French fold On p. [4]: Broadside no. 1 / poem by Charles Olson ; design by Nicola Cernovich. Black Mountain College Graphics Workshop, Black Mountain, North Carolina 1952 Title from p. [1]; also at head of text. One of 30 copies; cf. Butterick & Glover Printed in brown on various shades of paper; hand-painted silk screen ill. on p. [1] Issued with mailing envelope First printings of Amer. authors, III, p. 262; Butterick & Glover. Olson, A6 Hay Broadsds Harris copy: Printed on orange paper; without the mailing envelope

Printed in one and two columns divided by single lines wwithin double line border with ornamental corner. In lower margin below border: Press of T.R. Marvin & Co., 24 Congress Street.

Contains two original hymns. Within line border with ornamental corners.

Printed in one and two columns divided by single lines within border of type ornaments.

Pages [1] and [4] blank. Program with text of hymns.

Poetry and prose. Printed in one and two columns.

Printed in purple on glossy white paper. At head of title illustration of two cherubs. Poem in two four-line stanzas. Suggested publication date from acquisition date of Brown University copy.

Air: Tenting on the Old Camp Ground. At head of text: Dedicated to the American Red Cross, the Army Y.M.C.A., and the Cause of American Liberty.

Air: Tenting on the Old Camp Ground. At head of text: Dedicated to the American Red Cross, the Army Y.M.C.A., and the Cause of American Liberty.

Air: Tenting on the Old Camp Ground. At head of text: Dedicated to the American Red Cross, the Army Y.M.C.A., and the Cause of American Liberty.

Poetry in 4 stanzas printed on terracotta paper. Within ornamental border. At end of text: Compliments of Franklin Institute, Rochester, N.Y.

Title from first line.

Title from first line.

1 broadsheet. Printed on card stock. At head lithograph of man turning away organ grinder with monkey; at bottom price list for wood and coal. On verso: Hunt's melodies [First line: Jack Frost puts his nose in]

Page [4] blank. Text on page [1] within double line border. Cover title. Running head extending over pages [2]-[3]: Be watchful, and strengthen the things that remain. "Printed for Parish Distribution, Portsmouth, January First, Nineteen Hundred Eighteen. Type-signed at end: Lucius H. Thayer.

Broadsheet. On verso poem in six four-line stanzas. On verso within border of type ornaments at top and bottom hand-colored wood-engraving of man carrying basket of buns on his head and boy carrying kite. Text on recto: Reward of merit. This certifies, that [blank] for diligence and attention to studies, and good conduct in school, merits my approbation and esteem. [blank] Instructor. Suggested range of publication dates from internal evidence.

Within border of type ornament sections. Text of song in five four-line stanzas with four-line chorus beginning: You may call me a quiz, you may call me a pry. Suggested range of publication dates from internal evidence.

Within double line border. Air: Irish washerwoman.

Printed in two columns. Wood-engravings on each side of title. At end of text in second column: N. Coverly, Jr. Printer, Milk-St. Boston. Thomas L. Philbrick in "British authorship of ballads in the Isaiah Thomas Collection" in Studies in bibliography, papers of the Bibliographical Society of the University of Virginia, v. 9, 1957, pp. 255-258, attributes "Thimble's scolding wife" to George Colman, Jr. and "The Boston beau and the cow" to Charles Dibdin. Coverly was listed at above address from 1810 to 1824. Broadside printed not later than 1814.

Reprinted with permission of the New York Herald Tribune.

Reprinted with permission of the New York Herald Tribune.

Reprinted with permission of the New York Herald Tribune.

Revised version.