Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection
This vast digital collection of military artwork from the 16th through 20th centuries, vividly documents all aspects of military and naval history, with emphasis on the history and illustration of world military and naval uniforms from the 17th century to the present. In addition to the material on military and naval dress, the collection contains thousands of battle and campaign scenes, portraits, caricatures, wartime posters, original photographs, material pertaining to military decorations and insignia, heraldic ornaments, armor, weaponry, equitation, flags, knightly orders, court and ceremonial dress, architecture, and the general history of costume.
Second of a series of 6 hand-colored copper engravings; standing figure looking left Second of a series of 6 hand-colored copper engravings; standing figure looking left Leichtenstein-Hauslab Collection, 1951
First of a series of 6 hand-colored copper engravings. Standing figure facing forward First of a series of 6 hand-colored copper engravings. Standing figure facing forward Leichtenstein-Hauslab Collection, 1951
Drum band of Garde Nationale with drum-major; J. Brandard Lith, M. & N. Hanhart Impt. Drum band of Garde Nationale with drum-major; J. Brandard Lith, M. & N. Hanhart Impt. Performed for the first time by the French Drummers at M. Jullien's Bal Masque, Thursday December 12th, 1850. Price 3/-
One of 3 color lithograph plates printed by Becquet frères; each with 25 illustrations of uniform figures; by Maurice after H. Montaut. One of 3 color lithograph plates printed by Becquet frères; each with 25 illustrations of uniform figures; by Maurice after H. Montaut. Giant upright folio, matted; margins intact; soiled. London, Parker Gallery, 1953.
Two soldiers of the Garde Impériale standing, showing front and rear view of uniform, figures in background; A. Laby, Lith., Stannard & Dixon Imp. Two soldiers of the Garde Impériale standing, showing front and rear view of uniform, figures in background; A. Laby, Lith., Stannard & Dixon Imp. par E. Reyloff. Pr. 3/-
Hand-colored engraving by Bovinet after Swebach; mounted rulers, officers etc. in center foreground watching troops manoeuvring at left and in landscape background. Hand-colored engraving by Bovinet after Swebach; mounted rulers, officers etc. in center foreground watching troops manoeuvring at left and in landscape background. Oblong folio, mounted on white board; margins trimmed; soiled. Paris, Franck auction, 1955.
7th in collection of 11 photogravure plates of Second Empire and Franco-Prussian War military scenes, this one after Protais; vignette from battle, small group of French soldiers and officer standing with flag, looking toward left, under fire; other soldiers in background. 7th in collection of 11 photogravure plates of Second Empire and Franco-Prussian War military scenes, this one after Protais; vignette from battle, small group of French soldiers and officer standing with flag, looking toward left, under fire; other soldiers in background. Upright, unbound; clean; in light blue cloth portfolio, red leather labels stamped gold "Military paintings. Paris, Salon 1879-80." New York, Walter Schatzki, 1952.
Chromolithograph by G. Severyns after watercolor dated 1831 by Madou; uniform group outdoors, showing officers, soldiers, trumpeter, flag-bearer, drum on ground. Chromolithograph by G. Severyns after watercolor dated 1831 by Madou; uniform group outdoors, showing officers, soldiers, trumpeter, flag-bearer, drum on ground. Small upright folio; margins intact; water-stained. Brussels, Delacre sale, 1961.
2nd in series of hand-colored engraved humorous plates; Scottish soldier walking arm in arm with woman. 2nd in series of hand-colored engraved humorous plates; Scottish soldier walking arm in arm with woman. Small upright folio, matted; margins trimmed close. Paris, auction, 1964.
One of 3 color lithograph plates printed by Becquet frères; each with 25 illustrations of uniform figures; by and after C. Maurice. One of 3 color lithograph plates printed by Becquet frères; each with 25 illustrations of uniform figures; by and after C. Maurice. Giant upright folio, matted; margins intact; soiled. London, Parker Gallery, 1953.
One of two (of a series of ?) lithographed plates from the series "La Foire aux Idées", by Becquet after Adam; with six vignettes of lancer, soldiers conversing, peasant caricatures. One of two (of a series of ?) lithographed plates from the series "La Foire aux Idées", by Becquet after Adam; with six vignettes of lancer, soldiers conversing, peasant caricatures. Small oblong folio, margins intact; soiled, foxed. N. Y., Rockman Prints, 1962.
