Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection

This vast digital collection of military artwork from the 16th through 20th centuries, vividly documents all aspects of military and naval history, with emphasis on the history and illustration of world military and naval uniforms from the 17th century to the present. In addition to the material on military and naval dress, the collection contains thousands of battle and campaign scenes, portraits, caricatures, wartime posters, original photographs, material pertaining to military decorations and insignia, heraldic ornaments, armor, weaponry, equitation, flags, knightly orders, court and ceremonial dress, architecture, and the general history of costume.
This collection is part of Brown University Library, hosted by Brown University.

Items in this collection

Mensur fencing

Mensur fencing

Brown University

Colored aquatint (after Suhr?); young men in club dress or semi-military uniforms engaged in fencing practice, with others, observing; watermark on paper "C. & H. Honig", indicating Heidelberg or Baden. Colored aquatint (after Suhr?); young men in club dress or semi-military uniforms engaged in fencing practice, with others, observing; watermark on paper "C. & H. Honig", indicating Heidelberg or Baden. Oblong folio, matted large folio; margins trimmed away. New York, Rockman Prints, 1952. title provided by cataloger

Men wanted for the Army: Apply at --- Recruiting Station

Poster showing soldiers running in a field. Apply at (blank space) Recruiting Station. Stamped: Local Board for Division No. 1, for the County of Montgomery, State of Pennsylvania Form No. 403, A.G.O. Poster showing soldiers running in a field. Apply at (blank space) Recruiting Station. Stamped: Local Board for Division No. 1, for the County of Montgomery, State of Pennsylvania Form No. 403, A.G.O. Upright folio.

Men wanted for the army: Apply at --- Recruiting Station

U.S. Army recruiting poster showing an officer standing with a soldier next to a heavy coastal artillery battery manned by two men at a fort. U.S. Army recruiting poster showing an officer standing with a soldier next to a heavy coastal artillery battery manned by two men at a fort. Upright folio.

Men wanted for the Army: Apply at --- Recruiting Station

Y.S. Army recruiting poster showing an officer standing with a soldier, seated on a horse, blowing a bugle. Form no. 404. A.G.O. Y.S. Army recruiting poster showing an officer standing with a soldier, seated on a horse, blowing a bugle. Form no. 404. A.G.O. Upright folio.

Men taking coffee and water up

Original pen and ink and wash sketch of soldiers carrying a container of water, and another soldier carrying coffee, off to other soldiers on Iwo Jima. Original pen and ink and wash sketch of soldiers carrying a container of water, and another soldier carrying coffee, off to other soldiers on Iwo Jima. Title from typed label affixed to verso. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.

Men playing cricket at The Flats, Nainital, India, 1885

Collodion print sepia photograph; scene of men in white (Western) clothing and white straw hats playing cricket at The Flats, Nainital, club house, buildings on steep ridge in background, Indian spectators. Collodion print sepia photograph; scene of men in white (Western) clothing and white straw hats playing cricket at The Flats, Nainital, club house, buildings on steep ridge in background, Indian spectators. Oblong; no margins; edges wrinkled slightly faded. title provided by cataloger

Men on line working on tail assembly

From collection of original watercolors and drawings by R. Baldwin; ink sketch of 3 servicemen with ladder, working on tail section of plane. From collection of original watercolors and drawings by R. Baldwin; ink sketch of 3 servicemen with ladder, working on tail section of plane. Upright giant folio matted on white board; no margins; clean.

Men of war, bound for the port of pleasure

Color mezzotint caricature No. 60 (after Robert Dighton), published 25 April 1791; sailors on leave greeting sweethearts, prostitute or followers, black sailor with shocked woman, other sailors on top of stage-coach, 'Gravesend to Chatham', about to depart. Color mezzotint caricature No. 60 (after Robert Dighton), published 25 April 1791; sailors on leave greeting sweethearts, prostitute or followers, black sailor with shocked woman, other sailors on top of stage-coach, 'Gravesend to Chatham', about to depart. Upright folio, mounted on board, matted; clean. London, Parker Gallery, 1953.

