Prints, Drawings and Watercolors from the Anne S.K. Brown Military Collection
This vast digital collection of military artwork from the 16th through 20th centuries, vividly documents all aspects of military and naval history, with emphasis on the history and illustration of world military and naval uniforms from the 17th century to the present. In addition to the material on military and naval dress, the collection contains thousands of battle and campaign scenes, portraits, caricatures, wartime posters, original photographs, material pertaining to military decorations and insignia, heraldic ornaments, armor, weaponry, equitation, flags, knightly orders, court and ceremonial dress, architecture, and the general history of costume.
Color plate after Detaille, pinted by Gillot; standing uniform figure of Highlander with drum. Color plate after Detaille, pinted by Gillot; standing uniform figure of Highlander with drum. Small upright folio, matted; margins intact; clean.
30th in collection of 66 original ink and watercolor drawings of uniform figures (semi-caricatures, not contemporary) by Brouillet; standing figure of drummer in yellow jacket, white trousers, grenadier hat, playing drum. 30th in collection of 66 original ink and watercolor drawings of uniform figures (semi-caricatures, not contemporary) by Brouillet; standing figure of drummer in yellow jacket, white trousers, grenadier hat, playing drum. Unbound; in red cloth case, red leather label st. gold "J. Brouillet. British and Egyptian troops in Egypt, 1798-1800"; clean.
5th in collection of 7 uncolored copper-engraved plates, by Le Prince; standing figure of drummer in long coat, cap, carrying large drum toward right. 5th in collection of 7 uncolored copper-engraved plates, by Le Prince; standing figure of drummer in long coat, cap, carrying large drum toward right. Small folio; bound in green cloth, red leather label stamped gold; clean. Leichtenstein-Hauslab Collection, 1951.
One of a collection of 88 original watercolors signed by Finart of Russian, British, Austrian, Bavarian, Prussian and French uniform figures. Drummer facing left, with tents and soldiers in background. One of a collection of 88 original watercolors signed by Finart of Russian, British, Austrian, Bavarian, Prussian and French uniform figures. Drummer facing left, with tents and soldiers in background. Unbound, ; clean; in red marble board slipcase, red leather back stamped gold. Paris, Grangié sale, 1963. Series title supplied by cataloger.
5th in suite of 10 finely-detailed, unsigned original watercolors; uniform figure of drummer in red, white and blue striped coat and tricorn hat, standing, drumming large blue drum; title in pencil on verso. 5th in suite of 10 finely-detailed, unsigned original watercolors; uniform figure of drummer in red, white and blue striped coat and tricorn hat, standing, drumming large blue drum; title in pencil on verso. Upright folio, unbound, in red board portfolio stamped gold "Costumes Suisses", red leather back; margins; slight foxing, portfolio rubbed. Zürich, August Laube, 1953.
One of a collection of 16 hand-colored engraved plates of uniform figures after Hoffmann. Figure in blue and red playing drum, other drummers in background. One of a collection of 16 hand-colored engraved plates of uniform figures after Hoffmann. Figure in blue and red playing drum, other drummers in background. Upright folio, unbound; in blue cloth slipcase, white leather label stamped gold. Paris, auction, 1964.
Duplicate plate, from collection of 14 hand-colored engraved plates of military uniforms, being (n) Tambour des Cent-Suisses. Duplicate plate, from collection of 14 hand-colored engraved plates of military uniforms, being (n) Tambour des Cent-Suisses. Upright, matted; margins trimmed close; slightly yellowed. Paris, Grangié sale, 1963.
One of a collection of 98 unsigned original watercolors of uniform figures in outdoor backgrounds, possibly by Weiland; inlaid and bound in album. Figure in red, white and blue with drum. One of a collection of 98 unsigned original watercolors of uniform figures in outdoor backgrounds, possibly by Weiland; inlaid and bound in album. Figure in red, white and blue with drum. Mounted small folio; bound in 1/4 red morocco stamped gold and marble boards; clean. New York, H.P. Kraus, 1951.
One of two hand-colored engraved plates (Garde-Françoise (and) Tambour de Grenadiers du Rét. des Gardes Francses) of uniform figures, outdoors, after Hoffmann. One of two hand-colored engraved plates (Garde-Françoise (and) Tambour de Grenadiers du Rét. des Gardes Francses) of uniform figures, outdoors, after Hoffmann. Small medium folio; margins intact; clean; matted. Paris, Grangié sale, 1963.
