Watercolor signed and dated by Simpson, 21 Nov. 1878; view of tower and village in valley. From an album compiled by Simpson entitled 'Original sketches made in Afghanistan during the campaign of 1878-79 with the Peshawer Field Force'. Reproduced in the Illustrated London News, January 4, 1879 Watercolor signed and dated by Simpson, 21 Nov. 1878; view of tower and village in valley. From an album compiled by Simpson entitled 'Original sketches made in Afghanistan during the campaign of 1878-79 with the Peshawer Field Force'. Reproduced in the Illustrated London News, January 4, 1879 Large upright folio. London, Walter Spencer, 1953. Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

French war poster lists war aims and atrocities of the Germans. French war poster lists war aims and atrocities of the Germans. Printed in red, dark blue and orange on white paper; text in two columns. Between words of title illustration signed: P. Bompard 1918 of fasces inscribed: Université de France within laurel wreath. Text begins: Les Allemands ont violé leurs engagements d'honneur.

One of a collection of 3 original semi-caricature watercolor drawings, this one signed by Dighton. One of a collection of 3 original semi-caricature watercolor drawings, this one signed by Dighton. Small upright folio; margins; yellowed. N.Y., Walter Schatzki, 1963.

Hand-colored engraving caricature after Bunbury, published 1 October 1771. 'Satire on Parisian street-life: on the Pont Neuf various street-traders advertise their business. On the left, a 'dog-barber' with a sign reading, "Aux Quarante Lions St. Louis / Decrottte a l'Anglaise et Tond des Chiens Proprement. / Allons Messeigneurs Allons."; the dog on his lap, as yet untrimmed, barks at an elegantly clipped dog. Behind them a lemonade seller whose sign reads, "A La Renomme Bonne / Limonade Questqui Veut Boire". A chocolate seller with a large queue carrying a chocolate pot and a tray of cups with a parasol held over his head walks towrads the right. In the background, a fat woman holding a large basket on her back talks to a sentry, beside whom a dog defecates. Further to the right, an elegant lawyer walks towards the left ignoring those he passes; he carries a muff and, under his arm, a parasol. Behind him a coach driver, holding a very large muff and with elaborate curls protruding from his hat, is having his boots cleaned by a shoe-black whose sign reads, "Au Grand Monarque / Lebrillant va en Ville et Decrotte Joliment". On the right, a hairdresser with an elaborate wig walks towards the left with muff hanging around his neck and holding his curling tongs in one hand and a pot in the other; a smaller pair of tongs, or scissors, is tucked into the front of his coat' -- British Museum Hand-colored engraving caricature after Bunbury, published 1 October 1771. 'Satire on Parisian street-life: on the Pont Neuf various street-traders advertise their business. On the left, a 'dog-barber' with a sign reading, "Aux Quarante Lions St. Louis / Decrottte a l'Anglaise et Tond des Chiens Proprement. / Allons Messeigneurs Allons."; the dog on his lap, as yet untrimmed, barks at an elegantly clipped dog. Behind them a lemonade seller whose sign reads, "A La Renomme Bonne / Limonade Questqui Veut Boire". A chocolate seller with a large queue carrying a chocolate pot and a tray of cups with a parasol held over his head walks towrads the right. In the background, a fat woman holding a large basket on her back talks to a sentry, beside whom a dog defecates. Further to the right, an elegant lawyer walks towards the left ignoring those he passes; he carries a muff and, under his arm, a parasol. Behind him a coach driver, holding a very large muff and with elaborate curls protruding from his hat, is having his boots cleaned by a shoe-black whose sign reads, "Au Grand Monarque / Lebrillant va en Ville et Decrotte Joliment". On the right, a hairdresser with an elaborate wig walks towards the left with muff hanging around his neck and holding his curling tongs in one hand and a pot in the other; a smaller pair of tongs, or scissors, is tucked into the front of his coat' -- British Museum Large oblong folio; margins severely trimmed; spotted. New York, Walter Schatzki, 1958.