Men of the Royal West Kent Regiment recovering the body of a wounded officer during General Jeffrey's action

Two soldiers lifting body of officer, others approaching from left; tribesmen attacking from right in mountainous terrain. Two soldiers lifting body of officer, others approaching from left; tribesmen attacking from right in mountainous terrain. Signed in pencil lower left: W. Paget. Title from printed label pasted on verso. From a sketch by Lionel James drawn for a Supplement to The Graphic, October 30, 1897, page 4. West Vancouver, BC, The Wayfarer's Bookshop, 2013

Men in wagon pulled by two dappled horses

4th in collection of 7 (of 30) colored lithographic plates of wagons, sleighs, etc.; wagon drawn by 2 dappled horses toward left, carrying driver and military officer. 4th in collection of 7 (of 30) colored lithographic plates of wagons, sleighs, etc.; wagon drawn by 2 dappled horses toward left, carrying driver and military officer. Unbound; in green cloth portfolio, red leather label stamped gold; slightly soiled or worn. title provided by cataloger

Men huddled around cot

Men huddled around cot

Brown University

Sketch of men seated and standing near cot around others who are huddled together perhaps playing a game. Sketch of men seated and standing near cot around others who are huddled together perhaps playing a game. Oblong, margins, yellowed. Title provided by cataloger.

Men carrying hay down the street

One of a collection of 10 mounted original watercolors signed and dated by Vladimiroff, of revolutionary scenes, some showing soldiers. Men shoveling and others carrying hay through a street. One of a collection of 10 mounted original watercolors signed and dated by Vladimiroff, of revolutionary scenes, some showing soldiers. Men shoveling and others carrying hay through a street. Oblong folio, mounted and bound in a portfolio of 1/4 red leather stamped gold and marble boards; clean. N.Y., Lemmermann, '53. TRd.

Men building bridge

Men building bridge

Brown University

Pencil sketch of workers building bridge over water. Pencil sketch of workers building bridge over water. Oblong, margins, slightly yellowed. Title supplied by cataloger.

Men and women around a table

One of a collection of etchings by and after Franck. 'Soldiers enlisting; officers in an interior offering drinks to new conscripts; a male figure writing a list at a desk at the centre of the room; from a series of 25 etchings of scenes of fighting and suffering during a war. 1656' -- British Museum. One of a collection of etchings by and after Franck. 'Soldiers enlisting; officers in an interior offering drinks to new conscripts; a male figure writing a list at a desk at the centre of the room; from a series of 25 etchings of scenes of fighting and suffering during a war. 1656' -- British Museum. Oblong, unbound; in beige cloth portfolio case, brown leather label stamped gold. Title supplied by cataloger. Leichtenstein-Hauslab Collection, 1951.

Men & machines wait their turn Portland Harbour England

Original pen and ink and wash drawing, signed and dated August 1944 by Stevenson, of a tank with 4 soldiers waiting in Portland Harbour. Original pen and ink and wash drawing, signed and dated August 1944 by Stevenson, of a tank with 4 soldiers waiting in Portland Harbour. Stevenson enlisted in the U.S. Army Corps of Engineers in July 1941. He was one of the original soldier-artists at Fort Belvoir, VA. before accepting a position as a war artist in May 1943. In 1944 he was in southern England covering the preparations for the Normandy invasion and later depicted war damage in France and Germany. Gift of the artist 1994.