One of a collection of 16 hand-colored engraved plates of uniform figures after Hoffmann. Figure in red, white and blue, drumming on drum, soldiers and tent in background. One of a collection of 16 hand-colored engraved plates of uniform figures after Hoffmann. Figure in red, white and blue, drumming on drum, soldiers and tent in background. Upright folio, yellowed and soiled, unbound; in 1/4 blue morocco and blue decorated board slipcase stamped gold "N. Hoffmann - French uniforms, 1775-1788". New York, Rockman Prints, 1949.
One of a collection of 114 watercolor drawings of uniform figures of regiments in foreign service (said to be copied after N. Hoffmann). Figure in blue, white and gold with baton facing left. One of a collection of 114 watercolor drawings of uniform figures of regiments in foreign service (said to be copied after N. Hoffmann). Figure in blue, white and gold with baton facing left. Small folio, bound in red cloth, white leather label stamped gold; clean. Zurich, August Laube, 1953.
One of a collection of 114 watercolor drawings of uniform figures of regiments in foreign service (said to be copied after N. Hoffmann). Figure in red, white and blue playing drum. One of a collection of 114 watercolor drawings of uniform figures of regiments in foreign service (said to be copied after N. Hoffmann). Figure in red, white and blue playing drum. Small folio, bound in red cloth, white leather label stamped gold; clean. Zurich, August Laube, 1953.
Original unsigned ink and watercolor drawing (by Raffet); drum-major and 2 drummers on crest of hill in battle, wounded or dead soldiers on ground nearby. Original unsigned ink and watercolor drawing (by Raffet); drum-major and 2 drummers on crest of hill in battle, wounded or dead soldiers on ground nearby. Small upright folio, matted; no margins; slightly creased. London, Redfern, 1955.
One of a collection of 34 watercolors signed, and some dated, by Drexler of uniform figures, some copied from various artists or documents. Figure in orange coat playing blue drum. One of a collection of 34 watercolors signed, and some dated, by Drexler of uniform figures, some copied from various artists or documents. Figure in orange coat playing blue drum. Unbound; in blue cloth slipcase, beige leather label stamped gold. Munich, Wölfle, 1969.
15th in series of 115 colored prints of oil paintings, signed by Legras, of uniform figures from French military units; drummer in long gray-green overcoat, red trousers and kepi, wearing backpack, holding drum, facing left. 15th in series of 115 colored prints of oil paintings, signed by Legras, of uniform figures from French military units; drummer in long gray-green overcoat, red trousers and kepi, wearing backpack, holding drum, facing left. Upright folio, unbound, in green portfolio with white label, "Etudes de types militaires"; clean.
One of a collection of 12 original watercolor drawings of uniform figures and group, copied from original in the British Museum plus manuscript muster-roll of officers. Figure in yellow and white with red trim and red boots holding drum. One of a collection of 12 original watercolor drawings of uniform figures and group, copied from original in the British Museum plus manuscript muster-roll of officers. Figure in yellow and white with red trim and red boots holding drum. Unbound, in tan board portfolio, pink paper cover label lettered black, slightly yellowed. London, Francis Edwards, 1952.
One of a suite of 10 original unsigned watercolors of uniform figures of local troops of Madeira. Figure in blue and white, right hand raised. One of a suite of 10 original unsigned watercolors of uniform figures of local troops of Madeira. Figure in blue and white, right hand raised. Unbound; white paper tied with green ribbon; in red cloth slipcase, green leather label stamped gold. Oxford, Rosenthal, 1964.
One of a suite of 10 original unsigned watercolors of uniform figures of local troops of Madeira. Figure in salmon, right hand raised. One of a suite of 10 original unsigned watercolors of uniform figures of local troops of Madeira. Figure in salmon, right hand raised. Unbound; white paper tied with green ribbon; in red cloth slipcase, green leather label stamped gold. Oxford, Rosenthal, 1964.
Original unsigned ink and watercolor drawing; Irish insurrectionists attacking and fleeing from British or militia riflemen in right foreground, in countryside. Original unsigned ink and watercolor drawing; Irish insurrectionists attacking and fleeing from British or militia riflemen in right foreground, in countryside. Oblong medium folio, matted; margins; soiled. N.Y., Rockman Prints, 1950.
One of 34 aquatint proofs (?) partially tinted and captioned in ink (by Smith?). Officer standing pointing, mounted figures behind One of 34 aquatint proofs (?) partially tinted and captioned in ink (by Smith?). Officer standing pointing, mounted figures behind Folio, unbound; in red cloth case, red leather label stamped gold "C. H. Smith. Costume of the British Army. Original Drawings"; soiled, worn, plate mark. Bedford, Peter Young, 1950.
