Color aquatint by J. Hill after Nottes, numbered 9; view of Ionic pavilion on rise of ground in center, part of water works shed at right, 3 small figures of British soldiers resting in center foreground, one talking with woman. Color aquatint by J. Hill after Nottes, numbered 9; view of Ionic pavilion on rise of ground in center, part of water works shed at right, 3 small figures of British soldiers resting in center foreground, one talking with woman. From 'Versailles, Paris and Saint Denis, or a Series of Views made from Drawings made on the Spot, by J. C. Nattes, illustrative of the Capital of France, and the surrounding places with a historical and descriptive account', published in 1809, plate No, 9.

Original unsigned watercolor; view through archway, showing building with circular tower in background, small figures of officers and soldiers of Garde Nationale in foreground and near entrance of background building. Original unsigned watercolor; view through archway, showing building with circular tower in background, small figures of officers and soldiers of Garde Nationale in foreground and near entrance of background building. Upright medium folio, mounted on tan paper; no margins. New York, Rockman Prints, 1967.

Engraved print, signed and dated by Hooghe; panoramic scene of siege of Buda, general staff and aides on hillock in foreground. Engraved print, signed and dated by Hooghe; panoramic scene of siege of Buda, general staff and aides on hillock in foreground. Oblong folio; margins trimmed; clean.

Original unsigned watercolor; street scene showing soldiers patronizing chestnut seller, walking among civilian pedestrians, etc. Original unsigned watercolor; street scene showing soldiers patronizing chestnut seller, walking among civilian pedestrians, etc. Upright, matted; no margins; clean. Londo, Spencer, 1953.

Hand-colored engraving (possibly by or after Löschenkohl); wedding ceremony in apse of cathedral with numerous court personages present. Hand-colored engraving (possibly by or after Löschenkohl); wedding ceremony in apse of cathedral with numerous court personages present. Large oblong folio, matted; plate mark, margins trimmed; cleaned. Vienna, Christian Nebehay, 1953.

7th in collection of 15 original albumen sepia print photographs; full-length portrait of cavalryman, standing, wearing the Médaille de Sainte Hélène, holding upright sabre against right shoulder, indoors. 7th in collection of 15 original albumen sepia print photographs; full-length portrait of cavalryman, standing, wearing the Médaille de Sainte Hélène, holding upright sabre against right shoulder, indoors. Photographed by Erwin Hanfstaengl (also known as Erwin frères, a German photographer), around 1863, who began working in Paris in 1861, at 4, Rue Frochet, 4, en face la Rue Breda. This is based on the similar photographic portraits of Dorigny and Bonneville on which the photographer's name appears, and the similarity in the backgrounds of several carte de visites. (information courtesy of Wouter Lambrechts, Antwerp, Belgium)

41st in collection of 50 original watercolors, signed by Knötel; standing uniform figure of woman signal officer in gray-green jacket, dark green skirt, rifle over shoulder, signalling with red and yellow flags. 41st in collection of 50 original watercolors, signed by Knötel; standing uniform figure of woman signal officer in gray-green jacket, dark green skirt, rifle over shoulder, signalling with red and yellow flags. Small, unbound; in green cloth slipcase, red leather label st. gold; clean. Leichtenstein-Hauslab Collection, 1951.

Wood-engraved double-page plate from book or magazine; cavalrymen pursuing fleeing carriage containing distraught lady, c. 1760. Depicts the arrest of Countess Kosel on the Saxon-Polish border. Wood-engraved double-page plate from book or magazine; cavalrymen pursuing fleeing carriage containing distraught lady, c. 1760. Depicts the arrest of Countess Kosel on the Saxon-Polish border. Oblong folio, mounted on white board, matted; margins entirely trimmed away; clean.

