoat Commanders remember Valenceines." French Officer: "Ha ha, raise de Wind." Inscription: Pubd by S. W. Fores, 50 Piccadilly, April 28th 1809.

Lithograph by and after Vigneron, print by Motte, dated 1820 by artist: full-length portrait of unidentified general in uniform with sabre: hat tucked under arm, outdoors. Lithograph by and after Vigneron, print by Motte, dated 1820 by artist: full-length portrait of unidentified general in uniform with sabre: hat tucked under arm, outdoors. Upright folio, matted: margins: soiled, repaired tear. Paris, Bihn, 1952. printed signature: Vigneron 1820 caption: Imprim:ie lithog:que de C. Motte, à Paris.

Original unsigned ink and watercolor drawing; 2 standing figures in uniform. Original unsigned ink and watercolor drawing; 2 standing figures in uniform. Upright, matted; margins; slightly soiled. Title supplied by cataloger.

Original unsigned watercolor; humorous caricature of portly French general in blue jacket, red trousers, hat, in profile facing left. Original unsigned watercolor; humorous caricature of portly French general in blue jacket, red trousers, hat, in profile facing left. Upright narrow folio; no margins; faded, stained. title provided by cataloger

Unsigned etching (possibly by Duplessis-Bertaux?); mounted officer and 2 hussars leading horses in countryside. Unsigned etching (possibly by Duplessis-Bertaux?); mounted officer and 2 hussars leading horses in countryside. Narrow oblong, mounted on white paper; margins severely trimmed. New York, Rockman Prints, 1963. Title and subtitle supplied by cataloger

Original ink and wash drawing (by Dance or Dauce?); mounted general and 3 aides at right approached by emaciated woman and 3 very thin men at left displaying caricature of man watching child drown, and presenting petitions. Original ink and wash drawing (by Dance or Dauce?); mounted general and 3 aides at right approached by emaciated woman and 3 very thin men at left displaying caricature of man watching child drown, and presenting petitions. The backstory to this image is unclear as is the artist. While the name 'Joseph Dance' or 'Dauce' appears below the image, there is no record of this artist. Paper bears watermark 'Vander Ley'. New York, Rockman Prints, 1949. Title and subtitle supplied by cataloger

Albumen print photograph; full-length uniform portrait of 2 French gendarmes, with black horse facing left; numbered "JMC 321" in lower right corner. Albumen print photograph; full-length uniform portrait of 2 French gendarmes, with black horse facing left; numbered "JMC 321" in lower right corner. Upright, on beige board, in envelope; margins; clean. title provided by cataloger

68th in series of 115 colored prints of oil paintings, signed by Legras, of uniform figures from various military units; mounted cavalryman or municipal guard in dark green uniform, tricorn cap, with carbine, facing right. 68th in series of 115 colored prints of oil paintings, signed by Legras, of uniform figures from various military units; mounted cavalryman or municipal guard in dark green uniform, tricorn cap, with carbine, facing right. Upright folio, unbound, in green portfolio with white label, "Etudes de types militaires"; clean. title provided by cataloger

Original unsigned watercolor; round bust portrait in uniform, hatless. Original unsigned watercolor; round bust portrait in uniform, hatless. Upright, matted; margins; clean. Title supplied by cataloger

1st of 3 unsigned pencil drawings (by Lancon) of soldier figures in campaign dress with cloaks (and also of peasant figures?). 1st of 3 unsigned pencil drawings (by Lancon) of soldier figures in campaign dress with cloaks (and also of peasant figures?). Small upright folio, 3 pieces [cf. FrO1871sf-1a,b,c], matted; clean. Paris, Robert Prouté, 1973. Title and subtitle supplied by cataloger

2nd of collection of 3 unsigned pencil drawings (by Lancon); two solider figures in campaign dress, one squatting down in cloak and képi, the other standing with sun hat and walking stick, wearing backpack. 2nd of collection of 3 unsigned pencil drawings (by Lancon); two solider figures in campaign dress, one squatting down in cloak and képi, the other standing with sun hat and walking stick, wearing backpack. Small oblong folio, 3 pieces [cf. FrO1871sf-1a,b,c], matted; clean. Paris, Robert Prouté, 1973. Title and subtitle supplied by cataloger

1st of 3 unsigned pencil drawings (by Lancon); soldier figure in campaign dress, with képi and cloak. 1st of 3 unsigned pencil drawings (by Lancon); soldier figure in campaign dress, with képi and cloak. Small upright folio, 3 pieces [cf. FrO1871sf-1a,b,c], matted; clean. Paris, Robert Prouté, 1973. Title and subtitle supplied by cataloger

11 original pencil sketches on one sheet, signed Schneider; mounted and unmounted soldier figures. 11 original pencil sketches on one sheet, signed Schneider; mounted and unmounted soldier figures. Upright, mounted on brown paper; margins; yellowed, worn. Title supplied by cataloger. Hamburg, Helmut Gerhard Schulz, 1957.

