2nd of pair of original unsigned watercolors; showing (left to right) Havildar, Rifle Corps; Orderly Havildar at the Adjutant General's Office; Orderly Havildar, 10th Regt. M.N.I. 2nd of pair of original unsigned watercolors; showing (left to right) Havildar, Rifle Corps; Orderly Havildar at the Adjutant General's Office; Orderly Havildar, 10th Regt. M.N.I. Large oblong folio, matted; margins; clean. N.Y., Rockman Prints, 1951. Title supplied by cataloger

1st of pair of original unsigned watercolors; row of 6 uniform figures, showing (left to right) Trooper 6th Regt. M.t. Cavalry; Trooper Horse Artillery, Native; Sepoy Rifle Corps; Sepoy, Foot Artillery or Gulimdanze; Sepoy, Pioneers; Sepoy, 10th Regt. M.N.I. 1st of pair of original unsigned watercolors; row of 6 uniform figures, showing (left to right) Trooper 6th Regt. M.t. Cavalry; Trooper Horse Artillery, Native; Sepoy Rifle Corps; Sepoy, Foot Artillery or Gulimdanze; Sepoy, Pioneers; Sepoy, 10th Regt. M.N.I. Large oblong folio, matted; margins; clean. N.Y., Rockman, 1951. Title supplied by cataloger

Original crude watercolor signed by T.E.T.; 2 standing uniform figures, outdoors. Glued to backing, and attached to back is another watercolor by T.E.T. dated 1900 and titled: Necromantic and Non-Romantic. Original crude watercolor signed by T.E.T.; 2 standing uniform figures, outdoors. Glued to backing, and attached to back is another watercolor by T.E.T. dated 1900 and titled: Necromantic and Non-Romantic. Upright; matted; no margins; glued to backing. London, Parker Gallery, 1960.

Original watercolor signed by Payne, paper mounted on board; two mounted soldiers riding toward right. Original watercolor signed by Payne, paper mounted on board; two mounted soldiers riding toward right. Upright folio, matted; margins trimmed; clean.

6th in collection of 15 watercolors of uniform figures, by Lawson, after original documents; mounted artilleryman in navy blue jacket, light blue trousers, scarlet trim, looking back toward right. 6th in collection of 15 watercolors of uniform figures, by Lawson, after original documents; mounted artilleryman in navy blue jacket, light blue trousers, scarlet trim, looking back toward right. Small, unbound; clean; in red cloth case, green leather labels st. gold "Indian State Troops. Water-colors by C.C.P. Lawson from original documents". London, Lawson, 1958.

Original watercolor signed 'Cl. Mecham'; gun crew with field-piece and ammunition wagon. Original watercolor signed 'Cl. Mecham'; gun crew with field-piece and ammunition wagon. Oblong folio, matted; no margins; clean. London, Parker Gallery, 1952. Title supplied by cataloger

5th in collection of 15 watercolors of uniform figures, by Lawson, after original documents; standing artilleryman in navy blue jacket, white leggings and stockings, white helmet, with walking stick. 5th in collection of 15 watercolors of uniform figures, by Lawson, after original documents; standing artilleryman in navy blue jacket, white leggings and stockings, white helmet, with walking stick. Small, unbound; clean; in red cloth case, green leather labels stamped gold "Indian State Troops. Water-colors by C.C.P. Lawson from original documents". London, Lawson, 1958.

A portrait of Col. Macomber. A portrait of Col. Macomber. W. Sharp delt. Music composed and arranged for the pianoforte by Edward L. White, The music was engraved by A.F. Winnemore.

Hand-colored etched caricature published December 1805; 'A French soldier, wearing a cocked hat, long gaiters, and a knapsack, is about to throw down a decadent-looking officer (r.) inscribed 'russe'. The latter staggers back, terrified, losing his cocked hat which is decorated with a star. On the left., with his back to this couple, the disgraced 'Mack' stands in profile to the left., weeping, with flexed knees, hands clasped as if in prayer. He wears a (?) nightcap and military dress from which all badges of rank have been stripped; his scabbard is empty. From his pocket projects his 'Plan de campagne'. Behind him is the strongly fortified town of 'Ulm' flying a tricolour flag; from it marches a long serpentine body of Austrian troops, guarded here and there by a single French soldier. Pen inscription: '23000 hom pris à Ulm'. In the distance (l.) tiny mounted soldiers gallop from left. to r. On the horizon (r.) are the spires and buildings of 'Vienne'; a flag inscribed 'N' flies from a tower. In the middle distance, with his back to Vienna and standing on a road leading to that city, stands a stout John Bull, in top-boots, clasping money-bags, whose contents pour to the ground. He registers distress and alarm, and is 'l'Anglais perdant son or'. -- British Museum. Hand-colored etched caricature published December 1805; 'A French soldier, wearing a cocked hat, long gaiters, and a knapsack, is about to throw down a decadent-looking officer (r.) inscribed 'russe'. The latter staggers back, terrified, losing his cocked hat which is decorated with a star. On the left., with his back to this couple, the disgraced 'Mack' stands in profile to the left., weeping, with flexed knees, hands clasped as if in prayer. He wears a (?) nightcap and military dress from which all badges of rank have been stripped; his scabbard is empty. From his pocket projects his 'Plan de campagne'. Behind him is the strongly fortified town of 'Ulm' flying a tricolour flag; from it marches a long serpentine body of Austrian troops, guarded here and there by a single French soldier. Pen inscription: '23000 hom pris à Ulm'. In the distance (l.) tiny mounted soldiers gallop from left. to r. On the horizon (r.) are the spires and buildings of 'Vienne'; a flag inscribed 'N' flies from a tower. In the middle distance, with his back to Vienna and standing on a road leading to that city, stands a stout John Bull, in top-boots, clasping money-bags, whose contents pour to the ground. He registers distress and alarm, and is 'l'Anglais perdant son or'. -- British Museum. Small oblong folio, matted folio; plate mark, margins; clean. Paris, Bessel, 1953.

