by George L. Boyden. Waltz for voice and piano. Cover title. Advertisement for a song book: p. [4] Cover illustration: drawing of soldiers in a trench / E.H. Pfeiffer, N.Y. Also published for: band, orchestra, male quartette.
Colored oval aquatint by Guyot after Cornu; assault on Bastille and its drawbridge, cannon firing in foreground. Colored oval aquatint by Guyot after Cornu; assault on Bastille and its drawbridge, cannon firing in foreground. Oblong, matted folio; margins; soiled. title: Iere ATTAQUE DE LA BASTILLE prise d'Assaut en 3 heures de temps le 14. Juillet 1789. caption: Sous le Règne de Charles V. en 1369. Aubriot, Prévõt de Paris, fit bâtir la Bastille pour servir de Forteresse contre les Anglois. ayant fait arrêter, quelques Ecoliers insolens, l'Université dont les privilèges étoient excessifs, appuyée de Duc de Berry, fit faire le procès au dit Aubriot sous pretexte d'Herésie, et le fit renfemer lui même à la Basille. text: A Paris chez Guyot Graveur et Md. d'Estampes, Rue S. Jacques, No. 10. text: Cornu del text: Guyot sc
One of a collection of 37 original watercolors of uniform figures; figure in blue and black with arms crossed and hands tucked inside jacket. One of a collection of 37 original watercolors of uniform figures; figure in blue and black with arms crossed and hands tucked inside jacket. Small; full dark blue levant morocco stamped gold, gilt extra; clean. Hamburg, Koch auction, 1974.
5th in set of 17 engraved plates of scenes from Thirty Years' War, by Israel after Callot; soldiers occupying town square; burning church at center; dead civilian and booty in foreground, soldiers looting buildings in background, committing atrocities towards women, etc.. 5th in set of 17 engraved plates of scenes from Thirty Years' War, by Israel after Callot; soldiers occupying town square; burning church at center; dead civilian and booty in foreground, soldiers looting buildings in background, committing atrocities towards women, etc.. In 3/4 blue morocco stamped gold and blue marble boards; clean. N.Y., Bodley, 1948.
Etched pl. (from book) by and after Gericke; diagrammatic perspective view of ancient troop formation for battle. Etched pl. (from book) by and after Gericke; diagrammatic perspective view of ancient troop formation for battle. Narrow small oblong folio; margins; creased.
Broadley: '...it contains an amount of minute and interesting detail which renders it probably the most curious print of the kind in existence. On a segment of the underworld, marked, 'Lethe,' 'Styx,' 'Pyriphlegeton,' 'Thele-graph,' etc and showing a shadowed portrait of Frederick the Great, stands a huge boarhound in the act of gnawing a human skull. His forepaws rest on a beam marked 'Term.' His lips are lettered 'Daru,' his ears 'Douaniers' and 'Gendarmerie!' His toes form the names Rapp, Victor, Davoust, and Vandamme, and his tail, disclosing a profile head of Napoleon, is lettered 'Prate-or.' The hind leg, marked 'Vandamme,' is firmly fastened to a heavy chain, held firmly by a hand displayed in the top right hand corner, which also grasps a whip lettered 'for Hamburg, Lubeck, and Bremen.' On the wall at the back is a mock trophy inscribed 'Victory at Leipzig 20 Trop he!' and, at the top, 'Vici.' The trophy consists of a pitchfork and scythe crossed over a rake. Tattered garments are suspended from them. A strip of linen is lettered 'Drapeau' and on the scythe are the words '19 October 1813' -- the date of the Battle of Leipzig. Two human arms stretching out right and left are lettered 'Veni' and 'Vidi.' To the right a bearded figure, crowned with a fool's cap, supports the picture of a monkey, above which are the words 'Pasquinus eram,' and below 'Der Nachstecher' (The Imitator). Under the picture is a group of masks from which an arrow is directed at the imperial scepter, some branches of laurel, and a reversed military eagle, all of which are grouped over the spot marked 'Lethe.' From the mysterious hand hangs down two padlocks,one of which is lettered 'Pariser kauft.' At the top right hand corner is the cross-star of the Allies, from which proceeds