Wood-engraved illustration accompanied by short text; view along street, showing militia and band playing. From Ballou's Pictorial, Sept. 7, 1856 Wood-engraved illustration accompanied by short text; view along street, showing militia and band playing. From Ballou's Pictorial, Sept. 7, 1856 Small oblong folio, matted; margins.

Unsigned original watercolor view of tournament area and pavilions. Spectators and small figures in military costume in foreground Part of a larger set of 14 engravings and one watercolor, all mounted, or processions, views, etc. at various periods between 1592 and 1733. Large oblong folio; bound in 1/2 green morocco and green cloth stamped gold "Nürnberger Stückschiessen - 1592-1733".

An engraving of part of the city of Tivoli An engraving of part of the city of Tivoli Published in Illustrated Times, October 31, 1863, vol. 3, p. 284.

Engraving by Barlow, published 1789; view across river, showing Native Americans relaxing at left and soldier figures at far left in foreground, tent and hut encampment on far bank with boats tied up at shoreline, funeral procession ascending hill at right. Engraving by Barlow, published 1789; view across river, showing Native Americans relaxing at left and soldier figures at far left in foreground, tent and hut encampment on far bank with boats tied up at shoreline, funeral procession ascending hill at right. From Thomas Anburey, 'Travels through the Interior Parts of America' (London, William Lane, 1791). Anburey served as a lieutenant in the British Army under General Burgoyne. He was captured at Saratoga and served his time as a 'Convention Army' prisoner of war in Maryland and Virginia. Narrow oblong folio, matted; mounted on white paper; clean. Subtitle provided by cataloger. New York, Old Print Shop, 1975.

Color aquatint companion to The Interior of Hougoumont during the battle on the glorious 18th of June, 1815, by Sutherland after A.M.S., published Feby. 1st, 1816; troops, artillery etc. in village street, some soldiers drilling and some wounded being treated on slope near church at right, one woman tended wounded, anther offering refreshment, while a third woman links a soldiers, two soldiers carrying loot in left foreground. Color aquatint companion to The Interior of Hougoumont during the battle on the glorious 18th of June, 1815, by Sutherland after A.M.S., published Feby. 1st, 1816; troops, artillery etc. in village street, some soldiers drilling and some wounded being treated on slope near church at right, one woman tended wounded, anther offering refreshment, while a third woman links a soldiers, two soldiers carrying loot in left foreground. Oblong folio; margins trimmed; slightly soiled. London, Parker Gallery, 1955.

Original pencil drawing signed "Melton Prior, Canea"; raised bastion in background with flagstaffs, soldiers and tents etc. on ramparts in foreground. Original pencil drawing signed "Melton Prior, Canea"; raised bastion in background with flagstaffs, soldiers and tents etc. on ramparts in foreground. Reproduced in the Illustrated London News, March 20, 1897, page 391. London, Parker, 1968.

Color aquatint by Clark & Dubourg 'from an original drawing made on the Spot - by Lieut. Coll. Reeves, 27th Regt.', published Nov. 2, 1814; scene of battle about to begin; landscape vista with mountain town in background, French infantry, led by mounted officers in foreground, advancing from left, massed British troops facing them on distant ridge at right. Color aquatint by Clark & Dubourg 'from an original drawing made on the Spot - by Lieut. Coll. Reeves, 27th Regt.', published Nov. 2, 1814; scene of battle about to begin; landscape vista with mountain town in background, French infantry, led by mounted officers in foreground, advancing from left, massed British troops facing them on distant ridge at right. Oblong folio, matted; margins.

Hand-colored lithograph after Brannon, published June 9th, 1851; soldiers with men, women and children in street in front of Crystal Palace. Hand-colored lithograph after Brannon, published June 9th, 1851; soldiers with men, women and children in street in front of Crystal Palace. Oblong folio, margins; tear in left corner, slightly soiled.

