Unsigned original watercolor of standing uniform figure with grounded rifle. Unsigned original watercolor of standing uniform figure with grounded rifle. Small upright; margins intact. Title supplied by cataloger.

Unsigned ink drawing (said to be copied after Salvator Rosa); 3 standing figures, showing Roman warriors, soldier with pike over shoulder, rear view of soldier with halberd. Unsigned ink drawing (said to be copied after Salvator Rosa); 3 standing figures, showing Roman warriors, soldier with pike over shoulder, rear view of soldier with halberd. Oblong, matted; margins; clean. N.Y., Rockman, 1949. title provided by cataloger

Original watercolor signed by Cervi; mounted and dismounted uniform groups, outdoors. Original watercolor signed by Cervi; mounted and dismounted uniform groups, outdoors. Small oblong folio, matted; no margins; clean; small loss to lower left margin. Title supplied by cataloger. New York, Walter Schatzki, 1952.

One of a pair of hand-colored aquatints; a gallant Russian soldier on horseback chases French soldiers across an open plain. As he catches up to his French quarry, the Russian impales them on a long spear and tosses them on the back of his horse. The French soldiers are depicted as attenuated figures, with torn clothing and haggard expressions. In contrast the Russian is robust and fully outfitted in his uniform. The image is printed on a small sheet of pale blue paper. The hand coloring is detailed and the colors are still quite fresh. [See also: Thank God for getting us out of Russia.] One of a pair of hand-colored aquatints; a gallant Russian soldier on horseback chases French soldiers across an open plain. As he catches up to his French quarry, the Russian impales them on a long spear and tosses them on the back of his horse. The French soldiers are depicted as attenuated figures, with torn clothing and haggard expressions. In contrast the Russian is robust and fully outfitted in his uniform. The image is printed on a small sheet of pale blue paper. The hand coloring is detailed and the colors are still quite fresh. [See also: Thank God for getting us out of Russia.] The title is copied from the translation provided on the mat. The dates are circa dates and are based on the dates for Russian satires in the Broadley catalog.

words by Arthur Fields ; music by Leon Flatow. March for voice and piano. Caption title. From musical revue: Passing show of 1917. Dedicated to: Joseph E. Barrell and Eugene J. Orsenigo, 71st N.Y. Infantry. Cover illustration: soldiers marching / [rose symbol]; photograph of Maurice Burkhart. Illustrator's name represented by a rose symbol on cover. Also published for: band, orchestra, male quartette. Variant advertisements.

the words selected from a valentine ; the music composed & respectfully inscribed, to Miss Mary P. Brown, by Benjamin S. Hart. Cover illustrated with lithograph by Lewis & Brown, New York: soldier making adieux to woman in archway, church in background. For voice and piano. [No. 40] in a volume of music, ca. 1820-1852, with binder's title Music.

3rd in collection of 3 numbered colored lithographic plates of battle and combat scenes, published December 26th, 1854; 2 highlanders in rugged landscape discussing fate of 3 dead Russians at their feet. 3rd in collection of 3 numbered colored lithographic plates of battle and combat scenes, published December 26th, 1854; 2 highlanders in rugged landscape discussing fate of 3 dead Russians at their feet. Oblong medium folio, matted; margins intact; edges soiled. From 'Lloyd's Incidents from the War in the Crimea'. London, Parker Gallery, 1955.

One of a collection of 26 somewhat crude unsigned original watercolor drawings by von Röder of uniforms of Count Wallmoden's corps during their passage through Mecklenburg, showing Prussian, English, Swedish, Russian, Bremen und Verden, Hamburg, Lübeck, King's German Legion, Russian-German Legion and Mecklenburg uniforms. Man in blue and gray, with right hand tucked in jacket and holding sword with left hand. One of a collection of 26 somewhat crude unsigned original watercolor drawings by von Röder of uniforms of Count Wallmoden's corps during their passage through Mecklenburg, showing Prussian, English, Swedish, Russian, Bremen und Verden, Hamburg, Lübeck, King's German Legion, Russian-German Legion and Mecklenburg uniforms. Man in blue and gray, with right hand tucked in jacket and holding sword with left hand. Upright medium folio, unbound; foxed, in maroon cloth slipcase, maroon leather label stamped gold: 'Allied Troops 1813-1815'. Hamburg, Helmut Gerhard Schulz, 1962.