the dog Napoleon the words 'Behold of Ahab will I also root out----.' On either side forked lightning and thunderbolts, having the same objective, form the easily recognizable profiles of Wellington, Blücher, Bulow, and Bernadotte.' Broadley: '...it contains an amount of minute and interesting detail which renders it probably the most curious print of the kind in existence. On a segment of the underworld, marked, 'Lethe,' 'Styx,' 'Pyriphlegeton,' 'Thele-graph,' etc and showing a shadowed portrait of Frederick the Great, stands a huge boarhound in the act of gnawing a human skull. His forepaws rest on a beam marked 'Term.' His lips are lettered 'Daru,' his ears 'Douaniers' and 'Gendarmerie!' His toes form the names Rapp, Victor, Davoust, and Vandamme, and his tail, disclosing a profile head of Napoleon, is lettered 'Prate-or.' The hind leg, marked 'Vandamme,' is firmly fastened to a heavy chain, held firmly by a hand displayed in the top right hand corner, which also grasps a whip lettered 'for Hamburg, Lubeck, and Bremen.' On the wall at the back is a mock trophy inscribed 'Victory at Leipzig 20 Trop he!' and, at the top, 'Vici.' The trophy consists of a pitchfork and scythe crossed over a rake. Tattered garments are suspended from them. A strip of linen is lettered 'Drapeau' and on the scythe are the words '19 October 1813' -- the date of the Battle of Leipzig. Two human arms stretching out right and left are lettered 'Veni' and 'Vidi.' To the right a bearded figure, crowned with a fool's cap, supports the picture of a monkey, above which are the words 'Pasquinus eram,' and below 'Der Nachstecher' (The Imitator). Under the picture is a group of masks from which an arrow is directed at the imperial scepter, some branches of laurel, and a reversed military eagle, all of which are grouped over the spot marked 'Lethe.' From the mysterious hand hangs down two padlocks,one of which is lettered 'Pariser kauft.' At the top right hand corner is the cross-star of the Allies, from which proceeds the dog Napoleon the words 'Behold of Ahab will I also root out----.' On either side forked lightning and thunderbolts, having the same objective, form the easily recognizable profiles of Wellington, Blücher, Bulow, and Bernadotte.' Caption: Ich heisse Cerberus, bin auch Chamäleon, erhitzt wechsle ich die Farbe [I am Cerberus; I also am Chameleon; when heated I change color]
One of a collection of 14 anonymous engraved plates (after Ulrich and Mayr). Soldier viewed from behind with sword and halberd, rhyme below. One of a collection of 14 anonymous engraved plates (after Ulrich and Mayr). Soldier viewed from behind with sword and halberd, rhyme below. Blue paper, manuscript title in pencil "Anonym Copien nach Mayr & Ulrich. 14 Bl." in tan cloth case, brown leather backstrip label stamped gold "Mayr & Ulrich--Copie nach Soldatenbuch--c. 1630"; trimmed and yellowed. Leichtenstein-Hauslab Collection, 1951.
8th in collection of 8 silhouettes after Schmidt; soldier with pack and rifle standing in prayer beside grave. 8th in collection of 8 silhouettes after Schmidt; soldier with pack and rifle standing in prayer beside grave. Upright, unbound; white paper pr. black; in blue cloth portfolio, red leather label st. gold. Munich, Wölfle, 1961.
One of a collection of 14 anonymous engraved plates (after Ulrich and Mayr). Woman carrying baby and walking outdoors, rhymed caption below. One of a collection of 14 anonymous engraved plates (after Ulrich and Mayr). Woman carrying baby and walking outdoors, rhymed caption below. Upright, bound in booklet with paper covers; clean.
Engraving by and after V. S(olis); figure of landsknecht officer with halberd, hauberk and helm, walking toward left, two tents in background. From a series of twelve engravings of landsknecht of different ranks. Engraving by and after V. S(olis); figure of landsknecht officer with halberd, hauberk and helm, walking toward left, two tents in background. From a series of twelve engravings of landsknecht of different ranks. Upright, matted; margins entirely trimmed away; clean. New York, Rockman Prints, 1962.