Wood-engraving, unsigned. 'Broadside on conflicting issues arising from the Pope's political powers; with an etching of three kings and emperors kneeling in front of the Pope who is carried underneath a baldachin at the head of a procession, at centre left St Peter rebuking the pope, along left edge six half-length figures of theologians arguing against the Pope's worldly power and pomp, at right six figures in favour of papal supremacy, with lettering throughout of dialogue spoken by the various figures. The broadside is not dated, but must have been made in the mid 17th century because Jacob Balde (1604-1668) appears among the Catholic supporters' -- British Museum. Wood-engraving, unsigned. 'Broadside on conflicting issues arising from the Pope's political powers; with an etching of three kings and emperors kneeling in front of the Pope who is carried underneath a baldachin at the head of a procession, at centre left St Peter rebuking the pope, along left edge six half-length figures of theologians arguing against the Pope's worldly power and pomp, at right six figures in favour of papal supremacy, with lettering throughout of dialogue spoken by the various figures. The broadside is not dated, but must have been made in the mid 17th century because Jacob Balde (1604-1668) appears among the Catholic supporters' -- British Museum. Oblong folio, matted; margins trimmed close; clean, slightly creased. Vienna, Christian Nebehay, 1960.

Original unsigned watercolor; view looking over rooftops with allied flags flying in the street below. Original unsigned watercolor; view looking over rooftops with allied flags flying in the street below. Contreras served with the 603rd Engineer Camouflage Battalion, part of the 23d Headquarters Special Troops (the so-called 'Ghost Army'). Upright medium folio, unmatted; gift of Rosa Elena Bland (acc. 2018). Digital object made available by: Brown University Library, John Hay Library, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

Copper-engraving; view of convocation on plain, city of Warsaw in background, assembly of seated electors in center, soldiers in formation etc. in foreground and middle distance. View of the Polish imperial assembly in the field near the village of Wola for the election of the king. Copper-engraving; view of convocation on plain, city of Warsaw in background, assembly of seated electors in center, soldiers in formation etc. in foreground and middle distance. View of the Polish imperial assembly in the field near the village of Wola for the election of the king. Oblong medium folio; margins trimmed close; clean. Vienna, Christian Nebehay, 1959.

Hand colored humorous engraving; mounted hussar galloping away from house, small figure of woman at doorway in right background. Hand colored humorous engraving; mounted hussar galloping away from house, small figure of woman at doorway in right background. Upright, matted; margins trimmed; yellowed. London, Parker Gallery, 1958.

From set of colored lithographic plates by Söderberg, of uniform figures; profile view, mounted artilleryman in black uniform, gold trim, facing left; another soldier and horses in left background. From set of colored lithographic plates by Söderberg, of uniform figures; profile view, mounted artilleryman in black uniform, gold trim, facing left; another soldier and horses in left background. On 8 large folio paper mounts, unbound; clean; cut apart and now in bloth cloth slipcase, russet leather label stamped gold "Söderberg. Kongl. Svenska Armée Uniformer. Stockholm, 1834". Paris, Paul Roulleau, 1968.

Original unsigned watercolor; two uniformed figures standing in field, tent encampment in distance Original unsigned watercolor; two uniformed figures standing in field, tent encampment in distance Manchester by the Sea, MA, Christopher Bryant, 2016 Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

One of a suite of 24 original watercolor drawings by Knötel of cavalry, garde and gendarmerie uniform figures. Figure in blue and yellow standing to the left of a brown horse. One of a suite of 24 original watercolor drawings by Knötel of cavalry, garde and gendarmerie uniform figures. Figure in blue and yellow standing to the left of a brown horse. Upright, unbound, in blue cloth case, white leather back stamped gold. Berlin, Knötel, 1955.

1st in set of 100 numbered signed watercolors of uniform figures by Boisselier; standing figure of officer in blue uniform, gold trim, cocked hat, holding upright sword, facing left. 1st in set of 100 numbered signed watercolors of uniform figures by Boisselier; standing figure of officer in blue uniform, gold trim, cocked hat, holding upright sword, facing left. Unbound; in 1/4 blue leatherette and marble board portfolio lettered gold on back "Armée de Naples", and with original tempera painting of trophies on cover; clean. Paris, Cart, 1951.

2nd in set of 100 numbered signed watercolors of uniform figures by Boisselier; standing figure of officer in blue uniform, gold trim, cocked hat, hand on hilt of sword at side, facing right. 2nd in set of 100 numbered signed watercolors of uniform figures by Boisselier; standing figure of officer in blue uniform, gold trim, cocked hat, hand on hilt of sword at side, facing right. Unbound; in 1/4 blue leatherette and marble board portfolio lettered gold on back "Armée de Naples", and with original tempera painting of trophies on cover; clean. Paris, Cart, 1951.