One of two (of a series of ?) lithographed plates from the series "La Foire aux Idées", by Becquet after Adam; with eleven vignettes of XVIII century soldiers, dog, groom with horses etc. One of two (of a series of ?) lithographed plates from the series "La Foire aux Idées", by Becquet after Adam; with eleven vignettes of XVIII century soldiers, dog, groom with horses etc. Small oblong folio, margins intact; soiled, foxed. N.Y., Rockman Prints, 1962.
1st in portfolio of miscellaneous lithographs printed by and after Charlet, lithograph by Villain; scene of cavalry troop dismounted and resting against farmhouse wall beside road, chatting with peasant women at lower right, small stone bridge at left, trees in background, three children nearby. 1st in portfolio of miscellaneous lithographs printed by and after Charlet, lithograph by Villain; scene of cavalry troop dismounted and resting against farmhouse wall beside road, chatting with peasant women at lower right, small stone bridge at left, trees in background, three children nearby. Small oblong folio; margins intact; clean; in blue cloth portfolio, red leather label stamped gold, "Charlet, Miscellaneous Lithographs." Hamburg, Helmut Gerhard Schulz, 1952.
Line and stipple engraving by F. Kearny after Le Paon; full-length portrait in U.S. uniform, black groom with horse at right, battle in left foreground. Line and stipple engraving by F. Kearny after Le Paon; full-length portrait in U.S. uniform, black groom with horse at right, battle in left foreground. Upright folio, matted; plate mark, margins trimmed; clean. N.Y., Old Print Shop, 1958.
Color aquatint; group port. of King and Royal dukes in uniform, in salon with 2 seated duchesses. Color aquatint; group port. of King and Royal dukes in uniform, in salon with 2 seated duchesses. Oblong folio, matted; plate mark, margins; clean. title: La Famille Royale caption: ....[illegible] Monsieur Comte d'Artois caption: ...[illegible] Louis XVIII ... Marie Reine de France caption: ... [illegible] Marie Caroline Duchesse de France caption: ... [illegible] Madame Duchesse d'Argoulême caption: ... [illegible] Antoine d'Artois Duc d'Argoulême caption: ... [illegible] Ferdinand d'Artois, Duc de Berry caption: Paris chez Gautier Quai des Augustins No 37 caption: Déposé à la Direction Cie
2nd in set of 3 colored lithographs by Langlumé after Bellangé; French soldiers in green jackets, red trousers, playing cards in barracks room. 2nd in set of 3 colored lithographs by Langlumé after Bellangé; French soldiers in green jackets, red trousers, playing cards in barracks room. Oblong; margins intact; soiled; in blue cloth portfolio, red leather label stamped gold "H. Bellange. Miscellaneous lithographs, c.1828-1832." Paris, Jazet, 1951.
Fifth in collection of eight hand-colored, engraved caricature plates on War of the Second Coalition, as fought in Italy by England, Austria and Russia against France; crowd of French Revolutionary soldiers, politicians etc. boarding Charon's boat at right, to be taken across stream to Hades at left, welcomed by Pluto, hell-fire, etc.; verse inscription below. Fifth in collection of eight hand-colored, engraved caricature plates on War of the Second Coalition, as fought in Italy by England, Austria and Russia against France; crowd of French Revolutionary soldiers, politicians etc. boarding Charon's boat at right, to be taken across stream to Hades at left, welcomed by Pluto, hell-fire, etc.; verse inscription below. Oblong folio, unbound; in red cloth slipcase, green leather label st. gold; clean. N.Y., Rockman Prints, 1960.
Original watercolor signed by Fontaine; King and officials in canopied pavilion at top of steps before Ecole Militaire, troops assembled around them. Original watercolor signed by Fontaine; King and officials in canopied pavilion at top of steps before Ecole Militaire, troops assembled around them. Large oblong folio, mounted on white paper; clean. Paris, Robert Prouté, 1973.
