Steel-engraved plate from book by Augustus Robin after Stephens; military group with officer offering sword. Steel-engraved plate from book by Augustus Robin after Stephens; military group with officer offering sword. Upright; margins intact; soiled. N.Y., Argosy, 1952.

Color reproduction (from book?) of lithograph by N. Currier, 1852, after Trumbull; surrender scene, showing Washington, British and American officers outdoors, near tent and cannon. Color reproduction (from book?) of lithograph by N. Currier, 1852, after Trumbull; surrender scene, showing Washington, British and American officers outdoors, near tent and cannon. Small oblong folio; margins; clean. Hanover, N.H., Book & Print Shop, 1956.

Steel-engraved plate from book by G.B. Ellis after Morton; group of officers in right foreground, cannon left center foreground and troops in background. Steel-engraved plate from book by G.B. Ellis after Morton; group of officers in right foreground, cannon left center foreground and troops in background. Small oblong; margins; soiled and foxed. N.Y., Argosy, 1952.

Color lithograph by Baillie; Washington, near tent with officers, accepting sword from Cornwallis at right, with officers, cannon at right, French fleet offshore in distance. Color lithograph by Baillie; Washington, near tent with officers, accepting sword from Cornwallis at right, with officers, cannon at right, French fleet offshore in distance. Oblong small folio, matted; margins; clean. N.Y., Weyhe, 1942.

Color lithograph by Currier; Washington at left, outside tent with officers, receiving sword from Cornwallis, accompanied by his own officers at right. Color lithograph by Currier; Washington at left, outside tent with officers, receiving sword from Cornwallis, accompanied by his own officers at right. Upright medium folio, matted; margins; clean. New York, Harry H. Hymes, 1943.

Hand-colored steel-engraving (from book) by Hinshelwood after Chapin; Washington and staff, mounted receiving sword from Cornwallis and officers, French hussars at left. Hand-colored steel-engraving (from book) by Hinshelwood after Chapin; Washington and staff, mounted receiving sword from Cornwallis and officers, French hussars at left. Oblong, matted small folio; margins; clean. N.Y., Old Print Shop, 1955.

A town scene in Warendorf, Germany, with white surrender flags hanging outside the buildings. A Red Cross truck and guards are at the far end of the street. A town scene in Warendorf, Germany, with white surrender flags hanging outside the buildings. A Red Cross truck and guards are at the far end of the street. Chapman served in the U.S. Army and sketched scenes stateside, in convoy, and in England before being transferred in 1944 to the Public Relations and Historical Section of the 84th Infantry Division to produce work on the Battle of Germany. He also did cartoons for the 84th divisional newspaper and Stars & Stripes.

5th in collection of 32 colored and 2 uncolored large aquatint plates of campaign, battle and other scenes by and after Rugendas, some engraved by Küpfer; uncolored plate, massed infantry groups marching down road in countryside toward town in right background; battle underway on ridge at left. 5th in collection of 32 colored and 2 uncolored large aquatint plates of campaign, battle and other scenes by and after Rugendas, some engraved by Küpfer; uncolored plate, massed infantry groups marching down road in countryside toward town in right background; battle underway on ridge at left. Large oblong folio, matted giant folio; plates I-XX in orange marble board portfolio, plates XXI ff. in blue marble board portfolio, black cloth backs; clean. London, Redfern (Maggs), 1956.

Sepia aquatint (by and after Kobell); cavalry combat, presumably Bavarian. Sepia aquatint (by and after Kobell); cavalry combat, presumably Bavarian. Oblong folio, mounted on white board; matted; margins trimmed close; some creases in upper right corner. Title supplied by cataloger. Hamburg, Helmet Garhard Schulz, 1955.

Helmeted doctors, wearing surgical gowns and masks, carry out an operation on a wounded Marine by the light of a handheld lamp. Helmeted doctors, wearing surgical gowns and masks, carry out an operation on a wounded Marine by the light of a handheld lamp. Reeks joined the USMC in 1941 and saw action on Guadalcanal, New Georgia, Bougainville and Saipan. He was the only official combat artist to land on Iwo Jima with the invasion force and spent thirty days on the island sketching the campaign.

Lithograph by A. Hoffy; 1/2 length portrait in uniform, after daguerreotype by T.P. Collins. Lithograph by A. Hoffy; 1/2 length portrait in uniform, after daguerreotype by T.P. Collins. Upright medium folio, matted; slightly trimmed; slightly soiled.