19th in collection of 22 colored engraved plates of uniform groups, from vol. I of 'Le costume ancien et moderne ou histoire du gouvernment', this one by Gallina; large uniform group of standing figures in white uniforms, outdoors. 19th in collection of 22 colored engraved plates of uniform groups, from vol. I of 'Le costume ancien et moderne ou histoire du gouvernment', this one by Gallina; large uniform group of standing figures in white uniforms, outdoors. Oblong folio, unbound; in maroon cloth portfolio, black leather label stamped gold "Ferrario - European Uniforms - c. 1820". New York, Rockman Prints, '1951.

Line and aquatint engraving; Napoleon napping at map table in the field, officers standing nearby, other officers, dispatch-rider etc. near table in left background, battle in distance. Line and aquatint engraving; Napoleon napping at map table in the field, officers standing nearby, other officers, dispatch-rider etc. near table in left background, battle in distance. Small oblong folio; plate mark, margins; stained. Florence, Leo S. Olschki, 1966.

18th in collection of 21 original unsigned watercolor drawings of Turkish, Greek and Levantine costumes; Middle Eastern woman in blue and black cloak, white veil. 18th in collection of 21 original unsigned watercolor drawings of Turkish, Greek and Levantine costumes; Middle Eastern woman in blue and black cloak, white veil. Unbound; slightly soiled and foxed; in yellow and green cloth portfolio st. gold. Los Angeles, Clark, 1949. title provided by cataloger

Hand colored aquatint by L. Rados after Bosio; view across piazza towards cathedral, street-sellers, promenanders, a crowd of spectators gathered around a puppet show, beggers, priests, etc. in foreground, including some soldier figures. Hand colored aquatint by L. Rados after Bosio; view across piazza towards cathedral, street-sellers, promenanders, a crowd of spectators gathered around a puppet show, beggers, priests, etc. in foreground, including some soldier figures. Oblong folio, mounted on white paper, matted; plate mark, margins trimmed; margins worn and torn. N.Y., Walter Schatzki, 1953.

Colored aquatint after Canonica; view of triumphal arch, showing emergence of Imperial coach and military escort. Colored aquatint after Canonica; view of triumphal arch, showing emergence of Imperial coach and military escort. Oblong medium folio, matted; plate mark, margins trimmed close; slightly soiled. New York, Rockman Prints, 1949.

One of series of original watercolors signed by Norie; mounted uniform group wearing campaign cloaks, with carbines, on grassy plain. One of series of original watercolors signed by Norie; mounted uniform group wearing campaign cloaks, with carbines, on grassy plain. Oblong folio, matted; margins severely trimmed. London, Parker Gallery. Title supplied by cataloger

Original watercolor, signed by artist; close-up view of victory parade down crowded Paris street, with flags and confetti, cafe at left, trees at upper right. Original watercolor, signed by artist; close-up view of victory parade down crowded Paris street, with flags and confetti, cafe at left, trees at upper right. Upright folio; no margins; clean.

Uncolored mezzotint by Charon after Bouchot; full-length portrait in uniform, standing near tent, table with maps etc. at left. Uncolored mezzotint by Charon after Bouchot; full-length portrait in uniform, standing near tent, table with maps etc. at left. Upright folio, matted; margins intact; clean.

