2nd in collection of 7 hand-colored etched semi-caricature portraits by and after Kay (later included in his A Series of Original Portraits and Caricature Etchings, published 1837-1838); standing full-length portrait in uniform with hat, sword and walking stick, outdoors. 2nd in collection of 7 hand-colored etched semi-caricature portraits by and after Kay (later included in his A Series of Original Portraits and Caricature Etchings, published 1837-1838); standing full-length portrait in uniform with hat, sword and walking stick, outdoors. Unbound; clean, foxing, matted small folio. N.Y., Rockman Prints, 1963.

Colored aquatint after C. de C.; standing uniform figure beside horse, smaller figures galloping in left distance, building in right background. [See also: Maison militaire du roi. Gendarme en grand uniforme]. Colored aquatint after C. de C.; standing uniform figure beside horse, smaller figures galloping in left distance, building in right background. [See also: Maison militaire du roi. Gendarme en grand uniforme]. Upright medium folio, matted; plate mark, margins intact; clean. Paris, Grangié sale, 1963.

Colored aquatint plate of uniform; soldier figure standing and holding rearing horse, outdoors, 2 smaller figures and temple-like buildings in background. [See companion print: C., C. de (French Army) Maison Militaire du roi. Mousquetaire noir en grand uniforme]. Colored aquatint plate of uniform; soldier figure standing and holding rearing horse, outdoors, 2 smaller figures and temple-like buildings in background. [See companion print: C., C. de (French Army) Maison Militaire du roi. Mousquetaire noir en grand uniforme]. Upright medium folio, matted; plate mark, margins intact; cleaned. N.Y., Rockman Prints, 1949.

Lithograph by G. Engelmann after Bacler d'Albe; French soldiers on roadway in outskirts of city and patrolling house at left which has been fortified and fitted for observation. From 'Souvenirs pittoresques du General Bacler d'Albe. Tome II, Campagne d'Espagne', plate 45. Lithograph by G. Engelmann after Bacler d'Albe; French soldiers on roadway in outskirts of city and patrolling house at left which has been fortified and fitted for observation. From 'Souvenirs pittoresques du General Bacler d'Albe. Tome II, Campagne d'Espagne', plate 45. Oblong; margins trimmed; soiled. New York, Rockman Prints, 1963.

One of a collection of 145 (of 146: no. 123 lacking) original watercolor drawings of uniform figures by Lyall. Figure in red, white and blue with sword and rifle on gray horse facing right. One of a collection of 145 (of 146: no. 123 lacking) original watercolor drawings of uniform figures by Lyall. Figure in red, white and blue with sword and rifle on gray horse facing right. Unbound; in red cloth case, black leather label stamped gold; clean. London, Foster Groom, 1946.

Color lithograph by and after Whittock, printed by W. Clerk; view of building, showing small figure of standing and mounted engineers in foreground, men, women and children nearby, coach just visible on left. Color lithograph by and after Whittock, printed by W. Clerk; view of building, showing small figure of standing and mounted engineers in foreground, men, women and children nearby, coach just visible on left. The Hospital of St Mary, Domus Dei, or Maison Dieu, is a medieval building in Dover, England which forms part of the Old Town Hall buildings. London, Parker Gallery, 1952.

Soldiers near large building, some carrying wounded soldier on stretcher, others working with gabions. Soldiers near large building, some carrying wounded soldier on stretcher, others working with gabions. From Raffet's Souvenirs d'Italie, 1849

One of a collection of 28 lithograph war and political cartoons printed by Destouches, chiefly from the series, "Actualités," in the French journal "le Charivari". Two men in top hats being pushed from behind by a soldier, and facing another; by and after Ch. Vernier, numbered 2, on page 7. One of a collection of 28 lithograph war and political cartoons printed by Destouches, chiefly from the series, "Actualités," in the French journal "le Charivari". Two men in top hats being pushed from behind by a soldier, and facing another; by and after Ch. Vernier, numbered 2, on page 7. Upright; mounted on paper with torn edges; yellowed. N.Y., Argosy, 1954.

4th in collection of 15 original albumen sepia print photographs; full-length portrait of hussar wearing the Médaille de Sainte Hélène and other medals, in shako, holding sabre, looking right, indoors. 4th in collection of 15 original albumen sepia print photographs; full-length portrait of hussar wearing the Médaille de Sainte Hélène and other medals, in shako, holding sabre, looking right, indoors. Photographed by Erwin Hanfstaengl (also known as Erwin frères, a German photographer), around 1863, who began working in Paris in 1861, at 4, Rue Frochet, 4, en face la Rue Breda. This is based on the similar photographic portraits of Dorigny and Bonneville on which the photographer's name appears, and the similarity in the backgrounds of several carte de visites. (information courtesy of Wouter Lambrechts, Antwerp, Belgium)