One of a collection of 14 anonymout engraved plates (after Ulrich and Mayr). Soldier in armor leaning on sword, rhymed caption below. One of a collection of 14 anonymout engraved plates (after Ulrich and Mayr). Soldier in armor leaning on sword, rhymed caption below. Blue paper with manuscript title in pencil "Anonym Copien nach Mayr & Ulrich. 14 Bl." in tan cloth case, brown leather backstrip label stamped gold "Mayr & Ulrich--Copie nach Soldatenbuch--c. 1630"; trimmed and yellowed. Leichtenstein-Hauslab Collection, 1951.

One of a collection of 6 engraved plates of half-length military portraits, each in oval enframement, some with trophies. One of a collection of 6 engraved plates of half-length military portraits, each in oval enframement, some with trophies. Upright, matted; margins; plate mark; clean. New York, Harry H. Hymes, 1947.

Lithograph by and after Kaiser, dated 1854 by artist, printed by Höfelich; 3/4-length portrait in uniform. Lithograph by and after Kaiser, dated 1854 by artist, printed by Höfelich; 3/4-length portrait in uniform. Large upright folio, matted; margins intact; clean. N.Y., Rockman Prints, 1954.

Photograph of Cuban guerilla in oval mat, titled in pencil. No. 197.

Tinted lithograph after Schieb (?), dated 1845 by artist; mameluke cavalry charging up into town from harbor. From: 'Genre-Bilder aus dem Oriente' Tinted lithograph after Schieb (?), dated 1845 by artist; mameluke cavalry charging up into town from harbor. From: 'Genre-Bilder aus dem Oriente' Oblong folio, matted; margins trimmed; clean. N.Y., Rockman Prints, 1954.

Part of collection of original watercolors on board, signed by Ibbetson, for Gale & Polden postcards; 2 infantrymen standing with grounded rifles in meadow, smaller soldier figures in right background, Windsor Castle in background. Part of collection of original watercolors on board, signed by Ibbetson, for Gale & Polden postcards; 2 infantrymen standing with grounded rifles in meadow, smaller soldier figures in right background, Windsor Castle in background. In red portfolio, red label stamped gold, "E. Ibbetson, Original watercolors for British regimental prints, c.1900-1910".

Original watercolor signed by Wymer; standing uniform figure of officer. Original watercolor signed by Wymer; standing uniform figure of officer. Upright folio, matted; margins; tape residue at top border; clean. Title supplied by cataloger. London, Parker Gallery, 1970.

4th in coll. of 6 original watercolors signed by F.W. Scott, dated 1958; standing uniform figure. 4th in coll. of 6 original watercolors signed by F.W. Scott, dated 1958; standing uniform figure. Upright folio and medium folio, 6 pieces, matted; margins; clean. London, Parker Gallery, '61. ITpIs. title provided by cataloger

20th in album containing 39 crude watercolors of Austrian, British, French, Dutch, Swiss, Hesse-Cassel, Hess-Darmstadt, Hanoverian and Prussian uniforms, 1 miniature gouache portrait, 3 ink or pencil sketches; mounted cavalryman in red coat, white trousers, holding upraised sword, facing left. 20th in album containing 39 crude watercolors of Austrian, British, French, Dutch, Swiss, Hesse-Cassel, Hess-Darmstadt, Hanoverian and Prussian uniforms, 1 miniature gouache portrait, 3 ink or pencil sketches; mounted cavalryman in red coat, white trousers, holding upraised sword, facing left. Full calf tooled gold, brown leather back, no title; worn. New York, Walter Schatzki, 1959.