Hand-colored mezzotint engraving by Charon after Bouchot; full-length portraits in uniform. Hand-colored mezzotint engraving by Charon after Bouchot; full-length portraits in uniform. Upright folio, matted; plate mark, margins intact; clean. title: VAUBAN AU SIEGE DE CAMBRAI. caption: Sebastien le prestre de Vauban, fils du seigneur de ce nom, nacquit en 1633. dès l'âge de 17 ans il commença à porter les armes. Ses talens et son gànie extraordinaire pour les fortificatations le firent connairtre avec éclat aux deux sièges de Ste Menehoud, et à Stenai, de Landrecies, de Valenciennes, de Mont-Médi, de Gravelines, d'Ypres et d'Oudenarde, en 1667 il eut la condiate des sièges que le Roi fit en personne et fut blessé devant Douai. Le Roi le Nomma gouverneur de la Citadelle de l'Ille qu'il venait de constuire. Au siège de Cambrai on attaqua inconsidérement et malgre ses avis, la demie-lune de la citadelle; elle fut emportée, mais les ennemis la repriren aussitõt et l'on perdit 400 hommes et 40 Officiers, deux jours après Vauban l'attaqua dans les formes, s'en rendit ,mâitre et ne perdit que trois hommes. Après la paix de Nimègue il fit le fameux port de Dunkerque, son chef-d'oeuvre et celui de l'art Strasbourg et Casal furent ensuite ses travaux les plus considèrables. En 1684 il prit Luxembourg, regardé comme imprenable; Mos, Namur et Charleroi tombèrent également en son pouvoir. Tant d'exploits lui firent donner en 1703 le titre de Maréchal de France. Il termina sa brillante carriére par le siège de Vieux-Brissac, place très considèrable qui ne coûta que 300 hommes. Le siège de Turin avait été confie au Duc de la Feuillade, jeune homme sans expérience et comme il n'avancait pas Louis XIV consulta Vauban qui lui offrit d'aller condiure les travaux...Mais, Monsieur le Maréchal, lui dit le Roi, songez qui cet emploi est au-dessous de votre dignité. Sire, repondit Vauban, ma dignité est de servir l'Etat. Je laisserai mon bâton de Maréchal à la porte et j'aiderai peut-être le Duc à prendre la vill. La crainte de dégouter le général fit refuser ce vertueux citoyen. Vauban mourut en 1707 d'une fluxion de poitrine. il avait 74 ans. Il travailla à 300 places anciennes, en construisit 33 nouvelles, se trouva à actions et conduisit 53 sièges; et au milieu de travaux si multipliés et si importants, il trouva encore le moyen de composer un grand nombre d'ouvrages très utiles sur l'Art militaire. l'Académie des sciences se l'associa en 1699. jalouse de compter parmi ses membres un homme qui faisait tant d'honneur à la France. caption: Dessinè par Bouchot caption: D?posé caption: Gravé par Charon caption: Imprimé par Vayron. caption: A paris chez Charon Graveur Rue St. Jean de Beauvais No. 26.

The King of Rome comes running towards Napoleon, his crown fallen to the ground behind him. Napoleon stands inside an oversized inkwell, a quill pen lying beside it. The King of Rome comes running towards Napoleon, his crown fallen to the ground behind him. Napoleon stands inside an oversized inkwell, a quill pen lying beside it. Not in Broadley. 1814 handwritten on mount. From set Napoleonic Caricatures Published in Germany. Dialogue: King of Rome: Vater, ich habe meine Krone verloren, wo bleibst du den? Napoleon: Jetzt noch in der Tinte. [Father, I have lost my crown, where are you? Napoleon: Still in the ink.]

Line- and stipple-engraving by Ehrenreich; half-length oval portrait in uniform, hatless, presumably court uniform of magnate dress. Line- and stipple-engraving by Ehrenreich; half-length oval portrait in uniform, hatless, presumably court uniform of magnate dress. Small upright; margins; foxed. New York, Rockman Prints, 1960.

One of 7 original watercolors, inscribed by Bush 'Varna, June 23, 1854', with title on card below; view of town and harbor with three sailing ships in distance, seen from Turkish stockade in foreground, with flag at left. One of 7 original watercolors, inscribed by Bush 'Varna, June 23, 1854', with title on card below; view of town and harbor with three sailing ships in distance, seen from Turkish stockade in foreground, with flag at left. Lieut. Henry Stratton Bush of the 41st Welsh Regt. of Foot was at the Alma and the siege of Sebastopol--per dealer. Oblong folio, matted on brown paper; no margins; clean. Stow-on-the-Wold, Christopher Clarke Antiques, 2009

One of a collection of 44 original signed watercolors of uniform figures, insignia and flags by Herbert Knötel d. J. 8 illustrations of pins, buttons and cords for Czechoslovak uniforms. One of a collection of 44 original signed watercolors of uniform figures, insignia and flags by Herbert Knötel d. J. 8 illustrations of pins, buttons and cords for Czechoslovak uniforms. Field gray portfolio stamped gold. Title provided by cataloger. Washington, D.C., H. Wandrus, 1967.