One of a collection of 22 double-page engraved plates by and after de Hooghe with collaboration of Capt. Juan de Ledesma, showing battle scenes in France and Flanders, 1567-1580, with manuscript notes in ink in bottom margins. Battle scene at harbor by dike in 1585, with a distant view of Antwerp. One of a collection of 22 double-page engraved plates by and after de Hooghe with collaboration of Capt. Juan de Ledesma, showing battle scenes in France and Flanders, 1567-1580, with manuscript notes in ink in bottom margins. Battle scene at harbor by dike in 1585, with a distant view of Antwerp. Small folio; calf back and decorated boards, no title; cover sorn, rubbed, some small worm-holes, yellowed.
Ink and wash drawing signed by P. Leven & Lemonier; last stand of 2 artillerymen, firing cannon toward advancing infantry on opposing ridge. Ink and wash drawing signed by P. Leven & Lemonier; last stand of 2 artillerymen, firing cannon toward advancing infantry on opposing ridge. Oblong folio, mounted on board; margins; clean.
Engraving by Moyreau after Wouwerman; cavalry battle scene beneath cloud-filled sky. Engraving by Moyreau after Wouwerman; cavalry battle scene beneath cloud-filled sky. Oblong folio; plate mark, margins trimmed; somewhat yellowed, marginal tear. From series: Oeuvres de Philippe Wouwermens Hollandois, plate 49. N.Y., Rockman Prints, 1961.
Hand-colored engraving caricature by and after N. F(inart); group of 7 cossacks cooking and eating around fire with kettle suspended from tripod. Hand-colored engraving caricature by and after N. F(inart); group of 7 cossacks cooking and eating around fire with kettle suspended from tripod. Oblong folio, matted; margins trimmed; slightly soiled. N.Y., Rockman Prints, 1949.
Original somewhat crude watercolor and gouache drawing inscribed on stone 'J.B.T.'; mounted officer shaking hand of infantry color-bearer. Original somewhat crude watercolor and gouache drawing inscribed on stone 'J.B.T.'; mounted officer shaking hand of infantry color-bearer. Square; margins; clean. London, J. Hall, 1964.
Emperor Napoleon III on horseback awarding a medal to a soldier who stands in salute to the Emporer's right, flags and other officers on horseback behind; Concanen & Lee, Lith., Stannard & Dixon, Imp. Emperor Napoleon III on horseback awarding a medal to a soldier who stands in salute to the Emporer's right, flags and other officers on horseback behind; Concanen & Lee, Lith., Stannard & Dixon, Imp. composée pour piano par Alphonse Leduc.
Hand-colored etching. 'Napoleon, seated in profile to the left on an ornate chair-commode, clasping his knees, bends forward to vomit (cf. No. 12276, &c.) into a bowl held by a fat doctor, larger in scale than his patient. The doctor, wearing a long gown and a symmetrically parted wig which frames his face, looks fixedly at the spectator over Napoleon's head, with a sly smile; in his left hand he holds on a salver a bottle labelled 'Potion suivant l'ordon'. The chair and the doctor are on a small rectangular dais of four steps. On and beside the dais are rolled documents: two maps, one 'Carte de France', showing the 'Méditerane[e]', the other showing 'Ocean'; two completely rolled are 'Suise' [sic] and 'Moscow'. The back of the chair is decorated with a large 'N' surmounted not by an eagle but by an owl. It is patterned not by bees but by drops of blood (or tears), and is topped by a crown formed of bones and skulls at the apex of which is a larger skull, smoking like a censer. In the background (right) is a corner of the palace of 'Fontainebleau' (the name on a flag); outside it stand two doctors, each with a large syringe. Below the title: 'Buonaparte, Docteur voyez dans quel état je me trouve j'ai pris des bains de sang, j'ai fait des levées en masse et rien ne m'a reussi ..... [the dots in the dialogue are in the original] quel régime suivre? .... toujours le régime actuel n'est-ce pas! Le Docteur. Non . . . non il faut revenir à l'ancien régime. B . . . . De grace donnez moi quelque prise de conscrits vous me sauverez. Le D. Vous vous sauverez sans cela, vous en avez trop pris . . . Evacuez c'est votre dernière ressource! B. Ah Docteur! je n'ai fait qu'évacuer depuis Moscow jusqu'à Paris! le D. tant mieux il faut tout rendre.' -- British Museum Hand-colored etching. 