by Thomas D. Sullivan. For piano. Cover illustration: Regimental flags and arms of the Irish brigade. Inset portrait of "Major Myles O'Reilly -- the hero of Spoleto" / Lith. of Sarony, Major & Knapp, 449 Broadway, N.Y. Note on p. 3, describes the Irish Brigade's actions in the defence of Spoleto, Italy. Introductory passage contains program music evoking the defence of Spoleto, with descriptive notes between staves. Prescribed dance steps between staves. "Dedicated to Col. Michael Corcoran and the officers and men of the 69th. Reg't. N.Y. St. Militia by the publisher."--P. 1. "Amor Patriæ"--At head of title. "Pearson"--Colophon.

by Albert Dufaure

Mezzotint by Gabriel Bodenehr after I.E N.; equestrian portrait in court (?) dress, attended by soldier carrying helmet at right, cherub with crown regalia descending from upper left. Mezzotint by Gabriel Bodenehr after I.E N.; equestrian portrait in court (?) dress, attended by soldier carrying helmet at right, cherub with crown regalia descending from upper left. Upright medium folio; plate mark, margins trimmed; worn. Leichtenstein-Hauslab Collection, 1951.

Copper-engraving by Sebastian Mansfeld; portrait in uniform, mounted, in enframent with laurel wreath etc. at top. Copper-engraving by Sebastian Mansfeld; portrait in uniform, mounted, in enframent with laurel wreath etc. at top. Small upright, matted; margins trimmed. Leichtenstein-Hauslab Collection, 1951.

First in collection of 21 engraved plates (by and after Boener) of equestrian military portraits; No. 4, boy king mounted on rearing horse, facing right. First in collection of 21 engraved plates (by and after Boener) of equestrian military portraits; No. 4, boy king mounted on rearing horse, facing right. Small, unbound; in red cloth portfolio case, maroon leather label stamped gold "Alex. Boener. Commanders of the Turkish War, 1683". Leichtenstein-Hauslab Collection, 1951. series title provided by cataloger

16th in collection of 18 engraved military portraits by and after Weigel; standing figure of general in armor, pointing left with baton; cavalry combat in background left. 16th in collection of 18 engraved military portraits by and after Weigel; standing figure of general in armor, pointing left with baton; cavalry combat in background left. Leichtenstein-Hauslab Collection, 1951 Small folio, unbound; in maroon cloth portfolio case, red leather label stamped gold; some yellowed or foxed.

7th in collection of 18 engraved military portraits by and after Weigel; mounted figure of general, holding sword, pointing with baton, facing right; large battle in background. 7th in collection of 18 engraved military portraits by and after Weigel; mounted figure of general, holding sword, pointing with baton, facing right; large battle in background. Small folio, unbound; in maroon cloth portfolio case, red leather label stamped gold; some yellowed or foxed.

Engraving by E. Kieser; equestrian portrait in armor, galloping towards right, baton in hand, town under siege in background, arms at upper left. Engraving by E. Kieser; equestrian portrait in armor, galloping towards right, baton in hand, town under siege in background, arms at upper left. Upright; plate mark, margins trimmed; yellowed. N.Y., Rockman Prints, 1961.

8th in collection of 18 engraved military portraits by and after Weigel; mounted figure of king, frontal view, pointing baton with right hand; town in background. 8th in collection of 18 engraved military portraits by and after Weigel; mounted figure of king, frontal view, pointing baton with right hand; town in background. Leichtenstein-Hauslab Collection, 1951 Small folio, unbound; in maroon cloth portfolio case, red leather label stamped gold; some yellowed or foxed.

Copper-engraving; equestrian portrait in uniform, baton in hand, cavalry advancing toward fort in background. Copper-engraving; equestrian portrait in uniform, baton in hand, cavalry advancing toward fort in background. Upright folio, matted; margins trimmed close. Munich, Wölfle, 1954.