Memorial of Napoleon on St. Helena

This image depicts a rocky outcropping jutting out into the ocean's surf. Crashing waves wash inscribed planks of wood and an anchor to the base of the rock. In this image the viewer is positioned on the shore looking out towards the outcropping and the ocean. In the sky a break in the clouds allows rays of light to beam down on Napoleon's black cocked hat and his sword, which are on the top of the rock. Lying nearby are a shovel and some broken chains. This image depicts a rocky outcropping jutting out into the ocean's surf. Crashing waves wash inscribed planks of wood and an anchor to the base of the rock. In this image the viewer is positioned on the shore looking out towards the outcropping and the ocean. In the sky a break in the clouds allows rays of light to beam down on Napoleon's black cocked hat and his sword, which are on the top of the rock. Lying nearby are a shovel and some broken chains. This satire is not signed, dated, or titled. Probably published around 1821. In general this image is not so much a satire as it is a vision of the hero's apotheosis. As such the subject matter suggests that the image may have been published after Napoleon's death in 1821.

Memorial of Napoleon

Memorial of Napoleon

Brown University

A thick black border frames this memorial to Napoleon, who died in exile on May 5th,1821. The memorial is illustrated by five engravings of the emperor, which in turn border two laudatory texts that occupy a second frame in the center of the broadside. A facsimile of Napoleon's signature is included at the bottom of the central text box. Three overlapping portrait busts of Napoleon, Marie Louise and the young King of Rome are centered in the upper portion of the sheet. This image of the imperial family is highly idealized; each profile is outlined with even contours that avoid any expression of the personalities of the figures depicted. On the left and the right sides of the sheet, four full length views of Napoleon in uniform are provided. The pose on the upper left side depicts Napoleon standing with his arms folded in front of his torso so that his medals are not obscured. On the lower left Napoleon is shown from behind standing at rigid attention: he holds his hands behind his back in a contemplative manner and elegantly stands so that his weight rests on his back foot. In the upper right, Napoleon is shown in three-quarters pose. He raises his left hand in address, and in his right holds his unsheathed sword. The fourth image, in the lower right, depicts Napoleon turned towards the text in profile. With his arms across his chest he seems to be meditating on the praise the text contains. Significantly, the portraits of Napoleon are not caricatures, nor is the text laden with irony. Instead, the text praises Napoleon for making a mockery of the institution of the monarchy and carrying through goals set by the French Revolution. If there is a barb intended in this text, it might well be for George IV, who, in 1820 became the fourth Hanover to ascend to the throne. During this time of accession, the legitimacy of the British monarchy was called into question as the dissolute and foppish Prince Regent assumed the throne after his father, George III, finally died after protracted mental illness. Additionally, the newly restored Bourbon monarch, Louis XXIII, was highly unpopular and regarded by many (in France and abroad) as incompetent. A thick black border frames this memorial to Napoleon, who died in exile on May 5th,1821. The memorial is illustrated by five engravings of the emperor, which in turn border two laudatory texts that occupy a second frame in the center of the broadside. A facsimile of Napoleon's signature is included at the bottom of the central text box. Three overlapping portrait busts of Napoleon, Marie Louise and the young King of Rome are centered in the upper portion of the sheet. This image of the imperial family is highly idealized; each profile is outlined with even contours that avoid any expression of the personalities of the figures depicted. On the left and the right sides of the sheet, four full length views of Napoleon in uniform are provided. The pose on the upper left side depicts Napoleon standing with his arms folded in front of his torso so that his medals are not obscured. On the lower left Napoleon is shown from behind standing at rigid attention: he holds his hands behind his back in a contemplative manner and elegantly stands so that his weight rests on his back foot. In the upper right, Napoleon is shown in three-quarters pose. He raises his left hand in address, and in his right holds his unsheathed sword. The fourth image, in the lower right, depicts Napoleon turned towards the text in profile. With his arms across his chest he seems to be meditating on the praise the text contains. Significantly, the portraits of Napoleon are not caricatures, nor is the text laden with irony. Instead, the text praises Napoleon for making a mockery of the institution of the monarchy and carrying through goals set by the French Revolution. If there is a barb intended in this text, it might well be for George IV, who, in 1820 became the fourth Hanover to ascend to the throne. During this time of accession, the legitimacy of the British monarchy was called into question as the dissolute and foppish Prince Regent assumed the throne after his father, George III, finally died after protracted mental illness. Additionally, the newly restored Bourbon monarch, Louis XXIII, was highly unpopular and regarded by many (in France and abroad) as incompetent. Although the five engravings in this sheet are not signed, the publisher is provided: London: Printed for W. Hone, 45 Ludgate Hill, 1821; By J. McCreery, Tooks Court. Text on this print is extensive and is in English; it has not been transcribed. Caption: London: Printed for W. Hone, 45, Ludgate Hill, 1821; by J. McCreery, Tooks Court Price: Sixpence

