One of a collection of 3 unsigned wood engraved illustrations from book; military types. [See also Serdinguesti; Ein Schütze; (and) Europaeischer Tartar]. From: 'Der Kern Turkischer Geschichte' (1739). One of a collection of 3 unsigned wood engraved illustrations from book; military types. [See also Serdinguesti; Ein Schütze; (and) Europaeischer Tartar]. From: 'Der Kern Turkischer Geschichte' (1739). Nno margins; yellowed. N.Y., Rockman Prints, 1955.

Pyramids and Egyptian ruins form a backdrop for the green field across which French officers and Turkish soldiers engage in a mule race. The two Turkish riders have taken the lead and turn to look over their shoulders at the two French soldiers, who urge their mules forward using clubs. On the left of the sheet, a stately French officer sits astride a mule and observes the race. The pomp and elegance of the officer's posture is comically contrasted with his lackluster mount. In fact, both the rider and the tack (reins, saddle, etc.) are far too large for the animal, who looks miserable under the ornate reins and plumes. Incongruously, the hooves of all of the mules are conspicuously curved upwards. This is to perhaps mimic the crescent-shaped shoes that Turks frequently wear in satires. Another French officer and a Turkish figure stand behind the judging officer. In the center foreground, two men wearing Turkish garments sit smoking long pipes. Pyramids and Egyptian ruins form a backdrop for the green field across which French officers and Turkish soldiers engage in a mule race. The two Turkish riders have taken the lead and turn to look over their shoulders at the two French soldiers, who urge their mules forward using clubs. On the left of the sheet, a stately French officer sits astride a mule and observes the race. The pomp and elegance of the officer's posture is comically contrasted with his lackluster mount. In fact, both the rider and the tack (reins, saddle, etc.) are far too large for the animal, who looks miserable under the ornate reins and plumes. Incongruously, the hooves of all of the mules are conspicuously curved upwards. This is to perhaps mimic the crescent-shaped shoes that Turks frequently wear in satires. Another French officer and a Turkish figure stand behind the judging officer. In the center foreground, two men wearing Turkish garments sit smoking long pipes. Published by Samuel W. Fores. 1798-12-06 Caption: London. Published by S W Fores No 50, Piccadilly Deer 6, 1798 Inscription: Folios of Caricatures lent out for the Evening.

Standing on a sandy beach, a fat Dutchman (l.) boots Napoleon into the waiting arms of the Devil (r.). The Dutchman is identifiable by his buttoned-up out it, his ribboned hat, and the flask and pipe he holds in his hands. he Devil has already grasped Napoleon's left leg and is about to catch his body with his other arm. A wall of flames behind the devil consumes the left side of the image. On the right, several ships wait patiently in the water behind the Dutchman. Napoleon has lost his hat, and his sword flies uselessly from his belt. In the background another Dutchman (r.) uses a pitchfork to prod Joseph Bonaparte (l.) into the flames of Hell that rage along the left side of the image. Like Napoleon, Joseph Bonaparte has lost his crown, and will soon suffer the same ignominious fate. Standing on a sandy beach, a fat Dutchman (l.) boots Napoleon into the waiting arms of the Devil (r.). The Dutchman is identifiable by his buttoned-up out it, his ribboned hat, and the flask and pipe he holds in his hands. he Devil has already grasped Napoleon's left leg and is about to catch his body with his other arm. A wall of flames behind the devil consumes the left side of the image. On the right, several ships wait patiently in the water behind the Dutchman. Napoleon has lost his hat, and his sword flies uselessly from his belt. In the background another Dutchman (r.) uses a pitchfork to prod Joseph Bonaparte (l.) into the flames of Hell that rage along the left side of the image. Like Napoleon, Joseph Bonaparte has lost his crown, and will soon suffer the same ignominious fate. This sheet is not signed, but has been securely attributed to Rowlandson by both Broadley and George. Inscription: Pubd Novr 30, 1813 by Thos Tegg No III Cheapside. Plate Mark: 234

Original ink and wash drawing; soldier seated playing mandolin. Original ink and wash drawing; soldier seated playing mandolin. Medium upright folio; clean. Title supplied by cataloger.

