Color illustration: portrait of McClellan on horseback, battlefield with mounted and foot soldiers in background / Baker ; J.H. Bufford's Lith.

Original photograph of Major General Laycock, left, shaking hands with a Marine Commando officer. Part of text on back suggests that Laycock was visiting special service troops for inspection. Original photograph of Major General Laycock, left, shaking hands with a Marine Commando officer. Part of text on back suggests that Laycock was visiting special service troops for inspection. Medium oblong folio; margins trimmed; clean.

Mezzotint by Robert Dunkarton after Woodburn, published June 4, 1801; 3/4-length portrait in uniform, left hand on hip, sword in right hand, village in left background. Mezzotint by Robert Dunkarton after Woodburn, published June 4, 1801; 3/4-length portrait in uniform, left hand on hip, sword in right hand, village in left background. Upright folio, matted; margins severely trimmed; worn. N.Y., Rockman Prints, 1950.

Color lithograph; oval bust portrait in uniform, in enframement with eagle and flags above, 2 vignettes of battles below. Color lithograph; oval bust portrait in uniform, in enframement with eagle and flags above, 2 vignettes of battles below. Large upright folio, matted; margins intact; edges worn, slightly soiled. N.Y., Rockman Prints, 1960.

Lithograph by and after Harding; standing portrait in uniform, outdoors, small temple pavilion and mounted soldier figures in left background. Lithograph by and after Harding; standing portrait in uniform, outdoors, small temple pavilion and mounted soldier figures in left background. Upright folio, mated; margins; clean. London, Parker Gallery, 1951.

Color mezzotint by Richard Houston; full-length portrait in uniform, facing left and pointing with right hand, troops assaulting cliffs in background. Color mezzotint by Richard Houston; full-length portrait in uniform, facing left and pointing with right hand, troops assaulting cliffs in background. Upright folio, matted; margins trimmed; worn, rebacked, repaired tears. London, 1946.

Engraving for the Grand Magazine (probably after J.S.C. Schaak); full-length portrait pointing toward left, soldiers landing from boats and ascending heights in background. Engraving for the Grand Magazine (probably after J.S.C. Schaak); full-length portrait pointing toward left, soldiers landing from boats and ascending heights in background. Small upright, matted; margins trimmed; clean.

Stipple engraving by W. Humphreys after Trumbull; half-length portrait in uniform, hatless. Stipple engraving by W. Humphreys after Trumbull; half-length portrait in uniform, hatless. Upright; margins intact; foxed. Presented, 1978, by John Hay Library, Brown University.

composed by Ch. Schueler. For piano. Cover lith. illustration by L. Prang & Co.: Halleck and aide on galloping horses with a battle in the background.

Color lithograph by Bufford after Baker; equestrian portrait in midst of battle scene, dead soldiers in foreground. Color lithograph by Bufford after Baker; equestrian portrait in midst of battle scene, dead soldiers in foreground. Upright large folio, matted; margins trimmed to about 1/4 inch; slightly torn and soiled.

Fifth of a collection of 5 mounted colored bust portraits in uniform (from magazine supplement). Cover from the New York Herald Magazine of the War, 1918 Fifth of a collection of 5 mounted colored bust portraits in uniform (from magazine supplement). Cover from the New York Herald Magazine of the War, 1918 Upright folio, mounted on large upright folio white boards; margins; slightly yellowed Hanover, N.H., Book & Print Shop, 1959

5th in collection of 10 lithograph plates (some 2-colored) by Bufford, chiefly after J.E. Baker, of military and naval portraits; 3/4-length portrait in uniform, left hand on cannon, 2 horses and mounted soldier in right background. 5th in collection of 10 lithograph plates (some 2-colored) by Bufford, chiefly after J.E. Baker, of military and naval portraits; 3/4-length portrait in uniform, left hand on cannon, 2 horses and mounted soldier in right background. Small upright folio; margins; some slightly worn, soiled or foxed. Providence, James Tyson, 1952. series title provided by cataloger

A portrait of Major General Earl C. Long, in uniform, looking to the left. A portrait of Major General Earl C. Long, in uniform, looking to the left. Title from ink label attached to verso. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.

Copper engraving; full-length portrait against landscape background, uniform cut out and backed with color fabric. Copper engraving; full-length portrait against landscape background, uniform cut out and backed with color fabric. Upright, matted folio; plate mark, narrow margins; soiled, yellowed, worn. New York, Harry H. Hymes, 1945.

Mezzotint by Reynolds after Scrymgeour; full-length portrait wearing eye glasses and in highland uniform, right hand resting on grounded sword, outdoors. Mezzotint by Reynolds after Scrymgeour; full-length portrait wearing eye glasses and in highland uniform, right hand resting on grounded sword, outdoors. Large upright folio, matted; margins trimmed; edges worn. London, Parker Gallery, 1950.

Copper engraved plate from The Hibernian Magazine, vol. ?, no. ?, p. ?, 1776? Full-length portrait in uniform. Copper engraved plate from The Hibernian Magazine, vol. ?, no. ?, p. ?, 1776? Full-length portrait in uniform. Upright; plate mark, margins; stained. Also published in Burke, 'An impartial history of the war in America, between Great Britain and her colonies, from its commencement to the end of the year 1779 [...]. London & Carlisle : Printed for R. Faulder, bookseller, [etc.], 1780, page 249. N.Y., Argosy, 1950.

Color lithograph by E.B. & E.C. Kellogg; 3/4-length portrait in uniform. Color lithograph by E.B. & E.C. Kellogg; 3/4-length portrait in uniform. Upright medium folio; margins; yellowed; top margin discolored; worn.