Memoirs of Buonaparte, his Imperial family, great Officers of State, and great Military Officers

Set in the format of a broadside, the text on this sheet is organized around an emblematic profile portrait of Napoleon Bonaparte. The profile bust is situated in the upper middle portion of the sheet and is comprised of corpses. Similarly, other features in the image are puzzled together; the hat is a crouching eagle, the uniform is made of a map, a spider web stands in for the medal of the Legion of Honor, and a hand clutches his shoulder in the service of an epaulet. The surrounding text is organized into the subject headings indicated in the title and includes a small "Description of the Hieroglyphic Portrait of Napoleon" in the lower right register. The text under the section headings lists names of important figures in the Imperial family and in Napoleon's government. Each name is followed by descriptions of their crimes as well as some biographical information. Set in the format of a broadside, the text on this sheet is organized around an emblematic profile portrait of Napoleon Bonaparte. The profile bust is situated in the upper middle portion of the sheet and is comprised of corpses. Similarly, other features in the image are puzzled together; the hat is a crouching eagle, the uniform is made of a map, a spider web stands in for the medal of the Legion of Honor, and a hand clutches his shoulder in the service of an epaulet. The surrounding text is organized into the subject headings indicated in the title and includes a small "Description of the Hieroglyphic Portrait of Napoleon" in the lower right register. The text under the section headings lists names of important figures in the Imperial family and in Napoleon's government. Each name is followed by descriptions of their crimes as well as some biographical information. Published by Smeeton, Spring, 1814. This sheet has been trimmed so that the author's and publisher's name no longer exists on the paper. The dates and other information given have been provided by Broadley. The image of Napoleon in profile has been adapted from an earlier type of composite portrait published by Volnay in Germany.

Memoirs of Buonaparte, his imperial family, great officers of state, & great military officers. An improved (being th...