One of a collection of 72 ink and pencil drawings, partially hand colored, of uniform figures by Georg Schäfer after Johann Adam Klein, these being slightly enlarged copies of the originals in the Nürnberg Kupferstichkabinet des Germanischen Zentralmuseums and the art museum of Hamburg; uniforms of Bavaria, Frankfurt, Hannover, Mainz, Austria, Prussia, Saxony, Würzburg, Russia and France are shown; accompanied by a typewritten index of 8 pages. Unfinished watercolor of 2 soldiers, one in blue, gray and red. One of a collection of 72 ink and pencil drawings, partially hand colored, of uniform figures by Georg Schäfer after Johann Adam Klein, these being slightly enlarged copies of the originals in the Nürnberg Kupferstichkabinet des Germanischen Zentralmuseums and the art museum of Hamburg; uniforms of Bavaria, Frankfurt, Hannover, Mainz, Austria, Prussia, Saxony, Würzburg, Russia and France are shown; accompanied by a typewritten index of 8 pages. Unfinished watercolor of 2 soldiers, one in blue, gray and red. Upright, unbound, clean; in 1/4 red leather and marble board case stamped gold. Hamburg, Schäfer, 1956.

Battle scene, with infantry, artillery, hussars and others assembled above bank of river, riflemen firing across river toward soldiers on other side, broken bridge in center background, houses in left rear, fortified town and castle or monastery in right background. Battle scene, with infantry, artillery, hussars and others assembled above bank of river, riflemen firing across river toward soldiers on other side, broken bridge in center background, houses in left rear, fortified town and castle or monastery in right background. Oblong medium folio; black borders or margins; clean. Munich, Wölfle, 1957. Title supplied by cataloger

Half-length portrait in uniform and overcoat with flag; in brown case with embossed design of ship and fort flying flag. Half-length portrait in uniform and overcoat with flag; in brown case with embossed design of ship and fort flying flag. Housed with cover glass, brass mat and held together with brass preserver and housed in Union Case; type-written paper label in cse.

Two studies of a military prison gate and a postern box with trees. In the upper right is a group of six people (men, a woman and children) in old-fashioned clothes. This is the verso of a work entitled "Figure Studies, Tent and Barracks." Two studies of a military prison gate and a postern box with trees. In the upper right is a group of six people (men, a woman and children) in old-fashioned clothes. This is the verso of a work entitled "Figure Studies, Tent and Barracks." Served with the U.S. Army Air Force in Italy and his B-17 bomber was shot down over Germany in June 13, 1944. Captured, he was interned in Stalag Luft 3 until liberated the following year.

Wood engraved plate; view of long casemate corridor with battery of cannon directed through apertures at right, 2 figures of officer and soldier standing at left. Wood engraved plate; view of long casemate corridor with battery of cannon directed through apertures at right, 2 figures of officer and soldier standing at left. From Harper's Weekly, January 26, 1861, p. 57. Hanover, N.H., Book & Print Shop, 1955.

Original watercolor signed and dated by Alken; horseman in military dress, with shield and lance, riding towards left. Original watercolor signed and dated by Alken; horseman in military dress, with shield and lance, riding towards left. Small oblong folio, matted; no margins; small hole in lower left corner, discoloration in upper left, otherwise clean. Title supplied by cataloger. N.Y., Rockman Prints, 1952.

Unsigned original watercolor; 3 dancers in conical feathered turbans, wearing sashes hung with bells, performing dance while holding upraised swords. Unsigned original watercolor; 3 dancers in conical feathered turbans, wearing sashes hung with bells, performing dance while holding upraised swords. Oblong, matted; margins intact; clean. New York, Rockman Prints, 1950. title provided by cataloger

Pencil drawing signed by Simpson; head and shoulders of man. From an album compiled by Simpson entitled 'Original sketches made in Afghanistan during the campaign of 1878-79 with the Peshawer Field Force'. Reproduced in the Illustrated London News, June 21, 1879. Pencil drawing signed by Simpson; head and shoulders of man. From an album compiled by Simpson entitled 'Original sketches made in Afghanistan during the campaign of 1878-79 with the Peshawer Field Force'. Reproduced in the Illustrated London News, June 21, 1879. Large upright folio. London, Walter Spencer, 1953. Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

Engraving by J. Sturt; oval bust portrait in elaborate cloak, turban, etc. Engraving by J. Sturt; oval bust portrait in elaborate cloak, turban, etc. Small upright, mounted on cream paper; margins severely trimmed; yellowed, slightly stained. N.Y., Rockman Prints, 1961.

4th in collection of 11 engraved equestrian military portraits by and after Stevensz and Peeters; 'Equestrian portrait of Turkish sultan Muhammad IV, full-length in profile to left, horse seen in profile facing right; after Pieter Stevens' -- British Museum. Plate from a series of equestrian portraits and scenes of the Siege of Vienna. 4th in collection of 11 engraved equestrian military portraits by and after Stevensz and Peeters; 'Equestrian portrait of Turkish sultan Muhammad IV, full-length in profile to left, horse seen in profile facing right; after Pieter Stevens' -- British Museum. Plate from a series of equestrian portraits and scenes of the Siege of Vienna. Small, unbound; in maroon cloth portfolio case, red leather label stamped gold; yellowed. Leichtenstein-Hauslab Collection, 1951.