One of a collection of 14 anonymous engraved plates (after Ulrich and Mayr). Soldier with plumed hat and sword, rhymed caption below. One of a collection of 14 anonymous engraved plates (after Ulrich and Mayr). Soldier with plumed hat and sword, rhymed caption below. Blue paper, manuscript title in pencil "Anonym Copien nach Mayr & Ulrich. 14 Bf." in tan cloth case, brown leather backstrip label stamped gold "Mayr & Ulrich--Copie nach Soldatenbuch--c. 1630"; trimmed and yellowed. Leichtenstein-Hauslab Collection, 1951.
Lithograph by and after Plattel (from illustrated newspaper) printed by Aubert & Cie.; half-length portrait in uniform and cape with map and calipers. Lithograph by and after Plattel (from illustrated newspaper) printed by Aubert & Cie.; half-length portrait in uniform and cape with map and calipers. Upright medium folio, mounted on white paper; margins trimmed; clean. New York, Maurice Sloog, 1948.
One of 4 folded double-page hand-colored engraved plates ((by Hogenberg after Georg Höfnagel, from Georg Braun's, 'Civitates Orbis Terrarum'), each with text on verso, of perspective views of fortified cities; view of walled town moated by river; Hungarian noblewomen, European soldiers and Turkish prisoner with horse in foreground. Plate 54 from German edition, Book V, [1600?]; German text on verso. One of 4 folded double-page hand-colored engraved plates ((by Hogenberg after Georg Höfnagel, from Georg Braun's, 'Civitates Orbis Terrarum'), each with text on verso, of perspective views of fortified cities; view of walled town moated by river; Hungarian noblewomen, European soldiers and Turkish prisoner with horse in foreground. Plate 54 from German edition, Book V, [1600?]; German text on verso. Folio and small folio, unbound; in brown cloth portfolio case, black leather label stamped gold; clean, folded in center. N.Y., Walter Schatzki, 1953.
Engraving by Cornelis Visscher and Petrus Soutmann, numbered III; 3/4-length portrait in partial armour, background of drapery with town visible in left distance. Engraving by Cornelis Visscher and Petrus Soutmann, numbered III; 3/4-length portrait in partial armour, background of drapery with town visible in left distance. Upright folio, mounted on white paper; plate mark, margins trimmed; soiled. N.Y., Rockman Prints, 1963.
3rd in collection of 9 engraved plates, all or chiefly by and after Le Blond; standing figure of Turkish janissary, wearing long-plumed fez, with musket on shoulder, lit match in right hand. 3rd in collection of 9 engraved plates, all or chiefly by and after Le Blond; standing figure of Turkish janissary, wearing long-plumed fez, with musket on shoulder, lit match in right hand. Folio; bound in brown cloth, 1/4 brown morocco stamped gold "Bonnart. Costumes militaires - 1675"; clean. New York, Walter Schatzki, 1946.
3rd in collection of 9 engraved plates, all or chiefly by and after Le Blond; standing figure of Turkish janissary, wearing long-plumed fez, carrying stave. 3rd in collection of 9 engraved plates, all or chiefly by and after Le Blond; standing figure of Turkish janissary, wearing long-plumed fez, carrying stave. Folio; bound in brown cloth, 1/4 brown morocco stamped gold "Bonnart. Costumes militaires - 1675"; clean. New York, Walter Schatzki, 1946.
Engraving by G. Vertue, 1721, after van Dyck; oval bust portrait, order on broad ribbon around neck. Engraving by G. Vertue, 1721, after van Dyck; oval bust portrait, order on broad ribbon around neck. Small upright, plate mark, margins trimmed; clean. N.Y., Rockman Prints, 1964.