Original pencil and watercolor drawing on tan paper, signed and dated by Foussereau; mounted officer moving towards left, sabre pointed right. Original pencil and watercolor drawing on tan paper, signed and dated by Foussereau; mounted officer moving towards left, sabre pointed right. Small upright folio, matted folio; margins; slightly foxed. New York, Rockman Prints, 1953. Title and subtitle supplied by cataloger

Original watercolor signed by Norie; 3 standing uniform figures, outdoors. Original watercolor signed by Norie; 3 standing uniform figures, outdoors. Matted; margins; slightly fixed and soiled. London, Francis Edwards, 1962 Title supplied by cataloger.

Original watercolor signed and dated indistinctly (1816?) by Dighton; group of officers and men standing on bank of Seine, showing various uniforms; Tuileries palace across river in background. Original watercolor signed and dated indistinctly (1816?) by Dighton; group of officers and men standing on bank of Seine, showing various uniforms; Tuileries palace across river in background. Oblong folio; no margins; clean. London, Parker, 1960. title provided by cataloger

Unsigned wash drawing (over aquatint proof?) (by Mansfeld); standing uniform figures, outdoors, showing front and rear of uniforms. Unsigned wash drawing (over aquatint proof?) (by Mansfeld); standing uniform figures, outdoors, showing front and rear of uniforms. Upright, matted; no margins; slight foxing. Title supplied by cataloger New York, Rockman Prints, 1958.

One of a pair of original unsigned ink and watercolor drawings, presumably original drawings by de la Rue for Nouveau Recueil des Troupes Légères de France; standing uniform figure. [See also: French Arquebusier de Grassin, Infanterie.] One of a pair of original unsigned ink and watercolor drawings, presumably original drawings by de la Rue for Nouveau Recueil des Troupes Légères de France; standing uniform figure. [See also: French Arquebusier de Grassin, Infanterie.] Small upright folio, matted; no margins; faded. Title supplied by cataloger. N.Y., Rockman Prints, 1961.

Lithograph by Villain after Charlet, numbered 13; rear view of standing fusilier, apparently urinating against a rock. Lithograph by Villain after Charlet, numbered 13; rear view of standing fusilier, apparently urinating against a rock. Small upright folio; margins intact; repaired tear, foxed. S. Lincoln, Mass., Maroni, 1962. Title supplied by cataloger Caption: Chez Gihaut frères, éditeurs, boulevard des Italiens, no 5

Etching by André de Bizement-Primelé after Parrocel, No. 2; half-length figure of soldier holding gun with bayonet. Etching by André de Bizement-Primelé after Parrocel, No. 2; half-length figure of soldier holding gun with bayonet. Square, matted; margins trimmed; slightly yellowed. N.Y., Tony, 1966. Title and subtitle supplied by cataloger

Original watercolor on grey paper, signed and dated by Grolleron; single figure with sword in right hand, left hand on hip; manuscript inscription "à M. Depervessin. Homage amical." Original watercolor on grey paper, signed and dated by Grolleron; single figure with sword in right hand, left hand on hip; manuscript inscription "à M. Depervessin. Homage amical." Small upright folio, matted folio; margins; clean. New York, Rockman Prints, 1950. Title supplied by cataloger

3 wood-engraved illustrations in text of soldier exercises and scenes after Janet-Lange. 3 wood-engraved illustrations in text of soldier exercises and scenes after Janet-Lange. From Gleason's Pictorial, 1852, page 85 [see also FrP1850mf-3a]. Hanover, N.H., Book & Print Shop, 1958 Subtitle supplied by cataloger

3 wood-engraved illustrations in text of soldier exercises and scenes after Janet-Lange. From Gleason's Pictorial, 1852, page 84 3 wood-engraved illustrations in text of soldier exercises and scenes after Janet-Lange. From Gleason's Pictorial, 1852, page 84 Folio, unbound [see also FrP1850mf-3b]; yellowed, slightly stained. Hanover, N.H., Book & Print Shop, 1958. Title supplied by cataloger. Subtitle supplied by cataloger