Photogravure published by Annan & Sons; full-length portrait in uniform, holding schapka in hand, horse in background. Photogravure published by Annan & Sons; full-length portrait in uniform, holding schapka in hand, horse in background. Large upright folio, matted; margins; clean. Presented by Christopher Bryant, 1990.

Original wash drawing, heightened in tempera, by Boyd, initialed A.S.B.' from a photograph by D. Kemp Edwards'; soldiers addressed by Sir W. Laurier from steps of platform, spectators in background. Original wash drawing, heightened in tempera, by Boyd, initialed A.S.B.' from a photograph by D. Kemp Edwards'; soldiers addressed by Sir W. Laurier from steps of platform, spectators in background. For The Graphic, April 14, 1900, page 524. London, Ifan Kyrle Fletcher, 1953.

Mezzotint proof by Say after Jackson published May 2d, 1825; 3/4-length portrait in uniform, holding hat at hip, outdoors. Mezzotint proof by Say after Jackson published May 2d, 1825; 3/4-length portrait in uniform, holding hat at hip, outdoors. Large upright folio, matted; plate mark, margins intact. N.Y., Rockman Prints, 1952.

One of a collection of 6 original watercolor caricatures, unsigned, probably by Alfy (pseudonym), dated 1876; showing rear view of man in uniform. One of a collection of 6 original watercolor caricatures, unsigned, probably by Alfy (pseudonym), dated 1876; showing rear view of man in uniform. Upright; no margins; clean. N.Y., Rockman Prints, 1961.

Steel engraving by H. Robinson after Evans; 3/4-length portrait in uniform, hatless, telescope in left hand. Illustration to Jerdan's 'National Portrait Gallery' (1834). Steel engraving by H. Robinson after Evans; 3/4-length portrait in uniform, hatless, telescope in left hand. Illustration to Jerdan's 'National Portrait Gallery' (1834). Small upright, inset in folio paper; margins; soiled.

Etching by Maris Cosway after Hennequin, published July 20, 1797; 3/4-length portrait, seated, in naval uniform, book in hand, near barred prison window. Etching by Maris Cosway after Hennequin, published July 20, 1797; 3/4-length portrait, seated, in naval uniform, book in hand, near barred prison window. Small upright folio, mounted on white paper; margins trimmed; browned. N.Y., Rockman Prints, 1962.

Mezzotint by Say after Porter, published June 19, 1802; full-length portrait in naval uniform, outdoors, holding document; kneeling Turk at right. Mezzotint by Say after Porter, published June 19, 1802; full-length portrait in naval uniform, outdoors, holding document; kneeling Turk at right. Large upright folio, matted; plate mark, margins trimmed; worn. N.Y., Rockman Prints, 1954.

Engraving by Caldwell after Hamilton, published July 7th, 1783; half-length portrait in naval uniform, hatless, right hand resting on sword, naval battle in background. Engraving by Caldwell after Hamilton, published July 7th, 1783; half-length portrait in naval uniform, hatless, right hand resting on sword, naval battle in background. Upright folio, matted; plate mark, margins trimmed; margins soiled. London, Maggs, 1954.

Mezzotint by War after Pickersgill, published Octr. 29, 1819; 3/4-length portrait in uniform and decorations, hatless, leaning on cannon. Mezzotint by War after Pickersgill, published Octr. 29, 1819; 3/4-length portrait in uniform and decorations, hatless, leaning on cannon. Upright folio, matted; plate mark, margins trimmed. London, Parker Gallery, 1950.

Mezzotint by Jacobé after Graff; 3/4-length portrait, seated, in Highland uniform. Mezzotint by Jacobé after Graff; 3/4-length portrait, seated, in Highland uniform. Upright folio, matted; plate mark, margins trimmed. London, Parker Gallery, 1950.

1 of 4 pen, ink and watercolor drawings on paper by Baskerville, this one signed and inscribed; full-length figure in uniform looking left; after a watercolor by Robert Dighton, Sr. in the Royal Collection, London 1 of 4 pen, ink and watercolor drawings on paper by Baskerville, this one signed and inscribed; full-length figure in uniform looking left; after a watercolor by Robert Dighton, Sr. in the Royal Collection, London Reference: A.E. Haswell-Miller and N.P. Dawney. Military Drawings and Paintings in the Royal Collection (1970), Vol. Two, No. 733, plate 259 Upright medium folio. London, Grosvenor Gallery, 2017 Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection., Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

Mezzotint by Boydell and James Watson after Grignion; 3/4-length portrait in naval uniform, hat in hand. Mezzotint by Boydell and James Watson after Grignion; 3/4-length portrait in naval uniform, hat in hand. Upright folio, matted; plate mark, margins intact; clean. N.Y., Argosy, 1955.

Original unsigned watercolor (by Atkinson); cavalry combat scene, Highland infantryman coming to assistance at left, near tree stump. Original unsigned watercolor (by Atkinson); cavalry combat scene, Highland infantryman coming to assistance at left, near tree stump. Small oblong folio, matted; margins; clean. London, Parker Gallery, 1960. Title supplied by cataloger.

Mezzotint by S.W. Reynolds after Hoppner; half-length portrait in uniform. Mezzotint by S.W. Reynolds after Hoppner; half-length portrait in uniform. Upright medium folio; margins severely trimmed; soiled. N.Y., Rockman, 1958.

Mezzotint by Green after Abbott; full-length portrait in uniform, hat in outstretched right hand, standing before cannon, ships in distance. Mezzotint by Green after Abbott; full-length portrait in uniform, hat in outstretched right hand, standing before cannon, ships in distance. Large upright folio, matted; plate mark; edges soiled. Boston, William J. MacPherson, 1959.