One of a collection of 6 original matted watercolors signed by Heath of military scenes and battles. One of a collection of 6 original matted watercolors signed by Heath of military scenes and battles. Small oblong folio, unbound; in red cloth slip-case, red leather label stamped gold; soiled, margins trimmed. London, Parker Gallery, 1951.
Hand-colored engraving (crude); highland soldiers and officers, landing from ships and advancing on city, cannon and flags on either side; [see also The Spanish governor surrendering the keys to General Beresford; and The British troops entering the Citadel]. Hand-colored engraving (crude); highland soldiers and officers, landing from ships and advancing on city, cannon and flags on either side; [see also The Spanish governor surrendering the keys to General Beresford; and The British troops entering the Citadel]. Narrow small oblong folio, matted together; margins severely trimmed; soiled. N.Y., Rockman Prints, 1955.
One of 7 original watercolors, signed lower right, 'H.S. Bush'; soldiers in foreground near campfire, flags and drum; massed formations of troops in valley, ships in distance in harbor. One of 7 original watercolors, signed lower right, 'H.S. Bush'; soldiers in foreground near campfire, flags and drum; massed formations of troops in valley, ships in distance in harbor. Oblong watercolor on paper mounted on card; no margins; card yellowed. Lieut. Henry Stratton Bush of the 41st Welsh Regt. of Foot was at the Alma and the siege of Sebastopol--per dealer. Stow-on-the-Wold, Christopher Clarke Antiques, 2007
The work depicts Capece's journey after being shot down and found by a German farmer. He is seen being observed by German civilians, including men, women and children; driven on a motorcycle into town; taken to the hospital by German Luftwaffe officers in an automobile; visiting with the injured pilot and navigator in the hospital; and being put on a train by German soldiers for a prisoner of war camp. There is also a study on the reverse side of the sheet, depicting a building and reclining figures in a sketchy manner. The work depicts Capece's journey after being shot down and found by a German farmer. He is seen being observed by German civilians, including men, women and children; driven on a motorcycle into town; taken to the hospital by German Luftwaffe officers in an automobile; visiting with the injured pilot and navigator in the hospital; and being put on a train by German soldiers for a prisoner of war camp. There is also a study on the reverse side of the sheet, depicting a building and reclining figures in a sketchy manner. Served with the U.S. Army Air Force in Italy and his B-17 bomber was shot down over Germany in June 13, 1944. Captured, he was interned in Stalag Luft 3 until liberated the following year.
words by Corp. W.H. Goodfellow ; music by C.W. MacDonald. Caption title. First line: Ev'ry brave and noble soldier has a mother who gives him love and strength like no other. Chorus: Ev'ry thought of mother is music to his ear. Cover illustration: soldier on the battlefield with a wound to his head thinking about when he was a child in his mother's arms. Publisher's advertisement on p.[4]: "Yankee Doodle's in the fight to stay" with a facsimile of music. Printed in blue. Not in Vogel.
Original pen and ink sketch signed and dated by Fisher; seated soldier resting open-mouthed, hand and elbow on knees. Original pen and ink sketch signed and dated by Fisher; seated soldier resting open-mouthed, hand and elbow on knees. Fisher served overseas during World War Two as a map specialist with the U.S. Army's 30th Topographic Engineers.
Original pencil sketch, signed and dated by Murphy. Bust portrait of Hideko Takamine, film actress in Tokyo, as seen backstage in 1945. Original pencil sketch, signed and dated by Murphy. Bust portrait of Hideko Takamine, film actress in Tokyo, as seen backstage in 1945. Murphy joined the New York 7th Regiment in 1940 and trained at Camp Stewart, Georgia. He sailed to Australia in 1943 and served on General MacArthur's staff. Later he went to New Guinea and the Philippines before moving on to Japan following the surrender.
Collodion print sepia photograph; frontal view of Taj Mahal, slightly elevated. Collodion print sepia photograph; frontal view of Taj Mahal, slightly elevated. Oblong; no margins; edges slightly wrinkled. title provided by cataloger
Original pen and ink and wash sketch signed and dated by Murphy, of a group of men and women and one child. Original pen and ink and wash sketch signed and dated by Murphy, of a group of men and women and one child. Murphy joined the New York 7th Regiment in 1940 and trained at Camp Stewart, Georgia. He sailed to Australia in 1943 and served on General MacArthur's staff. Later he went to New Guinea and the Philippines before moving on to Japan following the surrender.