2-colored lithograph by Andrews after Fabronius; full-length portrait in uniform, outdoors, figures of soldiers (including zouave) and horse in background. 2-colored lithograph by Andrews after Fabronius; full-length portrait in uniform, outdoors, figures of soldiers (including zouave) and horse in background. Small upright folio; margins intact; worn. Providence, James Tyson, 1952.

11th in collection of annotated watercolor and pencil sketches by Huddy and others for U.S. Military Magazine, music covers etc., and 1 holograph letter; partially-colored pencil and watercolor sketch; bust portrait of officer in cocked hat. 11th in collection of annotated watercolor and pencil sketches by Huddy and others for U.S. Military Magazine, music covers etc., and 1 holograph letter; partially-colored pencil and watercolor sketch; bust portrait of officer in cocked hat. Folio; blue cloth, buff leather label stamped gold; most sketches soiled, worn, creased, torn etc. New York, Joseph A. Heckel, 1952.

Mezzotint by I. Faber after Hudson; oval bust portrait of riding master in uniform and cuirass. Mezzotint by I. Faber after Hudson; oval bust portrait of riding master in uniform and cuirass. Small upright folio, matted; plate mark, margins intact; soiled. London, Parker Gallery, 1955.

2nd of 2 hand-colored engraved plates, each showing 3 full-length portrait figures in uniform. 2nd of 2 hand-colored engraved plates, each showing 3 full-length portrait figures in uniform. Small oblong folio, matted; plate mark, margins intact; worn. New York, Walter Schatzki, 1957.

4th in collection of 5 colored and 1 uncolored lithographic plate, after Drahonet, of which 1 is signed; full-length portrait, standing uniform figure, 1 hand on sword-hilt, the other holding glove. 4th in collection of 5 colored and 1 uncolored lithographic plate, after Drahonet, of which 1 is signed; full-length portrait, standing uniform figure, 1 hand on sword-hilt, the other holding glove. Upright folio; some margins trimmed. Original painting commissioned by King William IV. London, Forster Groom, 1950. title and series title provided by cataloger

One of a collection of 114 watercolor drawings of uniform figures of regiments in foreign service (said to be copied after N. Hoffmann). Figure in red, white and blue facing forward. One of a collection of 114 watercolor drawings of uniform figures of regiments in foreign service (said to be copied after N. Hoffmann). Figure in red, white and blue facing forward. Small folio; bound in red cloth, white leather label stamped gold; clean. Zurich, August Laube, 1953.

One of a collection of 114 watercolor drawings of uniform figures of regiments in foreign service (said to be copied after N. Hoffmann). Figure in red, white and blue with walking stick facing forward. One of a collection of 114 watercolor drawings of uniform figures of regiments in foreign service (said to be copied after N. Hoffmann). Figure in red, white and blue with walking stick facing forward. Small folio; bound in red cloth, white leather label stamped gold; clean. Zurich, August Laube, 1953.

3rd in set of 30 sheets with 67 original watercolor drawings of insignia of Slovak army under Nazis, accompanied by 2 typewritten pp. of identification; 2 shoulder or cap insignia for 2 ranks of officer, with stars on salmon and aquamarine backgrounds, gold borders. 3rd in set of 30 sheets with 67 original watercolor drawings of insignia of Slovak army under Nazis, accompanied by 2 typewritten pp. of identification; 2 shoulder or cap insignia for 2 ranks of officer, with stars on salmon and aquamarine backgrounds, gold borders. Unbound; clean; in tan cloth case, red leather label st. gold "Czechoslovakia Wehrmacht, World War II. Watercolors". Berlin, Ordens-Sammlung, 1955.

One of a collection of 44 original watercolors of uniform figures, insignia and flags by Herbert Knötel. Figure in gray with sword. One of a collection of 44 original watercolors of uniform figures, insignia and flags by Herbert Knötel. Figure in gray with sword. Field gray portfolio stamped gold. Washington, D.C., H. Wandrus, 1967.

Original pencil drawing, unsigned; mounted uniform figure, facing right, additional small sketches of uniform details at top. Original pencil drawing, unsigned; mounted uniform figure, facing right, additional small sketches of uniform details at top. Upright; no margins; yellowed, creased, slightly stained. Title supplied by cataloger. New York, Rockman Prints, 1957.

by Mrs. E. Mack. Tinted lithograph by T. Sinclair: bust portrait of Major J.H. Dandy surrounded by a wreath with an angel weeping over his grave. Lithograph by T. Sinclair, Philadelphia. Caption title: Major J.H. Dandy's Grand Funeral March. Advertisement for Latest New Musical Publications issued by Lee & Walker on p. [8]

One of a collection of 88 original watercolors signed by Finart, of Russian, British, Austrian, Bavarian, Prussian and French uniform figures. Officer in red and white with plumed hate, facing left. One of a collection of 88 original watercolors signed by Finart, of Russian, British, Austrian, Bavarian, Prussian and French uniform figures. Officer in red and white with plumed hate, facing left. Unbound, clean; in red marble board slipcase, red leather back stamped gold. Paris, Grangié sale, 1963, Series title supplied by cataloger.

Original unsigned watercolor signed by F. Lane after a drawing by Dighton; full-length portrait in uniform, right hand resting on walking stick. Original unsigned watercolor signed by F. Lane after a drawing by Dighton; full-length portrait in uniform, right hand resting on walking stick. Large upright folio, matted; no margins; clean. London, Parker Gallery, 1964. title provided by cataloger