Hand-colored engraving in ornamental border; soldiers landing from boats and advancing up cliff in right background. Hand-colored engraving in ornamental border; soldiers landing from boats and advancing up cliff in right background. Small upright folio, matted; plate mark, margins; clean. London, Parker Gallery, 1972.

Hand-colored engraving by and after Lizars; procession through street, Royal carriage halted in square at right to receive civic deputation. Hand-colored engraving by and after Lizars; procession through street, Royal carriage halted in square at right to receive civic deputation. Narrow oblong folio, matted; plate mark, margins trimmed; yellowed, edges worn. London, Parker Gallery, 1950.

Color aquatint by R. Havell & Son after Cockburn, published March 30, 1816; view across grass to long range of dormitory buildings, cadets returning from artillery practice in foreground. Color aquatint by R. Havell & Son after Cockburn, published March 30, 1816; view across grass to long range of dormitory buildings, cadets returning from artillery practice in foreground. Large oblong folio, matted; plate mark, margins; clean. London, Parker Gallery, 1951.

One of a collection of 4 pencil and wash drawings, signed with monogram, by Schönberg; mounted officers in right foreground watching distant battle, stretcher bearers, soldiers and mules in foreground. One of a collection of 4 pencil and wash drawings, signed with monogram, by Schönberg; mounted officers in right foreground watching distant battle, stretcher bearers, soldiers and mules in foreground. Published in the Illustrated London News, October 6, 1877, page 328-329 London, Charles J. Sawyer, 1969.

2nd in suite of 12 mounted aquatint plates of battles, military and camp scenes, views (by C. Turner after St. Clair); British army fording river in boats; troops in foreground at right, massed in distance on opposite shore at left; rocky cliff embankments in background. 2nd in suite of 12 mounted aquatint plates of battles, military and camp scenes, views (by C. Turner after St. Clair); British army fording river in boats; troops in foreground at right, massed in distance on opposite shore at left; rocky cliff embankments in background. Folio, unbound in maroon cloth portfolio, red leather label st. gold "St. Clair Peninsular Campaign - 1810"; titles and margins trimmed away; clean. From 'A Series of Views of the Principal Occurrences of the Campaigns in Spain and Portugal'. London, Francis Edwards, 1945.

Color lithograph by G. Hawkins after Baud, pr. by Day & Haghe; view of round tower etc., body of mounted lancers emerging from portal at left. Color lithograph by G. Hawkins after Baud, pr. by Day & Haghe; view of round tower etc., body of mounted lancers emerging from portal at left. From 'Gandy and Baud's Illustrations of Windsor Castle'. N.Y., Argosy, 1955.

Colored lithograph; view of city square or park on hilltop, with reservoir, infantry troop in formation at left; from music-sheet. Colored lithograph; view of city square or park on hilltop, with reservoir, infantry troop in formation at left; from music-sheet. Small folio, matted medium folio; margins; slightly soiled. New York, Harry H. Hymes, 1945.

Original unsigned watercolor (by Atkinson); view in open space near church and other buildings, showing group of Cossacks (?) resting and scavenging among bodies and battle debris. Original unsigned watercolor (by Atkinson); view in open space near church and other buildings, showing group of Cossacks (?) resting and scavenging among bodies and battle debris. Small oblong folio, matted; no margins; clean. Title supplied by cataloger. London, Spencer, 1952.

Original unsigned watercolor (by St. Clair); troop formations marching to and across shallow river and proceeding over hill in background, mountains in distance, mounted officers in center foreground. Original unsigned watercolor (by St. Clair); troop formations marching to and across shallow river and proceeding over hill in background, mountains in distance, mounted officers in center foreground. For 'A series of views of the principal occurrences of the campaigns in Spain and Portugal'. Title supplied by cataloger. London, Parker Gallery, 1967.