One of a pair of hand-colored etched caricature plates by and after Richard Dighton; full-length figure in navy uniform; undated. One of a pair of hand-colored etched caricature plates by and after Richard Dighton; full-length figure in navy uniform; undated. Upright folio, matted; plate marks, margins intact; clean. N.Y., Walter Schatzki, 1951.

Hand-colored aquatint by H. Meyer after Griffiths; bust portrait in uniform, arms below. Hand-colored aquatint by H. Meyer after Griffiths; bust portrait in uniform, arms below. Small upright folio, matted; plate mark, margins; slightly soiled. N.Y., Rockman Prints, 1949.

Mezzotint after Romney, published March 25, 1811; half-length portrait in service uniform, hatless. Mezzotint after Romney, published March 25, 1811; half-length portrait in service uniform, hatless. Upright folio, matted; margins trimmed; clean. London, Maggs, 1954.

Mezzotint after Worsdale; half-length portrait in uniform. Mezzotint after Worsdale; half-length portrait in uniform. Upright medium folio, matted; margins severely trimmed. London, Parker Gallery, 1956.

Engraving by Tanje after Fournier; equestrian portrait in uniform, riding toward left, battle in background. Engraving by Tanje after Fournier; equestrian portrait in uniform, riding toward left, battle in background. Upright folio, matted; margins trimmed; worn. N.Y., Rockman Prints, 1949.

Mezzotint by S.W. Reynolds, after Reynolds and Northcote, published 13. June, 1800; full-length portrait in uniform, sword in one hand, hat in the other, standing by horse. Mezzotint by S.W. Reynolds, after Reynolds and Northcote, published 13. June, 1800; full-length portrait in uniform, sword in one hand, hat in the other, standing by horse. Large upright folio, matted; plate mark, margins trimmed; worn. N.Y., Rockman Prints, 1952.

Stipple-engraving by P. Condé after Cosway; bust portrait in uniform, hatless, in oval enframement with cannon and trophies below. Stipple-engraving by P. Condé after Cosway; bust portrait in uniform, hatless, in oval enframement with cannon and trophies below. Small upright folio; plate mark, margins severely trimmed; worn. N.Y., Rockman Prints, 1964.

Mezzotint by Wm. Ward after Fowler, published August 1828; half-length portrait in Royal Horse Artillery uniform, hatless. Mezzotint by Wm. Ward after Fowler, published August 1828; half-length portrait in Royal Horse Artillery uniform, hatless. Upright folio, matted; plate mark, margins; yellowed. London, Parker Gallery, 1950.

Mezzotint by R.P. (Richard Purcell?) after Reynolds; 3/4-length portrait in armor with ribbon and star of Bath, helmet at left, outdoors. Mezzotint by R.P. (Richard Purcell?) after Reynolds; 3/4-length portrait in armor with ribbon and star of Bath, helmet at left, outdoors. Upright folio, matted; margins severely trimmed. N.Y., Argosy, 1950.

One of a collection of 11 partially hand-colored, tinted or uncolored etched caricatures by and after Kay of soldier figures and groups showing uniforms. Later included in his A Series of Original Portraits and Caricature Etchings, published 1837-1838. One of a collection of 11 partially hand-colored, tinted or uncolored etched caricatures by and after Kay of soldier figures and groups showing uniforms. Later included in his A Series of Original Portraits and Caricature Etchings, published 1837-1838. Upright; margins; some spotting in margins. Title supplied by cataloger. N.Y., Rockman Prints, 1963.

Hand-colored engraving; full-length portrait in red uniform jacket, blue hat, white breeches. Hand-colored engraving; full-length portrait in red uniform jacket, blue hat, white breeches. Small upright, matted; plate mark, margins trimmed; clean. New York, Harry H. Hymes, 1947.

Stipple-engraving by Cardon after Brown, published 1807; half-length portrait in naval uniform, hatless. Stipple-engraving by Cardon after Brown, published 1807; half-length portrait in naval uniform, hatless. Upright folio, matted; plate mark, margins intact; soiled. London, Parker Gallery, 1960.

Original sepia wash drawing signed by H(enry) Martens; infantryman assisting Sir Henry Lawrence from horse in conflict outside town, infantry advancing in background, dead cavalryman in foreground. Original sepia wash drawing signed by H(enry) Martens; infantryman assisting Sir Henry Lawrence from horse in conflict outside town, infantry advancing in background, dead cavalryman in foreground. For frontispiece of Charles Ball's 'The History of the Indian Mutiny'. N.Y., Rockman Prints, 1949. title provided by cataloger

Mezzotint by Sinclair after Crabb[e], published May 22nd, 1858; 3/4-length portrait in uniform, hatless; tents in desert in left background near mosque, fort on cliff at right. Mezzotint by Sinclair after Crabb[e], published May 22nd, 1858; 3/4-length portrait in uniform, hatless; tents in desert in left background near mosque, fort on cliff at right. Large upright folio, matted; plate mark, margins; clean. An identical portrait by George Frederick Clarke (1823-1906) hangs in Regent's Park College, University of Oxford. London, Parker Gallery, 1972.

Engraved plate (from magazine); full-length portrait in uniform with sword. Engraved plate (from magazine); full-length portrait in uniform with sword. Small upright; plate mark, margins trimmed; slightly yellowed and soiled. From the Hibernian Magazine. N.Y., Argosy, 1955.