Stipple-engraving by B. Hall after Wageman, published Jany. 12, 1829; standing figure of officer, one foot on rock, pointing toward left with dagger. Stipple-engraving by B. Hall after Wageman, published Jany. 12, 1829; standing figure of officer, one foot on rock, pointing toward left with dagger. Upright, matted; plate mark, margins intact; margins soiled. London, Parker Gallery, 1972.

Mezzotint by Meyer after Lawrence, published March 21, 1814; 3/4-length portrait in hussar uniform, holding sword over shoulder, outdoors. Mezzotint by Meyer after Lawrence, published March 21, 1814; 3/4-length portrait in hussar uniform, holding sword over shoulder, outdoors. Large upright folio, matted; plate mark, margins trimmed at top & bottom; some wormholes. N.Y., Rockman Prints, 1953.

Mezzotint by George Clint after Lawrence, published Mar. 1, 1802; 3/4-length portrait in uniform, hatless, right hand resting on sword. Mezzotint by George Clint after Lawrence, published Mar. 1, 1802; 3/4-length portrait in uniform, hatless, right hand resting on sword. Upright folio, matted; plate mark, margins trimmed. London, Parker Gallery, 1951.

Mezzotint by Ward after Pickersgill, published Feby 1. 1837; half-length portrait in uniform, holding hat in hands. Mezzotint by Ward after Pickersgill, published Feby 1. 1837; half-length portrait in uniform, holding hat in hands. Upright folio, matted; plate mark, margins intact; soiled. London Parker Gallery, 1950.

Color mezzotint by S.W. Reynolds after Dillon, published Octr, 10th, 1808; full-length portrait in uniform, hat in hand, landscape background. Color mezzotint by S.W. Reynolds after Dillon, published Octr, 10th, 1808; full-length portrait in uniform, hat in hand, landscape background. Upright folio, matted; plate mark, margins trimmed; margins stained and foxed. London, Parker Gallery, 1954.

37th in series of 115 colored prints of oil paintings, signed by Legras, of uniform figures from various military units; officer in navy blue jacket, teal trousers, with sword under arm, twirling moustache. 37th in series of 115 colored prints of oil paintings, signed by Legras, of uniform figures from various military units; officer in navy blue jacket, teal trousers, with sword under arm, twirling moustache. Upright folio, unbound, in green portfolio with white label, "Etudes de types militaires"; clean.

Mezzotint by Turner after Jackson published June 2, 1823; 3/4-length portrait in uniform, outdoors. Mezzotint by Turner after Jackson published June 2, 1823; 3/4-length portrait in uniform, outdoors. Upright folio, matted; plate mark, margins intact. London, Parker Gallery, 1955..

Color mezzotint by Young after Watson, published Jany. 1, 1809; 3/4-length portrait in uniform, hatless, right hand resting on document on table with urn. Color mezzotint by Young after Watson, published Jany. 1, 1809; 3/4-length portrait in uniform, hatless, right hand resting on document on table with urn. Upright folio, matted; margins severely trimmed; worn. London, Parker Gallery, 1952.

Stipple-engraving 'by Jas. Heath, from a Picture by L.F. Abbott' published Decr, 1, 1809. 'Portrait of Charles Taylor, half-length, slightly turned to the left, his sabre under his arm, his hair powdered, dressed in the laced uniform of the 20th Light Dragoons buttoned to the neck, a sash across his chest and about his waist, a black stock about his neck, his Tarleton helmet to the left' -- British Museum Stipple-engraving 'by Jas. Heath, from a Picture by L.F. Abbott' published Decr, 1, 1809. 'Portrait of Charles Taylor, half-length, slightly turned to the left, his sabre under his arm, his hair powdered, dressed in the laced uniform of the 20th Light Dragoons buttoned to the neck, a sash across his chest and about his waist, a black stock about his neck, his Tarleton helmet to the left' -- British Museum Upright folio. London, Parker Gallery, 1953. Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

Colored aquatint by Bond after Edridge; full-length portrait in uniform, right hand with shako resting on cannon, harbor and fort in background. Colored aquatint by Bond after Edridge; full-length portrait in uniform, right hand with shako resting on cannon, harbor and fort in background. Large upright folio, matted; plate mark, margins intact; margins soiled, creased. London, Parker Gallery, 1953.