'Napoleon, seated in profile to the left on an ornate chair-commode, clasping his knees, bends forward to vomit (cf. No. 12276, &c.) into a bowl held by a fat doctor, larger in scale than his patient. The doctor, wearing a long gown and a symmetrically parted wig which frames his face, looks fixedly at the spectator over Napoleon's head, with a sly smile; in his left hand he holds on a salver a bottle labelled 'Potion suivant l'ordon'. The chair and the doctor are on a small rectangular dais of four steps. On and beside the dais are rolled documents: two maps, one 'Carte de France', showing the 'Méditerane[e]', the other showing 'Ocean'; two completely rolled are 'Suise' [sic] and 'Moscow'. The back of the chair is decorated with a large 'N' surmounted not by an eagle but by an owl. It is patterned not by bees but by drops of blood (or tears), and is topped by a crown formed of bones and skulls at the apex of which is a larger skull, smoking like a censer. In the background (right) is a corner of the palace of 'Fontainebleau' (the name on a flag); outside it stand two doctors, each with a large syringe. Below the title: 'Buonaparte, Docteur voyez dans quel état je me trouve j'ai pris des bains de sang, j'ai fait des levées en masse et rien ne m'a reussi ..... [the dots in the dialogue are in the original] quel régime suivre? .... toujours le régime actuel n'est-ce pas! Le Docteur. Non . . . non il faut revenir à l'ancien régime. B . . . . De grace donnez moi quelque prise de conscrits vous me sauverez. Le D. Vous vous sauverez sans cela, vous en avez trop pris . . . Evacuez c'est votre dernière ressource! B. Ah Docteur! je n'ai fait qu'évacuer depuis Moscow jusqu'à Paris! le D. tant mieux il faut tout rendre.' -- British Museum Summer 1814
4th in collection of 4 colored and 6 uncolored lithographic plates after Raffet, printed by Gihaut Frères; 2 infantrymen in conversation in wooded area, 3 more troops in left background. 4th in collection of 4 colored and 6 uncolored lithographic plates after Raffet, printed by Gihaut Frères; 2 infantrymen in conversation in wooded area, 3 more troops in left background. Medium folio and small folio, unbound; in folio blue cloth portfolio, red leather labels stamped gold "Raffet. Miscellaneous lithographs, c. 1828-1832."
Colored aquatint by Cotteau and L.J. Allais after Debret; Napoleon, mounted with staff, watching demolition of Prussian memorial column, small figures of troops in landscape background. Colored aquatint by Cotteau and L.J. Allais after Debret; Napoleon, mounted with staff, watching demolition of Prussian memorial column, small figures of troops in landscape background. Oblong folio, matted; plate mark, margins trimmed; clean. Paris, Bessel, 1955.
Hand-colored engraved caricature; soldiers aiming guns at priests and others seeking escape in branches of tree. Hand-colored engraved caricature; soldiers aiming guns at priests and others seeking escape in branches of tree. Upright medium folio, matted; plate mark, margins trimmed; clean. Paris, Bihn, 1952. Caption: Air: Eveillez vous belle endormie &c. Caption: A voir far devant nos chasseurs; Corbeaux, moinillons, bete fauve; Rions de leur vaines clameurs, C'est la fermeté qui nous sauve
One of a collection of hand colored engraved plats by H. Mansfeld, Rahl, Alberto and Enrico Adam after Kobell of large outdoor military group, fortification with large barrack buildings in background. One of a collection of hand colored engraved plats by H. Mansfeld, Rahl, Alberto and Enrico Adam after Kobell of large outdoor military group, fortification with large barrack buildings in background. Oblong folio.
34th in set of 34 original ink and watercolor caricatures, signed by Ronny; spahi in scarlet and white jacket and cloak, light blue pantaloons,w alking toward left. 34th in set of 34 original ink and watercolor caricatures, signed by Ronny; spahi in scarlet and white jacket and cloak, light blue pantaloons,w alking toward left. Upright, with border, matted; clean. In blue portfolio box, russet label stamped gold, "F. Ronny. French Army caricatures c. 1910.". Note on catalog card : "See European and other uniforms, c.1900-1912 : watercolour caricature post-cards".