Set in the format of a broadside, the text on this sheet is organized around an emblematic profile portrait of Napoleon Bonaparte. The profile bust is situated in the upper middle portion of the sheet and is comprised of corpses. Similarly, other features in the image are puzzled together; the hat is a crouching eagle, the uniform is made of a map, a spider web stands in for the medal of the Legion of Honor, and a hand clutches his shoulder in the service of an epaulet. The surrounding text is organized into the subject headings indicated in the title and includes a small "Description of the Hieroglyphic Portrait of Napoleon" in the lower right register. The text under the section headings lists names of important figures in the Imperial family and in Napoleon's government. Each name is followed by descriptions of their crimes as well as some biographical information. Set in the format of a broadside, the text on this sheet is organized around an emblematic profile portrait of Napoleon Bonaparte. The profile bust is situated in the upper middle portion of the sheet and is comprised of corpses. Similarly, other features in the image are puzzled together; the hat is a crouching eagle, the uniform is made of a map, a spider web stands in for the medal of the Legion of Honor, and a hand clutches his shoulder in the service of an epaulet. The surrounding text is organized into the subject headings indicated in the title and includes a small "Description of the Hieroglyphic Portrait of Napoleon" in the lower right register. The text under the section headings lists names of important figures in the Imperial family and in Napoleon's government. Each name is followed by descriptions of their crimes as well as some biographical information. Published by Smeeton (?), Spring, 1814. This sheet has been trimmed so that the author's and publisher's name no longer exists on the paper. The dates and other information given have been provided by Broadley. The image of Napoleon in profile has been adapted from an earlier type of composite portrait published by Volnay in Germany. Caption: Description of the Hieroglyphic Portrait of Buonaparte. The French Eagle, crouching, forms the chapeau en militaire: the Red Sea represents his throat, illustrative of his drowning armies: the visage, is formed of the carcases of the unhappy villains to his cruel ambition: the hand is judiciously placed as the epaulet, drawing the Rhenish Confederacy, under the flimsy symbol of the cob-web: and the spider is a symbolic emblem of the vigilance of the Allies! Text: The Imperial Family. Napoleon Buonaparte, Emperor of France second son of Carlo Buonaparte, greffier, or town-clerk of Ajaccio in Corsica: (his real father supposed to be Count Marboeuf, Governor of Corsica.) The greatest vagabond, and the worst public and private character, in ancient or modern history. According to General Dupont's statement, he commenced his career of murder at the age of sixteen, by poisoning a young woman, at Brienne, who was with child by him. Joseph Buonaparte, King of Spain, eldest son of Carlo Buonaparte, and clerk in an attorney's office at Marseilles, married Mademoiselle Clery, daughter of a woollen-draper at Marseilles, a man of a humane disposition, but of a timid, indecisive character. Lucien Buonaparte, third son of Carlo Buonaparte: his real father supposed to be Count Marboeuf, he exactly resembles Napoleon, as well in person as in disposition. He was usher to a reading school at Marseilles, and married an innkeeper's daughter, whom he is supposed to have poisoned; married, secondly, Madame Jaubertin, widow of an exchange broker, which occasioned the quarrel between the emperor and him, and obliged him to take refuge under British protection. Louis Buonaparte, late King of Holland, fourth son of Carlo Buonaparte; a young man of very humane good disposition, which has caused his disgrace with Napoleon, married Fanny de Beauharnois, daughter of the late Empress Josephine, by whom he has two sons, one of which is supposed to be Napoleon's. Jerome Buonaparte, King of Westphalia,fifth son of Carlo Buonaparte: a dissipated foolish young man, but not of a cruel disposition, married Miss Paterson, of Baltimore, whom Napoleon made him discard, to marry the Princess Frederica, eldest daughter of the King of Wirtemberg. Letitia Raniolini, Mother of the Imperial Father, a most notorious prostitute. At fifteen years of age, she had a child by a friar, after her marriage with Carlo Buonaparte, she was kept by Count Marboeuf, by whom she had Napoleon and Lucien. She afterwards kept a public brothel at Marseilles. Paulini Buonaparte, Princess Borghese, eldest sister of the Emperor, with whom she had incestrous intercourse. She ran away from her mother, at fourteen years of age, with a Corporal Cervoni; and, in 1796, was a common prostitute in Paris. Married, first, General Le Clere, who died in St. Domingo; secondly, the Roman Prince Borghese. Eliza Buonaparte, Grand Duchess of Florence,second sister of the Emperor, formerly