A bust-length portrait of a Marine sergeant. Another Marine is loosely sketched in the background. A bust-length portrait of a Marine sergeant. Another Marine is loosely sketched in the background. Title from typed label on verso. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.

One of 2 engraved plates, each with 8 illustrations of figures of soldiers on horseback One of 2 engraved plates, each with 8 illustrations of figures of soldiers on horseback Oblong folio, slightly soiled and worn "Engraved for Spencer's New History of England"

One of a pair of color lithographs by and after Walker. 2 standing uniform figures near gate. [See also: 1st Life Guards.] One of a pair of color lithographs by and after Walker. 2 standing uniform figures near gate. [See also: 1st Life Guards.] Small upright folio, matted; margins severely trimmed. London, Parker Gallery, 1965.

Original watercolor signed by E.S. H(ardy); British infantrymen charging Indians at left. Original watercolor signed by E.S. H(ardy); British infantrymen charging Indians at left. Oblong, matted; spotting in margins. Title supplied by cataloger. London, Parker Gallery, 1972.

Hand-colored engraved caricature after I. M.. 'The Regent and others stand round a large tub, 'Regency Washing Tub', in which a battle of toy ships is in progress. All the vessels are uniform in size and shape, some are inscribed '74'. The Prince, on the extreme left, plies bellows, making the surface rough. A naval officer next him, (?) the Duke of Clarence, holds strings attached to a row of five ships flying the British flag; a sixth, out of line, is sinking. He turns to the Regent, saying angrily, "Be a little easy with that wind, or by God you'll upset every Ship." Another naval officer, standing behind the middle of the tub, holds the strings attached to six French ships, five in line, by the right end of the tub; a seventh French ship in the middle of the water is about to capsize. He says: "A Sailor's lifes' the life for me, for none can be sweeter.—What do you think I call my name—Little Saucy Powder Monkey Peter." A third naval officer and two plebeian-looking civilians stand against the tub. On the rim (right), facing the Regent, capers McMahon, much smaller than the others; he holds a large purse inscribed 'P.P.P.' (Prince's Privy Purse), and waves his hat, shouting: "Huzza, huzza, The British Navy for ever!" In the foreground (right) a gouty military officer watches the toy ships. Behind him and on the extreme right, Sir William Curtis in profile to the right, addresses an equally obese but shorter naval officer. He says: "Sir, I would not miss it for a mint of money, as I am certain it will be as glorious as the Valcherine expedition." He wears sailor's trousers with a small straw hat, &c. The officer sheds tears, a handkerchief to his eye; he answers: "Really, Sir, I dare not attend the Naval exhibition, as I am so stuff'd up with wind that my presence would be very dangerous." All the figures are burlesqued' -- British Museum. Hand-colored engraved caricature after I. M.. 'The Regent and others stand round a large tub, 'Regency Washing Tub', in which a battle of toy ships is in progress. All the vessels are uniform in size and shape, some are inscribed '74'. The Prince, on the extreme left, plies bellows, making the surface rough. A naval officer next him, (?) the Duke of Clarence, holds strings attached to a row of five ships flying the British flag; a sixth, out of line, is sinking. He turns to the Regent, saying angrily, "Be a little easy with that wind, or by God you'll upset every Ship." Another naval officer, standing behind the middle of the tub, holds the strings attached to six French ships, five in line, by the right end of the tub; a seventh French ship in the middle of the water is about to capsize. He says: "A Sailor's lifes' the life for me, for none can be sweeter.—What do you think I call my name—Little Saucy Powder Monkey Peter." A third naval officer and two plebeian-looking civilians stand against the tub. On the rim (right), facing the Regent, capers McMahon, much smaller than the others; he holds a large purse inscribed 'P.P.P.' (Prince's Privy Purse), and waves his hat, shouting: "Huzza, huzza, The British Navy for ever!" In the foreground (right) a gouty military officer watches the toy ships. Behind him and on the extreme right, Sir William Curtis in profile to the right, addresses an equally obese but shorter naval officer. He says: "Sir, I would not miss it for a mint of money, as I am certain it will be as glorious as the Valcherine expedition." He wears sailor's trousers with a small straw hat, &c. The officer sheds tears, a handkerchief to his eye; he answers: "Really, Sir, I dare not attend the Naval exhibition, as I am so stuff'd up with wind that my presence would be very dangerous." All the figures are burlesqued' -- British Museum. Oblong medium folio, matted; margins trimmed; edges worn. London, Parker, Gallery, 1952.