32nd in series of 115 colored prints of oil paintings, signed by Legras, of uniform figures from various military units; officer for supplies, in black jacket, red trousers, standing with foot on box, facing left. 32nd in series of 115 colored prints of oil paintings, signed by Legras, of uniform figures from various military units; officer for supplies, in black jacket, red trousers, standing with foot on box, facing left. Upright folio, unbound, in green portfolio with white label, "Etudes de types militaires"; clean.

Gravure plate (after Gros); full-length portrait in hussar uniform, standing with sword in hand, other hand on hip, shako and documents on ground, city under attack in background. Gravure plate (after Gros); full-length portrait in hussar uniform, standing with sword in hand, other hand on hip, shako and documents on ground, city under attack in background. Upright; margins. inscription: (Lt. General et. Fournier-Sarlovèze. number: 25

Original albumen photograph No. 37076; portrait of Walker seated and friend standing, both wearing shell jackets and pill-box caps. Original albumen photograph No. 37076; portrait of Walker seated and friend standing, both wearing shell jackets and pill-box caps. Upright, on white board mount with foliate border.

7th (suppl.) in collection of 6 chromolithographic plates after Payne, some dated 1892 by artist; mounted royal engineer and hussar, galloping toward right through low brush. 7th (suppl.) in collection of 6 chromolithographic plates after Payne, some dated 1892 by artist; mounted royal engineer and hussar, galloping toward right through low brush. Large upright folio, matted; margins; clean; in red cloth portfolio, maroon cloth label stamped gold. London, Parker Gallery, 1961.

Original watercolor signed by Angus McBride; three soldiers in combat clothing. For Osprey volume on SAS Original watercolor signed by Angus McBride; three soldiers in combat clothing. For Osprey volume on SAS Rochester, VT, Charles Woolley, 1999

Color lithographic proof before title by Harris after Daubrawa; equestrian portrait in uniform, riding toward left, landscape background. Color lithographic proof before title by Harris after Daubrawa; equestrian portrait in uniform, riding toward left, landscape background. Upright folio, matted; plate mark, margins slightly trimmed. New York, Harry H. Hymes, 1947. title provided by cataloger

One of a collection of 88 original watercolors signed by Finart of Russian, British, Austrian, Bavarian, Prussian and French uniform figures. Officer in red and white with plumed hat, tents in background. One of a collection of 88 original watercolors signed by Finart of Russian, British, Austrian, Bavarian, Prussian and French uniform figures. Officer in red and white with plumed hat, tents in background. Unbound, some soiling and bend to lower right corner; in red marble board slipcase, red leather back stamped gold. Paris, Grangié sale, 1963. Series title supplied by cataloger.

One of 2 engraved plates from 'The History of the War, from the Commencement of the French Revolution to the Present Time', volume II by Hewson Clarke, published London, T. Kinnersley, 1816; British officers and marines advancing over ramparts and body of dead French commander. [See also: Admiral Lord Nelson mortally wounded]. One of 2 engraved plates from 'The History of the War, from the Commencement of the French Revolution to the Present Time', volume II by Hewson Clarke, published London, T. Kinnersley, 1816; British officers and marines advancing over ramparts and body of dead French commander. [See also: Admiral Lord Nelson mortally wounded]. Upright, inset in folio paper; margins; clean.

Unsigned watercolor showing six officers relaxing in a bungalow. From a collection of 28 watercolors and drawings by Saumarez Unsigned watercolor showing six officers relaxing in a bungalow. From a collection of 28 watercolors and drawings by Saumarez Small oblong folio. Stow-on-the-Wold, Christopher Clarke, 2011. Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection., Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

One of a collection of 3 (of ?) hand colored engraved plates after Langendijk, this one engraved by W. Nieuwhoff. Figure in gray with plumed hat and sword talking to woman in blue dress. One of a collection of 3 (of ?) hand colored engraved plates after Langendijk, this one engraved by W. Nieuwhoff. Figure in gray with plumed hat and sword talking to woman in blue dress. Small folio, unbound; in blue cloth slipcase, orange leather label stamped gold; soiled, margins trimmed. Brussels, Delacre sale, 1961.