1 pencil drawing signed and titled by Ben Norris; mechanics working on fighter plane next to truck 1 pencil drawing signed and titled by Ben Norris; mechanics working on fighter plane next to truck Small oblong folio. Boston, Childs Gallery, 2011. Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

Etching signed in pencil by the artist; column of soldiers and wagons trudging along a road. Etching signed in pencil by the artist; column of soldiers and wagons trudging along a road. Narrow oblong folio. Storrs, CT, Allinson Gallery, 2016 Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection., Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

Original pencil drawing on paper by Lt. K. R. Rittmann; soldier sitting with machine-gun Original pencil drawing on paper by Lt. K. R. Rittmann; soldier sitting with machine-gun Gift of Larry Rittman, 2021 Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

Copper-engraved plates numbered 31; crane and wagon for loading and transporting cannon. From: Jacques Besson, 'Theatrum instrumentorum et machinarum' (Lugduni: Apud Barth. Vincent, 1578). Copper-engraved plates numbered 31; crane and wagon for loading and transporting cannon. From: Jacques Besson, 'Theatrum instrumentorum et machinarum' (Lugduni: Apud Barth. Vincent, 1578). Oblong medium folio, matted; margins trimmed close; clean. Leichtenstein-Hauslab Collection, 1951.

Color engraving by Tanner after Reinable; naval battle amongst numerous ships on lake, spectators and some mounted soldiers on shoreline in foreground. Color engraving by Tanner after Reinable; naval battle amongst numerous ships on lake, spectators and some mounted soldiers on shoreline in foreground. Large oblong folio, matted; margins trimmed; tear in lower margin. N.Y., Old Print Shop, 1947.

Engraved portrait of piper in uniform, piping, full-length. Engraved portrait of piper in uniform, piping, full-length. Upright medium folio, matted; margins trimmed; mounted on board; yellowed. London, Parker Gallery, 1965.

Stipple-engraving by Maradan after Boze; full-length portrait in uniform, leaning on ledge, plumed hat on rock at left, map in hand; title mis-spelled on print as "Macdonald". Stipple-engraving by Maradan after Boze; full-length portrait in uniform, leaning on ledge, plumed hat on rock at left, map in hand; title mis-spelled on print as "Macdonald". Large upright folio, matted; plate mark, margins trimmed; margins soiled. New York, Harry H. Hymes, 1946.

Lithograph by and after (illegible), dated 1824 by artist; bust portrait in uniform and order. Lithograph by and after (illegible), dated 1824 by artist; bust portrait in uniform and order. Upright folio, matted; margins trimmed; slightly worn and foxed. title: MACDONALD printed signature: (illeg) 1824 caption: l(G?) lith. de Delpech.

Original pencil sketch, signed and dated by Murphy, of the sitting room inside the American embassy in Tokyo. Notations as to color are written on various items in the sketch. Original pencil sketch, signed and dated by Murphy, of the sitting room inside the American embassy in Tokyo. Notations as to color are written on various items in the sketch. Murphy joined the New York 7th Regiment in 1940 and trained at Camp Stewart, Georgia. He sailed to Australia in 1943 and served on General MacArthur's staff. Later he went to New Guinea and the Philippines before moving on to Japan following the surrender.

Original watercolor, with pen and ink highlights, of a soldier seated on the deck of a ship strumming a guitar. Original watercolor, with pen and ink highlights, of a soldier seated on the deck of a ship strumming a guitar. Murphy joined the New York 7th Regiment in 1940 and trained at Camp Stewart, Georgia. He sailed to Australia in 1943 and served on General MacArthur's staff. Later he went to New Guinea and the Philippines before moving on to Japan following the surrender.

Color aquatint (facsimile reprint) by and after Debucourt, dated Fer. 1790 by artist; full-length portrait in uniform, hat in hand; attendant with horse in left background, review in right background. Color aquatint (facsimile reprint) by and after Debucourt, dated Fer. 1790 by artist; full-length portrait in uniform, hat in hand; attendant with horse in left background, review in right background. Large upright folio, matted; plate mark, margins intact; clean. N.Y., Sander, 1946.