One of a collection of 12 engraved plates of equestrian portraits by and after Robert Weiss (this one by Matthäus Merian). 'Portrait of James I, whole length on horseback, wearing collar, armour, sash, and sword, and holding a sceptre; London Bridge and the City in the background; coat of arms at top left' -- British Museum. Royal crest in top left. One of a collection of 12 engraved plates of equestrian portraits by and after Robert Weiss (this one by Matthäus Merian). 'Portrait of James I, whole length on horseback, wearing collar, armour, sash, and sword, and holding a sceptre; London Bridge and the City in the background; coat of arms at top left' -- British Museum. Royal crest in top left. Upright folio, yellowed, foxed; in maroon cloth portfolio case, red leather label stamped gold. Leichtenstein-Hauslab Collection, 1951.
by Billy Baskette and Jessie Spiess. For voice and piano. Caption title. Advertisement for another song: p. [4] War slogans: p. 2-3. Cover illustration: soldier with rifle and bayonet / De Takacs.
written, composed and sung by Tom Leamore. Cover title. Song for voice and piano. First line: Long years ago when I was a boy. First line of chorus: Home, home, sailing home. Color lithograph cover: old sailor; H.G. Banks, lith. Portrait on title page: Tom Leamore as sailor. Price 2/- net. H & C. Ltd. 3485.
Original wash drawing by Sheldon-Williams; mounted troops in hilly country halting, wagon camp in right distance. Original wash drawing by Sheldon-Williams; mounted troops in hilly country halting, wagon camp in right distance. Drawn for The Sphere. London, Maggs, 1998. title provided by cataloger
One of a suite of 24 original watercolor drawings by Knötel of Westphalian uniform figures (infantry, cavalry and musicians), 1808-1813. Figure in white uniform carrying large flag. One of a suite of 24 original watercolor drawings by Knötel of Westphalian uniform figures (infantry, cavalry and musicians), 1808-1813. Figure in white uniform carrying large flag. Upright, unbound, in blue cloth case, white leather back stamped gold. Berlin, Knötel, 1953.
Hand-colored copper engraving (now in 3 parts); 28 illustrations of uniform figures. Hand-colored copper engraving (now in 3 parts); 28 illustrations of uniform figures. Large upright folio, matted; plate marks, margins; worn, torn, losses to edges. Munich, Grober Collection, 1953.
Hand-colored copper engraving (in 3 parts); 28 uniform figures in two rows. Hand-colored copper engraving (in 3 parts); 28 uniform figures in two rows. Large upright folio, matted; plate marks, margins; worn, torn, losses to edges. Munich, Grober Collection, 1953.
Hand-colored copper engraving (now in 3 parts); headpiece with trophies and uniform figures, 38 illustrations below of uniform figures and facing colors. Hand-colored copper engraving (now in 3 parts); headpiece with trophies and uniform figures, 38 illustrations below of uniform figures and facing colors. Large upright folio, matted; plate marks, margins; worn, torn, losses to edges. Munich, Grober Collection, 1953.
words by Arthur J. Lamb & Dave Reed ; music by Frederick V. Bowers. For voice and piano. Caption title. "Respectfully dedicated to my friends Mr. & Mrs. Perry J. Kelly." Cover illustration: a soldier writes a letter while a young woman looks over a fence with a church in the background; inset photograph of Eda Kelly / design by EH Pfeiffer.
American soldier saluting French refugees. Charcoal drawing signed lower right: L. Jonas. American soldier saluting French refugees. Charcoal drawing signed lower right: L. Jonas. Oblong folio.
Engraving by Verico after Vernet (from Vol. 2 of Zaydler, B. Storia della Polonia); mounted officers of lancers, soldiers and Spanish prisoners in foreground, cannon in left foreground, troops advancing up slope to battle in mountain background. Engraving by Verico after Vernet (from Vol. 2 of Zaydler, B. Storia della Polonia); mounted officers of lancers, soldiers and Spanish prisoners in foreground, cannon in left foreground, troops advancing up slope to battle in mountain background. Narrow oblong folio, matted; margins slightly trimmed; creased. New York, Harry H. Hymes, 1947.
words by Lew Brown ; music by Albert Von Tilzer. March for voice and piano. Caption title. Sung by: Grace La Rue in musical review, Hithcy-koo. Advertisement for "After you've gone" and another song: p. [4] War slogans: p. [4] Cover illustration: photograph of Grace La Rue; seascape drawing / De Takacs.
Subject: Full-length figure of naval lieutenant. Subject: Full-length figure of naval lieutenant. Title continues: Written, composed & sung with immense success by E. A. Hart. 'Donajowski's Musical Library'--advertisment on verso.