apprentice to Madame Rambaud, milliner at Marseilles, was a prostitute at Marseilles. Married General Bacchiochi, formerly marker at a billiard table at Bastia, now Governor-general of the Grandy Duchy of Florence. Caroline Buonaparte, Queen of Naples, youngest sister of the Emperor, with whom, like her sister Paulina, she has had incestuous intercourse: she also has had a child by her brother Lucien. A more wicked women does not exist. She was originally an apprentice with Madame Rambaud, at Marseilles. Fesch, Cardinal, Archbishop of Lyons, uncle to Buonaparte; bred a priest, but turned jacobin and swindler, for which was banished Basle; became fourrier in the army, then commissaire de guerre; lived at Paris by gambling and every species of vice, til his pious nephew insisted on the wretch's return to the church, and made him Archbishop of Lyons, and a Cardinal!!! Eugene de Beauharnois, Viceroy of Italy, son of the late Empress Josephine: a man of a humane disposition, and of a tolerable character. Married Amelia Augusta, Princess of Bravaria. Fanny de Beauaarnois, late Queen of Holland, daughter of the late Empress Josephine; she is of an amiable disposition, and bears an excellent character. Married Louis Buonaparte, but had a child, previously, by her father-in-law, Napoleon. Joachim Murat, King of Naples,a most infamous sanguinary villain: son of an Inn-keeper at Cahors, in Provenc; himself originally a postillion, then scullion in the Prince of Condè's kitchen at Chontilly. Married Caroline Buonaparte. Stephanie de la Pagerie, Princess of Baden, niece to the late Empress Josephine: a most abandoned woman, lived with the French General, Boyer; had a child by one of the Mamelukes; and then the Hereditary Prince of Baden was compelled to marry her. Text: Great Officers of State. Cambeceres, Duke of Parma, Arch-chancellor of the Empire, a distinguished republican during the early period of the revolution, and the person who first proposed the oath of hatred to royalty, after the murder of Louis XVI. Le Brun, Duke of Piacenza, Arch-treasurer of the Empire, a distinguished republican, but at present a man of good character. Talleyrand de Perigord, Prine of Benevento, Vice Arch-chancellor of State, formerly Bishop of Autun, a man of a very ancient and noble family, and of the most distinguished talents, but excessively rich and avaricious. Fouche, Duke of Otranto, Governor of Rome, late minister of police, a man of very considerable abilities, but lately disgraced by Buonaparte, for resisting some of his absurd and cruel orders, particularly for the arrest of General Sarrazin. Champagny, Duke of Cadore, Minster of Foreign Affairs, formerly a Lieutenant in the Navy: a man of good disposition, but of slender abilities. Maret, Duke of Bassano, Secretary of State, son of a petty apothecary; a man of very little talent or information. Caulincourt, Duke of Vicenza, grand master of the Horse, decended from an ancient noble family in France. He is the officer who seized the Duke d'Enghien, and conducted him to be murdered at Vicennes. His borther, Count Caulincourt, was killed at Borodino, September 7, 1812. Duroc, Duke of Friuli, Grand Marshal of the Palace, a man of most excellent character and disposition, though of no talents. He was a remarkable handsome man, and a great favourite of the Emperor. Killed at the battle of Bautzen, May 21, 1813. Savary, Duke of Rovigo, Minister of Police, a most infamous villain; a common bravo, who, by Buonaparte's orders stabbed General Dessaix in the back, at the Battle of Marengo, and afterwards kidnapped the whole Royal Family of Spain: the person whom Buonaparte employs in all his secret murders, such as Pichegru's, Captain Wright's, &c. Text: Great Military Officers. Marshal Berthier, Prince of Neufchatel and Wagram, Vice-Constable of France, an officer of high rank in the most ancient French service, of a noble family, and of the most distinguished military talents, who has been the chief supporter of Buonaparte, and to whom all his principal victories may be attributed. Marshal Bernadotte, Prince of Ponte Corvo, elected Crown Prince of Sweden, formerly a private soldier of the French Guards: a man of good disposition, and never guilty of murder or robbery. Married Mademoiselle Clery, sister of the Queen of Spain. Marshal Massena, Prince of Essling, Duke of Rivoli, formerly a serjeant in the King of Sardinia's army, from which he deserted. A skilful, enterprising officer, of a good character and disposition, but very avaricious. Marshal Davoust, Prince of Echmukl, Duke of Auerstadt, a man of infamous character: very cruel, and very avaricious. Marshal Augereau, Duke of Castiglione, a most infamous character: has been twice publicly whipped, burnt in the back, and sent to the gallies, as a common thief and housebreaker, and has deserted from almost every service in Europe. He is immensely rich; and considered the greatest plunderer of any of the Marshals of France. Marshal Moncey, Duke of Cornegliano, formerly a gentleman's servant: a man of indifferent character, and of no military talents. Marshal Soult, Duke of Dalmatia, has the reputation of one of the most skilful officers in the French service, formerly a common thief; then a private soldier, is excessively cruel and rapacious. The Duchess of Dalmatia was a common prostitute, at Sohlingen, in Westphaia. He swore allegiance to Louis, in 1814, and again to Buonaparte in 1815 -- a perjured wretch. Marshal Mortier, Duke of Treviso, was clerk to a merchant at Dunkirk, Mr James Bell, now of Angel Court, Throgmorton-street, London, who took him to Alicant at 25 [pounds] per annum; there he learnt the Spanish language, and behaved remarkably well; he then left his situation, at the beginning of the French Revolution, and went back to France, where he was made a serjeant in the National Guards: he has no military character, but committed great depredations in Hanover. The Duchess of Treviso is an inn-keeper's daughter. Marshal Ney, Prince of Moskwa, Duke of Elchingen, originally an ostler at a livery-stable in Paris, from whence he stole two horses, and ran away; he is still a robber in every particular; but has the reputation of an excellent officer. When Buonaparte abdicated his Crown in 1814, Ney left his master, and swore allegiance to Louis XVIII: and when Buonaparte again appeared in Paris in 1815, he deserted Louis and swore allegiance to Buonaparte, he is called Judas Ney, a most contemptable perjured wretch. The Duchess of Elchingen was debauched by Lucien Buonaparte, and is still a lady of pleasure. Marshal Bessieres, Duke of Istria, Commander of the Imperial Guard, was of an ancient family,and before the Spanish war, had an excellent character. Killed at the battle of Lutzen, May, 1813. Marshal Victor, Duke of Belluno, formerly a drummer in the old French service. Has the reputation of a good officer, but ready for any kind of villainy. Marshal Lefevre, Duke of Dantzig, formerly a private soldier in the old French service, afterwards a most notorious robber. He is a man of the lowest and most brutal manners, but a good officer. The Duchess of Dantzig was originally washerwoman to the barracks at Strasburgh. Marshal Kellerman, Duke of Valmy, formerly an officer in the old French service; a man of very little military reputation, and of an indifferent character. Marshal Marmont, Duke of Ragusa, a gentleman of a very ancient family: one of the best officers in France, and bears an excellent character. Married the daughter of M. Perregaux, the great banker at Paris. Marshal Oudinot, Duke of Reggio, was originally the harlequin at his father's little theatre on the Boulevards at Paris; he has the reputation of an enterprising skilful officer, but is very cruel and rapacious. Marshal Macdonald, is of Scotch descent, and was an officer in the Irish Legion before the Revolution. Is reckoned a very able officer, and bears an excelllent character. Marshal Perignon, a gentleman of an ancient family, and an officer of rank in the old French service. Marshal Serrurier, an officer of rank in the old French service. Marshal Suchet, Duke of Albufera. Marshal Gouvion St. Cyr. Brune, late Marshal of France, originally a journeyman printer: a most infamous wretch; the identical person who carried the head and heart of the Princess Lamballe about the streets of Paris, in September, 1792. He has been disgraced and imprisoned by Buonaparte, and, in all probability, has long since been secretly murdered. Jourdan, late Marshal of France, a most distinguished officer, and bears a good character, but has been disgraced by Buonaparte, and erased from the list of Marshals of France. Reinstated in 1811, but again dismissed for the loss of the battle of Vittoria in June, 1813. General Junot, Duke of Abrantes, originally a livery servant, afterwards a grenadier of the French guards; a most sanguinary, cruel, and rapacious character, but a good officer. Died in June, 1813. General Sebastiani, Count of the Empire, a Corsican by birth, and a relation of the Imperial family; one of Buonaparte's confidential favorites, and of a blood-thirsty, cruel disposition; frequently employed in secret and murdering expeditions. General Hulin, Count of the Empire, Governor of Paris, a man whose wife took in washing: the leader of most of the massacres in Paris, since the Revolution, and who has been a swindler, coiner, robber, and murdererer. General Rapp, Count of the Empire, first Aid-de-Camp to the Emperor, originally a livery servant, then a private soldier but a man of good character and humane disposition. General Andreosi, Count of the Empire, descended from an ancient family: a man of considerable talents, and of a good disposition. General Vandamme, Count of the Empire, Commandant of Boulogne, a most cruel sanguinary villain: was condemned to the gallies, for robbery, at Cassel (where he was born,) but escaped: was cashiered by General Moreau for his infamous character, but restored by Buonaparte. Taken prisoner at Peterswalde, in Bohemia, August 30, 1813, and sent to Moscow.