One of a collection of 16 unsigned ink or pencil military portraits of officers attributed to Schell, including 1 of Lord Acton, Lord High Admiral of the Two Sicilies. This one numbered B 28; each accompanied by 1 page of typewritten biographical information by Hans von Bourcy, Vienna. One of a collection of 16 unsigned ink or pencil military portraits of officers attributed to Schell, including 1 of Lord Acton, Lord High Admiral of the Two Sicilies. This one numbered B 28; each accompanied by 1 page of typewritten biographical information by Hans von Bourcy, Vienna. Unbound; in white paper wrapper lettered black; slightly soiled and yellowed; in red cloth case, white leather label stamped gold. Paris, Delacre sale, 1962.

Mezzotint by Hodges after Romney, published Jany. 1st, 1789; 3/4-length portrait in uniform, outdoors; right hand resting on map set onto large stone, left hand holding walking stick. Mezzotint by Hodges after Romney, published Jany. 1st, 1789; 3/4-length portrait in uniform, outdoors; right hand resting on map set onto large stone, left hand holding walking stick. Upright folio, matted; margins.

Hand-colored engraved caricature; standing soldier figure (Duc de Berry?) waving sword. Hand-colored engraved caricature; standing soldier figure (Duc de Berry?) waving sword. Small upright folio; plate mark, margins intact; slightly soiled, repaired tear. New York, Rockman Prints, 1958. Title: M. de la Rodomontade Apprenant le Débarquement de l'Empereur. Caption: A Paris Caption: Dép à la Dir.

One of a suite of 12 numbered sepia lithographs by Adolf Kittendorff and Grove after Simonsen; campaign scenes and types, uniform groups. Figure with rifle in front of stone wall and next to tree; windmill in distance. One of a suite of 12 numbered sepia lithographs by Adolf Kittendorff and Grove after Simonsen; campaign scenes and types, uniform groups. Figure with rifle in front of stone wall and next to tree; windmill in distance. Folio, unbound; worn, rubbed, foxed; in maroon cloth portfolio stamped gold "Simonsen. Danish Battle Scenes." New York, Rockman Prints, 1949.

One of a collection of 37 original watercolors of uniform figures; figure in blue and black with left hand tucked inside jacket and right hand on walking stick. One of a collection of 37 original watercolors of uniform figures; figure in blue and black with left hand tucked inside jacket and right hand on walking stick. Small; full dark blue levant morocco stamped gold, gilt extra; clean. Hamburg, Koch auction, 1974.

5th in collection of 15 mounted colored plates of uniform figures, after Elzingre, with captions in German and French; two infantrymen, one standing, the other seated smoking pipe, both in brown jackets, blue trousers; 2 towers in background. 5th in collection of 15 mounted colored plates of uniform figures, after Elzingre, with captions in German and French; two infantrymen, one standing, the other seated smoking pipe, both in brown jackets, blue trousers; 2 towers in background. Unbound; clean; in red cloth portfolio, white leather labels stamped gold. N.Y., Zaremba, 1958.

A military camp is seen from above. A large building is in the center of the image, with several trucks parked in the foreground. A mixed medium image combining watercolor and pen and ink drawing. A military camp is seen from above. A large building is in the center of the image, with several trucks parked in the foreground. A mixed medium image combining watercolor and pen and ink drawing. Morton joined the army in July 1942 and after training at Fort Meade, sailed for England in March 1944 as a technician with the 603rd Engineer Camouflage Battalion. He served in Europe with the 23rd Headquarters Special Troops (the so-called 'Ghost Army') in France, Germany, and Luxembourg. Gift of the artist, 1994.

Original pen and ink drawing, signed and dated by Stevenson, of military truck equipped with guns, two soldiers in back, behind a stone wall with sign: Verboten Keep Out. Original pen and ink drawing, signed and dated by Stevenson, of military truck equipped with guns, two soldiers in back, behind a stone wall with sign: Verboten Keep Out. Stevenson enlisted in the U.S. Army Corps of Engineers in July 1941. He was one of the original soldier-artists at Fort Belvoir, VA. before accepting a position as a war artist in May 1943. In 1944 he was in southern England covering the preparations for the Normandy invasion and later depicted war damage in France and Germany. Gift of the artist, 1994.

Original watercolor sketch with pen and ink, signed and dated by Stevenson, of soldiers in the back of a military truck, behind a stone wall, with trees and buildings in background. Original watercolor sketch with pen and ink, signed and dated by Stevenson, of soldiers in the back of a military truck, behind a stone wall, with trees and buildings in background. Stevenson enlisted in the U.S. Army Corps of Engineers in July 1941. He was one of the original soldier-artists at Fort Belvoir, VA. before accepting a position as a war artist in May 1943. In 1944 he was in southern England covering the preparations for the Normandy invasion and later depicted war damage in France and Germany. Gift of the artist, 1994.

1 water-color signed 'Arthur Singer', title on verso; distant view of large church 1 water-color signed 'Arthur Singer', title on verso; distant view of large church Singer served with the 603rd Engineer Camouflage Battalion, part of the 23d Headquarters Special Troops (the so-called 'Ghost Army'). Small oblong folio. Gift of Paul and Alan Singer, 2021 Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)