Mezzotint (proof) by Tomkins (after Sir George Reid); 3/4-length portrait in uniform, hatless, standing in front of a blackboard bearing chalked equations. Mezzotint (proof) by Tomkins (after Sir George Reid); 3/4-length portrait in uniform, hatless, standing in front of a blackboard bearing chalked equations. Upright folio; margins intact; clean. N.Y., Rockman Prints, 1958. title provided by cataloger

89th in set of 100 numbered signed watercolors of uniform figures by Boisselier; standing figure of hussar officer in light blue uniform, white trim, russet cape over shoulder. 89th in set of 100 numbered signed watercolors of uniform figures by Boisselier; standing figure of hussar officer in light blue uniform, white trim, russet cape over shoulder. Unbound; in 1/4 blue leatherette and marble board portfolio lettered gold on back "Armée de Naples", and with original tempera painting of trophies on cover; clean. Paris, Cart, 1951.

Colored lithograph by Langlumé after J. A.; grenadier fingering decoration and lancier polonais, their hands clasped, in conversation outdoors. Colored lithograph by Langlumé after J. A.; grenadier fingering decoration and lancier polonais, their hands clasped, in conversation outdoors. Upright folio; margins intact; clean. Paris, Franck sale, 1955.

Original ink and watercolor drawing signed by Elim and inscribed below "sur la route de Sedan Novembre 1915"; wagons and mounted drivers advancing along country road in fog. Original ink and watercolor drawing signed by Elim and inscribed below "sur la route de Sedan Novembre 1915"; wagons and mounted drivers advancing along country road in fog. Oblong folio, matted; no margins; clean. London, Parker Gallery, 1968. subTitle supplied by cataloger

Colored engraved prrint, published by Humphries; profile view of Mameluke cavalryman, in pink blouse, feathered cap, galloping toward left, firing pistol. Colored engraved prrint, published by Humphries; profile view of Mameluke cavalryman, in pink blouse, feathered cap, galloping toward left, firing pistol. Narrow oblong folio; margins; clean.

Original pencil drawing by Karl Rittmann mounted on board; view of supply truck near tree, ships in distance, dated Manila 11 Aug 45. Original pencil drawing by Karl Rittmann mounted on board; view of supply truck near tree, ships in distance, dated Manila 11 Aug 45. Gift of Larry Rittman, 2021 Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

4th in suite of 8 mounted small oval engraved pl. by Huchtenburgh after van der Meulen; also, suite of 6 large mounted oblong engraved plates by same; supply train moving toward walled town; soldier walking with 2 pack horses in foreground right. 4th in suite of 8 mounted small oval engraved pl. by Huchtenburgh after van der Meulen; also, suite of 6 large mounted oblong engraved plates by same; supply train moving toward walled town; soldier walking with 2 pack horses in foreground right. Oblong; bound in blue cloth, white leather label stamped gold.

Led by a hefty butcher carrying a flag, the British Supplementary Militia marches under the sign of St. George defeating the dragon. An old campaigner, missing an eye and without legs, cheerfully beats a drum and urges the group onwards. Among the members of the ragged troops, Gillray has included a barber, a tailor, a painter in the Royal Academy of Arts, a brick layer and a cobbler in the front row. Margaret George has identified the depicted artist as Hoppner, who in life was attractive and successful at his trade. Led by a hefty butcher carrying a flag, the British Supplementary Militia marches under the sign of St. George defeating the dragon. An old campaigner, missing an eye and without legs, cheerfully beats a drum and urges the group onwards. Among the members of the ragged troops, Gillray has included a barber, a tailor, a painter in the Royal Academy of Arts, a brick layer and a cobbler in the front row. Margaret George has identified the depicted artist as Hoppner, who in life was attractive and successful at his trade. Published by Hannah Humphrey, 1796-11-25. British Museum, BM 8840. This image is not listed in Broadley. According to George, the print refers to William Pitt's proposal of October, 18, 1796. Pitt proposed that provisions be made for a supplementary militia of 60,000 men, one sixth of which to be in training in successive twenty day periods. Caption: Pubd Novr 25, 1796. by H. Humphrey New Bond Street

A group of soldiers sit around a table in a barracks at mealtime. This is the recto of the drawing entitled "Soldier Writing of Drawing." A group of soldiers sit around a table in a barracks at mealtime. This is the recto of the drawing entitled "Soldier Writing of Drawing." Served with the U.S. Army Air Force in Italy and his B-17 bomber was shot down over Germany in June 13, 1944. Captured, he was interned in Stalag Luft 3 until liberated the following year.