1st of pair of colored lithographs by Trentsensky; troops in rifle battle; windmill, buildings in background. 1st of pair of colored lithographs by Trentsensky; troops in rifle battle; windmill, buildings in background. Small oblong folio, 2 prints [cf. AuP1835mf-5a]; mounted on gray board with watercolor border; margins entirely trimmed away; clean. Paris, Delacre sale, 1961.

1st of pair of colored lithographs by Trentsensky; troops in skirmish in countryside. 1st of pair of colored lithographs by Trentsensky; troops in skirmish in countryside. Small oblong folio, 2 prints [cf. AuP1835mf-5b], mounted on gray board with watercolor border; margins entirely trimmed away; clean. Paris, Delacre sale, 1961.

Ink and watercolor map of battle dated 1757. Ink and watercolor map of battle dated 1757.

Plan of the first floor of the building where the marriage of Louise Elizabeth and Don Felipe took place Plan of the first floor of the building where the marriage of Louise Elizabeth and Don Felipe took place

Detailed plan of the Delft church where William IV's funeral took place. Includes key Detailed plan of the Delft church where William IV's funeral took place. Includes key

Hand-colored engraving by Heath & Ashby after Smith; panoramic view of countryside with symbols showing troop placements; 2 soldier figures flanking title; arms below. Hand-colored engraving by Heath & Ashby after Smith; panoramic view of countryside with symbols showing troop placements; 2 soldier figures flanking title; arms below. Large oblong folio, matted; plate mark, margins trimmed; clean, creased. London, Parker Gallery, 1956. .

Original watercolor by De Verger showing plan of bastioned fort, coastline, ships offshore, and troop formations; in manuscript diary. Original watercolor by De Verger showing plan of bastioned fort, coastline, ships offshore, and troop formations; in manuscript diary. New York, H.P. Kraus, 1964. Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

Includes key "Où l'on voit l'ordre et la disposition de la feste donnée par la Ville de Paris de 29 Aoust 1739 a l'occasion du mariage de Madame Louise Elizabeth de France et de Dom Philippe Infant d'Espagne ..."

Elevation of the temple constructed for the marriage of Louise Elizabeth and Don Felipe Elevation of the temple constructed for the marriage of Louise Elizabeth and Don Felipe Dessiné et gravé par J.F. Blondel

Engraved illustration by Blondel, after design by Servandony; side view and architectural cross-section of elaborate music pavilion built on small artificial island. From: 'Description des Fêtes données par la Ville de Paris, à l'occasion du mariage de Madame Louise-Elisabeth de France, & de Dom Philippe, Infant & Grand Amiral d'Espagne, les vingt-neuvième & trentième Août mil sept cent trente-neuf' (A Paris. De l'imprimerie de P.G. Le Mercier, Imprimeur Libraire ordinaire de la Ville, rue Saint Jacques, au Livre d'Or. 1740) Engraved illustration by Blondel, after design by Servandony; side view and architectural cross-section of elaborate music pavilion built on small artificial island. From: 'Description des Fêtes données par la Ville de Paris, à l'occasion du mariage de Madame Louise-Elisabeth de France, & de Dom Philippe, Infant & Grand Amiral d'Espagne, les vingt-neuvième & trentième Août mil sept cent trente-neuf' (A Paris. De l'imprimerie de P.G. Le Mercier, Imprimeur Libraire ordinaire de la Ville, rue Saint Jacques, au Livre d'Or. 1740) Upright book illustration; narrow margins; page edges slightly faded.