1st in suite of 12 mounted aquatint plates of battles, military and camp scenes, views (by C. Turner after St. Clair); panoramic view of British infantry fording river at right, mounted officers and peasants with cart in foreground, hills in background. 1st in suite of 12 mounted aquatint plates of battles, military and camp scenes, views (by C. Turner after St. Clair); panoramic view of British infantry fording river at right, mounted officers and peasants with cart in foreground, hills in background. Folio, unbound in maroon cloth portfolio, red leather label st. gold "St. Clair Peninsular Campaign - 1810"; titles and margins trimmed away; clean. From 'A Series of Views of the Principal Occurrences of the Campaigns in Spain and Portugal'. London, Francis Edwards, 1945.

Colored lithograph by Thayer after Lydston; view of encampment, soldiers in foreground, showing uniform, camp and buildings in background. Colored lithograph by Thayer after Lydston; view of encampment, soldiers in foreground, showing uniform, camp and buildings in background. Small folio, matted medium folio; margins; soiled. N.Y., Harry H. Hymes, 1942.

Hand-colored engraved plate of view by James Fittler after Sandby, numbered XCIX; showing small figures in uniform, wives, women and children. Hand-colored engraved plate of view by James Fittler after Sandby, numbered XCIX; showing small figures in uniform, wives, women and children. Oblong; plate mark, margins; upper left corner creased; borders yellowed. London, Spencer, 1955.

Hand-colored copper engraving after Phillips; perspective view of tent encampment and long line of troops awaiting inspection at right, mounted figures of King and military suite approaching at right. Hand-colored copper engraving after Phillips; perspective view of tent encampment and long line of troops awaiting inspection at right, mounted figures of King and military suite approaching at right. Narrow oblong folio, matted; margins intact; slightly yellowed.

Copper-engraved plate by Kneass, Young & Co. after Reinagle; landscape view with encampment in background and small figures of soldiers in foreground, one drinking from canteen. Copper-engraved plate by Kneass, Young & Co. after Reinagle; landscape view with encampment in background and small figures of soldiers in foreground, one drinking from canteen. Small oblong; margins; foxed. N.Y., Argosy, 1952.

Engraved unsigned print; view of tents in military camp, officer on horseback, man and woman observing in foreground; mounted in album containing 15 unsigned drawings. Engraved unsigned print; view of tents in military camp, officer on horseback, man and woman observing in foreground; mounted in album containing 15 unsigned drawings. Oblong, mounted in album; margins; clean. Paris, Delacre sale, 1961.

Colored engraving by Hammer; view across river showing government buildings, palaces, etc., mounted and dismounted figures of Guard Cossacks and men and women in foreground, woman with daughter and child on far right. Colored engraving by Hammer; view across river showing government buildings, palaces, etc., mounted and dismounted figures of Guard Cossacks and men and women in foreground, woman with daughter and child on far right. Large oblong folio, matted; margins slightly trimmed; repaired tears, clean. New York, Walter Schatzki, 1957. title provided by cataloger

Hand colored engraved plate (by and after de Bry, from German edition of his Voyages); bird's-eye panoramic view or map, showing city, harbor, river, etc. with Drake's fleet at anchor, troops being landed, troop formations mounting at tack outside city walls. Hand colored engraved plate (by and after de Bry, from German edition of his Voyages); bird's-eye panoramic view or map, showing city, harbor, river, etc. with Drake's fleet at anchor, troops being landed, troop formations mounting at tack outside city walls. Small oblong folio, matted; margins severely trimmed; clean. Title supplied by cataloger. N.Y., Argosy, 1968.

Colored lithograph by T. Picken after Shepherd, pr. by Day & Son, numbered 10; view along street, showing facades, troop of Life Guards and musicians on parade. Colored lithograph by T. Picken after Shepherd, pr. by Day & Son, numbered 10; view along street, showing facades, troop of Life Guards and musicians on parade. Oblong medium folio, matted; margins; marginal tears. London, Parker Gallery, 1954.