Original unsigned watercolor and gouache port. of unidentified officer, busby and right hand resting on cannon, on battlements of castle, smaller soldier figures near flag in right background. Original unsigned watercolor and gouache port. of unidentified officer, busby and right hand resting on cannon, on battlements of castle, smaller soldier figures near flag in right background. Upright folio, matted; no margins; clean. London, Parker Gallery, 1965. Title provided by cataloger.

Sepia stipple-engraving by F. Bartolozzi after Downman; oval half-length profile portrait in uniform. Sepia stipple-engraving by F. Bartolozzi after Downman; oval half-length profile portrait in uniform. Upright medium folio, matted; plate mark, margins; soiled. London, W. Hill, 1952.

Original unsigned watercolor (by Payne?); lieutenant running and leading highlanders forward. Original unsigned watercolor (by Payne?); lieutenant running and leading highlanders forward. Small oblong, matted; no margins; blurred or faded. Title supplied by cataloger. London, Parker Gallery, 1968.

Color mezzotint by Turner after Mme. Varrilat (née Tornézy), published Decr. 1818; 3/4-length portrait in uniform, hat under arm, pointing to book and document on table at right. Color mezzotint by Turner after Mme. Varrilat (née Tornézy), published Decr. 1818; 3/4-length portrait in uniform, hat under arm, pointing to book and document on table at right. Large upright folio, matted; margins. London, Parker Gallery, 1952.

Hand-colored engraving by Reynolds after Francis Grant, A.R.A., published 10th Decr. 1849; Hardinge and staff riding toward left followed by Indian lancers, battlefield with tents, wreckage and wounded in background. Hand-colored engraving by Reynolds after Francis Grant, A.R.A., published 10th Decr. 1849; Hardinge and staff riding toward left followed by Indian lancers, battlefield with tents, wreckage and wounded in background. Giant oblong folio, matted; margins; clean, corners and margins repaired. London, Parker Gallery, 1964.

Hand-colored stipple-engraving by G.S. Facius, 1797, after painting by Abbott, 1786; half-length portrait in uniform of 40th Foot, leaning against railing, hat in hand, landscape background. Hand-colored stipple-engraving by G.S. Facius, 1797, after painting by Abbott, 1786; half-length portrait in uniform of 40th Foot, leaning against railing, hat in hand, landscape background. Upright folio, matted; margins trimmed close; clean. New York, Harry H. Hymes, 1944.

Mezzotint by Lupton after Hoppner; 3/4-length portrait in uniform, hatless, right hand resting on cannon. Mezzotint by Lupton after Hoppner; 3/4-length portrait in uniform, hatless, right hand resting on cannon. Upright folio, matted; plate mark, margins; foxed. London, Parker Gallery, 1956.

Hand-colored mezzotint by J.C. Easling after Shee, published June 20, 1815; bust portrait in uniform and orders, hatless. Hand-colored mezzotint by J.C. Easling after Shee, published June 20, 1815; bust portrait in uniform and orders, hatless. Upright folio, matted; margins severely trimmed; yellowed, worn. London, Parker Gallery, 1952.

Original sepia photograph; officers standing and seated around Napier, including Colonel Speedy in native costume. Other officers include Major Brabazon Henry Pottinger, Count von Seekendorff, Col, W.E. Macleod, Capt. Scott, Col. Maude, and L.C. Hamilton. Original sepia photograph; officers standing and seated around Napier, including Colonel Speedy in native costume. Other officers include Major Brabazon Henry Pottinger, Count von Seekendorff, Col, W.E. Macleod, Capt. Scott, Col. Maude, and L.C. Hamilton. Oblong, mounted on white board; faded; some names indicated in pencil. Title supplied by cataloger.

Original sepia photograph; Napier, seated, outdoors, 7 officers standing behind. Other officers include St. John, Bolditch, Carter, Gordon D. Pritchard, etc. Original sepia photograph; Napier, seated, outdoors, 7 officers standing behind. Other officers include St. John, Bolditch, Carter, Gordon D. Pritchard, etc. Oblong, mounted on white board; faded; some names indicated in pencil on the image. Title supplied by cataloger.