Elevation of the music stage constructed for the marriage of Louise Elizabeth and Don Felipe Elevation of the music stage constructed for the marriage of Louise Elizabeth and Don Felipe Dessiné et gravé par J.F. Blondel ; executé sur les dessins de Mr. Gabriel Ier Architecte du Roy "Ce sallon étoit elevé sur la Rivière, entre le Pont Neuf, et le Pont Royal, et vis à vis le Trone de leurs Majestez il faisoit une partie de la feste donnée par la Ville de Paris le 29 Aousst 1739 à l'occasion du Mariage de Madame Louise Elizabeth de France, et de Dom Philippe Infant d'Espagne

Cross section of the terrace of the Louvre where the marriage of Louise Elizabeth and Dom Philippe took place Cross section of the terrace of the Louvre where the marriage of Louise Elizabeth and Dom Philippe took place Includes key to tents.

Ink manuscript order of battle with hand-colored symbols for regiments. Ink manuscript order of battle with hand-colored symbols for regiments. Oblong folio; margins; creases. New York, Rockman Prints, 1964.

Copper engraving; illustrated view of tent camp with mounted group at left above, partially colored plan below. Shows a plan of the camp held in June 1784 between Munich and Dachau and the order of the regiments present. Copper engraving; illustrated view of tent camp with mounted group at left above, partially colored plan below. Shows a plan of the camp held in June 1784 between Munich and Dachau and the order of the regiments present. Upright medium folio, matted folio; plate mark, margins severely trimmed; soiled and stained. Munich, Wölfle, 1953.

Original ink and watercolor chart signed by Frischknecht, with 214 illustrations of half-length uniform figures of officer and man in pairs, composition of trophies at top. Original ink and watercolor chart signed by Frischknecht, with 214 illustrations of half-length uniform figures of officer and man in pairs, composition of trophies at top. Large upright folio; margins; very creased and worn. Hamburg, Helmut Gerhard Schulz, 1960.

Engraved plate, unsigned; detailed military map of city of Prague, encircled by units of Hungarian and Austrian armies; separate illustration, below map, of city under siege. Engraved plate, unsigned; detailed military map of city of Prague, encircled by units of Hungarian and Austrian armies; separate illustration, below map, of city under siege. Upright folio; margins; slight foxing.

Hand-colored engraving by and after Vianen; battle map at top after drawing by Mosburger, with allegorical figures, trophies and oval bust portraits of Marlborough and Villeroy; battle scene at bottom. Hand-colored engraving by and after Vianen; battle map at top after drawing by Mosburger, with allegorical figures, trophies and oval bust portraits of Marlborough and Villeroy; battle scene at bottom. Square large folio, matted; margins intact; clean. London, Parker Gallery, 1965.

Plan of the ballroom of the building where the marriage of Louise Elizabeth and Don Felipe took place Plan of the ballroom of the building where the marriage of Louise Elizabeth and Don Felipe took place De la Prevôté de Messire Michel Etienne Turgot; Chevalier Marquis de Sousmons Seigneur de St. Germain sur Eaulne, Vatierville et autres Leiux, Conseiller d'Etat, Prevost des Marchands, de l'Echivinage de Louis Henry Veron. Ecuyer Conseiller du Roy et de la Ville Edme Louis Meny. Ecuyer Avocat au Parlement, Conseiller du Roy Notaireau Châtelet, Louis Le Roy de Feteüil Ecuyer Cons.er du Roy, Quartinier, Thomas Germain, Ecuyer Orfeore Ordi.re du Roy, Antoine Moriau. Ecuyer Procureur et Avocat du Roy et de la Ville Jean Baptiste Jullien Taitbout. Ecuy.er Gressier en chef; et Jacques Boucot Ecuyer Conseiller du Roy. Includes key to rooms.

1 of 35 hand-colored line-engraved plates on paper; 3 figures in uniform; unbound a red leather portfolio. In 'Divise dell' Esercito Italiano nel 1870'. 1 of 35 hand-colored line-engraved plates on paper; 3 figures in uniform; unbound a red leather portfolio. In 'Divise dell' Esercito Italiano nel 1870'. Folio. New York, Heller, 1957 Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)