Membre du Tribunal de cassation

One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in blue robe with red and white, holding paper in left hand. One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in blue robe with red and white, holding paper in left hand. Small, unbound, clean; in blue cloth slipcase, maroon leather label stamped gold. Paris, Grangié sale, 1963.

Membre du Tribunal Criminel

One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in black standing in front of chairs in courtroom. One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in black standing in front of chairs in courtroom. Small, unbound; clean; in blue cloth slipcase, maroon leather label stamped gold. Paris, Grangié sale, 1963.

Membre du Tribunal Civil

One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Franéaises, which appears in Italian edition but not in French or English editions. Figure in dark gray standing in courtroom. One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Franéaises, which appears in Italian edition but not in French or English editions. Figure in dark gray standing in courtroom. Small, unbound; clean; in blue cloth slipcase, maroon leather label stamped gold.

Membre du Directoire Exécutif dans son petit costume

One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in orange and white standing next to table. One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in orange and white standing next to table. Small, unbound; clean; in blue cloth slipcase, maroon leather label stamped gold. Paris, Grangié sale, 1963.

Membre du Directoire Exécutif dans son grand costume

One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in blue and white standing next to table and chair. One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in blue and white standing next to table and chair. Small, unbound; clean; in blue cloth slipcase, maroon leather label stamped gold. Paris, Grangié sale, 1963.

Membre du Conseil des Cinq Cents

One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in salmon and white robe in court. One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in salmon and white robe in court. Small, unbound, red ink stain on lower right corner; in blue cloth slipcase, maroon leather label stamped gold. Paris, Grangié sale, 1963.

Membre du Conseil des Anciens

One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in blue robe with white cape in court. One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in blue robe with white cape in court. Small, unbound; clean; in blue cloth slipcase, maroon leather label stamped gold. Paris, Grangié sale, 1963.

Membre de l'Administration Départementale

One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in blue and gray leaning left hand on chair. One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in blue and gray leaning left hand on chair. Small, unbound; clean; in blue cloth slipcase, maroon leather label stamped gold. Paris, Grangié sale, 1963.

Membre de haute cour de justice

One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in white robe in courtroom. One of a suite of 34 (of 35?) hand colored engraved plates by and after Labrousse, St. Sauveur direx., of uniforms, including 16 military and naval uniforms, 1 of Agent Maritime, 17 of diplomatic, judicial, official and legislative dress; lacking plate 6, Agent du Directoire Exécutif dans les Colonies Françaises, which appears in Italian edition but not in French or English editions. Figure in white robe in courtroom. Small, unbound; clean; in blue cloth slipcase, maroon leather label stamped gold. Paris, Grangiée sale, 1963.

Members of the National Club: cultivating various skilful and manly exercises, at the Stadium in Chelsea

One of a pair of color lithographs by Day & Haghe, 'published by the proprietor of the Stadium at Chelsea Farm, the late Lord Cremorne's'; members wearing white trousers, frogged waistcoats and enormous military caps, shooting at decoys attached to tall staff on small tower, four members talking to seated woman, another woman walking with man on far right, others walking along path on left, house in background. One of a pair of color lithographs by Day & Haghe, 'published by the proprietor of the Stadium at Chelsea Farm, the late Lord Cremorne's'; members wearing white trousers, frogged waistcoats and enormous military caps, shooting at decoys attached to tall staff on small tower, four members talking to seated woman, another woman walking with man on far right, others walking along path on left, house in background. Depicts Baron de Berenger's short-lived stadium at Chelsea. London, Spencer, 1953.