4th in collection of 14 watercolors of uniform figures and groups by Lawson, after original documents; mounted officer in green jacket and turban, facing right. 4th in collection of 14 watercolors of uniform figures and groups by Lawson, after original documents; mounted officer in green jacket and turban, facing right. Unbound; clean; in red cloth case, green leather labels st. gold "Indian State Troops. Water-colors by C.C.P. Lawson from original documents". London, Lawson, 1959.

1 page; 1 wood engraved illustration of carriage, showing livery and uniform of coachman and military attendants. 1 page; 1 wood engraved illustration of carriage, showing livery and uniform of coachman and military attendants. From Gleason's Pictorial, January 3, 1852, page 12. New York, Milton L. Bernstein, 1946.

Sunset view of troop ships, which appear as silhouettes in the distance. The watercolor shows hazy atmospheric conditions. Sunset view of troop ships, which appear as silhouettes in the distance. The watercolor shows hazy atmospheric conditions. Morton joined the army in July 1942 and after training at Fort Meade, sailed for England in March 1944 as a technician with the 603rd Engineer Camouflage Battalion. He served in Europe with the 23rd Headquarters Special Troops (the so-called 'Ghost Army') in France, Germany, and Luxembourg. Gift of the artist, 1994.

Original ink wash drawing, signed and dated by Day, of a soldier on a ship looking out to sea; several warships in the distance. Original ink wash drawing, signed and dated by Day, of a soldier on a ship looking out to sea; several warships in the distance. Oblong medium folio; no margins; clean.

Original unsigned pen and ink sketch; 3 soldiers outside tents in bivouac at sunset. Original unsigned pen and ink sketch; 3 soldiers outside tents in bivouac at sunset. Oblong medium folio, matted; yellowed.

Original watercolor by Pfc Karl R. Rittmann; soldier lying in bed reading newspaper Original watercolor by Pfc Karl R. Rittmann; soldier lying in bed reading newspaper Gift of Larry Rittman, 2021 Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection, Brown University Library Digital object made available by: Brown University Library, John Hay Library, University Archives and Manuscripts, Box A, Brown University, Providence, RI, 02912, U.S.A., (http://library.brown.edu/)

Colored lithograph by F. Jones after Simpson, printed by Day & Son; soldiers practicing building field-works etc. on lawn, former country house in right background. Colored lithograph by F. Jones after Simpson, printed by Day & Son; soldiers practicing building field-works etc. on lawn, former country house in right background. Oblong folio, matted; margins; clean. London, Parker Gallery, 1950.

One of a collection of 30 original watercolors of costume figures including many showing military costume and court costume. Woman facing right with salmon coat, green and white dress. One of a collection of 30 original watercolors of costume figures including many showing military costume and court costume. Woman facing right with salmon coat, green and white dress. Folio, unbound; in red cloth case, green leather backstrip stamped gold; clean.

Color lithograph by Gauci; sultan in fur-trimmed robe riding towards left along rampart or promenade above harbor. Plate from Charles Macfarlane, 'Constantinople in 1828. A residence of sixteenth months in the Turkish capital and provinces; with an account of the present state of the naval and military power, and of the resources of the Ottoman Empire', London, Saunders and Otley, 1829. Color lithograph by Gauci; sultan in fur-trimmed robe riding towards left along rampart or promenade above harbor. Plate from Charles Macfarlane, 'Constantinople in 1828. A residence of sixteenth months in the Turkish capital and provinces; with an account of the present state of the naval and military power, and of the resources of the Ottoman Empire', London, Saunders and Otley, 1829. Upright, matted; margins; yellowed. New York, Maurice Sloog, 1949.

Engraving; portrait of sultan in ceremonial dress, on horse with ornamental coverings, view of Constantinople in distance; poem (by Sigmund von Birken, 1626-1681, dating from 1664) below image. Engraving; portrait of sultan in ceremonial dress, on horse with ornamental coverings, view of Constantinople in distance; poem (by Sigmund von Birken, 1626-1681, dating from 1664) below image. Upright folio, matted; margins trimmed close; slightly soiled. Identified as either Sultan Achmed I (reigned 1603-1617) or Ahmet Chan, known as Sultan Muhammet or Mehmet IV, who reigned until 1687. It may also be a depiction of Suleyman the Magnificent, used here to represent Achmed I. N.Y., Rockman Prints, 1954.