One of a collection of 12 engraved plates of equestrian portraits by and after Weiss (this one possibly by Matthäus Merian?). Mounted figure in full armor and sash, holding baton, on rearing horse, soldiers in formation in background before a large city (Tübingen?). Heraldic crest in top right. One of a collection of 12 engraved plates of equestrian portraits by and after Weiss (this one possibly by Matthäus Merian?). Mounted figure in full armor and sash, holding baton, on rearing horse, soldiers in formation in background before a large city (Tübingen?). Heraldic crest in top right. Upright folio, foxed, slightly soiled; in maroon cloth portfolio case, red leather label stamped gold. Leichtenstein-Hauslab Collection, 1951.

One of a pair of hand-colored engraved caricature plates by Martin Engelbrecht; militiaman. [See also: Der Achtbahre und Wolhverfahrne Liendl Trodtler.] One of a pair of hand-colored engraved caricature plates by Martin Engelbrecht; militiaman. [See also: Der Achtbahre und Wolhverfahrne Liendl Trodtler.] Small upright folio; plate mark, margins trimmed; clean. N.Y., Walter Schatzki, 1968.

Engraving by François Bignon and Zac. Heince after Champaigne and Vouet. 'Portrait of Jean Le Maingre, known as Boucicaut, Marshal of France; full-length, standing in profile to left, wearing full armour, his left hand resting on a pedestal, and holding a mace in his right hand; around the portrait are scenes from the Lesdiguieres's life; above, a lettered cartouche printed from a separate plate; illustration to Marc de Vulson de la Colombière's 'Les Portraicts des hommes illustres francois qui sont peints dans la galerie du Palais Cardinal de Richelieu' (Paris: H. Sara, 1650)' -- British Museum Engraving by François Bignon and Zac. Heince after Champaigne and Vouet. 'Portrait of Jean Le Maingre, known as Boucicaut, Marshal of France; full-length, standing in profile to left, wearing full armour, his left hand resting on a pedestal, and holding a mace in his right hand; around the portrait are scenes from the Lesdiguieres's life; above, a lettered cartouche printed from a separate plate; illustration to Marc de Vulson de la Colombière's 'Les Portraicts des hommes illustres francois qui sont peints dans la galerie du Palais Cardinal de Richelieu' (Paris: H. Sara, 1650)' -- British Museum Upright folio, matted; plate mark, margins trimmed close; clean. Leichtenstein-Hauslab Collection, 1951. Title: IOANNES BOUCICAULT POLEMARCHUS Sub Carolo 5. et Carolo 6 Caption: Altere solertiâ Ulysses, eo maxime quod Cruentas polyphemi Turcae maxillas Euasit, Alter fortitudine Achilles, rebus Gestis Europae, Asiae, atque Africae Inclaruit, Regius Genuae Praeses et Deffensor. Caption: Mediolani, Ticini, Placentiae, aliar uinque Italiae Urbium expugnator, qui ab Oriente Victor, demum In Ultima Occidentis Insula clade Gallica Captiuus, Morte Libertatem recepit. Label(s): Il Tue un cheua Ilier Anglo is fort grand Label(s): Sterno Gigantas Label(s): Il Va en Espagne commander l'armée françoise Label(s): Prae dam deprædone facit Label(s): Il Amene au Roy le Comte de perigort, Le Roy le stablit Gouverneur, A Gennes, Il fut pris prisonnier par les Anglois Label(s): prise de Bothum et de Barut en Sirie Label(s): Mittentis Vola Secundat Label(s): Combat Naval (?) contre les Venitiens Caption: Hunc bene Barbarico Numen deffendit ab Ense qui Patriæ Validam postea ferret Opem Annotation: Zac. Heince del. Annotation: Fr. Bignon se. Caption: Cum Priuit Label(s): Virtute fortuna premis