Pencil drawing signed by Simpson; head and shoulders of man. From an album compiled by Simpson entitled 'Original sketches made in Afghanistan during the campaign of 1878-79 with the Peshawer Field Force' Pencil drawing signed by Simpson; head and shoulders of man. From an album compiled by Simpson entitled 'Original sketches made in Afghanistan during the campaign of 1878-79 with the Peshawer Field Force' Large upright folio. London, Walter Spencer, 1953. Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

1 of 31 original gouache paintings (by Ram Dutta?) in an album; Indian army on foot and elephants with dignatories 1 of 31 original gouache paintings (by Ram Dutta?) in an album; Indian army on foot and elephants with dignatories Album inscribed in ink on flyleaf 'Wm. Jenkins. Ram dutta' Small upright folio. London, Maggs, 1978. Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection., Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

Lithograph; bust portrait in 18th cent. uniform, hatless; very early example of lithography. Lithograph; bust portrait in 18th cent. uniform, hatless; very early example of lithography. Upright folio; margins intact; edges worn. New York, Rockman Prints, 1961.

Engraving by B. Wachtmann; portrait in armor on rearing horse, battle in progress in background. Engraving by B. Wachtmann; portrait in armor on rearing horse, battle in progress in background. Upright medium folio; margins severely trimmed. New York, Rockman Prints, 1954.

26th in collection of 63 original watercolors, signed and unsigned, by Gaglier; mounted uniform figure of bearded officer, in black coat, on white horse, holding sabre pointed downward, facing right. 26th in collection of 63 original watercolors, signed and unsigned, by Gaglier; mounted uniform figure of bearded officer, in black coat, on white horse, holding sabre pointed downward, facing right. Folio and large folio, unbound; in red cloth case, green leather label st. gold. Camden, Me., Staack, 1949.

Lithograph pl. portrait of Maggiore Statella, officer in Garibaldi's army. Lithograph pl. portrait of Maggiore Statella, officer in Garibaldi's army. Folio, unbound; in 1/2 red and yellow cloth portfolio, red leather cover label st. gold; slightly worn and soiled. N.Y., Rockman, 1960.

15th in collection of 63 original watercolors, signed and unsigned, by Gaglier; mounted uniform figure of artillery officer in black coat, on gray horse, facing left, pointing with right hand. 15th in collection of 63 original watercolors, signed and unsigned, by Gaglier; mounted uniform figure of artillery officer in black coat, on gray horse, facing left, pointing with right hand. Folio and large folio, unbound; in red cloth case, green leather label st. gold. London, Redfern, 1955.

Subject: 'Storming of Magdala' with oval bust portrait of General Napier superimposed; 'L'Enfant, Imp.' Subject: 'Storming of Magdala' with oval bust portrait of General Napier superimposed; 'L'Enfant, Imp.' Title continues: By C.H.R. Marriott. Respectfully dedicated to Major General, Sir Robert Napier, K.C.B. Solo. 4/-, Duet. 4/-, Septett. 3/-, Orchestra. 5/-

39th in collection of 32 colored and 2 uncolored large aquatint plates of campaign, battle and other scenes by and after Rugendas, one engraved by Küpfer; scene of royal proclamation in Madrid town square, mounted officials in center, surrounded by lines of troops and civilian spectators. (Title below also in French.) 39th in collection of 32 colored and 2 uncolored large aquatint plates of campaign, battle and other scenes by and after Rugendas, one engraved by Küpfer; scene of royal proclamation in Madrid town square, mounted officials in center, surrounded by lines of troops and civilian spectators. (Title below also in French.) Large oblong folio, matted giant folio; plates I-XX in orange marble board portfolio, plates XXI ff. in blue marble board portfolio, black cloth backs; clean. Paris, Paul Roulleau, 1951.

One of a pair of semi-humorous color aquatints by C. Hunt after East; British men, women and children, and naval and military personnel landing from whale boats on beach near quay and buildings, with assistance of native sailors, bearers, etc. One of a pair of semi-humorous color aquatints by C. Hunt after East; British men, women and children, and naval and military personnel landing from whale boats on beach near quay and buildings, with assistance of native sailors, bearers, etc. Oblong folio; margins, foxed, worn and torn. London, Parker Gallery, 1952.

One of a pair of semi-humorous color aquatints by C. Hunt after East; British women and children, and naval and military personnel embarking to whale boats on beach near quay and buildings, with assistance of native sailors, bearers etc. One of a pair of semi-humorous color aquatints by C. Hunt after East; British women and children, and naval and military personnel embarking to whale boats on beach near quay and buildings, with assistance of native sailors, bearers etc. Oblong folio; margins, foxed, edges worn and torn. London, Parker Gallery, 1952.